Bøger udgivet af Stanford University Press

"The Belated Witness is a remarkable book and a stunning accomplishment. This beautiful, finely wrought, and impeccably argued text makes a vital and refreshing contribution to existing scholarship in a number of fields: Holocaust literary studies, contemporary German literature, psychoanalytic literary criticism, and literary theory, more generally. Timely, profound, thoughtful, and ambitious in scope, it could very well become an instant classic of literary criticism."--Elissa Marder, Emory University"The book's importance lies not only in its insights into particular texts, but in its redefinition of testimony and our responses to it. This is an outstanding work."--Marianne Hirsch, Columbia University

"Forgiveness, Mercy, and Clemency is a welcome addition to our understanding of the political and legal world. The book is unique insofar as it addresses many of the nuances associated with a topic that, for many, is isolated to the action taken by Governor Ryan to empty Illinois's death row in January 2003."--Beau Breslin, Skidmore College"Forgiveness, Mercy, and Clemency is a welcome addition to our understanding of the political and legal world. The book is unique insofar as it addresses many of the nuances associated with a topic that, for many, is isolated to the action taken by Governor Ryan to empty Illinois's death row in January 2003." --Beau Breslin, Skidmore College

This book studies the development of banks and stock and bond exchanges in São Paulo, Brazil, during an era of rapid economic diversification. It assesses the contribution of these financial institutions to that diversification, and argues that they played an important role in São Paulo's urbanization and industrialization by the start of the twentieth century. It finds that government regulatory policy was important in limiting and shaping the activities of these institutions, but that pro-development policies did not always have their intended effects. This is the first book on São Paulo's famous industrialization to identify the strong relationship between financial institutions and São Paulo's economic modernization at the turn of the century. It is unique in Brazilian economic history, but contributes to a body of literature on financial systems and economic change in other parts of the world.

Monumental Melville offers the first extended analysis of Melville's career to read his prose and the poetry that followed it as a legible sequence in a writing life. When Melville turned to poetry at mid-career, he deliberately abandoned the conventions of fiction and the shared public world they imply. Monumental Melville focuses first on the way Melville's growing disdain for fame "of the literary sort" informs Moby-Dick and Melville's later fiction, then goes on to offer close readings of his published verse, exposing a poetics of double-dealing based on an ironic interplay between the text and the contexts it allusively arouses. Countering the historical and political approaches that have marked Melville scholarship for the last two decades, the book emphasizes the significance of the literary to Melville and the essential role of close reading in understanding his work. By revealing and celebrating the form that makes Melville's poetry unique--and a logical development from his fiction--Monumental Melville makes a fundamental contribution to the new scholarly recognition of its value and importance.

This book demonstrates the presence of literature within speech act theory and the utility of speech act theory in reading literary works. Though the founding text of speech act theory, J. L. Austin's How to Do Things with Words, repeatedly expels literature from the domain of felicitous speech acts, literature is an indispensable presence within Austin's book. It contains many literary references but also uses as essential tools literary devices of its own: imaginary stories that serve as examples and imaginary dialogues that forestall potential objections. How to Do Things with Words is not the triumphant establishment of a fully elaborated theory of speech acts, but the story of a failure to do that, the story of what Austin calls a "bogging down." After an introductory chapter that explores Austin's book in detail, the two following chapters show how Jacques Derrida and Paul de Man in different ways challenge Austin's speech act theory generally and his expulsion of literature specifically. Derrida shows that literature cannot be expelled from speech acts--rather that what he calls "iterability" means that any speech act may be literature. De Man asserts that speech act theory involves a radical dissociation between the cognitive and positing dimensions of language, what Austin calls language's "constative" and "performative" aspects. Both Derrida and de Man elaborate new speech act theories that form the basis of new notions of responsible and effective politico-ethical decision and action.The fourth chapter explores the role of strong emotion in effective speech acts through a discussion of passages in Derrida, Wittgenstein, and Austin. The final chapter demonstrates, through close readings of three passages in Proust, the way speech act theory can be employed in an illuminating way in the accurate reading of literary works.

"This innovative study of the works of Baudelaire and Celan opens a new window on the history of modern identity in western culture."--Germanic Notes and Reviews

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced, but a major poet of the 20th century who occupies a prominent place in the tradition of American prophetic poetry. This volume covers his work from 1939-1962.

During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds--old and new, Chinese and Western--sprang up in profusion. Crime narrative again became one of the most prolific and best-loved forms of Chinese popular culture, and it often embodied the Chinese people's most trenchant and open critiques of their newly restored socialist legal system.This is the first full-length study in any language of Chinese crime fiction in all eras: ancient, modern, and contemporary. It is also the first book to apply legal scholars' "law and literature" inquiry to the rich field of Chinese legal and literary culture. Familiar Holmesian, quintessentially Chinese, and bizarre East-West hybrids of plots, crimes, detectives, judges, suspects, and ideas of law and corruption emerge from the pages of China's new crime fiction, which is alternately embraced and condemned by the Chinese establishment as it lurches uncertainly toward post-communist society.Informed by contemporary comparative and theoretical perspectives on popular culture and the fiction of crime and detection, this book is based on extensive readings of Chinese crime fiction and interviews--in China and abroad--with the communist regime's exiled and still-in-power security and judicial officers. It was in the Orwellian year of 1984 that the authorities set out to control China's crime fiction and even to manufacture it themselves--only to find that fiction, like the social phenomena it depicts, seems destined to remain one step ahead of the law.

