Bøger udgivet af Studio Jurgen Maelfeyt en Art Paper Editions

Dorothy Sing Zhang unveils a compelling portrayal of humanity's vulnerable state during sleep. The scene is set in the bedrooms of others. One is asked to be asleep, a squeeze cable release is placed under the pillow. The chance of one's unconscious body rolling over and triggering the camera results in an exposure. Like Someone Alive expands these boundaries by withdrawing the traditional relationships between the photographer, the object and the camera. "About five years ago I was trying to realise a way where the approach towards the trigger would somehow be directly reflected in the image. How can the pressure craft the physicality upon the trigger that generates the exposure. I had this old exercise pull up bar. I would physically pull myself up while squeezing the cable release to make an image. A step further was to somehow dismiss the awareness of the approach, so sleep became the plot but photography is the story. "

With 'In Camera' Christiaens juxtaposes her own relationship, her own identity and her own images with those of her parents. In doing so, she calls into question the traditional relationship between men and woman and between photographer and model, both over time and within her own family history. Gazes cross and are reflected within the image, outside the image and through the image. It's about different perspectives in different times, about similarities and differences. It's about looking at ourselves, our bodies, our loved ones and others trough the eye of the camera. About exploring the different layers and histories these gazes hold-the gaze of the loved one, the gaze of an artist, the reflected gaze in the mirror-and how they help shape our identity, both within ourselves and through the other. (Stefan Vanthuyne)

Bertjan Pot''s most well known product is probably the Random Light (1999) but the Masks he makes out of colourful rope have also drawn quite some attention. Both the Random light and Masks started as a material research, which is basically the starting point of each work created by Bertjan Pot. The outcome is usually an interior product showing a fascination for techniques, structures, patterns and colours. Most experiments start quite impulsively by a certain curiosity for how things would function or how something would look. From there, Bertjan Pot takes on challenges with or without manufacturers to explore possibilities and push boundaries. The reward for each challenge is a new one.