Bøger udgivet af The American University in Cairo Press

Reveals the splendours of early twentieth-century architecture still standing in Iraq's capital, despite international sanctions and the ravages of war. Caecilia Pieri's photographs (taken between 2003 and 2006)present Baghdad's architecture in a historic

Provides a perspective on Egyptian history by looking at more than fifty statues and monumental sculptures and the stories behind them. Illustrated with photographs by the author, this work presents a view of the history that fashioned the city's streets and open spaces, and of the many unexpected uses to which its inventive inhabitants put them.

Some of the best full-color work of one of the leading photographers of Egypt over the last forty years

In a compact, easy-to-use format, Modern Standard Arabic Grammar offers a convenient guide to grammar for any student of Modern Standard Arabic (MSA), the version of Arabic mostly commonly used in journalism, formal writing, and literature. Drawing on over a decade of experience as a full-time teacher of Arabic, Azza Hassanein explains the rules in straightforward English, illustrating usage with examples throughout. The book covers all the rules of grammar and morphology that students require for elementary, intermediate, and advanced levels of Arabic. As a compact guide, it is an ideal auxiliary, no matter what textbook the student is using. While students of the language will find Modern Standard Arabic Grammar extremely helpful, it is also a valuable tool for linguists who want to acquire a clear idea about the skeletal structure of the language, as well as translators who are working with written Arabic.Covering all the important grammatical rules of MSA, from nisba adjectives and nominal and verbal sentences to more complex constructions such as conditional sentences and the subjunctive, this unique handbook fills a real need for the growing number of people worldwide learning Arabic.

After a failed study mission in France, Abd al-Rahman returns home to Iraq to launch an existentialist movement akin to that of his hero. Convinced that it falls upon him to introduce his country's intellectuals to Sartre's thought, he feels especially qualified by his physical resemblance to the philosopher (except for the crossed eyes) and by his marriage to Germaine, who he claims is the great man's cousin. Meanwhile, his wealth and family prestige guarantee him an idle life spent in drinking, debauchery, and frequenting a well-known nightclub. But is his suicide an act of philosophical despair, or a reaction to his friend's affair with Germaine? A biographer chosen by his presumed friends narrates the story of a somewhat bewildered young man who-like other members of his generation-was searching for a meaning to his life. This parody of the abuses and extravagances of pseudo-philosophers in the Baghdad of the sixties throws into relief the Iraqi intellectual and cultural life of the time and the reversal of fortune of some of Iraq's wealthy and powerful families.

Structured as a guide, but fully illustrated with superb color photographs, this book suggests a simple but comprehensive itinerary through one of Egypt's most fascinating museums. Taking readers through the various exhibits, this useful guidebook explains and illuminates the esthetic and historic importance of the museum's main works on display, including metalwork, textiles, woodwork, glass, carved stone and ivory, and the art of the book.

Clamor of the Lake begins with the appearance of an old fisherman of unknown origin sailing a black boat. Taciturn and enigmatic, he takes on a woman and her twin boys. While he gives away nothing about his past, his undemanding companionship prompts the woman to narrate her turbulent life. Meanwhile, in a nearby village by the lake, Gomaa and his wife have found respite from the dreariness of their existence in the fantastic objects the sea churns up during gales-a sword, alluring panties, a talisman. But when the waves cast up a chest that speaks in a language no one can comprehend, Gomaa is haunted by its voice. As the tumult of the lake drives a wedge between the couple, it turns two neighbors into close allies: Karawia, a cafe proprietor, and Afifi, a grocer. Eventually, they too will be haunted by the siren song of the lake. In Mohamed El-Bisatie's lyrical novel, the stories of these various figures converge on the mercurial presence of the lake, which in the end proves the narrative's true hero. An accomplished experiment in the poetics of space, Clamor of the Lake won the 1995 Cairo International Book Fair Award for Best Novel of the Year.

This beautifully produced new paperback edition of Silent Images explores a puzzling contradiction: Despite the multitude of artifacts and texts that have come to us from ancient Egypt, much still remains obscure regarding the lives of women. Women were, from the historical perspective, silent-but how should this silence be interpreted? What was the reality of women's lives behind the standardized images?

A three-part course in Modern Standard Arabic for non-native speakers that approaches the language through a series of themed topics - daily life in the Arab world, politics and governance, literature and the arts, science and medicine, astronomy. It focuses on listening and speaking skills.

The Mahfouz Dialogs records the memories, views, and jokes of Naguib Mahfouz on subjects ranging from politics to the relationship between his novels and his life, as delivered to intimate friends at a series of informal meetings stretching out over almost half a century. Mahfouz was a pivotal figure not only in world literature (through being awarded the Nobel prize for literature in 1988 he became the first writer in Arabic to win a mass audience), but also in his own society, where he vastly enhanced the image of the writer in the eyes of the public and encapsulated-as the victim of a savage attack on his life by an Islamist in 1994-the struggle between pluralism, tolerance, and secularism on the one hand and extremist Islam. Moderated by Gamal al-Ghitani, a writer of a younger generation who shared a common background with Mahfouz (al-Ghitani also grew up in medieval Cairo) and felt a vast personal empathy for the writer despite their sometimes different views, these exchanges throw new light on Mahfouz's life, the creation of his novels, and literary Egypt in the second half of the twentieth century.

