Bøger udgivet af The University of North Carolina Press

This is what it is to survive. You find what floats and you hold on. Even if it is smaller than you. Holding on is all fourteen-year-old Stephanie Clare Smith can do when she's left home alone in New Orleans during the summer of 1973. As she seeks to ease her solitude through her summer school algebra class, her wandering in the city, and her friendship with a streetcar operator, adults?particularly men?fail her again and again, with devastating consequences. Dreamlike and beautifully paced, this lyrical debut memoir traces the events of one harrowing summer and its repercussions throughout Stephanie's life, including her work with families in crisis and as a caregiver for the mother who abandoned her all those years ago. Through a mosaic of trauma and transcendence, memory and metaphor, scarcity and neglect, Stephanie reveals how she built connections in and to a world that had largely left her behind. Her hard-won survival echoes that of countless other survivors whose stories are never told, and her strength stands as a testament to the power of creativity.

Hoppin' John's Lowcountry Cooking: Recipes and Ruminations from Charleston and the Carolina Coastal Plain

Este ensayo constituye el primer estudio de la imagen de las joyas en la obra de Miguel de Cervantes. A partir de un enfoque multidisciplinario, en el que se tienen en cuenta factores literarios, filologicos e historicos, asi como conceptos teoricos procedentes de los campos de los estudios de genero y de la cultura material, la autora analiza la multiplicidad de significados adscritos a las imagenes de las joyas y las piedras preciosas en textos poeticos y narrativos de Cervantes, en concreto, Don Quijote, las Novelas ejemplares y Los trabajos de Persiles y Sigismunda. En el estudio se investigan fuentes textuales e imagenes visuales, entre las que se incluyen discursos humanistas sobre la mujer, obras historiograficas, descripciones geograficas, normativa juridica, asi como retratos de corte de reinas del Renacimiento y el Barroco. En los textos de Cervantes, gemas y alhajas actuan como signos polisemicos, esenciales no solo para la construccion de la imagen iconografica de las reinas historicas sino como senales de la especial alianza que una gran senora establece con una mujer de estatus inferior a la que promueve. Las joyas constituyen simbolos multifaceticos que denotan la formacion de redes de solidaridad que traspasan las barreras estamentales, asi como subrayan la importancia de dichos limites para afirmar el impacto de la diferencia social en la diversidad de la experiencia de la mujer. Asi mismo, incorporados a la descripcion de damas, cristianas o moras, vestidas a la morisca, los valiosos ornamentos provocan que sus portadoras sean identificadas por la mirada masculina como objetos de deseo erotico y colonial, al tiempo que senalan la dificultad de crear categorias estables de identidad en la peninsula Iberica y en el Mediterraneo. Por ultimo, la apropiacion masculina de las joyas, por razon de su alto precio en el mercado, aun planteada como una demostracion del dominio patriarcal, expresa las ansiedades del varon sometido a la autoridad de una dama poderosa. Mediante las representaciones de hombres portando alhajas, Cervantes expresa la corrupcion de los personajes masculinos y anticipa la denuncia de autores barrocos de la crisis de masculinidad que marca el declive economico y la decadencia politica de la nacion.

Amid ongoing debate about health care reform, the need for informed analyses of health policy is greater than ever. The twelve original essays in this volume show that common public debates routinely bypass complex ethical, sociocultural, historical, and political questions about how we should address ideals of justice and equality in health care.

Cicero's Phillipics have received little attention as works of oratory. On the other hand, scholars have considered Cicero's attitudes toward Demosthenes to be an issue of importance. Cecil Wooten brings together these two concerns, linking Cicero's use of Demosthenes as a model in the Phillipics to precise analyses of style, rhetorical modulation, and narrative technique.

