Bøger udgivet af Promopress

Poppies, plantains, elderberries, chamomile, wild roses... These are just a few of the wildflowers that we come across in our gardens or during walks. For the watercolourist, however, their translucent petals and subtle hues are irresistible. In this inspiring how-to book, Gaëtane Nicoulin, a passionate watercolourist and lover of nature, teaches us how to recognise and paint wildflowers, providing readers with the watercolour techniques we need to paint flowers that grow naturally in fields and meadows. The author invites us to go out and encounter these flowers ourselves, sharpening our observation and interpretation skills and developing our own style. A valuable resource for artists at all levels, the book includes a step-by-step study of 20 plants and 5 detailed projects for creating floral compositions, in addition to specific painting techniques and tips. Gaëtane's approach to flowers is also a celebration of the untamed nature that surrounds us, inviting us to observe and to depict wildflowers in simplified versions which capture their essence. In addition to encouraging us to engage in a more contemplative kind of painting, the book also offers recipes involving berries and flowers that teach us how to identify and enjoy the many benefits of nature.

In the world of tattoo art, few traditions can rival the elaborate and refined artistry of Japanese tattoos. In this richly illustrated book, readers will find a wealth of detailed information about the history of this unique folk art, its relation to literature and art as well as great colour photographs of their work. Remarkable for the richness of their iconography, the balance of their compositions, and their refinement in details, Japanese tattoos have seduced since the fifteenth century Western travellers, merchants and later, in the 18th and 19th century sailors, soldiers, eccentrics and artists such as Degas, Monet, and Toulouse-Lautrec. The book shows the historical influence of Japanese tattooing on the worldwide tattoo community and its integration into the modern global cultural landscape. With over 270 illustrations, this book is a powerful tribute to the artistry, skill, and enduring charm of Japanese tattooing. Perfect for tattoo enthusiasts, this comprehensive and visually stunning book is a must-have also for East Asian art lovers and those with an appreciation for cultural traditions.

Jesús Cisneros is a celebrated international illustrator whose work is characterised by its economy of elements, simple, almost minimalist strokes, and a limited selection of colours to breathe life into highly evocative drawings. This book filled with vibrant images presents Cisneros's creative processes as the artist shares insights about inspiration, improvisation, personal style, and artistic evolution. The author includes an illuminating interview woven throughout the text and gives glimpse into Cisneros's personal notebooks, showcasing the research and exploration that underpins his magical scenes. From experimental workshops conducted with young people worldwide to commissioned works and his own expressive and introspective pieces illustrating poetry and prose, children's books and theatre scenery, the breadth of Cisneros's art unfolds before readers' eyes. The reader accompanies the artist as he wields brushes worn with time, dipping them into jars of paint and sketching on squares of vegetable paper. We witness the subtle interplay of pale pinks merged with pearl greys and the vigorous intensity of explosive carmine reds kissed by African browns. Cisneros's palette dances with indescribable colours, a testament to the hypnotic alchemy of his chosen paints. With a visually mesmerizing collection of his works, the book celebrates the wide range and intensity of Cisneros's artistry and how sensibility and technique combine in his illustrations, proving that great stories can be told with very little.Jesús Cisneros was born in Zaragoza (Spain) in 1969. He studied illustration and Art History at the University of Zaragoza. He currently lives and works in Mexico where his work is focused on the publishing field. He has illustrated for publishers such as Fondo de Cultura Económica, Ediciones Castillo, Libros del Zorro Rojo, OQO, Anaya, Edelvives, Oxford, Kite Edizioni, Passepartout Editions, among others.

This comprehensive guide to handbag patternmaking, intended for professionals, skilled hobbyists and students, bridges the gap between craftsmanship and innovative technical developments, including digital patternmaking. This isn't just another patternmaking manual: it's the script that both authors would like to have had when they had doubts about construction techniques while learning the profession, equipping readers with the tools they need to tackle an array of concepts independently. Drawing from their own experiences, the authors provide an easy to work with, notebook-like resource that groups together different construction techniques, providing concise explanations, ensuring that readers gain a deeper understanding of construction methods and understand basic construction principles. Divided in two parts, the manual explores first the working process of bag patternmakers and their skills. It then explains the anatomy of bags and characteristics of the most popular models, introduces into the reading of style cards and technical drawings, to the signs to be included both in a paper as in a digital pattern to compile all information necessary to make a bag. The book also guides readers through the main construction techniques for each type of bag, explaining sides, handles, flaps, linings and bottoms in meticulous detail giving tips for a correct realization. Unique in its field, Designing Bags is a valuable resource for anyone passionate about or seeking professional growth in this evolving design area.

