Bøger udgivet af Radius Books

Published to coincide with the centennial of Arnold Newman's birth, 'Arnold Newman: One Hundred' offers a celebratory look at 100 of the photographer's most provocative and memorable images. Arnold Newman is widely renowned for pioneering and popularizing the environmental portrait. He placed his sitters in surroundings representative of their professions, aiming to capture the essence of an individual's life and work. Though this approach is commonplace today, his technique was highly unconventional in the 1930s when he began shooting his subjects. His environmental approach to portraiture was influenced by symbolism and impressionism, and defined by the imperative of captivating the viewer no matter how well known the subject was. While he specialized in photographing artists, Newman captured the likenesses of a vast range of figures, from athletes and actors to presidents and politicians, including Marlene Dietrich, John F. Kennedy, Harry S. Truman, Piet Mondrian, Pablo Picasso, Arthur Miller, Marilyn Monroe, Ronald Reagan, Mickey Mantle and Audrey Hepburn.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains. Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

James Florio's exquisite black-and-white photography of sixteen important sculptural projects by Patrick Dougherty across the US.One of today’s most admired living sculptors, Patrick Dougherty composes with nature—wielding saplings and sticks to build monumental structures that echo, play, and tussle with the land. James Florio is a Montana-based photographer focused on the built environment and the life surrounding it. He works slowly, visiting a place repeatedly to gain a greater understanding of it, to ultimately deliver a thoughtful and profound interpretation.This project was inspired by Dougherty’s and Florio’s connection to Tippet Rise Art Center in Fishtail, Montana, where Dougherty has crafted sculptures from local willows, and where Florio has photographed the art and wild lands over many years.Dougherty’s first commission at Tippet Rise, Daydreams, was completed in 2015. He subsequently returned to the art center in 2022 to make a companion piece for this work. At the heart of both pieces is a nineteenth-century schoolhouse reproduction. The new work, Cursive Takes a Holiday (2022), adds an installation of intertwining branches to the outside of the schoolhouse, creating a series of circular spaces that visitors can step inside. Daydreams features woven branches that connect the indoors to the outdoors.In addition to thoughtful photographs, this book features information about the commission, creation, installation, and community engagement of Dougherty's work, along with essays about his practice, influence, and legacy.

The major monograph Howard Smith celebrates the far-reaching practice of the multifaceted African-American artist, designer, and collector who spent most of his creative life in Finland.Working with paper, pigments, wood, clay, textiles, and metal, Smith had both fine art and commercial practices. While he designed for industry—planning interior designs for corporate offices, public buildings and a ferry—he especially enjoyed recycling items like scrap metal, used cardboard, and castoff clothing, which he transformed into offbeat compositions. Howard Smith’s work displays an exuberance and generosity characteristic of the man. Immediately recognizable for bold gestures in line, plane, and mass, his creations embrace rich colors and contrasts in material and form. He referred to many of these forms as ‘glyphs,’ vibrant figures that often suggest the human form in posture of celebration.Exhibition schedule:Palm Springs Art Museum, Palm Springs, California(opening May 2025)National Nordic Museum, Helsinki, Finland(dates TBD)

The first monograph on Venezuelan multimedia artist Arturo Herrera in nearly twenty years, this comprehensive book takes a deep look at his diverse body of work.Most known for collage, felt sculpture, and wall painting, Herrera references the complex legacy of abstraction using modernist visual languages. Often employing found material and sourced elements, Herrera’s work incorporates discrete iconography and familiar imagery to provoke a multiplicity of references and readings. As his practice has evolved, the artist has become renowned for his colorful abstract mixed-media pieces that adapt and renew techniques of fragmentation and layering found in his earlier collage-based work.

Thirty-Six Views of the Moon is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten centuries.Drink wine and look at the moon and think of all the civilizations the moon has seen passing by…— Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze. In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon.This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze. There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

Mixing the contemporary with the ancient, MOSAICS spotlights ground-breaking emerging artist Cameron Welch.The inaugural monograph of multidisciplinary artist Cameron Welch presents a vivid, comprehensive look into a young artist’s practice. Welch’s work has straddled sculpture, collage, and textiles, but in early 2017, he shifted to mosaic as his primary medium. As a child, the artist was introduced to mosaic by his grandmother, an experience that has a lasting impact on the way he works the age-old medium to piece together disparate materials and histories. Welch treats mosaic as a physical manifestation of intertextuality, referring to the colliding contexts he unearths in the work as a kind of "infiltration."While Welch’s chosen medium evokes ancient traditions, the effect of his work is decidedly contemporary. His chaotic, jumbled compositions speak to the same anxiety felt in the Information Age, an era when unlimited information is available at the tap of a screen. Amidst the pictorial chaos of Welch’s mosaics, the figures who emerge range from familiar to foreign, comical to heroic. Frequently depicting himself and figures from his own life, Welch sheds light on unsung histories within the intricate topology of his creations. An incisive essay by Greek and Roman Art scholar Alexis Belis helps readers contextualize Welch’s work within historical and contemporary creative practice.

