Bøger udgivet af Saeculum University Press of NC

In this grand summary of her soul journey, Harrell goes where few dare to tread: recounting her initiations that started in Zurich with a death, took her to "the Christ State" and back, and brought in in a significant and relevant way the off-Earth use by spirits of her relationship to Gonzo journalist Hunter Thompson, showing how everything, even the patterns we unwittingly make, is "up for grabs," or rather craftily, lovingly, intelligently added into the Earth Bank of knowledge to be drawn from.

In this grand summary of her soul journey (following on Space Encounters III rev., Margaret Harrell goes where few dare to tread: recounting her initiations that started in Zurich, with a death, took her to "the Christ State" and back, and brought in in a significant and relevant way the off-Earth use by spirits of her relationship to Gonzo journalist Hunter Thompson, showing how everything, even the patterns we unwittingly make, is "up for grabs," or rather craftily, lovingly, intelligently added into the Earth Bank of knowledge to be drawn from.REVIEWS:"Margaret Ann Harrell's book of initiations is a golden bough, a sacred marriage, an initiation, a wake, a book of revelation, a literary and spiritual journey into and through an ever expanding universal consciousness. Margaret Ann Harrell's BEYOND 3-D is her Big Book, her epic narrative poetic masterpiece."Like Blake's Jerusalem, Goethe's Faust, Joyce's Ulysses, Mann's The Magic Mountain, this is Margaret Harrell's magnum opus. "But like Joyce's Finnegans Wake it will likely take folks years and years to translate to unravel the mysteries included within."-Ron Whitehead, Lifetime US Beat Poet Laureate"Margaret has done an amazing job witnessing for us all the deep path of walking with the Self. AsMother Earth moves into her heart chakra, Margaret does as well and tells the story to us from there."- Jyoti, internationally renowned spiritual teacher"The information of the universal nature of each soul offers a good potential to remove some of the barriers or veils between otherwise divergent ways of thinking and believing. I'm glad Margaret is "putting this out there."-the late Al Miner, channel to Lama Sing

"Hunter often said Harrell was the best copy editor he'd ever worked with" (William McKeen, Outlaw Journalist). But what was the rest of the story? Keep This Quiet! captures the fear and loathing, charm and romance, of Hunter in the late 1960s - along with tales of two other underground authors. This is a perfect companion when you are reading Hell's Angels or to add background and context to Margaret's new book The Hell's Angels Letters. Read the escapades of a woman in her twenties in New York City, attracted to three fascinating authors. Included are funny letters Hunter sent Margaret during and after the publication of his break-out first book, Hell's Angels. Also, tales of woe, but in a comical retelling by outrageous Belgian poete maudit, Jan Mensaert, living in Morocco. Also included are priceless reminiscences and memorabilia of some of Hunter's oldest friends: William Kennedy, David Pierce, Rosalie Sorrels, Paul Krassner, and editor Jim Silberman, all of whom Margaret knew. Read as well letters to Margaret from the outrageous "Dr. Gonzo" (Oscar Acosta). Further featured is Greenwich Village "poet genius" Milton Klonsky, who acted as a buffer through these turbulent waters.

Let's dive down into our relationship to the universe's creative impulse, creative energy-the energy that can move mountains, can explode cities - through our common affinity for and content of . . . ELECTRICITY. Electricity "Transport Trains" presents "some personally experienced secrets of how we get roped into the universe's scenes and stories." Margaret A. Harrell spent the decade of the 1990s at her computer, but it was no ordinary experience. The computer worked with her, in what is called "computer PK." In this parapsychological phenomenon, the computer repeatedly restructured portions of a whole page of text that was on-screen, reducing it to mouthfuls. No page printed the same way twice. This was a collaborative experience between artist and, if you will, spirit illustrator (humorously put). With piles of examples of this type of refocusing, not only did she have her consciousness altered and expanded, but she used the illustrations in her Space Encounters series, some of which are reproduced in Electricity "Transport Trains." The Space Encounters series was published in Romania while she lived in Belgium. Resurfacing out of this ten years of seclusion and artistic hermitage in 2001, she relocated in the United State with a shipping container that held many examples of this nonstop ten years of creativity, all supported, or instigated, by "the spirit world." Blinking in the light of returned-to everyday reality, she published more books, but shifted focus. Now she is aiming for short, easily accessible, entertaining books that have a very deep undertone. In addition, she brings insights into how human electricity interacts with the electricity-filled universe that she learned but did not understand in an initiation in 1985. Decades later, it's all so clear. And she shares it in this book.

Let's dive down into our relationship to the universe's creative impulse, creative energy - the energy that can move mountains, can explode cities-through our common affinity for and content of . . . ELECTRICITY. Electricity "Transport Trains" presents "some personally experienced secrets of how we get roped into the universe's scenes and stories." Margaret A. Harrell spent the decade of the 1990s at her computer, but it was no ordinary experience. The computer worked with her, in what is called "computer PK." In this parapsychological phenomenon, the computer repeatedly restructured portions of a whole page of text that was on-screen, reducing it to mouthfuls. No page printed the same way twice. This was a collaborative experience between artist and, if you will, spirit illustrator (humorously put). With piles of examples of this type of refocusing, not only did she have her consciousness altered and expanded, but she used the illustrations in her Space Encounters series, some of which are reproduced in Electricity "Transport Trains." The Space Encounters series was published in Romania while she lived in Belgium. Resurfacing out of this ten years of seclusion and artistic hermitage in 2001, she relocated in the United State with a shipping container that held many examples of this nonstop ten years of creativity, all supported, or instigated, by "the spirit world." Blinking in the light of returned-to everyday reality, she published more books, but shifted focus. Now she is aiming for short, easily accessible, entertaining books that have a very deep undertone. In addition, she brings insights into how human electricity interacts with the electricity-filled universe that she learned but did not understand in an initiation in 1985. Decades later, it's all so clear. And she shares it in this book. Al Miner, the late channel to Lama Sing, saw in her writing a "spirit soaring through the nuances of finiteness, . . . a sense of timeless joy."

The Particle Piñata collection spans over forty years of Life tackled from the heart. The genesis emerged when, living in Morocco in 1980, Margaret Ann Harrell began recording her dreams. And they poured in, introducing her to "image trails." She was in deep contact with the unconscious. In it resided this poet, a "second-class citizen" of herself. The poet to whom words came easily because after all she was in the unconscious, whereas the conscious prose author struggled, edited, cut, sweated, and was published. No longer is the poet in the closet. Having been a spokesperson for "the unconscious," or collective unconscious, before, in this poetry Harrell brings in the transpersonal nature of us all. From after-death communications to stimulating RUMI-nations to metaphysics in "a bottle," her poems bring puzzles, thought-provoking, with depth. Many are "To the Earth," announcing prophetically, in the 1980s, the upheaval we are seeing today. True to the brand of humor of the unconscious, there is a section of brilliant word play, narrating insights about the untold stories of Jesus and Mary Magdalene, theChrist spirit, and the universal Christ consciousness.