"Renowned human rights activist Michael "Mike" Wilson has borne witness to the profound human costs of poverty, racism, border policing, and the legacies of colonialism. From a childhood in the mining town of Ajo, Arizona, Wilson's life journey led him to US military service in Central America, seminary education, and religious and human rights activism against the abuses of US immigration policies. With increased militarization of the US-Mexico border, migration across the Tohono O'odham Nation surged, as did migrant deaths and violent encounters between tribal citizens and US Border Patrol agents. When Wilson's religious and ethical commitments led him to set up water stations for migrants on the Nation's lands, it brought him into conflict not only with the US government but also with his own tribal and religious communities. This richly textured and collaboratively written memoir brings Wilson's experiences to life. Joining Wilson as coauthor, Josâe Antonio Lucero adds political and historical context to Wilson's personal narrative. Together they offer a highly original portrait of an O'odham life across borders that sheds light on the struggles and resilience of Native peoples across the Americas"--

"For much of the twentieth and twenty-first centuries, public officials in cities like New York, Chicago, and Baltimore have criminalized uprisings-portending Black 'thugs' throwing rocks at police and plundering private property-to undermine complaints of police violence. Liberal mayors like Fiorello H. La Guardia have often been the deftest practitioners of this strategy. As the Depression and wartime conditions spurred youth crime, white New Yorkers' anxieties-about crime, the movement of Black people into white neighborhoods, and headlines featuring Black 'hoodlums' emblazoned all over the white media-drove their support for the expansion of police patrols in the city, especially in Harlem and Bedford-Stuyvesant. Though Blacks also called for police protection and for La Guardia to provide equitable municipal resources, they primarily received more punishment. This set the stage for the Harlem uprising of 1943. Shannon King uncovers how Black activism for safety was a struggle against police brutality and crime, highlighting how the police withholding protection operated as a form of police violence and an abridgement of their civil rights. By decentering familiar narratives of riots, King places Black activism against harm at the center of the Black freedom struggle, revealing how Black neighborhoods became occupied territories in La Guardia's New York"--

"After Hurricane Katrina in 2005, many high-profile chefs in New Orleans pledged to help their city rebound from the flooding. Several formed their own charitable organizations, including the John Besh Foundation, to help revitalize the region and its restaurant scene. A year and a half after the disaster when the total number of open restaurants eclipsed the pre-Katrina count, it was embraced as a sign that the city itself had survived, and these chefs arguably became the de facto heroes of the city's recovery. Meanwhile, food justice organizations tried to tap into the city's legendary food culture to fundraise, marketing high-end dining events that centered these celebrity chefs. Jeanne K. Firth documents the growth of celebrity humanitarianism, viewing the phenomenon through the lens of feminist ethnography to understand how elite philanthropy is raced, classed, and gendered. Firth finds that cultures of sexism in the restaurant industry also infuse chef-led philanthropic initiatives. As she examines this particular flavor of elite, celebrity-based philanthropy, Firth illuminates the troubled relationships between consumerism, food justice movements, and public-private partnerships in development and humanitarian aid"--

"People have gathered in public drinking places to drink, relax, socialize, and do business for hundreds of years. For just as long, critics have described taverns and similar drinking establishments as sources of individual ruin and public disorder. Examining these dynamics as Americans surged westward in the early nineteenth century, Kirsten E. Wood argues that entrepreneurial, improvement-minded men integrated many village and town taverns into the nation's rapidly developing transportation network and used tavern spaces and networks to raise capital, promote innovative businesses, practice genteel sociability, and rally support for favored causes-often while drinking the staggering amounts of alcohol for which the period is justly famous. White men's unrivaled freedom to use taverns for their own pursuits of happiness gave everyday significance to citizenship in the early republic. Yet white men did not have taverns to themselves. Sharing tavern spaces with other Americans intensified white men's struggles to define what, and for whom, taverns should be. At the same time, temperance and other reform movements increasingly divided white men along lines of party, conscience, and class. In both conflicts, some improvement-minded white men found common cause with middle-class white women and Black activists, who had their own stake in rethinking taverns and citizenship"--

"In the financial chaos of the last few decades, increasing wealth inequality has shaken people's expectations about middle-class stability. At the same time, demographers have predicted the 'browning' of the nation's middle class-once considered a de facto 'white' category-over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations. Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation's racialized economic order"--

