Bøger udgivet af Transcript Verlag

With the mainstream's growing acceptance of worlds and storytelling spread among several different texts - e.g., films, television series, novels, and comics - this pioneering study employs a multidisciplinary approach combining transmediality, network theory, and narratology to analyze the narrative network of the Marvel Cinematic Universe. In this analysis, Christopher Hansen thoroughly examines storytelling techniques while providing a fresh theoretical framework to develop a structural model for interconnected narratives. He redefines our understanding of narrative dynamics in one of the most successful cinematic franchises of all time.

Narrative strategies, immersion, interaction, participation, identification, multimodality, characters and the connection between physical and fictional or virtual worlds: the fields of inquiry into the complex relationship between live performance and video games are numerous and diverse. For the first time, this collection brings together international researchers and artists to explore this relationship in a variety of essays. The contributors to this volume focus on reciprocal inspirations, appropriations and transfers applied by theatre artists, game designers and researchers. They analyze several artistic forms such as VR performance, immersive theatre, speedrunning or Game-Theatre.

What does it take to create innovative tech-savvy designs that are usable, appealing, and good for society? The contributions to his volume introduce contemporary research on the digitization and »datafication« of products, exploring topics like user experience, artificial intelligence, and virtual environments in design. Coming from varied backgrounds in product design, interaction design, service design, game design, architecture, and graphic design, they emphasize that digital transformation is not just a technical process, but also a social and learning process that fundamentally changes the way we understand information.

Species are going extinct, forests are burning, and children are worried about the future and their peers worldwide. But that is not the whole story: One Friday in 2018, a few young people joined Greta Thunberg to protest, and the global climate strike movement was born. Scientist David Fopp spent 250 Fridays with the newly formed grassroots movement. Together with activists Isabelle Axelsson and Loukina Tille, he offers an insider perspective on this fight for a globally just and sustainable society. They also turn their focus to science and our political engagement: How can research in all disciplines help with this struggle? And how can we all fight the climate crisis by transforming and deepening democracy?

The cultural practices of hip-hop have been among people's favorite forms of popular culture for decades. Due to this popularity, rap, breaking, graffiti, beatboxing and other practices have entered the field of education. At the intersection of hip-hop and music education, scholars, artists, and educators cooperate in this volume to investigate topics such as representations of gangsta rap in school textbooks, the possibilities and limits of working with hip-hop in an intersectional critical music pedagogy context, and the reflection of hip-hop artists on their work in music education institutions. In addition, the contributors provide ideas for how research and theory can be transferred and applied to music educational practice.

Can friendship as a political practice offer enough traction to imagine a borderless world? The startling contemporary rise in aggressive ethno-nationalism and end-times ecological crises have the same root: an inability to be together with humans as much as the natural world. Matt Hern and Am Johal suggest that porous renditions of being-together animated by friendship can spark a repoliticization of the political to surpass the foreclosures of the state, speak to a freedom of movement, and find renovated relationships with the more-than-human. This volume includes interviews with Jean-Luc Nancy, Leela Gandhi and Leanne Simpson.

In exile and migration, the things that forcibly displaced people take with them become mobile testimonies of defiance, mourning, creativity, and rejuvenation. Through a series of scholarly essays and biographical vignettes, this richly-illustrated volume draws on such observations to examine the meanings that their possessions assume when they are wrenched from their original contexts. The contributors to this collection thus shine an intimate spotlight on those who are driven from their homes by conflict and forced into exile by authoritarian regimes. In so doing, they underscore the necessity for civil societies to support academic freedom and the work done by critical thinkers worldwide.

After the revolutions in 2011, Tunisia became a symbol of freedom and justice and thus the hope of an entire region. Now, the picture has been reversed: political freedoms are being curtailed and the economy is in disarray, especially after the pandemic and the ongoing war in Ukraine. Resentment and attacks against >Others< fall on fertile ground in the face of expanding inequality. Simultaneously, particularly younger people desire to leave the country. The contributors to this volume investigate the capabilities and aspirations to comprehend their histories of erosion, but also to reveal alternative ways of imagining futures.

The clandestine festival QueerBeograd created spaces of critique and transformation in order to foster a politics of interconnectedness. Ivana Marjanovi explores the festival's transnational activist cabaret between 2006 and 2008, which was devised, directed and produced by Jet Moon, a founding member of the QueerBeograd collective. This pioneering study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and No Borders politics, contributing to the advancement of the intersectionality perspective beyond identity. The study thus investigates historical genealogies of gender and political difference in the former and post-Yugoslav space, bringing these into relation with global social and art movements.

While Ibsen's plays were not performed with great frequency in Romania, historical sources suggest that he had a significant impact on national acting and staging practices. To address this contradiction, Gianina Druta investigates the performance history of Henrik Ibsen in the Romanian theatre between 1894 and 1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign influences on Romanian theatre were distilled by local Ibsenites provides new insights into processes of cultural transmission. Thus, this study presents an unpredictable and uniquely European landscape that escapes essentialist definitions.