This award-winning historical novel deals with the stormy life of the outstanding Arab philosopher Ibn Khaldun, using historical sources, and particularly material from the writer's works, to construct the personal and intellectual universe of a fourteenth-century genius. The dominant concern of the novel-the uneasy relationship between intellectuals and political power, between scholars and authority-addresses our times through the transparent veil of history. In the first part of the novel, we are introduced to the mind of Ibn Khaldun as he dictates his work to his scribe and interlocutor. The second part delves into the heart of the man and his retrieval of a measure of happiness and affection in a remarriage, after the drowning of his first wife and their children at sea. Finally we see Ibn Khaldun as a man of action, trying to minimize the imminent horrors of invading armies and averting the sack of Damascus by Tamerlane, only to spend his last years lonely and destitute, having been fired from his post as qadi, his wife having gone to Morocco, and his attempts at saving the political situation having come to nil. "e;The elusive simplicity and fluency of style manage to entertain and instruct at once. We learn as we read about Ibn Khaldun: his insights into history and historiography, his views of the rise and fall of civilizations, the principles of his sociological thinking, along with intimate aspects of his life, including his tragic losses and his attitude toward women. We also learn of his response to the major crisis of his time, the Tatar invasion of the Mashriq. In short, Ibn Khaldun, the distant and formidable figure, is humanized-thanks to this novel."e;-Naguib Mahfouz Medal Award Committee

Together with such figures as the scholar Taha Hussein, the playwright Tawfik al-Hakim, the short story writer Mahmoud Teymour and-of course-Naguib Mahfouz, Yahya Hakki belongs to that distinguished band of early writers who, midway through the last century, under the influence of Western literature, began to practice genres of creative writing that were new to the traditions of classical Arabic. In the first story in this volume, the very short ''Story in the Form of a Petition,'' Yahya Hakki demonstrates his ease with gentle humor, a form rare in Arabic writing. In the following two stories, ''Mother of the Destitute'' and ''A Story from Prison,'' he describes with typical sympathy individuals who, less privileged than others, somehow manage to scrape through life's hardships. The latter story deals with the people of Upper Egypt, for whom the writer had a special understanding and affection. It is, however, for the title story (in fact, more of a novella) of this collection that the writer is best known. Recounting the difficulties faced by a young man who is sent to England to study medicine and who then returns to Egypt to pit his new ideals against tradition, ''The Lamp of Umm Hashim'' was the first of several works in Arabic to deal with the way in which an individual tries to come to terms with two divergent cultures.

A collection of short stories that focuses on love and death and the passage between entry into the world and exit from it. It reflects the author's deeply felt nostalgia for Iraq.

Egypt in the ninth century ad: an Arab, Muslim ruling class governs a country of mostly Coptic-speaking Christians. After an exorbitant land tax imposed by the caliph's governors sparks a peasant revolt, Budayr is dispatched to the marshlands of the Nile Delta as an escort for a church-appointed emissary whose mission is to persuade the rebels to lay down their arms. But he is soon caught up in a swirl of events and concerns that alter the course of his life irrevocably, setting him on a path he could never have foreseen. The events that befall him and the insights he gains from them bring about a gradual but inexorable personal transformation, through which his eyes are opened to the fundamental commonalities- practical, spiritual, and existential-that bind Muslims and Copts, and he emerges as an emissary of a new sort.Hailed as a groundbreaking treatment of otherwise neglected aspects of medieval history, The Man from Bashmour is an exploration of the Egyptian character past and present, and offers insights into Egyptian thought on everything from love, philosophy, and religion to life and death.

From her cell in a women's prison, Aziza decides to create a golden chariot to take her to heaven, where her wishes and dreams can be fulfilled. As she muses on who to take with her, she tells the life stories of her fellow prisoners and decides in her heart which ones deserve a free ride to paradise. Aziza's cruelly frank comments about her friends and their various crimes-including murder, theft, and drug-dealing-weave these tales together into a contemporary Arabian Nights. Salwa Bakr takes a wry and cynical look at how women from widely differing backgrounds, some innocent and some guilty, come together in a single prison ward. Salwa Bakr's writing depicts life at the grassroots of Egypt's culture, admiring its resilience in the face of poverty and inequality. With a strong distrust of imported kitsch, western consumerism is contrasted with the indigenous culture. In The Golden Chariot, Salwa Bakr opens a magical door, through which we are able to see the injustices of a society in transition. Beyond these stories of crime, we glimpse the yearning and longing for a better life, and the problems of not being able to realize these dreams by honest means.

In an innovative concept in the teaching of Modern Standard Arabic, this new content-based book aims to bolster study for advanced students in both linguistic skills and literary appreciation through the reading of short stories in the original Arabic by four great but very different writers: Mahmoud Taher Lashin, Naguib Mahfouz, Yusuf Idris, and Tayeb Salih. Creative reading tasks and exercises focus on the writing and literary styles of the four writers, while grammar is reinforced through text analysis and writing assignments, with an emphasis on building vocabulary and idiomatic expressions, as well as developing a deeper understanding of cultural issues. With an integrated skills approach, al-Rubaa contains not only reading but also writing, listening, and speaking activities.The stories included in the book are:¿ by Mahmoud Taher Lashin: "From the Diaries of Noah," "That's Right"¿ by Naguib Mahfouz: Stories 26 and 29 from Tales of Our Alley, Dream 6 from Dreams of Convalescence¿ by Yusuf Idris: "House of Flesh," "In Passing"¿ by Tayeb Salih: "A Song of Love," "A Step Forward," "Yours until Death"

This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comit within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo.

Tells the story of four generations of the same family living in an old house in the Bab al-Shaykh district of Baghdad. In this book, their private conflicts and passions are set against the wider drama of events leading up to the overthrow of prime minister Abd al-Karim Qasim and the rise of the Baath party in Iraq.