Bøger udgivet af Sundress Publications

"There's a tensile strength of line here-predominantly pentameter-that underscores the ease of the poetic idiom: just as the heartfelt yet disciplined feeling-life of the content underwrites this collection's larger themes of Judaism and its ancient traditions. The Hardship Post has a good deal on its mind as well as the load in its heart. Polish history and heritage may be one personal focus, but displacement and identity are the greater subjects. First books don't usually take on the world at this level of seriousness and skill." -Stanley Plumly "I admire Jehanne Dubrow's poems not only for the poise and beauty of her lines, but also for the way she grapples with big subjects: inheritance and home, the cultural and the personal. A bearer of tradition, she also knows what it's like to lose herself in modernity. 'I don't belong where bodies separate / from minds like sand trying to leave behind / the sea.' Poems become strands of continuity stretched almost to breaking by mobility. Dubrow seems to have lived everywhere-and that is precisely where The Hardship Post should be read." -David Mason "At the place where the cruelties of history and those of story intersect, Jehanne Dubrow has staked a claim. These are poems of emotional intensity under formal control. An impressive first collection." -Linda Pastan

Gathered: Contemporary Quaker Poets, the first anthology of its kind, seeks to give the best Quaker poets writing today a voice in contemporary letters. Many anthologies of writing from other spiritual traditions have been published in recent years, and this Quaker collection will be an important addition to the conversation. The poets presented in Gathered come from all points on the Quaker cultural spectrum. There are Quakers from all over the United States and Quakers from abroad. There are liberal Quakers and conservative Quakers. There are lifelong Quakers, Quakers from hybrid spiritual backgrounds, and those who were once part of Quaker society but have since moved on down other paths. While all of these poets have been touched in some way by the Quaker way of life, the work presented here is not religious or devotional in the traditional sense. Many poems address Quaker culture and spirituality, but they question those traditions, taking a broader view of the human condition and the experiencing of living in our complex, often troubling world, where there are no easy answers. Contributors include poets such as David Ray, Maria Melendez, Dawn Potter, Laura McCullough, Ellen Wehle, Maryhelen Snyder, Jennifer Luebbers, Errol Hess, Heidi Hart, Sarah Sarai, and many others.

Forty-five poems, some of which have previously appeared in a chapbook, The canopy, published in 2012 by Midwest Writing Center Press; in A detail in the landscape, published in 2014 by Eating dog Press; and in other publications.

Debut collection of poetry by a University of West Georgia faculty member.

"The lineage of poetic experimentation with footnotes and other paratexts is long and varied, yet few have explored these formal possibilities with as much intellectual depth and emotional resonance as Kristina Marie Darling. Fortress continues Darling's investigation into the print page as a kind of interface - leading not only to poetry but to the reader's understanding of the ways one imaginatively co-creates character, narrative, drama. The "sprawling fields" of the vast white page we find here remind us that poems are places as much as they are language - places that invite us in, guard against us, and sometimes won't let us go. 'What does it mean to cross a threshold?' Darling's narrator asks. 'Most nights I would never choose to leave.' Reading Fortress, one can't help but agree." -Andy Frazee, author of The Body, The Rooms "Picking up Kristina Marie Darling's newest collection is like holding a delicate antique: her work trembles with fragility in its exploration of the ephemeral. This collection carefully juxtaposes love and nostalgia alongside the way we covet mementoes to serve as relics and proofs of the depths of our heart's capabilities. Readers traverse through scatterings of dead flowers, ruined gardens, and broken jewelry that serve as mirrors to pain and longing. The collection's masterful use of white space allows for contemplation: a place to ponder what's shattered, what's left, and what still has any worth. In the lines of Darling, you'll find a place to interrogate your deepest wounds, and, in doing so, you may discover them to be 'synonymous with both beauty and ruination.'" -Anne Champion, author of Reluctant Mistress "In Kristina Marie Darling's innovative new collection, the distance between our bodies is measured in language. Footnotes become poems, defining absence and commenting on the blankness of the page. Fortress is a meditation on loss: the loss of a marriage and the loss of a life. The fortress our heroine paces through acts as both a prison and a memory palace. It is scattered in fading red poppies and Polaroid photographs. Room after room, we pick up fragments of broken glass and piece them together into something whole and glittering." -Lily Ladewig, author of The Silhouettes"

"Miniature celebrations of place, the writings in Nowhere Else But Here (ital) deftly maneuver through imagined spaces and bustling Manhattan streets, the impossible page and the architecture of Japanese homes. Here, place is questioned and subdued: it is the hot gloss of sun on concrete." -Lily Hoang, Author of Unfinished "The writing in Not Somewhere Else But Here is at turns haunting and infused with a deep magic. The work carries the reader from Beirut to Vermont, from Japan into dream worlds, bodies as maps. Landscapes are often treacherous, populated with 'mouths of razor-wild men', enchanted with 'fists opened to explosions of diatomic stars, ' and each woman in this collection navigates those spaces with a deft grace. Step into the worlds they have summoned." -Margaret Bashaar, Editor of Hyacinth Girl Press