Bøger udgivet af Seagull Books London Ltd

Dark stories of failed dreams and contemporary desperation in Los Angeles. In a rundown Los Angeles apartment building--the titular Starlite Terrace--Patrick Roth unfurls the tragic linked stories of Rex, Moss, Gary, and June, four neighbors, in a sort of burlesque of the Hollywood modern. In each of their singular collisions with fame, Roth's dark prose presages a universal and mythical fate of desperation. In "The Man at Noah's Window," Rex shares the story of his father, a supposed hand double for Gary Cooper in High Noon. In "Eclipse of the Sun," Moss, who lives in fear of the next holocaust, awaits a visit from the long-lost daughter he has tracked down. In "Rider on the Storm," Gary, a rock drummer and born-again Christian, who "almost played" on the Turtles' 60s-hit "Happy Together," strives to find an escape from his personal guilt. And in "The Woman in the Sea of Stars," June, a former Hollywood studio secretary whose husband once cheated on her with Marilyn Monroe, makes the best of a disconnected life until she emerges reborn through ashes strewn in the illuminated swimming pool of the Starlite Terrace. In each of these four tales of wannabes and almost-weres, Roth's L.A. portraits unfold in rare style, and, in Krishna Winston's masterful translation, the hopeless, loveless perversion of an Ed Ruscha-inspired California becomes a compelling pageant of all-American grotesques that is not to be missed.

A meticulously researched book that collects twelve playscripts written by European Jews imprisoned in the Terezín ghetto during the Holocaust. The concentration camp and Jewish ghetto at Terezín, or Theresienstadt, in what is now the Czech Republic, was a site of enormous suffering, fear, and death. But amid this horrific period, there was also a thriving and desperately vibrant cultural life. While the children's drawings and musical pieces created in the ghetto have become justly famous, the prisoners' theatrical works, though a lesser-known aspect of their artistic endeavors, deserves serious attention as well. Performing Captivity, Performing Escape collects twelve theatrical texts--cabaret songs and sketches, historical and verse dramas, puppet plays, and a Purim play--written by Czech and Austrian Jews. Together these works reveal the wide range of ways in which the prisoners engaged with and escaped from life in the ghetto through performance. The anthology opens with an insightful prologue by novelist Ivan Klíma, who was interned in the ghetto as a child and contains a detailed introduction by editor Lisa Peschel about the pre-war theatrical influences and wartime conditions that inspired the theater of the ghetto. The array of theatrical forms collected in this anthology speaks of the prisoners' persistence of hope in a harrowing time and will be a moving read for students and scholars of the Holocaust.

An experiment with the sonnet form by one of the foremost French poets of his generation. Yves Bonnefoy has wowed the literary world for decades with his diffuse volumes. First published in France in 2008, The Anchor's Long Chain is an indispensable addition to his oeuvre. Enriching Bonnefoy's earlier work, the volume, translated by Beverley Bie Brahic, also innovates, including an unprecedented sequence of nineteen sonnets. These sonnets combine the strictness of the form with the freedom to vary line length and create evocative fragments. Compressed, emotionally powerful, and allusive, the poems are also autobiographical--but only in glimpses. Throughout, Bonnefoy conjures up life's eternal questions with each new poem. Longer, discursive pieces, including the title poem's meditation on a prehistoric stone circle and a legend about a ship, are also part of this volume, as are a number of poetic prose pieces in which Bonnefoy, like several of his great French predecessors, excels. Long-time fans will find much to praise here, while newer readers will quickly find themselves under the spell of Bonnefoy's powerful, discursive poetry.

Carefully perched somewhere between tragedy and grotesque, high-pitched and squeamish, Jelinek's play, On the Royal Road, brings into focus the phenomenon of right-wing populism, which spreads like a virus and has a lasting effect on global politics. Nobel Prize winner Elfriede Jelinek is known as a writer who works in response to contemporary crises and cultural phenomena. Perhaps none of her works display that quality as clearly as On the Royal Road. Three weeks after Donald Trump's election, Jelinek mailed her German editor the first draft of this play, which turns out to be a stunningly prescient response to Trump and what he represents. In this drama, we discover that a "king," blinded by himself, who has made a fortune with real estate, golf courses, and casinos, suddenly rules the United States, and the rest of the people of the world rub their eyes in disbelief until no one sees anything anymore. As topical as the evening news, yet with insight built on a lifetime of closely observing politics and culture, On the Royal Road brings into focus the phenomenon of right-wing populism, which spreads like a virus and has a lasting effect on global politics. Carefully perched somewhere between tragedy and grotesque, high-pitched and squeamish, Jelinek in this work questions her own position and forms of resistance.