This hands-on guide to landscape watercolor and other drawing and painting techniques takes readers on a series of excursions from the sea to the city, mastering the use of line and color along the way. A useful manual for drawing on the spot, it offers valuable insight into how to carefully observe the landscape before us and choose what about it we want to express; how to select and prioritize visual information; and how to apply drawing techniques to create the illusion that our compositions have been arranged effortlessly, as if by nature itself. In each of the book's five sections (Color and Materials; Horizontality and Depth; Graphics, Shadows and Light; Lines and Perspective; and Urban Lines and Colors), the author suggests some of the questions we should ask ourselves when observing a landscape. We will learn how to tell a story while painting, prioritizing color ratios and graphic elements over faithful representation in the final result. Through these engaging exercises, readers will soon be able to manage compositional line and color effectively as they experiment with different drawing, painting and landscape representation tools and techniques.

The World's Best Typography: The Yearbook of the Type Directors Club of NY (published for the first time 1980) is a bible of inspiration for typography practitioners and enthusiasts. Within its pages, top creatives as well as publishers and students can find role models, fresh trends, inspiring content and new sources of inspiration. Readers will be inspired by the intersection of craftsmanship and creation, of classical skills and trailblazing innovations. Here, trends are identified and set, as the around 750 illustrations, 263 awarding-winning designs from 39 countries and 46 new fonts presented clearly illustrate. Designers from all over the world compete to appear in the book. Previously divided into two competitions, one each for Communications Design and Typeface Design, the program is now a single competition consisting of three disciplines: Type Design, Typography and, for the first time, Lettering, which has its own jury. The Award for Typographic Excellence is the ticket to the best agencies in the world. The yearbook also reflects the latest typography trends, sets standards, is a collector's item and distinguishes its owners as visual thought leaders.In one book you can see works from thirty-nine countries and regions, which include: Australia, Austria, Belgium, Brazil, Canada, China, Colombia, Finland, France, Germany, Greece, India, Israel, Italy, Japan, Lebanon, Macau, Malta, Moldova, The Netherlands, New Zealand, Philippines, Norway, Poland, Portugal, Russia, Singapore, South Korea, Spain, Switzerland, Taiwan, Thailand, Turkey, United Arab Emirates, United Kingdom, United States, Venezuela and Vietnam.This edition also includes a special index listing the principal typefaces used and the names of their designers. The Judges' Choices section features the winning entries that have been singled out as each judge's personal favorite; these pieces are accompanied not only by the judges' comments but also by designer statements. These components-along with this year's chairs, Kimya Gandhi and Trisha Tan -exemplify the enormous vitality of the typography profession.

Inspiration is everywhere, in all instances of city life. In this visual diary of Barcelona, a real treat for sketchers and lovers of the Catalan capital, urban sketcher Lapin creates a graphic narrative of his metropolitan surroundings to communicate a highly expressive and deeply personal vision of the city. Using vintage accounting books that he finds in flea markets, Lapin, armed with nothing more than a sketchbook, a fine liner pen, watercolor paints and his folding stool, depicts the images and phenomena of everyday city life - busy streets, bustling cafes, iconic monuments, graffiti-splashed walls, sidewalks thick with people. A sketching technique that pays meticulous attention to detail, his particular use of color and striking und humorous perspective distortions define Lapin's journalistic-like visual style. Telling evocative stories through his drawings, he also provides a fresh look at some of the urban transformations the city is currently undergoing, including green hubs and squares, parks and gardens. The artist defines himself as a "mobile illustrator", a kind of modern-day itinerant urban explorer and documentarian who immerses himself in his environment (in this case, Barcelona) and records what he sees. The result is a graphic reportage of the city's culture, from its emblematic architecture down to the ornamental concrete slabs used to pave many of its sidewalks and nearly everything else in between.

