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"In You Are the Snake, we peer into the life of a community college student, the life of an abusive grandmother is imagined, and a young woman takes up gardening. Escoria's characters are trying their best, or they aren't, as they bump against the boundaries of society's expectations. While Escoria plumbs the depth of girlhood and new womanhood, she leaves room for oddness, impulse, and yearning. Each story contains its own world, be it the suburbs of California or the mountains of West Virginia, but taken as a whole, this collection is expands expectations about what women can be and what they can write"--

"June Papers is a twenty-eight-year-old MFA grad with a felony record, "the classic young, Black and gifted American misfit.' He's also a substitute teacher. He's also homeless. With dreams of becoming a writer, June endures a host of trials and dilemmas as he reluctantly realizes mentoring and teaching might actually be a path forward for him."--

"Mothercare represents an investigation of the question of duty, or conscience, what we owe or want to provide to the people in our lives. . . For a reader, there’s something bracing about Tillman’s honesty, which transforms “Mothercare” from a record or a logbook into a work of art." —David Ulin, Los Angeles TimesFrom the brilliantly original novelist and cultural critic Lynne Tillman comes MOTHERCARE, an honest and beautifully written account of a sudden, drastically changed relationship to one’s mother, and of the time and labor spent navigating the American healthcare system.When a mother’s unusual health condition, normal pressure hydrocephalus, renders her entirely dependent on you, your sisters, caregivers, and companions, the unthinkable becomes daily life. In MOTHERCARE, Tillman describes doing what seems impossible: handling her mother as if she were a child and coping with a longtime ambivalence toward her.In Tillman’s celebrated style and as a “rich noticer of strange things” (Colm Tóibín), she describes, without flinching, the unexpected, heartbreaking, and anxious eleven years of caring for a sick parent.MOTHERCARE is both a cautionary tale and sympathetic guidance for anyone who suddenly becomes a caregiver. This story may be helpful, informative, consoling, or upsetting, but it never fails to underscore how impossible it is to get the job done completely right.

"In Atlanta, Kenny Bomar is a biochemist-turned-coffee-shop-owner in denial about his divorce and grieving his stillborn daughter. Chemicals killed their child, leaching from a type of plant the government is hiding in Black neighborhoods. Kenny's coping mechanisms are likewise chemical and becoming more baroque--from daily injections of lethal snake venom to manufacturing designer drugs. As his grief turns corrosive, it taints every person he touches. Meanwhile, Black epidemiologists Retta and Ebonee are called to the scene when a mysterious black substance is found to have killed a high school girl. Investigating these "blackouts" sends the women down separate paths of blame and retribution as two seemingly disparate narratives converge in a cinematic conclusion"--

"The Novelist, which follows a young man over the course of a single morning as he fails to write an autobiographical novel about his heroin addiction and recovery, finding himself drawn into the infinite spaces of Twitter, quotidian rituals, and his own mind. The Novelist is influenced by and references Nicholson Baker's The Mezzanine and Thomas Bernhard's Woodcutters, and in the end is a wholly original novel about language and consciousness, the Internet and social media, and addiction and recovery. It is a literary manifesto of optimism about deciding to live, even if the project of living includes a great deal of suffering"--

Translation of: Maemoires de porc-aepic.

The Salafi are a revivalist Sunni Muslim movement misunderstood by most Americans, and even many Muslims. The New York Times' first reference to Salafis as a distinct group appears in 1979 after a band of armed men seized control of the Great Mosque in Mecca. After 1979, there is not another mention of Salafis in the Times until 2000, in an article on links between Yemeni radicals and Osama Bin Laden. In 2013, an article appeared in USA Today labeling Salafis as Sunni Islam's "most radical sect" and declaring them "the most anti-Western" of any Islamist group. Today, Salafism is widely implicated in the rise of ISIS.

Rev. ed. of: Generation ecstasy. Boston: Little, Brown, c1998.

Collaborative poetry -- poems written by one or more people -- grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan's Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers' collaborative experiments resulted in the famous "Pull My Daisy." The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators' notes accompany many of the poems, giving a fascinating glimpse into the creative process.

There are now 64,000 blogs in Farsi, and Nasrin Alavi has painstakingly reviewed them all, weaving the most powerful and provocative into a striking picture of the flowering of dissent in Iran.

Echo and the Bunnymen combine the rawness and venom of New York punk with the moody textures of groups like the Doors and the Velvet Underground. A major force in English post-punk, the band remains an enduring presence on the music scene thanks to Ian McCulloch and Will Sergeant's exceptional songwriting skills and irresistible hooks. Turquoise Days covers the band's entire career, from its inception in 1978 to the present. It documents in heady detail the forces that gave rise to the group, their early stumbles and successes, and the qualities that have kept them in the musical limelight. An exhaustive critical history and biography, this lavishly illustrated history, with 200 color and black-and-white photos, also includes the complete lyrics of Ian McCulloch; hundreds of quotes from the Bunnymen, their fans, and their critics; and numerous never-before-published photographs.