Written in the first four months of the war in Ukraine, fuelled by anger towards mindless violence, Nemec's stories tackle the present moment and confront what really matters at times of abundant destruction. A Czech man in Ukraine in search of his alter ego. A gang of homeless kids driven from a cellar by tenants using it as a shelter from the war. A German couple who 'rented a womb' in Ukraine, whose child is now stuck in Kyiv. A teenager partnered with a Valkyrie for the distribution of lavash in besieged Mariupol delays his flight until it is too late. A Russian academic mounting a protest in the center of Moscow dressed in a costume from Swan Lake. They may not be soldiers at the front, but for the characters in these stories, life will never again be as it was before the Russian invasion of Ukraine. In this collection of short stories--two set in Ukraine, two in the West, and one in Russia--Czech author Jan Nemec has produced a work of remarkable immediacy.

A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator--often as a daring smuggler of ideas from one discipline to another--he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France's preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes's published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns--semiotics, visual culture, art, cinema, and photography--and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.

A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback.   Roland Barthes was a restless, protean thinker. A constant innovator‿often as a daring smuggler of ideas from one discipline to another‿he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France‿s preeminent Collÿge de France, where he chose to style himself as a professor of literary semiology until his death in 1980.   The greater part of Barthes‿s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume two, The “Scandalâ€? of Marxism, contains a wide range of his more overtly political writings, with an emphasis on his early work and the serious national turbulence in the French 1950s.

A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback.   Roland Barthes was a restless, protean thinker. A constant innovator‿often as a daring smuggler of ideas from one discipline to another‿he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France‿s preeminent Collÿge de France, where he chose to style himself as a professor of literary semiology until his death in 1980.   The greater part of Barthes‿s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume three, Masculine, Feminine, Neuter, consists of his writing on literature, covering his peers and influences, writers in French and other languages, contemporary and historical writers, and world literature.Â

The first English translation of Yves Bonnefoy's account of his life as a traveler.  The Wandering Life is a poetic culmination of Yves Bonnefoy's wanderings and characterizes the final twenty-five years of his work. Bonnefoy was an ardent traveler throughout his life, and his journeys in foreign countries left a profound imprint on his work. The time he spent in Italy, translating Shakespeare's work in England, in universities in the United States, in India with Octavio Paz, and more, affected his poetry in discernible ways and inspired The Wandering Life. Interweaving verse and prose-vignettes that range from a few lines in length to several pages-this volume is a fitting capstone to Bonnefoy's oeuvre and appears in English translation for the first time to mark the centenary of Yves Bonnefoy's birth.

A chilling poetic reflection on the world we have inherited and the destructions that made it.   To confront time, pre-modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloved‿s home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two wars‿the Iran-Iraq War of 1980 and the First Gulf War of 1991‿and which, after he left, he watched from afar being attacked during the US invasion in 2003.  Antoon‿s poems confront violence and force us not to look away as he traces death‿s haunting presence in the world. Nature offers consolation, and flowers and butterflies are the poet‿s interlocutors, but they too cannot escape ruin. Composed in Arabic and translated into English by the poet himself, Postcards from the Underworld is a searing meditation on the destruction of humans, habitats, and homes.

A unique and modern approach to money, wealth, greed, and financial ignorance presented via a story of a family in the Munich suburbs. The Federmanns live a pleasant but painfully normal life in the Munich suburbs. All that the three children really know about money is that there's never enough of it in their family.   Every so often, their impish Great-Aunt Fé descends on the city. After repeated cycles of boom and bust, profligacy and poverty, the grand old lady has become enormously wealthy and lives alone in a villa on the shore of Lake Geneva. But what does Great-Aunt Fé want from the Federmanns, her only surviving relatives? This time, she invites the children to tea at her luxury hotel where she spoils, flummoxes, and inspires them. Dismayed at their ignorance of the financial ways of the world, she gives them a crash course in economics that piques their curiosity, unsettles their parents, and throws open a whole new world. The young Federmanns are for once taken seriously and together they try to answer burning questions: Where does money come from? Why are millionaires and billionaires never satisfied? And why are those with the most always showered with more?   In this rich volume, the renowned poet, translator, and essayist Hans Magnus Enzensberger turns his gimlet eye on the mechanisms and machinations of banks and politicians-the human greed, envy, and fear that fuels the global economy. A modern, but moral-less fable, Money, Money, Money! is shot through with Enzensberger's trademark erudition, wit, and humanist desire to cut through jargon and forearm his readers against obscurantism.