In this volume on men's clothing, part of our series on fashion patternmaking techniques by renowned author and designer Antonio Donnanno, readers will acquire the technical and stylistic knowledge they need to ensure their sartorial creations are technically flawless and stay fresh and new. After an introduction to the essential patternmaking tools, basic fabric notions, anatomy and measurement of the male body, industrial sizes and tailoring terms, the author describes in detail and step by step the making of patterns, covering a wealth of types of men's garments for all lifestyles and circumstances: from shirts to jackets, waistcoats, trousers, knitwear and underwear. All is presented with clear and easy-to-follow instructions and illustrations which indicate the author's long experience both as a teacher and as a consultant to international firms and pattern publishers. A special feature that makes this volume unique is the inclusion of an attached pattern sheet showing a base pattern for shirts, jackets and trousers in five sizes. Aimed at professional tailors, teachers and students, sewing lovers and industrial sample makers, this new volume in the Donnanno Fashion Patternmaking series is a useful and practical tool for meeting contemporary menswear tailoring challenges and needs.

This third volume of our Patternmaking for Womenswear series contains the ideal method for creating bustiers, bodices, sleeves, knitwear dresses and swimwear for womenswear. It covers the information necessary for drafting flat patterns for nearly every style there is. Developed by fashion designer and teacher Dominique Pellen after countless years of experience in the studio and the classroom, the fresh and modern approach to the creation and adaptation of flat patterns shown here make the book suitable for a wide audience, including professionals, students and basically anyone who loves to sew. The series is being used successfully both in the top fashion school Institut Français de la Mode (IFM) in Paris and in vocational schools throughout France. The book also includes at the end, an international size chart, a measurement chart of the female body, a glossary of useful terms, a chapter about different pocket styles and a chapter on seam allowances. This completely new edited volume is the third in a series of guides that explore the exciting world of garment-making. With high-end fashion in mind, the detailed step-by-step rules are simple and easy to follow, touching on all the foundations for constructing the entire female wardrobe in a perfectly controlled way. Putting deep professional know-how at your disposal, the method taught in this book will successfully accompany you on your exciting journey through the world of sewing and fashion.

This volume gathers a wide selection of masterpieces from the Musée d’Art Moderne in Paris, which shows a spectacular journey through the artistic avant-gardes of the first third of the 20th century. The works, which can be seen at the Guggenheim Museum Bilbao between February and May 2022, cover different movements: from Fauvism and Cubism, which at the turn of the century revolutionised the traditional representation of landscape, the figure and still life, to Surrealism, which in the 1920s championed the unconscious, chance and dreams over order and reason. Not forgetting the so-called School of Paris, formed by artists who arrived in the French capital between the wars, attracted by its cultural effervescence, and who contributed to the emergence of a new artistic scene. Fauvism followed in the footsteps of Impressionism and Pointillism, blurring forms in very bright colours, and its representatives in this book include Vlaminck, Derain and Matisse. Cubism, which arose from Picasso and Braque’s determination to represent reality from a multitude of angles at the same time, is represented by works by these artists together with those of Juan Gris, Natalia Goncharova, Delaunay and Léger. The School of Paris include Russian artists such as Marc Chagall and Chaïm Soutine, Bulgarians such as Jules Pascin, Italians such as Modigliani and Gino Severini, Spaniards such as María Blanchard, Dutch artists such as Kees Van Dongen and Japanese artists such as Leonard Foujita. From the Surrealist period and the years that followed, we find works by Man Ray, Max Ernst, Francis Picabia, Wilfredo Lam, Claude Cahun, Vera Pagava and Léonor Fini. Thus, the works collected in the book form an essential and unforgettable journey through one of the most fascinating periods in the history of art.

