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"Eilis Lacey is Irish, married to Tony Fiorello, one of four Italian American brothers, all of whom live in neighboring houses on a cul-de-sac in Lindenhurst, Long Island, with their wives and children and Tony's parents, a huge extended family that lives and works, eats and plays together. It is the spring of 1976 and Eilis, now in her forties with two teenage children, has no one to rely on in this still-new country. Though her ties to the town in Ireland where she grew up remain stronger than those that hold her to her new land and home, she has not returned in decades. One day, when Tony is at his job, an Irishman comes to the door asking for her by name. He tells her that his wife is pregnant with Tony's child, and that when the baby is born, he will not raise it but instead will deposit it on Eilis's doorstep. It is what Eilis does - and what she refuses to do - in response to this stunning news that makes Tâoibâin's novel so riveting. Long Island is about longings unfulfilled, even unrecognized. The silences in Eilis's life are thunderous and dangerous, and there's no one defter than Tâoibâin at giving them language. This is a gorgeous story of a woman alone in a marriage and the deepest of bonds she rekindles on her return to the place and people she left behind, to ways of living and loving she thought she'd lost. Eilis is perhaps Tâoibâin's most moving and unforgettable character, and this novel is a masterpiece"--

Lab Girl meets Why Fish Don’t Exist in this “compelling blend of memoir, environmental writing, and scientific exploration” (Kirkus Reviews) from a young scientist studying penguins in Antarctica—a firsthand account of the beauty and brutality of this remote climate, the direct effects of climate change on animals, and the challenges of fieldwork.Offering a dramatic, captivating window into a once-in-a-lifetime experience, The Last Cold Place details Naira de Gracia’s time living and working in a remote outpost in Antarctica alongside seals, penguins, and a small crew of fellow field workers. In one of the most inhospitable environments in the world (for humans, anyway), Naira follows a generation of chinstrap penguins from their parents’ return to shore to build nests from pebbles until the chicks themselves are old enough to head out to sea. Naira describes the life cycle of a funny, engaging colony of chinstrap penguins whose food source (krill, or small crustaceans) is powerfully affected by the changing ocean in lively and entertaining anecdotes. Weaving together the history of Antarctic exploration with climate science, field observations, and her own personal journey of growth and reflection, The Last Cold Place illuminates the complex place that Antarctica holds in our cultural imagination—and offers a rare glimpse into life on this uninhabited continent.

1843. On a remote Scottish island, Ivar, the sole occupant, leads a life of quiet isolation until the day he finds a man unconscious on the beach below the cliffs. The newcomer is John Ferguson, an impoverished church minister sent to evict Ivar and turn the island into grazing land for sheep. Unaware of the stranger's intentions, Ivar takes him into his home, and in spite of the two men having no common language, a fragile bond begins to form between them. Meanwhile on the mainland, John's wife Mary anxiously awaits news of his mission.

From one of the world’s most innovative designers comes a fiercely passionate manifesto on why so many places have become miserable and boring and how we can make them better for everyone—featuring hundreds of photographs and illustrations that will change how you see the world around you.We are living through a global catastrophe. Buildings affect how we feel, moment by moment, day by day. They have the power to lift us up and make us feel awestruck, playful, safe, and inspired, just as they can make us feel alienated and sad. But many of the places where we live, work, learn, and heal have become monotonous and disposable. We’re surrounded by cheap, boring buildings that make people stressed, sick, and unhappy. In short, much of our world has been crafted in a way that is hostile to human experience. Now, drawing on his experience of the last thirty years in making bold, beautiful objects and buildings, Thomas Heatherwick offers both an informed critique of the inhumanity in most of today’s contemporary building design, and a rousing call for action. Looking through Heatherwick’s eyes, we see familiar landmarks and cityscapes around the world, from London, Paris, Barcelona, Singapore, New York, Vancouver, and beyond, both old and new, famous and obscure, to learn how places can either sap the life out of us—or nourish our senses and our psyche. The time has come, he says, to put emotion back at the heart of the design process, and the reasons to do so could not be more urgent. Design is not superficial: it has an impact upon economics, climate change, our mental and physical wellbeing—even the peace and cohesion of our societies. As citizens and users, we need a world full of architectural diversity that delights and unites us. And as makers and designers, we can help create a world where cities reconnect with their essential mission: to provide human spaces where people mix, meet, inspire each other, and live out their full potential. Elegantly crafted by Heatherwick’s own studio, and fully illustrated with hundreds of black-and-white photos, Humanize is an urgent call-to-arms for making our world a better place for everyone to live, and provides the vision and tools for us to make it a reality.

A New York Times EDITORS’ CHOICE | MOST ANTICIPATED by The Guardian • Paste Magazine • LitHub • The Millions • Library Journal From the prizewinning author of The Manningtree Witches, a subversive historical novel set during the French Revolution, inspired by a young peasant boy turned showman, said to have been tormented and driven to murder by an all-consuming appetite. “Obscenely beautiful…Every sentence is gorgeous...Powerful and provocative.” —The New York Times Book Review “This year, I found myself seeking one quality above all others from the books I read: escapism. And no book plunged me into another world quite so bracingly as The Glutton.” —Vogue1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite…an appetite they say tortures him still. Born in an impoverished village to a widowed young mother, Tarare was once overflowing with quiet affection: for the Baby Jesus and the many Saints, for his mother, for the plants and little creatures in the woods and fields around their house. He spends his days alone, observing the delicate charms of the countryside. But his world is not a gentle one—and soon, life as he knew it is violently upended. Tarare is pitched down a chaotic path through revolutionary France, left to the mercy of strangers, and increasingly, bottomlessly, ravenous. This exhilarating, disquieting novel paints a richly imagined life for The Great Tarare, The Glutton of Lyon in 18th-century France: a world of desire, hunger and poverty; hope, chaos and survival. As in her cult hit The Manningtree Witches, Blakemore showcases her stunning lyricism and deep compassion for characters pushed to the edge of society in The Glutton, her most unputdownable work yet.

"An introspective young boy, Joseph Coppock is trying to make sense of the world. Living alone in an old house, he spends his time reading comic books, collecting birds' eggs, and playing with marbles. When one day a rag-and-bone man called Treacle Walker appears on a horse and cart, offering a cure-all medicine, a mysterious friendship develops and the young boy is introduced to a world beyond his wildest imagination. Luminous, evocative, and sparely told, Treacle Walker is a stunning fusion of myth, folklore, and the stories we tell ourselves."--