Poetic prose meditations written in a lyrical stream-of-consciousness style by renowned Austrian poet Friederike Mayröcker. It is summer in this book, even if nature often does not hold to summer. The flowers either have tiny buds or have long since withered. It is summer in the book, asserts Mayröcker's work, because the summer light is switched on: sometimes blazingly bright, sometimes darkened with thunderclouds. At the same time, there is a magical light in this writing. In these stream-of-conscious prose poem meditations, Mayröcker formulates a poetics of simultaneity of all that is not: "not the scenes I remember, rather, it is the sensations accompanying those scenes." Strictly composed in form and language while luxuriantly proliferated in daydreams and nightmares, just sitting around here GRUESOMELY now is a significant volume in the radical late work of the great Viennese poet.

A collection of unique, profound, and witty stories that relate animals' peculiarities to human attitudes. Animals is a collection of short stories in which each story takes a peculiar item about animals that appears, like fables, to shine a spotlight on different aspects of human behavior-like caterpillars digging their own graves, sharks in need of artificial respiration, ducks that keep an eye out for hungry predators even in their sleep. It is a treat to watch Eva Menasse spin these observations into scenes of people battling their everyday anxieties and doubts. An old tyrant realizes that he is unable to prevent his wife's worsening dementia from erasing his own past as it erases hers. A mother who tries to protect a Muslim child from hostile accusations finds that her own boundaries between good and evil begin to blur. A woman realizes how starkly her father's traumatic past has shaped her quirky habits and deepest fears. Combining biting wit, mystery, and melancholy, these tales are the work of a masterful storyteller.

A collection of vital, melancholic, elemental, and vibrantly contemporary poems. In the beginning, was the light, or was it the Lumières? In Ulrike Almut Sandig's latest volume of poetry, it is only a leap from the creation of the world to the symphony of the Berlin metropolis. And there is a question holding out off the coast of Lampedusa: Can shining sheep be used as night storage for the dark hours, when we are overwhelmed with fears of God, of a gym teacher with a whistle, of mothers with eyes as black as coal? In devastating sequences, Sandig charts the reality of an abused child, victims of contemporary war, or a fourteenth-century Madonna. Full of humor, musicality, lightness, and rage, Shining Sheep is not just visual poetry-it has loops in your ear and filmic explosions of imagery for all your senses.

A seminal study of a historically significant theater style.   Unrivaled in its long-term impact, Parsi theater remains a crucial component of South Asia's cultural heritage. Like vaudeville in America, Parsi theater dominated mass entertainment in colonial India in the era before cinema. Drawn by the magic of sight and sound, crowds filled the country's urban playhouses each night. Marked by extravagant acting, operatic singing, and melodramatic stage effects, this cosmopolitan theater brought an unprecedented level of sophistication to the South Asian stage and transformed commercial drama into a modern industry, paving the way for Indian cinema. This volume presents Somnath Gupt's classic history of Parsi theater in an English translation enhanced by illustrations, annotations, and appendices, which make it a more comprehensive and accurate reference work.

A highly readable and lighthearted, yet intellectual-stimulating exploration of the modern human condition.   This volume concerns itself with the question of time, from the description of a brief fragment passing by in a matter of minutes to stories of the unexpected stock-market crash of 1929, a once-in-a-century event that Europeans call 'Black Friday' because Wall Street's collapse reached the Old World one day later. Through this exploration of time, Kluge ponders some fundamental questions not altered by the passing of time: What can I trust? How can I protect myself? What should I be afraid of? Our age today has achieved a new kind of obscurity. We've encountered a pandemic. We've witnessed the Capitol riots. We see before us inflation, war, and a burning planet. We gaze at the world with suspense. What we need in our lives is orientation-just like ships that navigate the high seas. We might just find that in Kluge's vignettes and stories.

