Bøger udgivet af Scarecrow Press

Modeled on the brilliant approach first formulated by distinguished professor music and master clarinetist Michele Gingras in her Clarinet Secrets and More Clarinet Secrets (both available from Scarecrow Press), Tracy Heavner's Saxophone Secrets provides advanced saxophonists with 60 performance secrets that will assist in their musical development. This work is the result of 30 years of personal teaching and performance experience. Heavner offers both intermediate players and advanced professionals a wide variety of techniques, which will greatly improve any saxophonist's performance ability.Designed to be the go-to hands-on guide for practitioners, Heavner's strategies consider a vast array of issues for the saxophonist who needs to take that next big step up. Beginning chapters consider various brands of saxophones, mouthpieces, ligatures, reeds, and maintenance techniques that reflect the standard practices and expectations of the advanced performer. The secrets that follow develop and improve embouchure, tone, articulation, and finger technique, allowing saxophonists to analyze their own playing and adjust accordingly. Heavner pulls back the curtain further to introduce those secrets for developing the altissimo register and extended saxophone techniques, from circular breathing and multiphonics to slap and flutter tonguingall absolute necessities for saxophonists seeking to play contemporary classical, jazz, or commercial music. Finally, Heavner concludes by letting musicians in on those little-revealed secrets for taking their saxophones on the road.Saxophone Secrets is the ideal work for saxophonists, saxophone instructors, band teachers, and anyone looking to improve their saxophone performance skills or those of their students.

In The Pianist's Craft, Richard Anderson collects from his fellow pianist-scholars 18 articles on the teaching, preparation, and performance of works by the greatest composers in the standard piano repertoire. The contributors-all recognized nationally and internationally for their contributions as performing artists, teachers, recording artists, and clinicians-write thoughtfully about the composers whose work they have studied and played for years, examining questions of phrasing, tempo, articulation, dynamics, rhythm, color, gesture, lyricism, instrumentation, and genre. The Pianist's Craft is intended for teachers and students of the intermediate and advanced levels of piano, instructors and performers at the university level, and those who love piano and piano music generally.

The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.

Building on the strengths of the first edition, the second edition of Latin American Classical Composers: A Biographical Dictionary presents expanded and updated coverage of its topic with an aim to be comprehensive. The authors have conducted exhaustive research to fill in gaps and correct minor errors in the first edition, adding young composers and documenting deaths since 1996, when the first edition appeared. Hundreds of composers are represented in this volume, which presents biographical data, including dates of birth and death, personal information about composers' background and training, and a selective listing of each composer's works. Sources for further study are noted within each entry. An index of composers by country rounds out this work.

This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.

In African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassedand the remarkable story of the man who produced it: Lawrence Gellert. Compiled between the World Wars, Gellerts recordings were immediately adopted by the American Left as the voice of the true American proletariat, with the songslargely variants of traditional work songs or bluesdubbed by the Left as songs of protest. As both the songs and Gellert's standing itself turned into propaganda weapons of left-wing agitators, Gellert experienced a meteoric rise within the circles of left-wing organizations and the American Communist party. But such success proved ephemeral, with Gellert contributing to his own neglect by steadfastly refusing to release information about where and from whom he had collected his recordings. Later scholars, as a result, would skip over his closely held, largely inaccessible research, with some asserting Gellert's work had been doctored for political purposes. And to a certain extent they were correct. Conforth reveals how Gellert at least assisted in the creation of some of his more political material. But hidden behind the few protest songs that Gellert allowed to become public was a vast body of legitimate African America folksongsenough to rival the work of any of his contemporary collectors.Had Gellert granted access to all his material, scholars would have quickly seen that it comprised an incredibly complete and diverse collection of all African American song genres: work songs, blues, chants, spirituals, as well as the largest body of African American folktales about Irish Americans (what were referred to as One Time Ishman tales). It also included vast swaths of African American oral literature collected by Gellert as part of the Federal Writers Project.In African American Folksong and American Cultural Politics, Conforth brings to light for the first time the entire body of work collected by Lawrence Gellert, establishing his place, and the place for the material he collected, within the pages of American folk song scholarship. In addition to shedding new light on the concept of protest music within African American folk music, Conforth discusses the unique relationship of the American Left to this music and how personal psychology and the demands of the American Communist party would come to ruin Gellert's life.African American Folksong and American Cultural Politics will appeal to students and scholars in the fields of American social and political history, African American studies, the history of American folk music, and ethnomusicology.

Agricultural geography is defined as the study of the geographical and locational attributes, patterns, and processes of crop and animal farming, and related subjects such as farm land, farm-associated human geographers, environmental issues, and theoretical works on the location of agricultural activities. The study of agricultural geography has produced a large amount of literature. This volume records and presents, in an organized manner, as much of this literature as possible. The entries of this compendium are written in a wide array of languages, including English, French, Spanish, Portuguese, Italian, German, Swedish, Danish, Dutch, Russian and others in order to provide the widest coverage possible.

