Bøger udgivet af Stanford University Press

To create a fuller portrait of team behavior, this book introduces an innovative, "3-D" framework that takes into account the individuals who make up a team, the subgroups that form within and between teams, and the team as a whole. Delivering practical guidance rooted in scholarship, this is a thoughtful and straightforward guide.

Thirty years of research. Over 800 interviews. One untold story. Today, Taiwan is part of the increasingly "borderless" East Asian economy. But, in the 1950s, it was just beginning to industrialize. Making Money is the tale of the manufacturing demand generated in the West and the Taiwanese businesspeople who stepped up to fill it.

This book locates the origins of the modern humanities in the philological practices of late 18th-century British scholars in colonial India, offering a radical reappraisal of a range of disciplines and excavating hiddenpre-colonial practices that might well help the humanities move beyond their current methodological and political impasses.

We abandon our true homeland when we cannot identify with other people.

By focusing on what is outside the frame, this book offers a comprehensive theory of film, a concise history of American cinema, and a reflection on the place and significance of film within the arts of modernity in general.

Men died when women began to read.

This book reinterprets how and when presidents use unilateral power, arguing that these orders are used not only to press the president's agenda, but also to share power with Congress and facilitate the work of government.

This latest collection of texts, which focus on the "mystery" of literature, as well as on language as a laboratory for conceiving an ethical-political perspective that places us beyond sovereign power, offer a window onto Giorgio Agamben's most current research.

Calling upon us to rethink some of our most treasured contemporary values, this book shows where the Christian idea of the devil came from-and how it eventually took over Christian theology, turning God himself into the devil.

This book uses the writings of T. S. Eliot and Walter Benjamin to examine the fraught relationship between literary and historical form during the modernist period.

"Originally published in French in 2012 under the title Les coptes d'Egypte."