Bøger udgivet af The Library of America

"Praised upon publication as a literary triumph inviting comparison with Tolstoy and Hemingway, Norman Mailer's The Naked and the Dead is both a monumental war saga and a devastating antiwar novel, exposing the primal nature of power through the interplay of soldiers and officers given an impossible and ultimately pointless mission on an obscure Pacific island during World War II. Written just after the war's end, the novel daringly wrestles with the authoritarian impulses in the American character. Published to mark the centennial of Mailer's birth and the 75th anniversary of his landmark debut novel, this expanded collector's edition includes twenty-three revealing letters--nine published her for the first time--written while Mailer was deployed in the Philippines and in Japan following the end of hostilities, detailed notes, and a full-color endpaper map of the fictional island of Anopopei."--Dust jacket.

Discover the most enduring works of legendary poet Gwendolyn Brooks-the first black author to win a Pulitzer Prize-in one collectible volume"If you wanted a poem," wrote Gwendolyn Brooks, "you only had to look out of a window. There was material always, walking or running, fighting or screaming or singing." From the life of Chicago's South Side she made a forceful and passionate poetry that fused Modernist aesthetics with African-American cultural tradition, a poetry that registered the life of the streets and the upheavals of the 20th century. Starting with A Street in Bronzeville (1945), her epoch-making debut volume, The Essential Gwendolyn Brooks traces the full arc of her career in all its ambitious scope and unexpected stylistic shifts."Her formal range," writes editor Elizabeth Alexander, "is most impressive, as she experiments with sonnets, ballads, spirituals, blues, full and off-rhymes. She is nothing short of a technical virtuoso." That technical virtuosity was matched by a restless curiosity about the life around her in all its explosive variety. By turns compassionate, angry, satiric, and psychologically penetrating, Gwendolyn Brooks's poetry retains its power to move and surprise.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

A one-of-a-kind celebration of America's greatest comic strip--and the life lessons it can teach us--from a stellar array of writers and artistsOver the span of fifty years, Charles M. Schulz created a comic strip that is one of the indisputable glories of American popular culture-hilarious, poignant, inimitable. Some twenty years after the last strip appeared, the characters Schulz brought to life in Peanuts continue to resonate with millions of fans, their beguiling four-panel adventures and television escapades offering lessons about happiness, friendship, disappointment, childhood, and life itself. In The Peanuts Papers, thirty-three writers and artists reflect on the deeper truths of Schulz's deceptively simple comic, its impact on their lives and art and on the broader culture. These enchanting, affecting, and often quite personal essays show just how much Peanuts means to its many admirers-and the ways it invites us to ponder, in the words of Sarah Boxer, "how to survive and still be a decent human being" in an often bewildering world. Featuring essays, memoirs, poems, and two original comic strips, here is the ultimate reader's companion for every Peanuts fan.Featuring:Jill Bialosky Lisa Birnbach Sarah Boxer Jennifer Finney Boylan Ivan Brunetti Hilary Fitzgerald Campbell Rich Cohen Gerald Early Umberto Eco Jonathan Franzen Ira Glass Adam Gopnik David Hajdu Bruce Handy David Kamp Maxine Hong Kingston Chuck Klosterman Peter D. Kramer Jonathan Lethem Rick Moody Ann Patchett Kevin Powell Joe Queenan Nicole Rudick George Saunders Elissa Schappell Seth Janice Shapiro Mona Simpson Leslie Stein Clifford Thompson David L. Ulin Chris Ware