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

The last in a trilogy of books on the American condition, Model Citizens considers the United States as a case study into a global phenomenon: How have staging, performance, and roleplay come to inform thinking about citizenship in a violent land whose people no longer agree on what is true?Jarringly juxtaposed images from apparently unrelated sites—such as US Border Patrol Academy training scenarios, “Save America” rallies, and history museums—illuminate systems that reconcile, justify, or distract from the harsh realities of life in a polarized, militarized society. The design accentuates slippages: images flow across French-fold page turns, just as Cornwall’s practice questions the role of documentary photography in an era of splintered realities. The Model Citizens project was awarded the 2023 Prix Elysée, a biennial juried prize for mid-career photographers, sponsored by the Photo Elysée Museum in Lausanne, Switzerland. The award also includes a grant for a concurrent publication in both English and French (Citoyens Modèles, Éditions Textuel, 2024). Both editions will be released to coincide with Les Rencontres de la Photographie d’Arles in July 2024.

On April 15, 2019, fire devastated the iconic Notre Dame cathedral of Paris. In Tomas van Houtryve: 36 Views of Notre Dame, the viewer accompanies the artist on his exclusive journey covering the restoration of this cultural icon. After the bells fell silent and the charred structure was fenced off from the public, van Houtryve gained rare privileged access to Notre Dame and the teams working to save the monument from ruin. For over a year, the photographer explored the sacred, the grotesque, and the graceful, turning the reconstruction into a prism for self expression while documenting a historical moment of devastation and rebirth.

When art critic David Pagel realized he had written five reviews about John Sonsini over the past thirty years, this book project was born. Even though he had been covering the work of the Los Angeles-based painter for three decades, they had never met until they began collaborating on this project. The unique, intimate compilation brings together an extensive essay by Pagel--including facsimile reproductions of the original five articles--along with illustrations, plates, and archival pieces that cover Sonsini's artistic trajectory, from early works to his most recent watercolors and large-scale commissions. Broad Reminders provides a rambling, joyful, engaging look into the world of art and artists, critics, and creators.

Manifest Thirteen Colonies is a photographic project and journey through the repositories of African American material culture found in libraries, museums, and archives of the original thirteen English colonies and Washington, DC. Conceived by photographer Wendel A. White, this project is a personal reliquary of the remarkable evidence of Black agency and racial oppression stored in public collections. Accompanying his imagery, White discusses his approach to finding, selecting, and photographing artifacts--from rare singular objects to more quotidian materials--and highlights their significance as forensic evidence of Black life and history in the United States.

James Drake: Tongue-Cut Sparrows presents a body of work inspired by the artist's ongoing interest in the social dynamics of borderlands, offering a meditation on love, loss, and a desperate need to communicate. James Drake's multi-disciplinary art practice centers around the human condition and systems of language to investigate temporal-spatial relations and the cyclical nature of history. During his time living in El Paso, Texas, issues related to the USA/Mexico border became a focal point in his work and the broader universal context he explores. The project began in the mid-'90s when Drake observed women standing on a sidewalk outside the El Paso County Jail using a system of sign language to communicate with incarcerated family members and loved ones. Fascinated by this inventive form of gestural communication, Drake became curious if the women could integrate quotes from literature and poetry into their sign language. They agreed to let Drake record their visits on video and worked with him in selecting texts to sign from the writings of Spanish poet Federico García Lorca, Chicano-Apache American poet Jimmy Santiago Baca, Cormac McCarthy, as well as William Blake, William Shakespeare, and Dante Alighieri. The series evolved into a multi-channel video work and spans decades of poems, photographs, printmaking and large-scale charcoal drawings. Works from the Tongue-Cut Sparrows series have been shown internationally in major institutions, including the Blanton Museum of Art, Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery), Denver Art Museum, High Museum of Art, SITE Santa Fe, and the Whitney Museum of American Art.

Day Jobs examines the overlooked impact of day jobs on the visual arts. Success for artists is often measured by their ability to quit a day job and focus full time on their practice. Yet these jobs can often spur creative growth by providing artists with new materials and methods, hands-on knowledge of a specific industry that becomes an area of artistic investigation, or a predictable paycheck and structure that enable unpredictable ideas. The book is comprised of thirty-nine chapters, one for each included artist, with images of their work, commissioned essays, and interviews. Included are creative pioneers such as Larry Bell, Mark Bradford, Tishan Hsu, Howardena Pindell, and Julia Scher, who offer firsthand accounts of how their day jobs--as a frame shop technician, hair stylist, word processor, museum employee, and security systems installer, respectively--altered their artistic trajectories in surprisingly profound ways. By examining the impact of day jobs on artists, Day Jobs seeks to demystify artistic production and overturn the romanticized concept of the artist sequestered in their studio, waiting forinspiration to strike. Conceived as a corrective to traditional art historical narratives, this book encourages us to more openly acknowledge the precarious and generative ways that economic and creative pursuits are intertwined.