This book supplies conductors, music administrators, and librarians with all the information needed to plan performances of modern chamber music. It provides details on 4,000 titles composed during the 20th or 21st centuries, and the appendix allows users to search for pieces based on various criteria.

Jewish conductor Hermann Levi strove for excellence and recognition as a composer and conductor of classical music in 19th-century Germany. He unerringly devoted himself to the orchestral performance of works by the two major figures of the time: Johannes Brahms and Richard Wagner. In spite of the anti-Semitic atmosphere, Levi saw the conducting of Wagner''s works as a major calling: one that pinnacled in the premier performance of Parsifal in Bayreuth. In this biography, newly translated into English by Cynthia Klohr, opera scholar and conductor Fritjof Haas surveys the life and work of this remarkable individual. Born of a long line of rabbis and raised on the ideals of political emancipation of Europe''s Jews, Levi sought to break the social constraints and boundaries imposed upon him because of his religious heritage by the power brokers of the classical music scene. Like so many German Jews of his generation, Levi struggled nearly all his life to dissolve the battle between personal lot and social prejudice. Drawing on the wealth of material from the "Leviana" repository in Munich, Germany, Haas artfully weaves together Levi''s personal history with his musical milieu to paint a portrait of this ambitious and ambivalent figure in the world of 19th-century German music. This work will be of special interest to musicologists, musicians, opera fans, classical music listeners, and historians and scholars of Judaic studies.

First broadcast in the not too distant past on a television station in Minnesota, Mystery Science Theater 3000 soon grew out of its humble beginnings and found a new home on cable television. This simple show about a man and two robots forced to watch bad movies became a cult classic, and episodes of the series continue to be packaged in DVD collections to this day. In Reading Mystery Science Theater 3000: Critical Approaches, Shelley S. Rees presents a collection of essays that examine the complex relationship between narrative and audience constructed by this baffling but beloved television show. Invoking literary theory, cultural criticism, pedagogy, feminist criticism, humor theory, rhetorical analysis, and film and media studies, these essays affirm the show's narrative and rhetorical intricacy.

With about one billion members, the Catholic Church is one of the world's largest religious bodies, and its history is crucially linked to global events. In the Historical Dictionary of Catholicism, author William J. Collinge provides the reader with a comprehensive introduction to the theology, doctrines, and worship of the religion. He covers the entire Catholic tradition from the time of Jesus to the present, including the periods before the present division of Christianity into Roman Catholic, Eastern Orthodox, and Protestant. Collinge has also included entries on heretical, schismatic, and dissident movements within Catholicism, and he covers the relation of Catholicism to other Christian traditions, to the major non-Christian religions, and to Western cultural and philosophical traditions.The second edition of the Historical Dictionary of Catholicism has been updated to reflect recent developments in the Catholic Church, most notably the death of Pope John Paul II and his succession by Pope Benedict XVI. An updated introduction precedes the main body of the dictionary, which contains more than 500 alphabetical, cross-referenced entries covering persons, organizations, places, events, titles, and concepts. The entries are followed by several appendixes on popes, ecumenical councils, the documents of Vatican Council II, major papal encyclicals, and Catholic prayers, and a comprehensive bibliography provides the researcher with further readings. The second edition of the Historical Dictionary of Catholicism is an ideal access point for students, researchers, or anyone interested in the history of the Catholic Church.

Tackles the difficult problem of preservation of music in all of its formats-scores, parts, and all types of recordings.

This book covers the proceedings of the March 1985 Music Library Association Preconference.

Paul Robeson was a towering figure in American culture, conquering many disparate venuesfrom football and film to law to Shakespeare. An extraordinary athlete-scholar-actor-singer, Robeson also became a crusader for human rights. And though he was admired by many, his controversial support of the Soviet Union during the Cold War and the era of McCarthyism led to ostracism and his declining health.In Robeson: An American Ballad, Arnold H. Lubasch chronicles the remarkable life of this twentieth-century original. In this concise and readable account, Lubascha New York Times veteran for almost 40 yearsreports on Robeson's life story more accurately and clearly than any previous books.In addition to detailing the highs and lows of Robeson's life and career, Lubasch offers several personal anecdotes about this American icon, and includes commentary on the 100th-anniversary celebration of Robeson's birth. This engaging work will be of interest to virtually everyone, but especially to scholars and students of U.S. and African American history and culture.

Through the progressive building and exploration of consistently designed and complex metaphors, the reader is led to understand the building principles upon which the construction of multimedia forms is based.

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You are getting ready for a performance of Donizetti's L'elisir d'amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles?The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operasincluding every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companiona ';recipe book' that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.

This Music Leaves Stains presents the full story behind the Misfits and their ubiquitous, haunting skull logo, a story of unique talent, strange timing, clashing personalities, and incredible music that helped shape rock as we know it today. James Greene, Jr., maps this narrative from the band's birth at the tail end of the original punk movement through their messy dissolve at the dawn of the 1980s right on through the legal warring and inexplicable reunions that helped carry the band into the 21st century.