Bøger udgivet af The American University in Cairo Press

One of the many striking things about Egypt's 25 January Revolution as manifested in Cairo's Tahrir Square was the imagination and creativity of the posters, placards, and signs that the protesters wore, waved, or hung from buildings, fences, and lampposts day by day throughout the demonstrations. These emotive messages displayed a range of visual inventiveness and linguistic dexterity (in Arabic, English, and several other languages) that expressed very powerful feelings yet often entertained at the same time. Egyptian amateur photographer Karima Khalil here gathers images taken by herself and others of these messages, showing their great variety, from the simple and repeated Irhal ("Leave"), written in a hundred different ways, to poems, rhyming slogans, puns, jokes, and tributes to the martyrs killed by security forces in the protests. These messages form a compelling visual record of a people's long suppressed hopes and desires.

When Egyptians began demonstrating against the regime of President Hosni Mubarak on 25 January 2011, few could anticipate that the demonstrations would grow into a revolution to astonish the world. Millions of Egyptians were soon joining in every day in cities across the country, but Tahrir Square became the beating heart of the revolution, its center, its life force, and its spirit, a spirit that was peaceful, inclusive, creative, and determined. Swedish photographer Mia Gr ndahl returned day after day to the square, to record the incredible tent city within a city that would not budge until the president did, and to capture the great humanity of the revolution that impressed Cairo, Egypt, and the world. This book presents a selection of her moving photographs from those historic days, along with the testimony in words of some of the people who were there.

Besides its archaeological treasures, Egypt is also home to an exotic and mysterious wealth of wildlife, hiding at times in its temples and tombs, its deserts and oases. The Nile nourishes an array of habitats, flora, and fauna often overlooked by the archaeologically curious tourist. This full-color foldout guide introduces an exciting array of animals and plants, from river wetland residents to desert survivors. Water-resistant and compact, it is the perfect travel companion, filled with beautiful illustrations, comprehensive text, diagrams, and maps.Includes:- Map of Egypt and opportune locations to see wildlife- Palms & other common native and non-native plants- Mammal species: carnivores, insectivores, rodents- Common reptiles & amphibians- Insects & invertebrates- Freshwater fish of the NileAbout the series: The AUC Press Nature Foldout series combine, in beautifully practical form, a wealth of information written by leading experts with striking full-color illustrations on the flora and fauna of Egypt and the Middle East. Designed for nature lovers and outdoor adventurers, as well as for indoor use, the foldouts come in an easily foldable format, at once compact, waterproof, and portable, making them durable and convenient travel guides. Size is 23 x 8.5 in. / 58.5 x 21.5 cm unfolded.

The importance of Tawfiq al-Hakim (1898 to 1989) to the emergence of a modern Arabic literature is second only to that of Naguib Mahfouz. If the latter put the novel among the genres of writing that are now an accepted part of literary production in the Arab world today, Tawfiq al-Hakim is recognized as the undisputed creator of a literature of the theater. In this volume, Tawfiq al-Hakim's fame as a playwright is given prominence. Of the more than seventy plays he wrote, The Sultan's Dilemma, dealing with a historical subject in an appealingly light-hearted manner, is perhaps the best known; it appears in the extended edition of Norton's World Masterpieces and was broadcast on the old Home Service of the BBC. The other full-length play included here, The Tree Climber, is one that reveals al-Hakim's openness to outside influences in this case, the absurdist mode of writing. Of the two one-act plays in this collection, The Donkey Market shows his deftness at turning a traditional folk tale into a hilarious stage comedy. Tawfiq al-Hakim produced several of the earliest examples of the novel in Arabic; included in this volume is an extract from his best known work in that genre, the delightful Diary of a Country Prosecutor, in which he draws on his own experience as a public prosecutor in the Egyptian countryside. Three of the many short stories he published are also included, as well as an extract from The Prison of Life, an autobiography in which Tawfiq al-Hakim writes with commendable frankness about himself. Contents: Introduction by Denys Johnson-Davies, The Sultan's Dilemma (full-length play), The Tree Climber (full-length play), The Donkey Market (one-act play), The Song of Death (one-act play), Diary of a Country Prosecutor (extract from the novel), Miracles for Sale (short story), The Prison of Life (extract from the autobiography), Azrael the Barber (short story), Satan Triumphs (short story).

Earth Weeps, Saturn Laughs opens with the return of Khalid Bakhit, a government employee, to his hometown in Oman after a time away in the big city, and concludes with his return to the city with a new maturity born of a series of wrenching encounters with reality. Khalid's return home, sparked by his flight from a painful love affair, coincides with events that reveal the force of long-established traditions that have a stranglehold on the town: from racial prejudice, to religious bigotry, to ossified patterns of leadership. Khalid's awakening and transformation are catalyzed by his encounters with a certain "e;Saturnine poet"e; who, in the course of chasing after an elusive ode, has stumbled upon this unnamed village. For a period of time "e;the Saturnine"e; becomes Khalid's closest companion: listening to his woes, helping him see himself with new eyes, and imparting to him a wisdom from a world beyond, untainted by human smallness.