Stephanie Syjuco: The Unruly Archive is the artist's first monograph, weaving together her research-based practice with a substantial array of visual source material. Bound in a unique format with different types of paper, the pages are cut and layered to simulate the process of physically excavating folders in an archive. By examining the blind spots, holes, and fragments of these collections, she examines the ways photography, anthropology, and national archives produce and proliferate images of exclusion and cultural Othering. Using techniques of layering, blocking, digital manipulation, pixelating, blowing up, and taping together, the artist's work ultimately seeks to "talk back" to the archive and find agency in challenging its images. As she states in the book's introduction, "I do not make work about Filipino identity; I make work about the white gaze, and those are two totally different things."

A comprehensive volume on Swiss-American architect Albert Frey (1903-1998), Inventive Modernist tracks the scope and significance of Frey's career, from his early days in Paris working with Le Corbusier to his rise as the iconic architect of Palm Springs. His unique "simple but severe" style of Desert Modernism cemented his legacy as one of the most influential architects, not only in California, but also in the United States and the world. With full access to Frey's various archives, the book provides many rare and previously unexhibited architectural models, drawings, films, photographs, and furniture, and offers an exceptional visual guide that goes far beyond the mere documentation of finished buildings. New academic research, in-depth essays, and a thorough, illustrated listing of the architect's projects between 1925 and 1997 serve to contextualize Frey's relevance today while securing his importance as a twentieth-century architectural master.

New York-based photographer Janelle Lynch (born 1969) creates still lives within landscapes that combine similar and disparate elements. Informed by Lynch's recent immersion in drawing and painting, the biological need for connection and the consequences of disconnection.

From Above and Below features ten years of Sharon Harper's conceptual photographs and video stills exploring perception, technology and the night sky. Her experimental images of the moon, stars and sun draw on scientific and artistic uses of photography to illuminate the medium's contradictory ability to both verify empirical evidence and to create poetic connections between our environment and ourselves. If one cannot gaze directly into the sun of the sublime, Harper offers the scarred and streaked transparences and prints of her attempts to do so, made manifest through the mediation of photographic and telescopic technology, and through the framework of time. Through Harper's repeated long exposures, with time spans of hours to a month, star trails turn to star scratches, landscapes and cloud formations shift and the sublime is slowed to a trace made visible to the eye.

In 2007, American photographer Sharon Core (born 1965) encountered the work of the early nineteenth-century American still-life painter Raphael Peale (1774-1825). Peale's images of fruit, cakes and vegetables are famed for their uncanny realism, and they inspired Core to undertake a series of photographs titled Early American, a brilliant exploration of trompe l'oeil's relationship to photography, and of photography's relationship to the past. Core replicates as closely as possible the subject matter, lighting and compositional characteristics of Peale's paintings. She describes an extraordinarily intensive preparation for the project, researching and acquiring period porcelain and glass and growing, from heirloom seeds, varieties of fruits and vegetables that were in existence in the early nineteenth century. "Through these efforts," she writes, "I hoped to achieve a mirroring of Peale's painstaking painting process, and the themes that lie under their surfaces." This volume reproduces the 31 images comprising this ambitious enterprise.

A devotional paraphrase and commentary on the book of Romans

Robert Frank once described the fragmentary, poetic images of New York-based photographer Jungjin Lee (born 1961) as "landscapes without the human beast."In this series, Lee captures the American southwest and transforms it with liquid light and diluted light-sensitive emulsions to create images that are as uncontrollable and natural as the landscape she depicts. Desert comprises four series of works (each bound as a separate book and presented in a unique slipcase), all of which contain monochromatic images of arid lands. Stratigraphy etched into rock faces, massive stones, cave-like precipices and anthropomorphic fauna showcase an extensive compendium of the desert's many faces and textures. Each image focuses on the landscape's formal qualities, eschewing human presence, simultaneously evoking late 19th-century photography, while epitomizing the stark modernity of Lee's lens. "As a photographer," writes Lee, "I am primarily concerned with the unconscious, the unknown, and the invisible."

