Bøger udgivet af Ropac, Thaddaeus Galerie

This publication documents an exhibition of Judd's work held at David Zwirner in New York in 2011, which presented works drawn from the artist's seminal 1989 exhibition held at the Staatliche Kunsthalle Baden-Baden, Germany.

Stimulating and sensory abstract paintings showcase Jones's ongoing interest in the mouth as a central motif in her workRachel Jones (born 1991) is a London-based artist whose vivid palette and hatched-like lines created with oil pastels and oil sticks bring colors to their full intensity. Her approach to abstraction is centered around an investigation of readings of the Black body throughout history. Jones uses the abstracted forms of mouths or teeth as an indication of the body or of personhood.

Enyi the Elephant lives in Nelly Bay! She loves to swim, and play in mud, and flap her ears around, but when it comes to making friends, there were none to be found! Enyi the Elephant is desperate to have a friend! The problem is, she doesn't fit in! Will changing herself into a lion, a zebra or a bee help her find one? A laugh out loud, joyful tale exploring the importance of being oneself, and developing authentic friendships!

Recent material experimentations from an acclaimed master of Neo-Expressionist figurative paintingPublished to accompany his 2023 exhibition at Thaddaeus Ropac Paris, this stunning clothbound catalog gathers five recent series of paintings by the acclaimed German artist Georg Baselitz (born 1938), best known for his Neo-Expressionist works that were hugely influential in redefining 20th-century figurative art. Realized between 2020 and 2021, the paintings are characterized by the artist's novel use of materials, including a new transfer method as well as the unprecedented integration of fabric into his works, both marking significant developments in Baselitz's technique. Building upon his legacy as an iconic and pioneering figure in early Neo-Expressionism, these new works create, both conceptually and materially, a distinctive universe where the logic of collage coalesces with painting. The inventive and materially rich works on canvas are accompanied by a group of ink drawings.

Antony Gormley's latest works: abstract aluminum sculptures reflecting on the human bodyThis publication presents the latest works by British sculptor Antony Gormley (born 1950) at Galerie Thaddeus Ropac in 2020. Gormley's square aluminum tubing running the gallery's perimeter suggests the internal volumes of the human body.

Franco-Chinese painter Pei-Ming audaciously brings together paintings of popes, female nudes, and erotic scenes. These juxtapositions refer to a "date" between power, women, and painting. By bringing together these subjects, Pei-Ming reflects how image hierarchies have been abolished in our current age.

Accompanying the most important UK exhibition of Joseph Beuys' (1921-86) work in over a decade, this comprehensive publication traces the development of the artist's practice from his early, rarely seen works to his conceptual environments. At the heart of this exhibition stands Stag Monuments, exhibited whole for the first time since its creation.

British artist Oliver Beer (born 1985) explores the relationship between sound and space.This volume presents his exhibition at Galerie Thaddeus Ropac London, featuring his latest sculptural and performance work including The Resonance Project.

Focusing on American conceptual and minimal art in the Marzona Collection--one of the most significant collections in the world--Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback and Richard Tuttle.

Luminous Discontent features new large-scale charcoal drawings by Robert Longo (born 1953). From a massive iceberg to a shattered glass window and X-rays of paintings by Old Masters, all of the images are rendered in Longo's signature medium. It opens with details of works to draw the reader in.

Published for the artist's first solo exhibition at Galerie Thaddaeus Ropac, this publication explores the wide-ranging practice of Austrian artist Markus Schinwald (born 1973). His interdisciplinary oeuvre encompasses video, performance, dance, theatre, painting, photography, installation and even puppetry.

Featuring the work of 14 Los Angeles artists, the exhibition Wasteland and its accompanying catalogue are inspired by the unlikely meeting, in the city of Paris, of the LA-as-cultural-wasteland myth with T.S. Eliot's modernist poem "The Waste Land." Concerns Eliot would have recognized--the search for connection, the uncertainty of the future, the poetics of despair--play out in new and recent works by artists such as Edgar Arceneaux, Math Bass, Mark Bradford, Sam Falls, Daniel Joseph Martinez, Ry Rocklen, Amanda Ross-Ho, Shannon Ebner and Erika Vogt. The works are organized in two parallel exhibitions in two very different venues in Paris, Galerie Thaddaeus Ropac and the Mona Bismarck American Center.

This catalogue accompanies the exhibition Second Body, by Antony Gormley (born 1950), at the Galerie Thaddaeus Ropac in Paris. Consisting of four large-scale installations, the show continues the artist's ongoing investigation of the human body as an architectural space.

Exploring the tension between lightness and monumentality in the recent works of Antony GormleyAntony Gormley (born 1950) is famed for the monumentality of his sculptures, the most famous example of which is the "Angel of the North," built in 1998 in Gateshead, England. For his exhibition at Galerie Thaddaeus Ropac in Paris, Gormley presents both large-scale sculptures and works that are comparatively lighter and less declarative of mass and presence. Published for this exhibition, Antony Gormley: For the Time Being examines recent works exploring this tension, such as the Construct series, which range from a standing male figure with his hands at his sides and his head turned, to a cluster of vertical blocks that could be described as post-Constructivist, and recent public commissions such as "Exposure" (2010, executed for a site in the Netherlands) and "Habitat" (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in space versus constellated nodes in space.

Calcutta-born, London-based painter Raqib Shaw (born 1974) builds his mythic universe from early-nineteenth-century French colonial art. His man-animal characters and fantastic landscapes starts as line drawings that are filled in with ink and paint and then further enhanced with enamel, lead glass and gilding. This volume is published for his first solo show in Paris.

This monograph on Duchamp's Porte-bouteilles, or Bottle Rack, presents the Porte-bouteilles from Robert Rauschenberg's collection along with ephemera around the readymade. With an inventory of Duchamp's Porte-bouteilles, it also analyzes Duchamp's influence on Rauschenberg.

Rauschenberg's luminously palimpsestic "metal paintings" evocatively combine the material processes of photography and artThis publication is entirely dedicated to Robert Rauschenberg's (1925-2008) Phantoms and Night Shades, made in 1991 and widely considered to be the artist's most experimental series. In the Night Shades, photographs by the artist are silkscreened onto aluminum panels that have been treated with a corrosive varnish, revealing and concealing evanescent images. In the Phantoms, photographs are silkscreened onto a mirrored surface. In these ethereal works, Rauschenberg alludes to his artistic past by conjuring the palimpsestic actions of memory. This publication includes an essay by the American painter David Salle. The plates are accompanied by source images by the artist.