"Highly recommended for all libraries."--Library Journal"In describing the political culture that produced Lin Biao, Jin Qiu accomplishes what very few Westerners could ever hope to: the construction of a nuanced and reasonably full-orbed cultural discussion of the texture and tenor of extra-institutional machinations, interpersonal relationships, family and inter-family dynamics, and even jealousies and superstitions that figured into decision-making and policy formulation."--Canadian Journal of History

"The inertia of language," declares Geoffrey Hill, is also "the coercive force of language." Good poets write against coercion, and Against Coercion is essentially about the power of words. Looking at our most highly organized form of words, poems, and how they work, it observes how that work speaks--always indirectly--to historical, ethical, and aesthetic questions, including matters of culture, identity, and feminism. It also demonstrates how to read poetry--how to go beyond an elementary (and usually boring) approach, thereby recovering the sheer pleasure of good poems and resisting the coercion of language, that power of words to do ill.A study in advanced poetics, Against Coercion pays close attention to the intricate workings of poems, building larger claims on specific evidence and enjoying the praxis of master writers. The focus is on modern poets, from the early moderns (Stevens, Eliot) through to mid-century (Bishop) and recent (Merrill, Hill). Some chapters reach back to Milton, Wordsworth, and Aristophanes, however, while two even widen to encompass prose fiction.The opening section centers on matters of empire, war, and nation. It includes chapters on Eliot, Keynes, and empire, and on Geoffrey Hill and Elizabeth Bishop (with reflections on language and war). The second section moves to questions of culture and the uses of memory, notably in allusion to earlier writers. It examines what our collective memory chooses to retain and to forget. The range of reference here extends from the King James Bible through Milton and Wordsworth to A. R. Ammons.In the third section, poetry is seen at play, offering those happy occasions when work and play become one. Chapters treat the concept of play in Milton (including some feminist questions), the poetics of punning in Stevens and Bishop, riddles both large and small, in Stevens, a proposed typology of riddles, and a newly recovered Graeco-Latin pun in Alice in Wonderland. The final section moves to practical criticism and offers a new theory of ghost rhymes, a new suggestion of a formula in dream literature, a model for reading a poem, using John Hollander's "Owl" as an illustration, and, taking Stevens as an example, a pedagogical argument that emphasizes the importance of logic and thought in poetry.

"A synthesis and amplification to those already familiar with Bourdieu's work and a useful introduction for new readers." --Ethics "To read In Other Words is to enjoy a mind that works on many levels at once. Bourdieu seems perfectly able to reason coherently about any number of subjects (here he takes up sport, art, fieldwork, literature, philosophy, and opinion polls, among others). . . . It is an excellent informal guide to Bourdieu's sociological self-understanding. . . . This book may well be just the right introduction to an elegant and important thinker--possibly the most inventive thinker in sociology today."--American Journal of Sociology

A satisfactory comprehensive history of the social and economic development of pre-modern China, the largest country in the world in terms of population, and with a documentary record covering three millennia, is still far from possible. The present work is only an attempt to disengage the major themes that seem to be of relevance to our understanding of China today. In particular, this volume studies three questions. Why did the Chinese Empire stay together when the Roman Empire, and every other empire of antiquity of the middle ages, ultimately collapsed? What were the causes of the medieval revolution which made the Chinese economy after about 1100 the most advanced in the world? And why did China after about 1350 fail to maintain her earlier pace of technological advance while still, in many respects, advancing economically? The three sections of the book deal with these problems in turn but the division of a subject matter is to some extent only one of convenience. These topics are so interrelated that, in the last analysis, none of them can be considered in isolation from the others.

The argument of this book begins with the proposition that there are certain things we must understand about the criminal sanction before we can begin to talk sensibly about its limits. First, we need to ask some questions about the rationale of the criminal sanction. What are we trying to do by defining conduct as criminal and punishing people who commit crimes? To what extent are we justified in thinking that we can or ought to do what we are trying to do? Is it possible to construct an acceptable rationale for the criminal sanction enabling us to deal with the argument that it is itself an unethical use of social power? And if it is possible, what implications does that rationale have for the kind of conceptual creature that the criminal law is? Questions of this order make up Part I of the book, which is essentially an extended essay on the nature and justification of the criminal sanction. We also need to understand, so the argument continues, the characteristic processes through which the criminal sanction operates. What do the rules of the game tell us about what the state may and may not do to apprehend, charge, convict, and dispose of persons suspected of committing crimes? Here, too, there is great controversy between two groups who have quite different views, or models, of what the criminal process is all about. There are people who see the criminal process as essentially devoted to values of efficiency in the suppression of crime. There are others who see those values as subordinate to the protection of the individual in his confrontation with the state. A severe struggle over these conflicting values has been going on in the courts of this country for the last decade or more. How that struggle is to be resolved is a second major consideration that we need to take into account before tackling the question of the limits of the criminal sanction. These problems of process are examined in Part II. Part III deals directly with the central problem of defining criteria for limiting the reach of the criminal sanction. Given the constraints of rationale and process examined in Parts I and II, it argues that we have over-relied on the criminal sanction and that we had better start thinking in a systematic way about how to adjust our commitments to our capacities, both moral and operational.