Bøger udgivet af Public Books

Investigates an extraordinary moment in the histories of both activist media and AIDS activism: the creation of a community-driven video series about HIV/AIDS for public-access cable television in Toronto in early 1990s. Includes detailed historical work on the series, its creators, public reception, circulation, and censorship by Rogers Cable.

A limited-edition exhibition catalogue of the LandSlide: Possible Futures exhibition, which took place at the Markham Museum and Heritage Village in Markham, Ontario in 2013. The catalogue includes a curatorial statement by Janine Marchessault, essays, and documentation of the over 30+ artist projects, including artist statements.

Queer people have had to create and maintain archives as alternate repositories due to systematic exclusion from traditional archival practices and institutions. Edited by Jarrett Earnest, Devotion is a beautifully designed, radical collection of overlooked and forgotten IBPOC and LGBTQ2S+ archives.

Commemorating the 15-year history of Nuit Blanche, this collection by artists, scholars, curators and contributors considers Nuit Blanche in Canada and abroad through personal reflections, dialogues, and projects, the essays and images.

Artists have been at the forefront of exploring the challenges of exploring human animal interactions in the age of risk. Documenting two major international art exhibitions, Exhibiting Digital Animalities demonstrates the significance of contemporary art as a site for rethinking and restaging human-animal relations. The conversations within this volume between participating artists and scholars offer models for understanding new possibilities provided by new technologies, critiques of implicit tendencies in the workings and organizations of these technologies, and classifications and frameworks for orienting ourselves to these new possibilities. Loosely organized under two major tendencies presented in the works, the exhibitions presented complementary experiences of the evolving space of animality in contemporary digital culture. At the John B. Aird Gallery, the theme of Mapping brought together works by Julie Andreyev and Simon Lysander Overstall, Jonathon Keats, Gwen McGregor, Neozoon, Ken Rinaldo, Lou Sheppard, and Donna Szoke that suggest how new cartographies organize and orient us. At the CONTACT Gallery, the theme of Rendering brought together works by Sara Angelucci, Ingrid Bachmann, Maria Fernanda Cardoso, Wally Dion, and Aki Inomata that reveal digital technology's ability to scan and re-assemble aspects of reality. Edited by Matthew Brower, Exhibiting Digital Animalities explores how digital technologies have been reshaping human understandings of animals and transforming the possibilities for human-animal relations. Exhibiting Digital Animalities is published by PUBLIC Books and distributed by Wilfrid Laurier University Press