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InThey WillDream in the Garden,Otherwise Award-winning author, Gabriela DamiánMiravete elaborates the disconcerting experience of living as a womanin Mexico-aterritory characterized by its great contrasts, from violence andactivism to affectionate and communal resistance: flowers that arisefrom the earth to expand the cosmic consciousness of those who takeit, nuns who create artifacts so that their native languages do notperish, a memorial for the victims of femicide that the Statecontrols, but whose old guardian wants to turn into a laboratory toreturn their lost future...TheyWill Dream in the Gardenshows the journey that its author has undertaken towards a moreconscious writing that, through wonder and beauty, trusts in thepossibilities that literature offers to unite, question, andtransform our being in the world.
The fate of humanity hangs in the balance while the Gods play. The distant future. Humanity is ruled by the godlike Dawn and her Triangulan allies. Her Golden Swarm keeps the garden world of Prithvi safe. Her nephew's Red Fleet secures the rest of the Nine Worlds. In the depths of the system, her regents-the Charioteer of Daitya, and the Huntress of Himenduh-bolster her authority with their own fleets, their own armies, and their own power. So it has been for three thousand years. But, of course, nothing lasts forever. On Daitya, a refugee family arrives from Prithvi. A mother sells her daughter into slavery. A princess seeks forbidden knowledge. Their lives could not be more different, but their stories are intertwined. They will meet in the belly of the juggernaut Sk?¯lex-a vast, living starship (vimana). They will witness the fall of kingdoms and the destruction of fleets and the toppling of the old order. They will participate first-hand in the confrontation, millennia in the making, between the Dawn and her long-estranged sister, the Night, who has traveled a million light years to right an ancient wrong. They will discover that not all is as it seems. The Triangulans are not gods. The Dawn is not just. And above all, the future-their future, humanity's future, the future of the Nine Worlds of Surya-is nothing like what they thought it would be. Welcome to the battlefield of gods and humans. Welcome to the Nine Worlds of Surya.
"When you're the only Black kid in the honors program or (any program) at your mostly white high school, or one of a handful of Black graduate students in your PhD program, or one of two African American women on the faculty at your Pac-10 employer, it's not your gender non-conformity that sets you apart from your peers. In those environments, your Blackness is the first thing people notice about you. Still, there are other ways of being different--and feeling different--that can't be attributed to race, especially if you're one of the people whose awareness of the unwritten rules of what it means to be a boy or a girl (or a man or a woman) is tempered by the fact that most of those rules don't feel quite right. In Gender Studies: True Confessions of an Accidental Outlaw, Ajuan Mance gives comic treatment to the challenges, complexities, and occasional absurdity of life at the crossroads of race, gender, and geekiness. This graphic memoir answers important questions like: How many preschoolers have to mistake you for your dad before you actually start to forget your own name; if a Black girl is awful at double-dutch jump rope is it a reflection on her gender identity, racial identity, or both; and is viola player a gender or just a sexual orientation? Ajuan Mance's comic Gender Confessions take up each of these questions and more, as it invites to share in those moments that mark the path of a gender explorer."--
"When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones"--
An exquisitely unique retelling of the origin of jolly, old St. Nick. Volume 1: The MuseIt's the one story of magic and wonder everyone thinks they know-yet the most epic part of the tale remains shrouded in mystery. What actually happened 1,800 years ago to transform a starry-eyed young priest named Nicholas into a winter wizard destined to circle the world on a sleigh of hope? Now, the secret is revealed: She happened. This is the story of Amara, one of the legendary Muses of the House of Polyhymnia. Sent by the Muses to a small town in ancient Lycia, Amara sees something special in Nicholas's kindness and generosity. As she prepares to defend humankind against the Kobaloi, creatures who feed on fear and chaos, she senses this young man may be the partner she needs to stand against their growing power. But binding her fate and her magic to Saint Nicholas will mean breaking the laws of the Muses-and risking their eternal wrath.
