Bøger udgivet af The American University in Cairo Press

Statues of the XXVth and XXVIth Dynasties

Based on the Eighth International Congress of Egyptologists, held in Cairo, 2000, this text includes the eight "Millennium Debates" led by esteemed Egyptologists, addressing key issues in current Egyptological research at the dawn of the 21st century.

This issue of Alif is published on the centennial anniversary of the founding the first Casa dei Bambini, a progressive educational institution for children, which seeks an alternative mode in bringing them up and nurturing their independence. An extract from the writings of the pedagogue of this innovative method, Maria Montessori, is here translated into Arabic for the first time. This collection covers the universe of children through interviews, photo-essays, testimonies, and articles in psychology, philosophy, law, music, fiction, media, poetry, and drama, addressing varied aspects of childhood: from Shakespeare for children to puppet theater in Egypt; from plays for dispossessed camp children to children enlisted in militias; from the affluent and leisurely childhood of Virginia Woolf to the wonders of the early years of a poet like Muhammad Afifi Matar. Essays also explore heroism and ethical values in children's literature, as well as musical adaptations of children's literature and the art and craft of making books for children. Alif Volume 27Contributors: Abdelfattah Abusrour, Saeed Alwakeel, Nasseif Azmy, Mia Carter, Sharif S. Elmusa, Adib Fattal, Stephannie S. Gearhart, Ferial J. Ghazoul, Amanie Fawzi Habashi, Gala El Hadidi, Thomas Hartwell, Sayyid Hegab, Nadia El Kholy, Mohieddin al-Labbad, Muhammad Afifi Matar, Tanya M. Monforte, Maria Montessori, Yasmine Motawy, Naomi Shihab Nye, Michal Oklot, Mounira Soliman, Wiam El-Tamami, Matthew Whoolery.

Labib Habachi, Egypt's most perceptive and productive Egyptologist, was marginalized for most of his career, only belatedly receiving international recognition for his major contributions to the field. In Labib Habachi: The Life and Legacy of an Egyptologist, Jill Kamil presents not only a long-overdue biography of this important scholar, but a survey of Egyptian archaeology in the twentieth century in which Habachi's work is measured against that of his best-known contemporaries-among them Selim Hassan, Ahmed Fakhry, Abdel Moneim Abu Bakr, and Gamal Mokhtar. The account of Habachi's major discovery, the Sanctuary of Heqaib on Elephantine in 1946, was shelved by Egypt's Antiquities Department for thirty years. When it was finally released for publication, it became the subject of a heated controversy between Habachi and a western scholar that was never resolved. To construct her picture of Labib Habachi, Jill Kamil draws on a wide range of sources, including a long personal acquaintance with the subject. Tracing the arc of Habachi's career, Kamil sets his life's work in its full context, providing a valuable perspective on the development of Egyptian Egyptology and the sometimes fraught relationship between Egypt's scholars and the western archaeological establishment.

Margo Veillon, one of Egypt's best known and best loved artists, was born in Cairo in 1907 to a Swiss father and an Austrian mother and died in the same city in 2003. For most of her 96 years she painted and drew Egypt, from north to south, from countryside to city, as well as Paris, London, and other parts of the world. As a witness to a century of enormous change in Egypt as much as elsewhere, she produced a huge, rich, and varied body of work that includes work from across the decades of her career as well as across a variety of media.Although Margo lived part of her life in Europe, it was clearly Egypt that held her imagination through all those long years of artistic innovation. One strand of her work is characterized by an ability to capture and depict the energy of a specific moment in time, be it a toss of wheat in the air to separate the chaff, the stoic bride in a wedding procession, or a horse dancing in a tent at a mulid. The stones, sands, and constantly changing light of the desert were the inspiration for many years for another major line of artistic expression. And a third strand was her exploration of all that can be seen, not seen, and sensed in one place, in her remarkable series of Global Perspectives. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon's artistic career over nearly one hundred years.

At the time of the Egyptian Revolution in 1952, the population of Egypt was around 22 million. At the end of 2002, it stood at 69 million, and was growing at a rate of 1.33 million a year. What happens to a society that grows so quickly, when the habitable and cultivable land of the country is strictly limited? After the success of Whatever Happened to the Egyptians?, Galal Amin now takes a further bemused look at the changes that have taken place in Egyptian society over the past half century, this time considering the disruptions brought about by the surge in population. Basing his arguments on both academic research and his own personal experiences and impressions, and employing the same light humor and keen sense of empathy as in his earlier work, the author discusses how runaway population growth has not only profound effects on many aspects of society-from love and fashion to telephones, the supermarket, and religion-but also predictable effects on the economy.

This text discusses Arabic writing and composition by looking at vocabulary, grammar, transformations, and style. Written entirely in Arabic, the book is clear and logical, and is aimed at intermediate to advanced levels.

In a small town in the Nile Delta lives Houda the deaf and mute butcher's apprentice. Revealing the town's private stories through public sign language, Houda articulates the unspoken and the forbidden, to unsettle the apparent quietude of rural society. But his desire threatens to scandalize the town and rock its codes of public behavior.

As with his earlier works, Mohamed El-Bisatie's novel is set in the Egyptian countryside, about which he writes with such understanding. Episodic in form, it deals with a family-Zaghloul the layabout father, Sakeena the long-suffering wife, and two young boys. The central theme of the book is hunger: the hunger of not knowing where one's next meal is coming from, and the universal hunger for sex and love. Sakeena's life revolves round trying to provide her family with the necessary daily loaves of bread that will stave off starvation. Labor-shy Zaghloul works on and off at one of the village's cafes, but prefers to spend his time listening in on conversations about subjects such as politics, which he would have liked to know more about, if only he had been an educated man. He is also intrigued by the stories told by young university students about their sexual exploits. Eventually chance presents him with a new job: to keep company with an elderly and over-fat man and help him on and off the mule he has to use for getting about. After looking in turn at the lives of the husband and the wife, the novel finally focuses on their elder son, who, although lacking the advantages of any sort of education, nonetheless shows more initiative than his father, and discovers his own way of contributing to the family bread larder. Despite its bleak title, Hunger is told with a lightness of touch and the writer's trademark wry humor.

