Bøger udgivet af Shearsman Books

Join Simon Perril as he writes an ecstatically elastic 50th birthday poem bidding adieu to his 40s. Written on the skin of the moment, the membrane of occasion, these poems nod, wink, cajole, caress, proclaim and defame their way across 80 plus freewheeling stanzas.

"This collection is an essential delight; a `book resonant of a life / neither following nor in pursuit', gathering old and new work all equally fresh. Like Mayakovsky, John James has produced a body of work perfectly able to marry lyricism and coarseness, rage and tenderness - and, like the Futurist, to weld the aesthetic to the social."

The EUOIA is the brainchild of Belgian poet Rene Van Valckenborch. For his last project before his disappearance around 2010, Van Valckenborch supposedly asked one poet from each of the EU states to write him a poem. Of course, he wrote them himself... Each poem was then supposedly translated into Flemish via robot (online) translators...

Here the text or the poem is a swimming pool, a pool in which language or thought-as-body glide through cultural and or phenomenological spaces; fluid places for being, thinking or even swimming in the world. It is polyglot within English, let alone in relation to all the other tongues that are almost audible ....

The first issue of Shearsman magazine for 2018 features poetry by Geraldine Clarkson, Harry Guest, Jeremy Hooker, Ian Seed, Mark Weiss, among others, and translations of Du Fu into Scots and English by Brian Holton.

In The Masses the creepy-crawlies visibly teem. Adapting the sound-mutating technique Goodland perfected in Gloss, where well-known phrases are minutely changed to sly and comic effect, here the creatures which are usually only glimpsed, only imagined with a flinch, are foregrounded in phonic mutation.

The Paths of Survival explores the fragility of the written word; the ways in which it is destroyed and the ways in which, by each fresh miracle, it endures against all the odds. Tracing the few surviving fragments of Aeschylus's lost tragedy, Myrmidons, the poems' dramatic monologues introduce us to those who encounter that mysterious text.

Klange (Sounds) was Kandinsky's only poetry publication-a collection of prose poems, accompanied by 56 of his own inimitable woodcuts, 12 of them in colour. It appeared in late 1912, or early 1913 (the exact date is uncertain) from the Munich publishing house, Piper, and thus came at a crucial time in Kandinsky's artistic life.

"Avebury freely moves through time, from pre-textual history to descriptions of art and civilisation, in the same way that Olson's Maximus Poems and all of Eliot's poems in Four Quartets envision history as an event that is taking place now and always, past and present simultaneously existing." -Neli Moody

"She tries to conjure up places and situations which normal language does not reach, from which it has disappeared, and then let something unheard communicate with us across a distance for which we have no words. (...) What she adds is her fabulous gift of making her material physical." -Hadle Oftedal Andersen, Klassekampen

When Basil Bunting declared that 'Pens are too light. / Take a chisel to write,' I imagine he had in mind the kind of exact and exacting poetry Ted Pearson has been steadily producing for decades. In The Markov Chain, Pearson presents a series of eight-line poems, each composed of four exquisitely crafted alexandrines.

Many of the sequences begin in the geography of the Essex salt marsh: here the condition of spiritual inanition, which has so frequently been attributed by the West to the non-West to legitimise aggression whilst masking its real objective, finds objective representation. It is the aggressor himself, not the victim, who suffers from inanition...

"Sceptical as I am about anti-poetry, of which there is a lot around and which can assume many different forms, the fully formed poems are not the only writing I can value in a book like this. There is too much wit, absurdity, and sheer verbal craft to be ignored." -Peter Riley

Incorporating a breathtaking sweep of international literary and philosophical influences and drawing deeply from the great European poets of the 20th century, this is a poetry collection for our time.

A new collection of poems exploring the fine line between abundance and apocalypse.

Past Futures is the long-overdue Collected Poems of an Australian poet who always seems to have more appreciated outside his homeland than within it, perhaps because his poetry was more in tune with his American contemporaries. It brings together his five previous collections, together with a large group of uncollected poems.

This volume contains the complete text of the great Hopkins poem, together with Nigel Foxell's introduction and his copious notes, touching on nearly every line in the poem. An indispensable reader's guide to one of the great poems in the language.

As a said place gathers together poems written since Keepsache (2011). The book is shaped around 'I'm on the Train', a sequence prompted by and on a repeated train journey from home to work through parts of Devon and Cornwall. It returns to the spirit of John Hall's early book, Days.

This volume brings together poems from six collections originally published between 1990 and 2011, and attempts to offer a more or less accurate view of the variety and development of my output over the years.

By the time of his death at the age of 41, Riley had achieved a poetry whose importance is not circumscribed by the concerns and trends of its day. His finest poems are an embodiment of integrity and vision: precise observation and wit co-exist with an extraordinary beauty of image and rhythm.

Orhan Veli Kanik (1914-1950), more commonly known as Orhan Veli, was a pioneering Turkish poet and one of the founding members of the Garip (Strange) movement. His innovative poetics wore a unique signature of austerity and accessibility. With arresting insight and playful irreverence Veli's poems transformed the Turkish literary world.

Poetry. "By turns erudite and lyrical, esoteric and oracular, profane and ethereal--Joe Doerr's TOCAYO contains multitudes. This vast miscellany, a bravura poetic performance by every measure, signals the aborning of a new, necessary literary idiom for this mashed-up American age: the ineluctable punk sublime." --John Phillip Santos

On 13 November 1943, Jerzy Feliks Urman (known as Jerzyk) killed himself, thinking the Gestapo had arrived. He was eleven and a half. He and his family were in hiding in Drohobycz, during the German occupation of East Galicia. A year earlier the family had quit Stanislawow in the wake of brutal round-ups and deportations of Jews.

Geraldine Clarkson lives in the Midlands. She comes from a family of ten, and her poetry is influenced by her roots in the West of Ireland, and years which she spent in monastic life, including three years in the Peruvian desert. Since she began writing, she has been selected as an Arvon/Jerwood mentee, and has received commendations in the Arvon International and the UK National Poetry Competitions. In 2015, she won the Poetry London and Ambit competitions, and the Magma Editors', Ver Poets and Anne Born Prizes. Declare is her first chapbook.