The definitive Philip Roth edition continues with three novels written in his late sixties and early seventies. The Dying Animal (2001) marks the final return of David Kepesh from The Breast (1972) and The Professor of Desire (1977). Now an eminent cultural critic in his sixties, Kepesh expertly seduces a beautiful twenty-four-year-old daughter of Cuban exiles only to find himself torn by sexual jealousy and the anguish of loss. As The Plot Against America (2004) begins, aviation hero Charles A. Lindbergh has defeated Franklin Roosevelt in the 1940 presidential election, and fear invades every Jewish household in America. Lindbergh has publicly blamed the Jews for pushing America toward a pointless war with Nazi Germany, and now in office, he negotiates a cordial "understanding" with Adolf Hitler. What follows for Jews during the Lindbergh presidency-most particularly in the Newark household of the boy Philip Roth-is the subject of an extraordinary work of historical imagination. With Exit Ghost (2007) Roth rings down the curtain on perhaps his greatest literary creation. Nathan Zuckerman returns to a radically changed New York, the city he left eleven years before, where a rash decision draws him into a vivid drama rife with implications for his future, and his past.Philip Roth is the only living American novelist to have his work published in a comprehensive, definitive edition by The Library of America. He has received the Pulitzer Prize, the National Book Award and the National Book Critics Circle Award twice, the PEN/Faulkner Award three times, the National Medal of Arts, and the Gold Medal in Fiction, the highest award of the American Academy of Arts and Letters.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Nearly thirty years in the making, The Library of America's eleven-volume edition of the complete fiction of Henry James now culminates with this authoritative volume collecting his final three finished works. Considered by James to be his most finely constructed novel, The Ambassadors (1903) recounts the attempts of a conscientious American to convince the son of a friend to return home from Paris-and in doing so plays the charm of the Old World against the provincialism of the New. In The Golden Bowl (1904), an American woman marries an Italian prince while her father unknowingly marries the prince's former mistress; James underscores both the fragility and strength of human ties and further develops what he once called the "complex fate, being an American." Originally written for the stage but never produced, James reworked The Outcry (1911) into a highly successful comic novel of social manners that also deals with the ethics of art collecting. Included as an appendix is "The Married Son," the chapter James contributed to The Whole Family (1908), a multi-author novel conceived by William Dean Howells and portraying a dysfunctional family whose struggles mirror the frustrated collaborative efforts of the book's twelve contributors.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The definitive edition of Cooper's great epic of the American frontier, now in a dramatic boxed set. Here, presented in their order of composition and in the most authoritative texts available, are all five classic novels: The Pioneers, The Last of the Mohicans, The Prairie, The Pathfinder, The Deerslayer.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Washington Irving's career as a writer began obscurely at age seventeen, when his brother's newspaper published his series of comic reports on the theater, theater-goers, fashions, balls, courtships, duels, and marriages of his contemporary New York, called Letters of Jonathan Oldstyle, Gent. Written in the persona of an elderly gentleman of the old school, these letters captured his fellow townsmen at play in their most incongruous attitudes of simple sophistication. Irving's next work, Salmagundi, written in collaboration with his brother William and James Kirke Paulding, and published at irregular intervals in 1805-06, continued this roguish style of satire and burlesque. A History of New York, publicized by an elaborate hoax in the local newspapers concerning the disappearance of the elderly "Diedrich Knickerbocker," turned out to be a wild and hilarious spoof that combined real New York history with political satire. Quickly reprinted in England, it was admired by Walter Scott and Charles Dickens (who carried his copy in his pocket). In later years, as Irving revised and re-revised his History, he softened his gibes at Thomas Jefferson, the Dutch, and the Yankees of New England; this Library of America volume presents the work in its original, exuberant, robust, and unexpurgated form, giving modern readers a chance to enjoy the version that brought him immediate international acclaim.The Sketch Book contains Irving's two best-loved stories, "Rip Van Winkle" and "The Legend of Sleepy Hollow." It also includes many sketches of English country and city life, as well as nostalgic portraits of vanishing traditions, like the old celebrations of Christmas. A writer of great urbanity and poise, acutely sensitive to the nostalgia of a passing age, Washington Irving was a central figure in America's emergence on the international scene.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Forgoing the narratives of the sea that prevailed in his earlier works, Melville's later fiction contains some of the finest and many of his keenest and bleakest observations of life, not on the high seas, but at home in America. With the publication of this Library of America volume, the third of three volumes, all Melville's fiction has now been restored to print for the first time.Pierre; or, The Ambiguities, published in 1852 (the year after Moby-Dick), moves between the idyllic Berkshire countryside and the nightmare landscape of early New York City. Its hero, a young American patrician trying to redeem the secret sins of his father, elopes to the city, discovers Bohemian life, attempts a literary epic, and struggles his way through incest, murder, and madness. Long a controversial work, it is Melville's darkest satire of American life and letters and one of his most powerful books.A pivotal work, both for Melville's career and for American literature, Pierre was followed by Israel Potter, the story of a veteran of the Revolution, victim of a thousand mischances, and a long-suffering exile in England. Along the way are memorable episodes of war and intrigue, with personal portraits of Benjamin Franklin, John Paul Jones, and George III. In the exploits of this touchingly optimistic soldier, Melville offers a scathing image of the collapse of revolutionary hopes.The Piazza Tales demonstrates Melville's dazzling mastery of many styles, including "The Encantadas," about nature's two faces-enchanting and horrific; the famous "Bartleby the Scrivener," about a Wall Street copyist who "would prefer not to"; and the enigmatic "Benito Cereno," about a credulous Yankee sea captain who stumbles into an intricately plotted mutiny aboard a disabled slave ship.The Confidence-Man, Melville's last published novel, is in many ways a forerunner of modernist American fiction. An extended meditation on faith, hope, and charity as these are manifested on board a Mississippi riverboat one April Fools' Day, it presents a menagerie of Americans buying and selling, borrowing and lending, believing and mistrusting, as they are carried toward the auction blocks of New Orleans.Many pieces never before collected are also included: the "Authentic Anecdotes of Old Zack" (burlesque sketches of Zachary Taylor's Mexican campaign), "Fragments from a Writing-Desk" (Melville's earliest surviving prose), reviews of Hawthorne, Parkman, and Cooper, and all the tales Melville published in magazines during the 1850s.Finally, there is the posthumously published masterpiece Billy Budd, Sailor, the haunting story of a beautiful, innocent sailor who is pressed into naval service, slandered, provoked to murder, and sacrificed to military justice. While encouraging questions for which there are no answers, it invites us to meditate on the conflicts central to all Melville's work: between freedom and fate, innocence and civilized corruption.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Between 1930 and 1935, William Faulkner came into full possession of the genius and creativity that made him one of America's finest writers of the twentieth century. The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.Sanctuary (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.Light in August (1932) incorporates Faulkner's religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry-all find their lives entangled in the inexorable succession of love, birth, and death.Pylon (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called "the human heart in conflict with itself," it illustrates how he became one of the great humanists of twentieth-century literature.The Library of America edition of Faulkner's work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner's intentions.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