The first career survey on a leading chronicler of the American SouthExamining the deep emotional relationship between people and place, Louisiana-based photographer Debbie Fleming Caffery (born 1948) is recognized as a leading chronicler of the American South. Her shadowy, blurred, black-and-white images thoughtfully reveal shared human experience‿childhood, spirituality, labor‿and ultimately bring darkness to light. Debbie Fleming Caffery: Come to Light immortalizes in book form the artist‿s first major career retrospective presented at the New Orleans Museum of Art. The publication is her most comprehensive to date, showcasing projects produced in the American South and West, as well as in France and Mexico, and is the first to feature all series from across the course of her career.

Working between activism and performance, Pinder creates texts and diagrams exploring the interdependence of art and politicsAs the commercialization and popularity of the "Black struggle" in mainstream culture continues, artists and creatives are being challenged to reinvent and refocus their approach to activism with the explicit intention of helping people understand race dynamics. Jefferson Pinder: The Black Subversive decodes the Chicago-based artist‿s performance work and uniquely straddles the subtle boundaries of activism and drama, challenging art audiences and civilians alike. Functioning as an "instruction manual" for subversive work, the book poetically reveals the inner workings of Pinder's performative practice. Enthralled by mid-20th-century "cut-away illustrations," Pinder (born 1970) develops texts and diagrams that reveal the connection between art and politics and the inner workings of a politicized performance practice in which every artistic choice is imbued with symbolism and meaning. In addition to performance documentation and insight into the research that informs the artist‿s work, the book includes essays by scholars Carlos Sirah, Jordana Saggese and Isaiah Wooden.

A revelatory examination of Fratt‿s five-decade explorations of color, landscape and abstractionThis is the first major monograph on the prolific yet underrecognized American painter Dorothy Fratt (1923‿2017). Born in Washington, DC, and associated with the Washington Color School in the early 1950s, Fratt moved to Arizona in 1958 and forged her own style of abstraction more closely tied to the American Southwest. Although Fratt‿s paintings are often classified as Color Field and Abstract Expressionist, her use of color and rendering of landscape idiosyncratically emotes atmosphere, gesture and mood on her own terms. Spanning five decades of the artist‿s oeuvre, Dorothy Fratt includes a selection of foundational early works alongside numerous paintings that exemplify Fratt‿s vibrant, distinct style. The book also features a biography, ephemera from Fratt‿s life and a conversation with artists Teresa Baker, Caroline Kent and Rebecca Ward.

Atoui‿s recent collective sonic adventures explore the physical transmission of sound and its reception in the human bodyPublished for the 2022 Suzanne Deal Booth / FLAG Art Foundation Prize exhibitions at the Contemporary Austin and the FLAG Art Foundation, Tarek Atoui: The Whisperers documents the Paris-based artist/composer‿s recent sound-based installations rooted in the idea that sound requires transmission through physical materials and in relation to perceiving bodies. Atoui (born 1980) asks questions such as: What happens to sound as it travels through materials like metal, wood and water? How can we perceive sound by listening not only with our ears but also with our whole bodies? Atoui works with other musicians, composers and instrument makers around the world to develop custom materials he calls "tools for listening," which conduct and amplify sounds in multisensory ways. He also invites participation from people where his projects are located, involving musicians and nonmusicians alike. In addition to installation documentation, Tarek Atoui: The Whisperers includes interviews with Atoui, texts by the artist and essays by the curators.

A meditative journey through an iconic American painter‿s lifelong investigation of rhythmic line repetitionAmerican painter Max Cole (born 1937) is known for her gray-toned canvases that use repetitive lines to construct minimalist, abstract compositions. This volume features a selection of new paintings and works on paper from a recent survey exhibition at SITE, Santa Fe.

"Celia Álvarez Mñuoz: Enlightenment" features her Enlightenment series of artists' books and installations, with an essay by Isabel Casso, Assistant Curator, Museum of Contemporary Art, San Diego.

A meditation on our uneasy relationship to the hotel as a liminal spaceAlex Yudzon (born 1977) creates ephemeral installations using only the furniture found inside his hotel rooms, which he stacks into precarious configurations, transforming these generic interiors into hallucinatory worlds where the laws of physics are suspended and dormant emotions released.

Transformative minimalism: surveying Larsen‿s ingenious synthesis of worn patina and geometric rigorThis is the first monograph on Sante Fe‿based sculptor Ted Larsen (born 1964), bringing together over 15 years of creative output. Since 2001, Larsen has sought alternative and salvaged materials in his abstract constructions with the "hope of bringing purist shapes and surfaces back down to earth." This quest takes Larsen to sites such as the metal scrapyard, where he mines the raw material for his work by sawing off sections of older-model vehicles. The works‿ surfaces, which hold a strongly patinated palette, are unmodified; the colors of the metal that skin the objects‿the rusty off-white of an old pickup truck or the vibrant yellow of a decommissioned school bus‿are exactly as he found them. Calling to mind both architecture and the reductive forms associated with Minimalism, Larsen‿s works upend and defy classification.