Bøger udgivet af Sylph Editions

Situated in the heart of historic London, Mayfair is one of the capital''s most affluent quarters. It is also home to people from all walks of life and diverse social backgrounds. Two Mayfairs sit by side by side - one out in the open, the other all but invisible. In this book, shot over a period of three years, Loren Kaye casts a sympathetic gaze on this vibrant and complex neighborhood, exposing its many layers.

When Alix Cleo Roubaud died at the age of 31, she left behind a profound and deeply personal body of work exploring self-portraiture, life, illness, the body and death. Helene Giannecchini was the curator tasked with sorting through some six hundred photographs, letters, and other written documents belonging to the artist ahead of a posthumous retrospective held at the Bibliotheque Nationale de France in 2014. But she had never met Alix Cleo Roubaud and this absence is felt keenly through her writing as she treads the boundaries between biography and fiction, life and art. Helene Giannecchini pieces together the fragments that remain of this fleeting but dazzling life, spotlighting the theoretical underpinnings of the photographer''s ideas on the double, repetition and drawing out the influences of Wittgenstein and Gertrude Stein on her practice. Just as Alix Cleo Roubaud''s art is approached through the notes jotted in her journal, and the material evidence of trial prints and chemical

The Cahiers Series continues its exploration of translation in all its aspects with this account by renowned writer and academic Marine Warner of what happened to time during the Coronavirus pandemic lockdowns. She recounts how strangely her days and weeks passed, in this highly personal account of a response to lockdown in which she delves into her experience of Catholic convent schools for some clues as to how each day might be marked as significant. She discusses missals, almanacs, Roman and Revolutionary calendars, developing her thoughts into what amounts almost to a manifesto for a new way of rendering each day different, memorable, human. Her text is accompanied by a further response to lockdown, by the Greek photographer Dimitris Kleanthis, whose haunting images somehow make visible the suspension and acceleration of time experienced by so many, while also hinting at how, to the eye that is acute enough, there may always be an event taking place.

What happens when an art dealer, expert and author of a number of books on Chinese art turns to writing fiction? Having been immersed in the world of art for most of his life, Marcus Flacks shares with us his insights, knowledge and wisdom in The Cloud Collector, a highly original literary endeavour. The book, the first of three volumes, is a series of interwoven fable-like stories set in an unspecified time in the ancient empire of China, often inspired by Chinese works of art which themselves feature in the stories.

Some ten years after a 30-year brutal civil war, a foreign developer set up jointly with the Angolan government, rural agro-industrial settlements that were designed not only to instill the spirit of collaboration between waring factions, but also to show that it is possible to offer meaningful aid not based on charity but on the attempt to create thriving communities. The authors were part of team that installed these settlements and during their years there kept both a visual record and written records of their daily experiences. Rather than set it down in documentary form, they collated the stories, sometimes conflating events and characters, to make a truly readable factual account couched in literary terms. The photographs, were all taken during those years, and not only are they fascinating in their own right, they are also unique in that they show a vista of rural Africa over a lengthy period that most people have rare access to. Angola is a land of contrasts: equal to its turbulent history of Portuguese colonization and a civil war that spanned three decades are the richness and diversity of its landscapes and its people. Now, with the war behind it, Angola and its people are reawakening. From 2002 onwards, Jenny and Eran Gal-Or formed part of a team setting up new rural settlements around the small town of Waku Kungo deep in Angola s interior. In this book they reflect on and bear witness to the country s defiant revival in the form of 27 personal essays and a collection of nearly 70 photographs. Learned, incisive, and humane, the authors never lose eye contact with their readership, presenting an unparalleled picture of contemporary Angola."