From humor to horror, the speculative fiction in Broken Fevers has a gleaming edge. This new collection by award winner Tenea D. Johnson features 14 tales. Though many are dark, they pull one through the light, if only for a moment, to visit the next vista, a new world, or this one recast in an uncertain future. Whether it be the lengths a woman will go to for performance art or how best to communicate the Middle Passage's horrors to the privileged, darkness has room to breathe here and bring wonder. Social commentary and genetic adaptation exist alongside fairy crises, alien liminalities, and the responsibilities of those holding up the world and those who communicate with the next. Broken Fevers shares the heart in the hurt, the courage in a cataclysm, and the connections that we make wherever we find ourselves.Tenea D. Johnson’s debut novel, Smoketown, won the Parallax Award. R/evolution received an honorable mention the same year. Her short work appears in anthologies like Mothership: Tales of Afrofuturism and Beyond and Sycorax’s Daughters. She’s performed her musical stories at venues including The Public Theater and The Knitting Factory and is the founder of Progress By Design, an arts and empowerment enterprise. Her virtual home is teneadjohnson.com. Stop by anytime.
Hellraiser meets Black History."This mesmerizing blend of Black American folk tradition and dark fantasy provides much food for thought, as well as edgy entertainment." ?Library Journal (starred review)When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," Box of Bones is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora. Ayize Jama-Everett and John Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (I Am Alfonso Jones), David Brame (MediSIN), Avy Jetter (APB: Artists against Police Brutality), and Tim Fielder (Matty's Rocket).
In Clelia Farris' mind-bending tales, you'll find captivating characters with elusive identities like Kieser, who longs to transform himself through horrific procedures in "Creative Surgery," or Yuliano (“Secret Enemy”), a man with no aesthetic taste, or Gabola, engaged in the battle of a lifetime against the expropriation of the Little Tuvu Hill. With dry and polished prose, like the stones of her native Sardinia, Clelia Farris takes us on adventures among the ruins of a future marred by climate change ("A Day to Remember") and in a haunting prison inhabited by the enigmatic figure of "Rebecca." Collected and translated into English for the first time, these seven stories represent some of the greatest works from one of Italy's best science fiction authors. Born in Cagliari in 1967, Clelia Farrisgraduated in psychology with a thesis on epistemology. A favoritewith both readers and experts, she is considered one of Italy's bestscience fiction authors. She won the Fantascienza.com awardwith Rupes Recta, the Odyssey award with No Man IsMy Brother, and the Kipple prize with The Weighingof the Soul. In 2012 she published The Justice ofIsis, set in the same futuristic Egypt of TheWeighing of the Soul. In 2015 she published the novella,"Creative Surgery," which has been included in theanthologies, Storie dal domani 2 and RosariumPublishing's Future Fiction: New Dimensions in InternationalScience Fiction and Fantasy. She was a finalist for theUrania Mondadori Award 2016 with her story, "Uomini e Necro."Her stories have also been published Italian and internationalmagazines such as Robot, Fantasy Magazine, Future ScienceFiction, and Strange Horizons.Rachel Cordasco has a Ph.D in literary studies and currently works as a developmental editor. She’s written for World Literature Today, Strange Horizons, and Samovar Magazine and also translates Italian SFF. Jennifer Delare is a full-time Italian-to-English translator.
A dissident scientist, her granddaughter, and an elf who created himself from thought journey to a tiered city built in a giant vertical conch. Here, they seek an audience at the top in order to convince them that their planet orbits its star instead of the other way around. But the road to paradigm shift is never easy?and rarely straightforward?and reveals many truths of its own.