"Imprisoned since age nineteen, Alim Braxton has spent more than a quarter century on North Carolina's death row. During that time, he converted to Islam and dedicated his life to redemption. Braxton, a rapper since the age of thirteen, uses his rhymes as a form of therapy and to advocate for prison reform, particularly by calling attention to the plight of the wrongfully incarcerated. This book, a hip-hop-rich prison memoir, chronicles Braxton's struggles and triumphs as he attempts to record an album while on death row, something no one has done before. Braxton's world is complex: full of reflections on guilt, condemnation, incarceration, religious awakening, and the redemptive power of art. Ultimately, Braxton shows us that even amid the brutality of our prison system there are moments of joy, and on death row joy may be the most powerful form of resistance"--

"Ethical dilemmas and value conflicts affect cities globally, but urban leaders and citizens often avoid confronting them directly and instead view the governance of cities as primarily an administrative task or, even worse, a merely political one. Timothy Beatley challenges readers to consider the issues in our cities not simply as legal or economic problems but as moral ones, asking readers 'How can a city become more ethical?' Beatley unearths, exposes, and explores the many ethical questions cities face today and touches on many topics, from privacy and crime to racism and the ethics of public space. Drawing from recent policy debates and using extensive examples to consider complex ethical dilemmas, Beatley argues that cities must expand the definition of the moral community to include all their citizens. Cities must take profound steps to address social injustice and plan for climate change-both moral obligations-and this approachable and readable introduction to moral philosophy, urban planning, and social justice will help new generations to grapple with these global issues"--

"Perceptions of the United States as a nation of immigrants are so commonplace that its history as a nation of emigrants is forgotten. However, once the United States came into existence, its citizens immediately asserted rights to emigrate for political allegiances elsewhere. Quitting the Nation recovers this unfamiliar story by braiding the histories of citizenship and the North American borderlands to explain the evolution of emigrant rights between 1750 and 1870. Eric R. Schlereth traces the legal and political origins of emigrant rights in contests to decide who possessed them and who did not. At the same time, it follows the thousands of people that exercised emigration right citizenship by leaving the United States for settlements elsewhere in North America. Ultimately, Schlereth shows that national allegiance was often no more powerful than the freedom to cast it aside. The advent of emigrant rights had lasting implications, for it suggested that people are free to move throughout the world and to decide for themselves the nation they belong to. This claim remains urgent in the twenty-first century as limitations on personal mobility persist inside the United States and at its borders"--

"The Sandinista Revolution and its victory against the Somoza dictatorship in Nicaragua gripped the United States and the world in the 1980s. But as soon as the Sandinistas were voted out of power in 1990 and the Iran Contra affair ceased to make headlines, it became, in Washington at least, a thing of the past. Mateo Jarquâin recenters the revolution as a major episode in the history of Latin America, the international left, and the Cold War. Drawing on research in Nicaragua, Cuba, Mexico, Panama, and Costa Rica, he recreates the perspective of Sandinista leaders in Managua and argues that their revolutionary project must be understood in international context. Because struggles over the Revolution unfolded transnationally, the Nicaraguan drama had lasting consequences for Latin American politics at a critical juncture. It also reverberated in Western Europe, among socialists worldwide, and beyond, illuminating global dynamics like the spread of democracy and the demise of a bipolar world dominated by two superpowers. Jarquâin offers a sweeping analysis of the last left-wing revolution of the twentieth century, an overview of inter-American affairs in the 1980s, and an incisive look at the making of the post-Cold War order"--

"Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view. Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives"--

"The study of nineteenth-century American literature has long been tied up with the study of American democracy. Just as some regions in the United States are elevated to stand in for the whole nation-New England is a good example-D. Berton Emerson argues the same is true for American literature of the nineteenth century; a few canonical texts overrepresent the more motley history of American letters. Emerson examines an eclectic group of literary texts that have rarely, if ever, been considered representative of 'the nation' because of their unseemly characters or plots, divergence from dominant literary trends of the era, or local particularity. These are his 'literary misfits,' authors and texts that show different forms of egalitarianism in action that existed outside and even against the dominant liberal narratives of American democracy. Emerson's unique contribution is revealing these texts and the people they represent as rich with political knowledge. This knowledge, he argues, finds its most potent expression in the local. Such texts show us a different kind of democratic politics: one that is egalitarian, disorderly, and radical rather than homogeneous"

"Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad"--

"Despite centuries of colonialism, Indigenous peoples still occupy parts of their ancestral homelands in what is now Eastern North Carolina-a patchwork quilt of forested swamps, sandy plains, and blackwater streams that spreads across the Coastal Plain between the Fall Line and the Atlantic Ocean. In these backwaters, Lumbees and other American Indians have adapted to a radically transformed world while maintaining vibrant cultures and powerful connections to land and water. This reality is paralleled in Indigenous communities worldwide as Indigenous people continue to assert their rights to self-determination by resisting legacies of colonialism and the continued transformation of their homelands through pollution, unsustainable development, and climate change. Environmental scientist Ryan Emanuel, a member of the Lumbee tribe, shares stories from North Carolina about Indigenous survival and resilience in the face of radical environmental changes. Addressing issues from the loss of wetlands to the arrival of gas pipelines, these stories connect the dots between historic patterns of Indigenous oppression and present-day efforts to promote environmental justice and Indigenous rights on the swamp. Emanuel's scientific insight and deeply personal connections to his home blend together in a book that is both a heartfelt and an analytical call to acknowledge and protect sacred places"--

"Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans--for most of the past half-century, the city with the highest incarceration rate in the United States--enslaved people were incarcerated at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but these crises are not new: slavery, the prison, and race are deeply interwoven into the history of American governance"--

"This collection of original essays reveals the richness and dynamism of contemporary scholarship on the Civil War era. Inspired by the lines of inquiry that animated the writings of the influential historian Gary W. Gallagher, this volume includes nine essays by leading scholars in the field who explore a broad range of themes and participants in the nation's greatest conflict, from Indigenous communities navigating the dangerous shoals of the secession winter to Confederate guerrillas caught in the legal snares of the Union's hard war to African Americans pursuing landownership in the postwar years. Essayists also explore how people contested and shaped the memory of the conflict, from outright silences and evasions to the use of formal historical writing. Other contributors use comparative and transnational history to rethink key aspects of the conflict. The result is a thorough examination of Gallagher's scholarly legacy and an assessment of the present and future of the Civil War history field. Contributors are William A. Blair, Peter S. Carmichael, Andre M. Fleche, Wayne Wei-siang Hsieh, Caroline E. Janney, Peter C. Leubke, Cynthia Nicoletti, Aaron Sheehan-Dean, and Kathryn J. Shively"--

"The best-known story of integration in baseball is Jackie Robinson, who broke the major league color line in 1947 after coming up through the minor leagues the previous year. His story, however, differs from those of the many players who integrated the game in the Jim Crow South at all professional levels. Chris Holaday offers readers the first book-length history of baseball's integration in the Carolinas, showing its slow and unsteady progress, narrating the experience of players in a range of distinct communities, detailing the influence of baseball executives at the local and major league levels, and revealing that the changing structure of the professional baseball system allowed the major leagues to control integration at the state level. Holaday illuminates many smaller stories along the way, including desegregation in Little League and American Legion baseball, the first Black players to play in the tiny foothills town of Granite Falls, North Carolina, and the pipeline of Afro-Cuban players from Havana to the Carolina leagues. By showing how race and the national pastime intersected at the local level, Holaday offers readers new context to understand the long struggle of equality in the game"--

"It is impossible to separate histories of sexual violence and the enslavement of Black women in the antebellum South. Rape permeated the lives of all who existed in that system: Black and white, male and female, adult and child, enslaved and free. Shannon Eaves unflinchingly investigates how both enslaved people and their enslavers experienced the systematic rape and sexual exploitation of bondswomen and came to understand what this culture of sexualized violence meant for themselves and others. Eaves mines a wealth of primary sources including autobiographies, diaries, court records, and more to show that rape and other forms of sexual exploitation entangled slaves and slave owners in battles over power to protect oneself and one's community, power to avenge hurt and humiliation, and power to punish and eliminate future threats. By placing sexual violence at the center of the systems of power and culture, Eaves shows how the South's rape culture was revealed in enslaved people's and their enslavers' interactions with one another and with members of their respective communities"--