By the time Isaac Bashevis Singer published the three short-story collections gathered in this Library of America volume-A Friend of Kafka (1970), A Crown of Feathers (1973), and Passions (1975)-he had made his home in America for nearly four decades. Earning his living as a columnist for the Yiddish newspaper Forverts (The Jewish Daily Forward), he had risen from nearly complete anonymity outside of his Yiddish readership to international celebrity as "the last of the great Yiddish fiction writers," as Anzia Yzierska once called him. Awarded prizes, fêted in the United States and abroad, eagerly sought for lectures and interviews, he had brought about this remarkable transformation primarily though the translation of his stories. Often collaborating with his translators, Singer intended the English version of his stories to be regarded not as diminished approximations of his Yiddish stories but as works shaped by the author in the language of his adopted homeland.The sixty-five stories in Collected Stories: A Friend of Kafka to Passions-the second of three volumes-reflect Singer's origins in Poland and his long exile in America. Although he continued to write tales drawing on Jewish folk traditions and supernaturalism, many of his stories from the late 1960s and early 1970s take place in the United States, as Singer explored the psychic devastation wrought by the Nazi genocide on Holocaust survivors ("The Cafeteria"), evoked the fragility of transplanted forms of Jewish life and belief ("The Cabalist of East Broadway"), and reflected on the spiritual hazards of worldly success in America ("Old Love"). Stories such as "A Day in Coney Island," "A Tutor in the Village," and "The Son"-based on Singer's reunion with his son Israel Zamir after a twenty-year separation-show Singer blurring the line between autobiography and fiction, a tendency that marks much of his later writing.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In the wake of his receiving the Nobel Prize in Literature in 1978, Isaac Bashevis Singer published several volumes of short stories in collections that mingled recent work with previously untranslated stories written in Yiddish decades earlier. Stretching back to "The Jew from Babylon," a story first published in 1932, and gathering tales such as "Brother Beetle" and "There are No Coincidences" from the 1960s, the works collected in this Library of America volume, the third of three, serve as a retrospective view of Singer's achievement as a storyteller.Collected Stories: One Night in Brazil to The Death of Methuselah also contains ten stories published in English translation for the first time, selected from the extensive collection of Singer's papers at the University of Texas. Ranging from "Between Shadows," an evocative, naturalistic sketch set in Warsaw, to the bittersweet melodrama "Morris and Timma," to the beguiling fable "Hershele and Hanele, or The Power of a Dream." These stories enrich our understanding of Singer as a writer. The volume also includes "The Bird," "My Adventures as an Idealist," "and "Exes," stories published in magazines that were not included in any of Singer's collections. Complementing the seventy-eight stories gathered here is the introduction to Gifts (1985), a version of a lecture Singer had delivered since the early 1960s-sometimes called "Why I Write as I Do"-which illuminates his biography, philosophical outlook, and literary aims.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Library of America presents the definitive edition of an American master of crime fiction: twelve modern classics in a deluxe three-volume collector's boxed set. This is Elmore Leonard at his unbeatable best.Contains:Four Novels of the 1970s (Library of America volume #255) Fifty-Two PickupSwagUnknown Man No. 89The SwitchFour Novels of the 1980s (Library of America volume #267)City PrimevalLaBravaGlitzFreaky DeakyFour Later Novels (Library of America volume #280)Get ShortyRum PunchOut of SightTishomingo BluesLIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Go back to the Future Is Female in this all new collection of wildly entertaining stories by the trailblazing feminist writers who transformed American science fiction in the 1970sIn the 1970s, feminist authors created a new mode of science fiction in defiance of the "baboon patriarchy"-Ursula Le Guin's words-that had long dominated the genre, imagining futures that are still visionary. In this sequel to her groundbreaking 2018 anthology The Future is Female!: 25 Classic Science Fiction Stories by Women from Pulp Pioneers to Ursula K. Le Guin, SF-expert Lisa Yaszek offers a time machine back to the decade when far-sighted rebels changed science fiction forever with stories that made female community, agency, and sexuality central to the American future. Here are twenty-three wild, witty, and wonderful classics that dramatize the liberating energies of the 1970s:Sonya Dorman, "Bitching It" (1971) Kate Wilhelm, "The Funeral" (1972)Joanna Russ, "When It Changed" (1972) NEBULA AWARD Miriam Allen deFord, "A Way Out"(1973)Vonda N. McIntyre, "Of Mist, and Grass, and Sand" (1973) NEBULA James Tiptree, Jr., "The Girl Who Was Plugged In" (1973) HUGO AWARD Kathleen Sky, "Lament of the Keeku Bird" (1973)Ursula K. Le Guin, "The Day Before the Revolution" (1974) NEBULA & LOCUS AWARD Eleanor Arnason, "The Warlord of Saturn's Moons" (1974)Kathleen M. Sidney, "The Anthropologist" (1975)Marta Randall, "A Scarab in the City of Time" (1975) Elinor Busby, "A Time to Kill" (1977)Raccoona Sheldon, "The Screwfly Solution" (1977) NEBULA AWARD Pamela Sargent, "If Ever I Should Leave You" (1974)Joan D. Vinge, "View from a Height" (1978)M. Lucie Chin, "The Best Is Yet to Be" (1978)Lisa Tuttle, "Wives" (1979) Connie Willis, "Daisy, In the Sun" (1979)