These women are truly baaaad. They're rough. They're ready. They're space pirates. They're a James Brown cover band. They are the BAAAAAD MUTHAZ. Follow Afro Desia, Cali Vera, Alley Bastard, Candy Ass, Katana Jade, and Snake on their madcap cosmic adventures as they funk up the galaxy in search of the almighty booty!Bill Campbell is the author of Sunshine Patriots, My Booty Novel, Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad, and Koontown Killing Kaper. He co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond in addition to Stories for Chip: A Tribute to Samuel R. Delany, APB: Artists against Police Brutality, and Future Fiction. He's also edited the two-volume international science fiction anthology, Sunspot Jungle. Damian Duffy is a cartoonist, scholar, writer, curator, lecturer, teacher, a Glyph Comics and Bram Stoker Award-winner, and a New York Times bestselling graphic novelist. He holds a MS and PhD in Library and Information Sciences from the University of Illinois at Urbana-Champaign, where he is on faculty. His many publications range from academic essays (in comics form) on new media and learning to art books about under-representation in comics culture, from editorial comics to a graphic novel adaptation of Kindred by Octavia E. Butler, which was awarded a 2017 Bram Stoker Award. David Brame makes comics, some of which can be seen on splitlip.com and henbracomics.com, in numerous anthologies, and in the Action Lab OGN The Trip.
In celebration of Rosarium's fifth anniversary, publisher Bill Campbell has compiled a two-volume collection of over 100 science fiction, fantasy, and horror short stories from around the world. Like space and the future, Sunspot Jungle has no boundaries and celebrates the wide varieties and possibilities this genre represents, with some of the most notable names in the field. Featuring the works of: Nick Harkaway, Ken Liu, Nalo Hopkinson, Tananarive Due, Max Gladstone, Nisi Shawl, Nick Mamatas, Carmen Maria Machado, Tobias S. Buckell, Karen Lord, and more!Bill Campbell is the author of Sunshine Patriots, My Booty Novel,Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad, and Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturismand Beyond. Campbell lives in Washington, DC, where he spends his time with his family, helps produce audiobooks for the blind, and helms Rosarium Publishing.
Twenty years ago, a toxic spill in the small, southwest Texas town of Exile poisoned residents with permanent rage. The feds' response? Quarantine. Only residents who pass the feds' 4-S test can escape Exile's heavily fortified borders. Heidi Palermo, unwilling medic to her family of bloodthirsty street warriors, has taken the test repeatedly, trying to prove she's smart, strong, sterile, and sane. Three out of four ain't bad, but the feds don't grade on a curve. When her abusive brother dies in battle, Heidi turns her clinical eye to his killer. An Outsider who arrived post-spill, Tank seems open to Heidi's advances. Is Tank her ticket out of Exile? Before she can find out, the two are besieged by her vengeful family. Heidi must keep their blood feud from triggering a war with the feds if she wants to escape Exile. But Tank's about as trusting as Heidi is monogamous?which is to say, not at all. So Heidi's picked the wrong mark, her family is gunning for her, and the feds are itching to nuke Exile once and for all. Heidi's got her fourth S now: Screwed.Lisa M. Bradley is a Tejana who grew up in deep South Texas, before the construction of the Border Wall. Not coincidentally, she writes about boundaries and those who defy them in works ranging from haiku to novels. Her work regularly appears in journals and anthologies. Her first collection is The Haunted Girl. In articles and conference presentations, she honors the often-overlooked speculative elements in work by Latina poets, including Gabriela Mistral, Sara Estela Ramirez, and Alfonsina Storni.
In celebration of Rosarium's fifth anniversary, publisher Bill Campbell has collected a two-volume collection of over 100 science fiction, fantasy, and horror short stories from around the world. Like space and the future, Sunspot Jungle has no boundaries and celebrates the wide varieties and possibilities that this genre represents with some of the most notable names in the field.Bill Campbell is the author of Sunshine Patriots, My Booty Novel,Pop Culture: Politics, Puns, "Poohbutt" from a Liberal Stay-at-Home Dad and Koontown Killing Kaper. Along with Edward Austin Hall, he co-edited the groundbreaking anthology, Mothership: Tales from Afrofuturism and Beyond. Campbell lives in Washington, DC, where he spends his time with his family, helps produce audiobooks for the blind, and helms Rosarium Publishing.
