Bøger udgivet af Stanford University Press

"Shadow Negotiators is the first book to demonstrate that United Nations (UN) organizations have intervened to influence the discourse, agenda and outcomes of international trade lawmaking at the World Trade Organization (WTO). While UN organizations lack a seat at the bargaining table at the WTO, Matias E. Margulis argues that these organizations have acted as "shadow negotiators" engaged in political actions intended to alter the trajectory and results of multilateral trade negotiations. He draws on analysis of one of the most contested issues in global trade politics, agricultural trade liberalization, to demonstrate interventions by four different UN organizations - the Food and Agriculture Organization (FAO), World Food Programme (WFP), Office of the High Commissioner for Human Rights (OHCHR), and Special Rapporteur on the Right to Food (SRRTF). By identifying several novel intervention strategies used by UN actors to shape the rules of global trade, this book shows that UN organizations chose to intervene in trade lawmaking not out of competition with the WTO or ideological resistance to trade liberalization, but out of concerns that specific trade rules could have negative consequences for world food security--an outcome these organizations viewed as undermining their social purpose to reduce world hunger and protect the human right to food"--

Against the backdrop of ever-increasing nationalist violence during the last decade of the twentieth century, this book challenges standard analyses of nation formation by elaborating on the nation's dream-like hold over the modern social imagination. Stathis Gourgouris argues that the national fantasy lies at the core of the Enlightenment imaginary, embodying its central paradox: the intertwining of anthropological universality with the primacy of a cultural ideal.Crucial to the operation of this paradox and fundamental in its ambiguity is the figure of Greece, the universal alibi and cultural predicate behind national-cultural consolidation throughout colonialist Europe. The largely unpredictable institution of a modern Greek nation in 1830 undoes the interweaving of Enlightenment and Philhellenism, whose centrifugal strands continue to unravel the certainty of European history, down to the internal predicaments of the European Union or the tragedy of the Balkan conflicts.This 25th Anniversary edition of the book includes a new preface by the author in which he situates the book's original insights in retrospect against the newer developments in the social and political conditions of a now globalized world: the neocolonial resurgence of nationalism and racism, the failure of social democratic institutions, the crisis of sovereignty and citizenship, and the brutal conditions of stateless peoples.

"[Parrenas's] nuanced accounts and fresh analysis challenge the reader to think deeply, not just about the suffering of immigrant domestic workers and their families, but about the entire global system that creates such labor, and how that arrangement damages all women--even first-worlders. . . . Remarkable."--The Women's Review of Books"Offers rich and timely analysis to reveal the lives of migrant domestic workers in the shadow of globalization. . . . Brilliant feminist sociological scholarship with theoretical sophistication, emotional sensitivity, and political committment."--Work and Occupations

How can science be brought to connect with experience? This book addresses two of the most challenging problems facing contemporary neurobiology and cognitive science. Firstly, understanding how we unconsciously execute habitual actions as a result of neurological and cognitive processes that are not formal actions of conscious judgment but part of a habitual nexus of systematic self-organization. Secondly, attempting to create an ethics adequate to our present awareness that there is no such thing as a transcendental self, a stable subject or soul. The author combines researches in cognitive science and phenomenology with two representatives of what he calls the wisdom traditions: Confucianism and Buddhist epistemology.

"Deepening Democracy?. . . . is [an] impressive work. . . . [It] represents a new phase in the study of democracy in [Chile and Peru]."--Latin American Research Review"Deepening Democracy is at its core a masterful explanation of the distinctive dilemmas of the Peruvian and Chilean democratic regimes in the neoliberal era."--Comparative Political Studies

This work explores significant physical aspects of the printed book in late imperial China to reconstruct the changing assumptions with which Chinese popular novels were originally read from the sixteenth through nineteenth centuries. It focuses on the previously neglected areas of book format, varieties of illustrations and their significance, and the theory and practice of reading illustrated narratives.The author first considers the physical book itself, as a vehicle for reading and as an object for visual enjoyment, tracing the development of the format commonly used for popular reading materials, the blockprinted book in sewn volumes with illustrations. He describes the technological progress that made book production efficient and economical by the middle of the sixteenth century, and makes extensive comparisons between the physical characteristics of novels and books of more artistically refined content.The focus of the study then shifts to the illustrations that accompanied virtually all printed materials during the period when popular fiction became common. They are found to consist of a range of conventional elements that are related to images in more refined arts, such as the paintings of the literati and the decorations produced by commercial artists. Close parallels in both content and pictorial motifs between these various levels of painting and book illustrations suggest a continuum of the arts on which the pictures in mass-produced fiction initially held a respectable position.The final chapters assert, from a theoretical perspective, the function of illustrations in narratives as a guide or a hindrance to reading. The author demonstrates the correspondencebetween the later decline of fiction illustrations and the growth in reading audiences, explaining this connection as a function of flagging interest in pictures -- which often interfere with, rather than promote, the visualization so essential to reading for pleasure in other cultures as well.Throughout, the author incorporates findings from the history of technology, new explorations in the development of commerce in cultural objects, recent research on the commercial arts, and the latest theories of reading for pleasure to situate -- and explain -- the numerous changes in popular literary trends during the last several centuries of imperial Chinese rule.