You are bored, bored, bored, stuck in a half-job, berated by your parents and unsure whether you should marry your cousin. You want to change. A chance encounter on Facebook leads you to Emmie and her underground world of strange fashion, drinking, dancing, sex, and drugs. You become an Emo and discover philosophical atheism and practical Satanism.

Born in 1907, Margo Veillon was one of Egypt's best-loved artists. Presented here is a sampling of her work spanning seventy-five years of her productive career, in a variety of graphic media-pen and ink, watercolor, pencil, and crayon, as represented in a legacy bequeathed to the American University in Cairo. Although she lived part of her life in Europe, it is clearly Egypt that held her imagination and inspired her artistic innovation. Possessed with an ability to capture the energy of a specific moment in time, Margo Veillon drew people and animals, landscapes and street scenes with her characteristic sly humor and gift for depicting a lively vignette or serene visual moment in just a few strokes. These threads and others no less individual and innovative make up the extraordinarily rich tapestry of Margo Veillon's artistic career, brought together in the AUC Permanent Collection.

The tale of one man's quest and survival in the Sahara Desert, set in the framework of Tuareg mythology

Though Egypt was ruled by Turkish-speakers through most of the period from the ninth century until 1952, the impact of Turkish culture there remains under-studied. This book deals with the period from 1805 to 1952, during which Turkish cultural patterns, spread through reforms based on those of Istanbul, may have touched more Egyptians than ever before. An examination of the books, newspapers, and other written materials produced in Turkish, including translations, and of the presses involved, reveals the rise and decline of Turkish culture in government, the military, education, literature, music, and everyday life. The author also describes the upsurge in Turkish writing generated by Young Turk exiles from 1895 to 1909. Included is a CD containing Appendices of extensive bibliographic information concerning books and periodicals printed in Egypt during this period.

Deconstructing disciplinary boundaries, this title presents a cross-cultural insight into the interplay among women, culture, and psychological illness, and examines illness triggers, prevalent hierarchies of resort, and common treatment results. It includes vol 28, No 4 of "Cairo Papers in Social Science".

On his 'journey from the dreams of the jinn to the love of the truth' Jaafar Ibrahim Sayyed al-Rawi is guided by his motto, 'let life be filled with holy madness to the last breath'. He goes from a life of comfort with a promising future guaranteed by his wealthy grandfather, Sayyed al-Rawi, to the life of a pauper.

Set in Cairo in the aftermath of the Six-Day War of 1967, Love in the Rain introduces us to an assortment of characters who, each in his or her own way, experience the effects of this calamitous event. The war and its casualties, as well as people's foibles and the tragedies they create for themselves, raise existential questions that cannot easily be answered. In a frank, sensitive treatment of everything from patriotism to prostitution, homosexuality and lesbianism, Love in the Rain presents a struggle between "e;old"e; and "e;new"e; in the realm of moral values that leaves the future in doubt. Through the dilemmas and heartbreaks faced by his protagonists, Mahfouz exposes the hypocrisy of those who condemn any breach of sexual morality while turning a blind eye to violence, corruption, and oppression.

This audacious novel opens with Ayn as she reflects on the act of writing and wonders if love alone is sufficient subject for a narrative. Haltingly at first, she weaves the tale of her love affair with Ali with witty asides about her own writing, and the limits and self-deceptions that are at the heart of all storytelling. As the story finds its way, through sea and desert, and the realms of mysticism and magic, we learn of a passionate, volatile relationship, one severely tested through countless separations, of Ayn's relationships with other men, including her intense encounters with a Corsican ex-convict, and of her own desire to escape the confines of marriage, even to the man she loves. Disarmingly candid in the telling, So You May See leads us gently into a revolt, a fierce rebuttal of conventional romantic literature and an indictment of the sexual mores and unquestioned attitudes to marriage and relationships in contemporary Egypt.

During the New Kingdom (c. 1570-1070 BCE), the Valley of the Kings was the burial place of Egypt's pharaohs, including such powerful and famous rulers as Amenhotep III, Rameses II, and Tutankhamen. They were buried here in large and beautifully decorated tombs that have become among the country's most visited archaeological sites. The tourists contribute millions of badly needed dollars to Egypt's economy. But because of inadequate planning, these same visitors are destroying the very tombs they come to see. Crowding, pollution, changes in the tombs' air quality, ever-growing tourist infrastructure-all pose serious threats to the Valley's survival. This volume, the result of twenty-five years of work by the Theban Mapping Project at the American University in Cairo, traces the history of the Valley of the Kings and offers specific proposals to manage the site and protect its fragile contents. At the same time, it recognizes the need to provide a positive experience for the thousands of visitors who flock here daily. This is the first major management plan developed for any Egyptian archaeological site, and as its proposals are implemented, they offer a replicable model for archaeologists, conservators, and site managers throughout Egypt and the region. Published in both English and Arabic editions and supported by the World Monuments Fund, this critical study will help to ensure the survival of Egypt's patrimony in a manner compatible with the country's heavy reliance on tourism income.