A beautifully produced volume featuring the work of a major German artist. While a face may be considered a head, a head does not necessarily carry a face. Between 2015 and 2017, German artist Max Neuman, known for painting anonymous figures, drew a series of heads. Each head is a moment, each facing the viewer as if looking into a crowd, each distinguishable from the other. Who are they? May we call them portraits? Do they look back? Do they resemble spirits? Some Heads reproduces these haunting drawings along with an essay by cultural theorist and curator Hubertus von Amelunxen that questions the heads and faces while dwelling upon the effacement of individuality.

A breathtakingly imaginative futuristic crime thriller.   Decades into the future, Indonesia's crowded capital city is underwater. A mysterious novelist searches what remains of the metropolis for the story of an old, infamous crime. He combs the streets for traces of Gaspar: private-eye-cum-criminal-mastermind who plotted a seemingly simple robbery of a jewelry store. Far from just unlocking riches, however, the heist unearths a series of interlinking conflicts that have haunted Gaspar since childhood. In this brilliant twist of genres, this book combines noir with a laugh-out-loud detective and touches of surreal science fiction. The book's eclectic blend of allusions and narrative strategies opens new horizons for literary crime fiction while also painting a fresh, postmodern portrait of Jakarta. In a city webbed by roadways and canals, personal vendettas trace back to political crimes and social ills. First impressions can't be trusted, meta-literary motorbikes possess free will, and a senile witness might be a police detective's best bet at finding the true whodunnit-if we are to believe that a single truth exists at all. It is a chess game in which your knight no longer moves in the shape of an L, and Gaspar intends to win.

Giorgio Agamben tackles our crisis-ridden world in a series of powerful philosophical essays.   “Which house is burning?â€? asks Giorgio Agamben. “The country where you live, or Europe, or the whole world? Perhaps the houses, the cities have already burnt down‿who knows how long ago?‿in a single immense blaze that we pretended not to see.â€? In this collection of four luminous, lyrical essays, Agamben brings his characteristic combination of philosophical acuity and poetic intensity to bear on a world in crisis. Whether surveying the burning house of our culture in the title essay, the architecture of pure exteriority in “Door and Threshold,â€? the language of prophecy in “Lessons in the Darkness,â€? or the word of the witness in “Testimony and Truth,â€? Agamben‿s insights throw a revealing light on questions both timeless and topical. Written in dark times over the past year, and rich with the urgency of our moment, the essays in this volume also seek to show how what appears to be an impasse can, with care and attention, become the door leading to a way out.

An analysis of how a political myth is taken and treated as a metaphor that reflects how a country like Germany built its own destiny. In the decades before the rise of the Third Reich, "Secret Germany" was a phrase used by the circle of writers around the poet Stefan George to describe a collective political and poetic project: the introduction of the highest values of art into everyday life, the secularization of myth and the mythologization of history. In this book, Furio Jesi takes up the term in order to trace the contours of that political, artistic, and aesthetic thread as it runs through German literary and artistic culture in the period-which, in the 1930s, became absorbed by Nazism as part of its prophecy of a triumphant future. Drawing on thinkers like Carl Jung and writers such as Thomas Mann and Rainer Maria Rilke, Jesi reveals a literary genre that was transformed, tragically, into a potent political myth.

Introduces renowned Kurdish-Syrian writer Salim Barkat to an English audience for the first time, with translated selections from his most acclaimed works of poetry. Although Salim Barakat is one of the most renowned and respected contemporary writers in Arabic letters, he remains virtually unknown in the English-speaking world. This first collection of his poetry in English, representing every stage of his career, remedies that startling omission. Come, Take a Gentle Stab features selections from his most acclaimed works of poetry, including excerpts from his book-length poems, rendered into an English that captures the exultation of language for which he is famous.   A Kurdish-Syrian man, Barakat chose to write in Arabic, the language of cultural and political hegemony that has marginalized his people. Like Paul Celan, he mastered the language of the oppressor to such an extent that the course of the language itself has been compelled to bend to his will. Barakat pushes Arabic to a point just beyond its linguistic limits, stretching those limits. He resists coherence, but never destroys it, pulling back before the final blow. What results is a figurative abstraction of struggle, as alive as the struggle itself. And always beneath the surface of this roiling water one can glimpse the deep currents of ancient Kurdish culture.