With a writing career spanning some seventy years, Naguib Mahfouz is one of the most recognized writers in the world. His study of philosophy at what is now Cairo University greatly influenced his works, as did his wide readings and his work in the government and in the Cinema Organization. The Wisdom of Naguib Mahfouz, like the earlier Life's Wisdom, is a unique collection of quotations selected from the great author's works, offering philosophical insights on themes such as childhood, youth, love, marriage, war, freedom, death, the supernatural, the afterlife, the soul, immortality, and many other subjects that take us through life's journey.

An essential reference to Egypt's architectural heritage. This unique visual reference guide will be an invaluable resource to professional designers-from architects to illustrators, production designers, art directors, decorators, film concept artists, sculptors, and painters. It utilizes color photographs to illustrate a wide range of locations and styles of architecture throughout Egypt, particularly highlighting universal architectural elements that may be incorporated into a variety of designs and styles including arches, doorways, windows, balconies, wall finishes, and more. Photographic plates of modern and ancient Egypt, showing markets, buildings, temples, tombs, and daily life are cross-referenced with enlarged details and grouped for functional comparisons to cater to the various approaches a designer may take from conception to completion. With some 1,000 color illustrations, thorough referencing, and detailed observation, this book will serve a very specific need while also appealing to a wider audience as a visual celebration of many aspects of Egypt, familiar and unfamiliar.

The Theocrat takes as its subject one of Arab and Islamic history's most perplexing figures, al-Hakim bi-Amr Illah ("the ruler by order of God"), the Fatimid caliph who ruled Egypt during the tenth century and whose career was a direct reflection of both the tensions within the Islamic dominions as a whole and of the conflicts within his own mind. In this remarkable novel Bensalem Himmich explores these tensions and conflicts and their disastrous consequences on an individual ruler and on his people. Himmich does not spare his readers the full horror and tragedy of al-Hakim's reign, but in employing a variety of textual styles-including quotations from some of the best known medieval Arab historians; vivid historical narratives; a series of extraordinary decrees issued by the caliph; and, most remarkably, the inspirational utterances of al-Hakim during his ecstatic visions, recorded by his devotees and subsequently a basis for the foundation of the Druze community-he succeeds brilliantly in painting a portrait of a character whose sheer unpredictability throws into relief the qualities of those who find themselves forced to cajole, confront, or oppose him.

This sumptuous full-color volume retraces the highlights of the country's twentieth-century art world through the private collection of one of Cairo's most reputable private gallery owners. The 200 color reproductions of paintings from Sherwet Shafei's collection represent works from very early pioneers such as Mahmoud Saïd and Ragheb Ayad to later figures such as Hamed Nada and Youssef Sida.In a comprehensive introduction that examines the life and career of Sherwet Shafei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tendencies of emerging art collectors in Egypt's "blossoming" market, the burdens of forgery, and the impact of globalization on the art industry.This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety.

A thematic study of the borders and boundaries affecting return migration in Palestine

For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia's remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration.This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.

Beginning with an examination of medieval Islamic fundamentalist movements such as Kharjism, Ibadism, Hanbalism, and Wahhabism, Sayed Khatab looks at the similarities and differences between them and present organizations such as al-Qa'ida. It may be surprising that many of the radical narratives embraced by modern groups have not emerged recently. Identifying these roots can lead to a better understanding of al-Qa'ida's theological and intellectual narratives, and how they effectively indoctrinate youths and attract many of them to violent acts of terrorism. The book then focuses on al-Qa'ida's theology, ideology, and tactics; the geographic contours and implications of al-Qa'ida's political strategy in relation to the western and eastern countries which are considered enemy states; the impending clash of cultures; and the ideological war within al-Qa'ida. Innovative in its concept, examining political Islamic thought from a historical to a contemporary perspective, Islamic Fundamentalism generates new understanding of the many complexities of political Islam, and the role of violence and terrorism.

In the Nile Valley and desert oases south of Cairo-Upper Egypt-surviving domestic buildings from the eighteenth, nineteenth, and early twentieth centuries demonstrate a unique and varied strand of traditional decoration. Intricate patterns in wood, iron, or plaster adorn doorways, balconies, windows, and rooflines in towns and villages throughout the region.One of the most distinctive cultural features of these traditional homes is the decorated wooden balcony-screen-with jigsaw-cut patterns often based on creative repetitions, inversions, and mirrorings of the Arabic letter waw-which was designed to veil the residents from public view while allowing them to take the air and watch the outside world go by.Here, Ahmed Abdel-Gawad presents a wide range of these exuberant and largely unknown designs, in both photographs and detailed architectural drawings, for the use and appreciation of designers, decorators, artists, and lovers of vernacular architecture.

As the 25 January Revolution got under way and grew from strength to strength, six young Egyptian photographers found themselves following and documenting the events in different parts of Cairo, and converging-as the demonstrations converged-on what became the focal point of the revolution, Tahrir Square. Between them they photographed many of the unprecedented and startling events around the city and in the square, from the early battles of the protesters against heavily armed security forces, through the attacks by paid thugs on camel and horseback, and the peaceful occupation of Tahrir Square, to the victory celebrations and the inspiring clean-up afterward. Together in this stunning visual record they present the days of the Revolution in sequence, from tear gas to tears of joy, picturing a story of determination and courage that inspired the world.