"Two late masterpieces by John Updike that take on the American Century and Shakespeare's Hamlet, and a bittersweet coda to the Rabbit series: In the Beauty of the Lilies, Gertrude and Claudius, and Rabbit Remembered"--

More urgent than ever, two landmark essays by the legendary political theorist on the greatest threat to democracy, gathered with a new introduction by David Bromwich"No one," Hannah Arendt observed, "has ever counted truthfulness as a political virtue." But why do politicians lie? What is the relationship between political lies and self-delusion? And how much organized deceit can a democracy endure before it ceases to function? Fifty years ago, the century's greatest political theorist turned her focus to these essential questions in two seminal essays, brought together here for the first time. Her conclusions, delivered in searching prose that crackles with insight and intelligence, remain powerfully relevant, perhaps more so today than when they were written. In "Truth and Politics," Arendt explores the affinity between lying and politics, and reminds us that the survival of factual truth depends on the testimony of credible witnesses and on an informed citizenry. She shows how our shared sense of reality-the texture of facts in which we wrap our daily lives-can be torn apart by organized lying, replaced with a fantasy world of airbrushed evidence and doctored documents. In "Lying in Politics," written in response to the release of the Pentagon Papers, Arendt applies these insights to an analysis of American policy in Southeast Asia, arguing that the real goal of the Vietnam War-and of the official lies used to justify it by successive administrations-was nothing other than the burnishing of America's image. In his introduction, David Bromwich (American Breakdown: The Trump Years and How They Befell Us) engages with Arendt's essays in the context of her other writings and underscores their clarion call to take seriously the ever-present threat to democracy posed by lying.