No chapter in Egypt's contemporary history has been more turbulent and unpredictable than the past three years. In a very short period of time, the Arab world's most populous country has seen a transition from rule by an iron-fisted dictatorship to a populist uprising to military omnipotence to Islamist electoral victory to constitutional turmoil to societal polarization. Egypt's iconic revolution has been neither victorious nor defeated. Egypt in Flux is a collection of essays on the political, social, economic, and cultural dimensions of change in the country's ongoing revolutionary current.

In the light of the escalation of sectarian tensions during and after Mubarak's reign, the predicament of the Arab world's largest religious minority, the Copts, has come to the forefront. This book poses such questions as why there has been a mass exodus of Copts from Egypt, and how this relates to other religious minorities in the Arab region; why it is that sectarian violence increased during and after the 2011 Revolution, which epitomized the highest degree of national unity since 1919; and how the new configuration of power has influenced the extent to which a vision of a political order is being based on the principles of inclusive democracy. The book examines the relations among the state, the Church, Coptic citizenry, and civil and political societies against the backdrop of the increasing diversification of actors, the change of political leadership in the country, and the transformations occurring in the region. An informative historical background is provided, and new fieldwork and statistical data inform a thoughtful exploration of what it takes to build an inclusive democracy in post-Mubarak Egypt.

In his latest exploration of the Egyptian malaise, Galal Amin first looks at the events of the months preceding the Revolution of 25 January 2011, pointing out the most important factors behind popular discontent. He then follows the ups and downs (mainly the downs) of the Revolution: the causes of rising hopes and expectations, mingled with successive disappointments, sometimes verging on despair, not least in the case of the presidential elections, when the Egyptian people were invited to choose between a rock and a hard place. This is followed by an outline of a possible brighter future for Egypt, based on a more balanced and faster growing economy, and a more democratic and equitable society, within a truly independent, modern, and secular state. The story of what happened to the 2011 Revolution may be a sad one, but if viewed within the larger context of Egypt's economic and social developments of the last century, on which the author's previous books threw very useful light, it can be regarded as one important step forward toward a much better future.

Djekhy & Son, two businessmen living 2,500 years ago in the densely populated neighborhoods built around the great temple of Amun at Karnak, worked as funerary service providers in the necropolis on the western bank of the Nile. They were also successful agricultural entrepreneurs, cultivating flax and grain. In 1885, the German Egyptologist August Eisenlohr acquired a unique collection of papyri that turned out to be Djekhy's archive of mainly legal documents. Using this rich trove of evidence, augmented by many other sources, the author has painted a vivid picture of life in ancient Egypt between 570 and 534 bce, during the little-known Saite period. Approaching the subject from both business and personal aspects, he gives us a fresh look at some facets of ancient Egypt that have mostly been hidden from view-such as putting up one's children as security for a loan.

Cairo's Egyptian Museum, one of the greatest storehouses of ancient art and artifacts in the world, is at the top of the agenda for millions of visitors to Egypt every year. People come to see the fabulous gold treasures of King Tutankhamun, the monumental royal statuary, the elaborately painted coffins and funerary masks, the model houses, ships, and armies, the tools, furnishings, and games of everyday life, and all the other paraphernalia of three thousand years of ancient Egyptian civilization.But what to take home from all this? How to remember the highlights of a visit to such a wonderful house of treasure? Here in this light and compact book, Egyptologist extraordinaire Zahi Hawass has collected the very gems of the Museum, illustrated in full color and succinctly described-more than thirty significant objects that stand out in the memory, making the perfect souvenir of one of the world's truly great museums.

Love-who can count its varieties, measure its force, uncover the masks it wears, or predict how it binds and divides? In this spare novel, master storyteller Naguib Mahfouz gives us some of his most memorable characters, widely familiar to Egyptians from the film version of the book: Sitt Ain, with her large house, her garden, her cats, and her familiar umbrella, strong and active, mother of the neighborhood; her son Izzat, so different from her, emotional and unsure of his way; and the friends of his childhood, Sayyida, Hamdoun, and Badriya, all their lives entangled and shaped over many years by the encounter of commitment, ambition, treachery, and above all love. This is a story in and of twentieth-century Egypt, which can be read on more than one level. The neighborhood and the motifs may be familiar, but they combine to tell a new and intriguing tale, with an unexpected outcome.

Some of the most fascinating sculptures to have survived from ancient Egypt are the colossal statues of Akhenaten, erected at the beginning of his reign in his new temple to the Aten at Karnak. Fragments of more than thirty statues are now known, showing the paradoxical features combining male and female, young and aged, characteristic of representations of this king. Did he look like this in real life? Or was his iconography skilfully devised to mirror his concept of his role in the universe? The author presents the history of the discovery of the statue fragments from 1925 to the present day; the profusion of opinions on the appearance of the king and his alleged medical conditions; and the various suggestions for an interpretation of the perplexing evidence. A complete catalog of all major fragments is included, as well as many pictures not previously published.

Revised and substantially expanded for a new edition, this learning aid now contains more than 3,500 Arabic verbs from 1,450 verb roots. Entries feature English definitions, the perfect and imperfect tenses and verbal noun of each verb, and sentences to illustrate the correct usage and clarify the meaning.

A comic novel from the award-winning author of The Lodging House