In the 1930s Paris was brimming with life, and Picasso and Brassaèi were there to make the most of it. Picasso, shocking the art world with his works, and Brassaèi, portraying boulevards and gardens, shops and markets, intellectuals and beggars. The contrasts of Paris parade before his camera, from its dark underworld to the splendour of its artistic environment, where he profusely portrayed artists and writer friends, such as Dalâi, Matisse, Giacometti, Genet, and of course Picasso, whom he met in 1932 and whose sculptural work he was the first to photograph. This book is about that artistic environment, through which the Parisian intelligentsia parades in beautiful black-and-white images with the unique signature of the Hungarian photographer.Brassèai, name of the Hungarian photographer Gyula Halâasz (1899-1984). He studied painting and sculpture in Budapest before working as a journalist in Berlin and later settling in France, where he developed his photographic career. Among his most notable series was Paris de nuit, in which he photographed scenes of the city's nightlife. He also photographed Parisian life extensively, the atmosphere in the streets by day and night, and the social meeting places, from cabarets to gardens, from the coffee shops frequented by intellectuals to the markets at dawn. Between 1936 and 1963, he worked as a photographer for Harper's Bazaar magazine and was also a filmmaker and author of numerous articles and nearly twenty books.

Inspiring panoramas of sustainable urban development projects around the worldIn Work in Progress, Spanish photographer José Manuel Ballester (born 1960) captures urban design and building projects by the Spanish transport company Ferrovial, including highways, airports and sustainable urban development projects all over the globe.

Somber, ravishing panoramas of the D-Day beachesBetween 2003 and 2005 and again in 2019, Spanish photographer Eduardo Nave (born 1976) traveled to the beaches of Normandy, France, where the largest sea invasion in history took place during World War II. Known today as D-Day, the event is commemorated yearly as both a military victory and a devastating loss of life for thousands of soldiers. Nave's panoramic photographs of the historical beaches show a great sprawl of sand, the sea rendered with a nearly painterly texture as it drifts toward the shore. An atmosphere of somber beauty befalls the imagery: beachgoers sporadically emerge as shadowy figures from the fog, but the photographs mostly depict vast landscapes bereft of people. The emotionally affecting pictures, collected in this volume on the occasion of D-Day's 75th anniversary in 2019, remind readers of the lingering effects of history even when an environment has seemingly returned to normal.

This book by photographer Matías Costa shows a very wide selection of images from several decades of career and personal documents that define his nomadic and investigative character. A publication in which he weaves his own biography through scenes, objects and characters photographed together with his workbooks and personal notes, diverse contexts that he universalizes thanks to his status as a chronicler, visitor and migrant. His photography is both a window and a mirror, inviting us to look and reflect in a world driven by memory and chance. The writers Leila Guerriero and Federica Chiocchetti and the curator Carlos Martín depict in their texts the inseparable life and work of this essential photographer.

The book Utopian Authoresses covers the work of the Canarian artist Carmela García from the 1990s to her most recent production, made at the end of 2020. In this volume, co-published with the regional government of Madrid, her videos and photographs focus on the female world, appealing to the need to reconstruct the imaginary collective and review the story of the story from a gender perspective. The images of her works are accompanied bytexts by Margarita de Aizpuru, Heide Brown, Sandra Gamarra and a conversation between the artist and Tolo Cañellas.

This book of correspondence between filmmakers brings together more than fifty letters writing between artists Jim Jarmusch, Terrence Malick, Robert Frank and Bill Brandt. Postcards, manuscripts and typewritten letters together with recent emails reveal unknown and surprising relationships, a whole creative universe that take place outside the cinematographic plane. The material gathered by Garbi├▒e Ortega, director of Punto de vista International Documentary Film Festival, includes stills, portraits, drawings and story boards that bring the creative process closer to a personal and intimate sphere.Contributing Letters Come From:Robert Frank Bill BrandJean-Luc GodardJonas MekasRobert BressonChick StrandBarbara HammerApichatpong WeerasethakulUte AurandLech KowalskiNathaniel Dorsky Nancy HoltJim JarmuschHarun FarockiGeorge KucharJean VigoJames Benning Jodie Mack Jem Cohen

This publication collects many unpublished material from Otl Aicher, a legendary figure in contemporary design. The eighty unpublished drawings of the Metro Bilbao corporate image project stand out, a commission resulting from his friendship with Norman Foster. In these pages you will also be able to discover the creation processes of other famous works by Aicher, such as those of Braun, the Munich Olympics ‘72, Bulthaup or Isny Allgäu, as well as unpublished materials from his architecture projects for Rotis, an old agricultural complex which became a place of residence and work.