In this current political climate, being a Palestinian is a hazard. However, there are common grounds where East meets West. The Hookah Girl is a semi-autobiographical graphic novel of a childhood as a Christian Palestinian in America. Told in short stories and with narrative ranging from growing up in a refugee family to how to roll waraq (stuffed grape leaves), this book is an account of living in two seemingly different cultures that actually aren't very different at all.Marguerite Dabaie is a freelance illustrator and has worked with such organizations as School Library Journal, Mizna, and Just World Books, among others. The Hookah Girl and Other True Stories is her first major comic, and it was awarded two grants. She lives in New York City with her husband, Chris.
Aryan race warrior. A Mexican drug lord. A Korean hit man. A career stick-up man. The wrong guy at the wrong place at the wrong time. The puke Cho-mo-kiddy-toucher. And you! This ain't the Breakfast Club and these are ain't your new friends. Welcome to the Protective Housing Unit (PHU), home to some of world's worst criminals—many of whom so reviled they must not only be shielded from the American public, but the general prison population. This is your new life. Simon, a white-collar criminal, is a new transfer to Pensacola Federal Prison Camp. He's having a hard time adjusting to prison culture, and his newfound "friends" aren't all that interested in making his new life any easier. Everyone in the PHU has his own agenda; alliances are, at best, temporary; and even the notion of friendship is laughable. But all that is about to change. This brutal yet familiar life they've all grown accustomed to is about to come to an end as a mysterious stranger is transferred to their unit and these hardened inmates start to die… Horribly. One at a time. Manticore collects the 5-part prison horror comic series by Keith Miller and Ian Gabriel into one engrossing volume.Keith A. Miller was born but not completely bred in Brooklyn, New York. When he’s not busy corralling thirteen-year-olds (he's a teacher), he writes independent comics. He likes to play around in the science-fiction and urban fantasy genres but is not above a good slice-of-life graphic novel. He is the co-creator of Triboro Tales and Insensitives. His latest graphic novella, Infest, will hit the convention floors in 2015. He is a graduate of CUNY Queens College, where he received a degree in Comparative Literature and Cultural Anthropology, and CUNY Law School. His interests lie in telling speculative fiction stories of people generally not represented in genre fiction so that the plucky character of color will not die first.Ian Gabriel is an illustrator who graduated from SUNY Geneseo with a Bachelor’s in Studio Art. Manticore is his first foray into graphic novels, but won’t be his last. He lives in New York.
Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe—including Junot Diaz, Victor LaValle, Lauren Beukes, N. K. Jemisin, Rabih Alameddine, S. P. Somtow, and more. These authors have earned such literary honors as the Pulitzer Prize, the American Book Award, the World Fantasy Award, and the Bram Stoker, among others.
Stories for Chip brings together outstanding authors inspired by a brilliant writer and critic, Science Fiction Writers of America Grandmaster Samuel R. “Chip” Delany. Award-winning SF luminaries such as Michael Swanwick, Nalo Hopkinson, and Eileen Gunn contribute original fiction and creative nonfiction. From surrealistic visions of bucolic road trips to erotic transgressions to mind-expanding analyses of Delany’s influence on the genre—as an out gay man, an African American, and possessor of a startlingly acute intellect—this book conveys the scope of the subject’s sometimes troubling, always rewarding genius. Editors Nisi Shawl and Bill Campbell have given Delany and the world at large, a gorgeous, haunting, illuminating, and deeply satisfying gift of a book.Nisi Shawl is a writer whose work has been published at Strange Horizons, in Asimov’s SF Magazine, and in anthologies including Dark Faith 2, Dark Matter, The Moment of Change, and The Other Half of the Sky. Her story collection, Filter House, was one of two winners of the 2009 James Tiptree Jr. Award. She is a cofounder of the Carl Brandon Society and serves on the Board of Directors of the Clarion West Writers Workshop. She lives in Seattle. Bill Campbell is the founder of Rosarium Publishing and the author the novels Koontown Killing Kaper, My Booty Novel, and Sunshine Patriots as well as the essay collection, Pop Culture: Politics, Puns, and “Poohbutt” from a Liberal Stay-at-Home Dad. He coedited, with Edward Austin Hall, the groundbreaking anthology Mothership: Tales from Afrofuturism and Beyond. He lives in Washington, DC.
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