A representative text of a milieu marked by student protests and aspirations for moral and political renewal.  First published in Italian in 1968, The World Saved by Kids was written in the aftermath of deep personal change and in the context of what Elsa Morante called the "great youth movement exploding against the funereal machinations of the organized contemporary world." Morante believed that it was only the youth who could truly hear her revolutionary call. With the fiftieth anniversary of the tumultuous events of 1968 approaching, there couldn't be a more timely moment for this first English translation of Morante's work to appear. Greeted by Antonio Porta as one of the most important books of its decade, The World Saved by Kids showcases Morante's true mastery of tone, rhythm, and imagery as she works elegy, parody, storytelling, song, and more into an act of linguistic magic through which Gramsci and Rimbaud, Christ and Antigone, Mozart and Simone Weil, and a host of other figures join the sassy, vulnerable neighborhood kids in a renewal of the word's timeless, revolutionary power to explore and celebrate life's insoluble paradox. Morante gained international recognition and critical acclaim for her novels History, Arturo's Island, and Aracoeli, and The World Saved By Kids may be her best book and the one that most closely represents her spirit.

A renowned novel of self-deceit and self-acceptance. Arrested and imprisoned in a small Swiss town, a prisoner begins this book with an exclamation: "I'm not Stiller!" He claims that his name is Jim White, and that he has been jailed under false charges and under the wrong identity. To prove he is who he claims to be, he confesses to three unsolved murders and recalls in great detail an adventuresome life in America and Mexico among cowboys and peasants, in back alleys and docks. He is consumed by "the morbid impulse to convince," but no one believes him. This is a harrowing account-part Kafka, part Camus-of the power of self-deception and the freedom that ultimately lies in self-acceptance. Simultaneously haunting and humorous, I'm Not Stiller has come to be recognized as one of the major post-war works of fiction and a masterpiece of German literature.

Drawing on twenty years of research, this is the definitive biography of Primo Levi. Over the last seventy years, Primo Levi (1919-87) has been recognized as the foremost literary witness of the extermination of the European Jews. In Primo Levi: An Identikit, a product of twenty years of research, Marco Belpoliti explores Levi's tormented life, his trajectory as a writer and intellectual, and, above all, his multifaceted and complex oeuvre. Organized in a mosaic format, this volume devotes a different chapter to each of Levi's books. In addition to tracing the history of each book's composition, publication, and literary influences, Belpoliti explores their contents across the many worlds of Primo Levi: from chemistry to anthropology, biology to ethology, space flights to linguistics. If This Is a Man, his initially rejected masterpiece, is also reread with a fresh perspective. We learn of dreams, animals, and travel; of literary writing, comedy, and tragedy; of shame, memory, and the relationship with other writers such as Franz Kafka and Georges Perec, Jean Améry and Varlam Shalamov. Fundamental themes such as Judaism, the camp, and testimony innervate the book, which is complemented by photographs and letters found by the author in hitherto unexplored archives. This will be the definitive book on Primo Levi, a treasure trove of stories and reflections that paint a rich, nuanced composite portrait of one of the twentieth century's most unique and urgent voices.

A playfully postmodern novel exploring questions of identity from a major Swiss writer.   A man walks out of a bar and is later found dead at the wheel of his car. On the basis of a few overheard remarks and his own observations, the narrator of this novel imagines the story of this stranger, or rather two alternative stories based on two identities the narrator has invented for him, one under the name of Enderlin, the other under the name Gantenbein.

A diary-like sequence of poems from one of Austria's best-known contemporary voices. Exploring longing, lust for life, aging, mortality, grief, and flowers in her inimitable late style, études is a diary-like sequence of poems by one of the greatest living Austrian poets. Friederike Mayröcker's almost daily entries give us a unique view into the interplay between desire and her motivation for writing. In Mayröcker's case, she writes both to keep a vanished world present and to exploit the possibilities of being present for constant experimentation.   The poems in this volume are not only studies of how the mind works, moving from fragment to fragment, but also experiments with techniques of repetition, typography, collage, and quotation. Mayröcker transforms the humble page into spaces of radical openness. After all, she says, a poem is that which "opens everything up." Each poem is date-stamped, and each date acts as a kind of permission for Mayröcker to pour in everything from notes on doctor's visits to gorgeously structured elegies to obsessively repeating fragments of memory that act upon the whole like bits of recurring melody.   Rarely before has the intimate process of writing been so exquisitely laid bare than in études. Traversing the boundaries of literary forms with Mayröcker's distinctive style, this important volume strikes an admirable balance between playfulness and serious inquiry.