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"An intelligent machine built to study methods of social warfare struggles to understand and communicate the lived experience of race In a narrative full of social significance and poetically decorated with monks, vampires, and mythical statistics, Race in the Machine presents a world where the stories we use to explain race all simultaneously exist, within and around us, dictating our interactions and innermost beliefs. The nameless protagonist, an enigmatic social mechanic at Nearbay Institute, living in a population of socially connected intelligent machines, encounters a simple query in the context of an introductory lecture: "What exactly is race? And what is it in the context of the social machine?" This prompt guides the protagonist along a twisting intellectual tale surrounding a series of experiments which explore: How many racists does it take to create systems of inequality? What role do non-racists actors play in upholding them? How is bias learned? How does it spread? The narrator develops a distinct understanding of race through the figurative bending of time, dreams of a "race code" and by confronting a series of mysterious communications that remain just outside comprehension. Over the course of this journey, the answers to important questions about racial inequality quietly emerge for the protagonist. Scholarly encounters with both antagonistic colleagues and unexpected allies, culminate when the hero is forced to reach a devastating conclusion about themselves and the world. Stirring and luminous, Race in the Machine deftly oscillates between the allegorically simplified and the impossibly complex to weave an utterly unique and nuanced portrait of race in the modern world"--
"In January 2021, thousands descended on the U.S. Capitol to aid President Donald Trump in combating a shadowy cabal of Satan-worshipping pedophiles. Two women died that day. They, like the millions of Americans who believe that a mysterious insider known as "Q" is exposing a vast deep-state conspiracy, were members of "pastel QAnon," a subgroup of mostly middle-class educated women that answered the call to "save the children." With Pastels and Pedophiles, Mia Bloom and Sophia Moskalenko explain why the rise of pastel QAnon should not surprise us: women have been manipulated to follow the baseless conspiracy. They track QAnon's unexpected leap from the darkest corners of the Internet to the filtered glow of yogi mama Instagram, fed by the COVID-19 pandemic that supercharged conspiracy theories and spurred a fresh wave of Q-inspired violence, and connect the dots for readers. Pastels and Pedophiles shows how a conspiracy theory with its roots in centuries-old anti-Semitic hate has adapted to encompass local grievances and has metastasized around the globe-appealing to a wide range of alienated people who feel that something is not quite right in the world around them. While QAnon claims to hate Hollywood, the book demonstrates how much of Q mythology is ripped from movie and television plot lines. Finally, Pastels and Pedophiles lays out what can be done about QAnon's corrosive effect on society to bring Q followers out of the rabbit hole back into the light"--
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