Bøger udgivet af SEVEN STORIES

"No one knows more than strippers about being looked at: as objects of desire, objects of curiosity, as angels or Jezebels or hookers with hearts of gold. In this anthology, twenty-three dancers whose careers span decades, geographies, and identities demand to be seen. Through stories from first nights on the job to the day they hung up their sky-high heels-or decided they never will-these writers offer glimpses into lives of camaraderie and celebration, joy, pride, despair, frustration, self-doubt, and fear. Their unfiltered perspectives on their lives, onstage and off, are a powerful counternarrative to the whorephobia that shrouds the conventional portrayals of strippers in crime movies, TV shows, music videos, newspaper articles, and legislative debates. Each of these illuminating essays and interviews peels away tired myths and salacious speculation and presents the naked truth: that sex work is real work and strippers are real people"--

Series title taken from publisher website.

The latest book from "the most dangerous philosopher in the West" (New Republic) considers the new dangers and radical possibilities set in motion by advances in Big Tech. In recent years, techno-scientific progress has started to utterly transform our world--changing it almost beyond recognition. In this extraordinary new book, renowned philosopher Slavoj Žižek turns to look at the brave new world of Big Tech, revealing how, with each new wave of innovation, we find ourselves moving closer and closer to a bizarrely literal realization of Marx's prediction that "all that is solid melts into air." With the automation of work, the virtualization of money, the dissipation of class communities, and the rise of immaterial, intellectual labor, the global capitalist edifice is beginning to crumble, more quickly than ever before--and it is now on the verge of vanishing entirely. But what will come next? Against a backdrop of constant socio-technological upheaval, how could any kind of authentic change take place? In such a context, Žižek argues, there can be no great social triumph--because lasting revolution has already come into the scene, like a thief in broad daylight, stealing into sight right before our very eyes. What we must do now is wake up and see it. Urgent as ever, Like a Thief in Broad Daylight illuminates the new dangers as well as the radical possibilities thrown up by today's technological and scientific advances, and their electrifying implications for us all.

In 1993, the American Foundation for AIDS Research (AmFAR) began a three-year, community-based AIDS prevention program in 17 sites scattered throughout the Himalayan Kingdom of Nepal, with the objective of enabling people to protect themselves and their sexual partners against HIV/AIDS through information, education, and access to means of prevention. The program also aimed to reduce people's individual and collective vulnerability to HIV/AIDS through the teaching of literacy and other sklls needed for alternate income generation. In AIDS in Nepal: Communities Confronting An Emerging Epidemic, Jill Hannum presents the voices of people who are at the forefront of the response to HIV/AIDS in Nepal. She reveals the many discoveries that the community-based organizations made through their interaction with young people and adults across the country, as they opened a dialogue on sexuality and disseminated information on safer sexual behavior in culturally appropriate ways. This book is a powerful resource for individuals and organizations concerned with community-based health and social development programs, both within and outside Nepal. It carries a message of hope as communities and those who support them demonstrate how they can respond effectively to an emerging epidemic.

“His prolific artistic production, cut off at the age of forty, remains a monumental artifact . . . illustrating his profound conviction that the poet can and must, in his life as well as in his work, serve as the finely-honed scalpel of change, both in word and deed.” —Claribel Alegría “The most daring and innovative Salvadoran writer and intellectual of the twentieth century.” —Jaime BarbaPoems of revolution by one of Latin America’s most beloved poetsBorn in San Salvador in 1935, Roque Dalton dedicated his life to armed struggle while writing fierce, tender poems about his country and its people. In Historias y poemas de una lucha de clases / Stories and Poems of a Class Struggle, Dalton offers a road map for a liberated El Salvador, writing through the lens of five poetic personas, each with their own imagined history and distinct voice. This collection shows a country caught in the crosshairs of American imperialism, where the few rule the many and the many fight to survive—and yet there is love and humor and self-mockery to be found here on every page, in every verse, as well as an abiding faith in humanity. “I believe the world is beautiful,” Dalton writes, “and that poetry, like bread, is for everyone.”

Most anticipated in the IRISH TIMES, TORONTO STAR, and the BOOK CULTURE newsletter • INDIE NEXT LIST PICK • LIBRARY READS SELECTION • PERFECT FOR BOOK CLUBS • DEBUT NOVEL "A consistently surprising, evocative, almost impossible to put down, and gloriously original work." —BooklistA stunning debut novel from the Northern Irish poet Eoghan Walls, The Gospel of Orla is the coming-of-age story of a young girl, Orla, and the man she meets who has an astonishing and unique ability. It is also a road novel that takes us across the north of England after the two flee Orla’s village together. Here the mysteries of faith charge full bore into the vagaries of contemporary mores. A humorous, wise, deeply human and sometimes breathtaking work of lyrical fiction. “A melancholic, funny, and magical coming-of-age story, The Gospel of Orla is glorious, wise, and totally weird. I loved it.” —Annie Hartnett, author of Unlikely Animals"Utterly convincing and fresh and original." —Colm Tóibín, author of The Magician"In his debut novel, poet Eoghan Walls imagines the intersection of the material and the mystic. . . . As the troubled teenager ricochets between circus illusion and divine touch, she and the reader are beckoned to ponder where magic ends and miracles begin." —Kia Corthron, author of Moon and the Mars

The Spanish edition of Claudia Rankine’s (Citizen) new, acclaimed, genre-bending reflection on whiteness in America. “A skyscraper in the literature on racism.” —Christian Science Monitor“Rankine [is] helping America understand itself, one conversation at a time.” —Associated Press NAMED A BEST BOOK OF 2020 by The New York Times, Time Magazine, NPR, Esquire, The Guardian, O Magazine, Ms. Magazine, Star Tribune, St. Louis Post Dispatch, Christian Science Monitor, Kirkus Reviews, and Publishers WeeklyAs everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. This brilliant arrangement of essays, poems, and images is Rankine’s most intimate work, less interested in being right than in being true, being together. ***La edición en español de la nueva y aclamada reflexión de género mixto de Claudia Rankine (Citizen) sobre la blancura en los Estados Unidos. NOMBRADO MEJOR LIBRO DE 2020 por The New York Times, Time Magazine, NPR, Esquire, The Guardian, O Magazine, Ms. Magazine, Star Tribune, St. Louis Post Dispatch, Christian Science Monitor, Kirkus Reviews y Publishers Weekly. A medida que se aumenta el discurso sobre la supremacía blanca cotidiana sin tener respuestas claras a mano, ¿cuál es la mejor manera de acercarnos a los demás? Claudia Rankine, sin decirnos lo que tenemos que hacer, nos pide que iniciemos los debates que podrán abrir caminos a través de este momento divisivo de la historia estadounidense. Just us nos invita al descubrimiento de lo que se necesita para seguir hablando juntos, incluso y especialmente para romper el silencio, la culpa y la violencia que siguen a los discursos directos sobre la blancura. Este conjunto brillante de ensayos, poemas e imágenes es la obra más íntima de Rankine, menos interesada en tener razón que en encontrar la verdad, en estar juntos.