This innovative work is the first to approach the awakening of China as a historical problem in its own right, and to locate this problem within the broader history of the rise of modern China. It analyzes the link between the awakening of China as a historical narrative and the awakening of the Chinese people as a political technique for building a sovereign and independent state. In sum, it asks what we mean when we say that China "woke up" in this century. Fiction and fashion, architecture and autobiography, take their places alongside politics and history, and the reader is asked to move about among writers, philosophers, ethnographers, revolutionaries, and soldiers who would seem to have little in common. Rumor is sometimes taken as seriously as truth, novels are consulted as frequently as documents, and dreams are given a prominence normally reserved for facts in the writing of history. This book follows the legend of China's awakening from its origins in the European imagination, to its transmission to China and its encounter with a lyrical Chinese tradition of ethical awakening, to its incorporation and mobilization in a mass movement designed to wake up everyone. The idea of a national awakening crossed all discursive boundaries to make room for nationalist politics in personal culture and helped to conscript personal culture into service of the revolutionary state. The book focuses on the Nationalist movement in south China, highlighting the role of Sun Yat-sen as director of awakenings in the Nationalist Revolution and the place of Mao Zedong as his successor in the politics of mass awakening. Of special interest is the previously untold story of Mao's role in the NationalistPropaganda Bureau, showing Mao as a master of propaganda and discipline, rather than as peasant movement activist.

This is an original and important study of nation formation as social imaginary . . . adopting insights from a variety of disciplines (literary criticism, cultural studies, psychoanalysis, philosophy, economics). Vassilis Lambropolous, Ohio State University."

This innovative work seeks to reverse the perspective and reasoning of anthropology and to develop an alternative mode of conceiving culture that would not automatically privilege the colonizing West. That necessarily involves a critique of the ethnological reason that extracts elements from their context, aestheticizes them, and then uses their supposed differences to classify types of political, economic, or religious ensembles. Such reason yields classical oppositions like the State versus segmentary societies, market versus subsistence economies, and Islam or Christianity versus paganism.As an alternative, the author opposes to exclusionary categories a mestizo logic that sees social phenomena as situated on a continuum and accentuates indistinction and the originary syncretism in all cultures and other ways of categorizing human life. The book s rich source material is drawn from the author s fifteen years of fieldwork and research in West Africa.The opening chapters first treat the notion of ethnological reasonits history and ideological practicesthen oppose to it the reality of cultural tension, the fact that conflicts and negotiations bring about transformations in the identity of collectivities. The following two chapters illustrate a real system of transformation, and question some basic concepts of political anthropology. The discussion continues in a more illustrative manner over the next two chapters, which present case studies of two West African societies that challenge typologies of political anthropology and ethnographic classification.The last three chapterson white paganism, cultural identities and cultural models, and understanding and actingsituate the debate within a wider historical framework of political and cultural confrontations. Who defines ethnicities, identities, differences ? Where can one find them as pure essences witnessing to their own originary beings?"

This book reconstructs Marx and Engels's theory of freedom, highlights its centrality to their vision of the communist society of the future, traces its development in the history of Marxist thought (including Marxism-Leninism), and explains how it was transformed at the height of its influence into a legitimation of totalitarian practices. The author contributes to the explanation of the collapse of communism in the Soviet Union and Eastern Europe by showing the inherently utopian character of the idea of a marketless economy and by interpreting the Soviet communist experiment as a failed attempt to realize this utopia. Hence, he provides substantial arguments for the view that "really existing socialism" has never been a viable, stable alternative to the market economies of the West. The book's title echoes Engels's phrase "the leap from the kingdom of necessity to the kingdom of freedom". "The kingdom of necessity" refers to the Marxist conception of the laws of history, "the leap" to the dictatorship of the proletariat, and "the kingdom of freedom" to the communist conception of freedom as control over economic and social forces. For Marx, the main enemy of human freedom was not political coercion but the "blind", uncontrollable forces of the market. Thus freedom could be realized only through rational planning that would liberate people from their dependence on material things and alienated social forces. The Leninist determination to realize this ideal regardless of social cost was supported by confidence that the scientific understanding of the laws of history provided (allegedly) by Marxism made the communist party virtually infallible and legitimized its claim to unlimitedpower. Thus, Soviet totalitarianism was a predictable result of a politically forced development aimed toward "the kingdom of freedom". But the dependence of the Soviet regime on ideological legitimization was also its hidden weakness. The Soviet system was unable to develop self-regulating economic mechanisms and could exist only in conditions of political mobilization and ideocratic pressure. The inevitable erosion of the system's legitimizing ideology set in motion a slow retreat from totalitarianism and communism. Under Gorbachev, the acceleration of this retreat brought about the dismantling of the entire system.

This book offers new readings of several prominent early modern texts, examining the connection between melancholia, narcissism, sexual difference, and literary form in works by Tasso, Marvell, Shakespeare, and Webster. Reading each work in light of contemporary psychoanalytic theory, the book demonstrates that the figural language of melancholia fractures and dislocates masculine identity in the very movement that gives it shape. By carefully reading the linguistic, poetic, and rhetorical problems that characterize early modern representations of "male" melancholia, the book helps specify precisely what difference the intersection between psychoanalysis and semiotics makes for understanding the elusive relationship between historically variable representations of identity, aesthetic activity, and sexuality. It studies various disruptive encounters with a mirror image in epic, lyric, and drama, analyzing each text's representation of what counts as a "male" self according to the formal and rhetorical problems raised by its own language. It does so in order to interrogate anew the complex, and not always intuitive, relationship between subjectivity, eros, and literary form.

The eight essays collected here extend the author's re-evaluation of the philosophical underpinnings of psychoanalysis and thereby develop his arguments for increased attention to the role of affect - of the emotional tie, in our conceptions of the psychoanalytic subject. The author analyses the political and ethical implications of Freud's work in the first part, Freudian Politics.