Infrastructure comprises a combination of sociotechnical, political, and cultural arrangements that provide resources and services. The contributors to this volume show, in their respective fields, how infrastructures are both generative forces and the materialized products of quotidian practices that affect and guide people's lives. Organized via shared conceptual foci, this volume demonstrates infrastructuralist perspectives as an important transdisciplinary approach within the humanities.

Despite frequent protests and abounding discussions about the subject, climate action measures to counter human-made climate change have so far remained largely ineffective. By identifying profound climate-cultural differences, Sarah Kessler offers an explanation to this issue and shows that conventional assumptions of an implicit consensus on the need to prioritise climate action should be reconsidered. She uncovers climate-cultural variations in (implicit and explicit) denial of climate change and thus challenges existing approaches that treat the German public as a unified entity waiting to be activated by the right kind of rationally convincing information.

In 2015 many camps were opened to accommodate newly arriving migrants in Berlin. Christian Sowa studies this form of accommodation. Moving beyond an exclusive focus on borders and migration, he argues that camp accommodation must be thought of and studied as part of the urban context and as a specific form of housing. The study provides an in-depth case study, discusses policy alternatives, argues for »housing for all instead of camps«, and contributes to bringing urban and migration studies into public discussion. In times of new waves of migration, the topic of migrant accommodation within urban environments remains highly relevant today.

As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI.

The Internet has penetrated material reality to such an extent that it is now often impossible to disentangle the material from the virtual. In this post-digital scenario, the encounter with >newness< becomes accessible at the touch of a button, 24/7. Learning becomes a lifewide experience which allows for the emergence of new culturalities. The contributors to this volume engage with cultural changes brought about by an intensified digitalization process in the context of formal education but also shed light on unexpected contexts in which informal learning experiences take place every day, strengthening diasporas, creating new connections and transforming ourselves and our societies.

In Western neo-liberal society, the human body is increasingly used as an »identity project« and »designable object«. Antje Velsinger investigates these specific roles of the body and develops choreographic strategies for becoming unfamiliar to the own self and play as two means for emancipating the body from the neo-liberal imperative of optimization and control. Theoretical and practical artistic perspectives are in constant dialogue throughout this study. It uses the choreographic field as a gray area between theory and practice to imagine, propose, and rehearse an alternative approach to the body.

After the failed Siege of Vienna of 1683, the Ottoman Empire gradually withdrew from Europe. Even so, monumental reminders of its former presence survived across the continent. The contributors to this volume show that the various successor states adopted substantially different approaches towards their Ottoman architectural inheritance. Even within the same countries, different policies appear to have been pursued in different periods, in keeping with differing circumstances. Case studies inquire from diverse vantage points how this heritage has been coped with discursively and materially. Importantly, readers will find that it is almost impossible to disentangle these two levels of action.

In the early twenty-first century, the concept of citizenship is more contested than ever. As refugees set out to cross the Mediterranean, European nation-states refer to »cultural integrity« and »immigrant inassimilability,« revealing citizenship to be much more than a legal concept. The contributors to this volume take an interdisciplinary approach to considering how cultures of citizenship are being envisioned and interrogated in literary and cultural (con)texts. Through this framework, they attend to the tension between the citizen and its spectral others - a tension determined by how a country defines difference at a given moment.

andererseits provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. As a specifically transatlantic endeavor, we also highlight select topics in American Studies that impact German Studies. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels.This issue features sections about German Studies approaches to media literacy, Stephen Dowden's book »Modernism and Mimesis« and the poetics of ambiguous memory.

In contemporary popular culture, armed women take center stage - but how can they be read? How do films, comics, and TV series depict the newly fashionable gunwomen between objectification and feminist empowerment? The contributors to this volume from cultural studies, history and art history examine military memoirs and civic gun cultures, the rediscovery of historical armed women and revolutionaries, cultural phenomena such as gangsta rap, narcocultura and US politics, Bollywood and French cinema, and distinct genres such as the graphic novel, the romance novel or the German police procedural Tatort.

The concept of la chance accounts for everyday knowledge production in uncertain contexts in Bamako, Mali, where university graduates constitute an educational elite strongest affected by unemployment. Graduates know that la chance decides whether they succeed or fail. Susann Ludwig shows that this concept embodies common sense as much as it offers the possibility of the extraordinary. Graduates play »the game of la chance«, in which success is defined by a continuation of play rather than an end goal. Providing an explorative experience to the reader, this study accounts for the elusiveness of la chance in the Bamako context and beyond.

Liberal democracy is under pressure worldwide. It is challenged by anti-liberal movements and parties as well as by authoritarian regimes. Liberalism as a cross-party movement and a broad way of thinking has fallen into the defensive and is often associated with market radicalism, social coldness, and ecological ignorance. The contributors show that liberalism as a school of thought is not dead. In their essays, they present ideas and approaches for new liberal concepts to cope with the great challenges of our time: from climate change, globalization, and the digital revolution to transnational migration and the increasing systemic competition between democracies and authoritarian regimes.

The »material turn« in science and art has brought the artistic process and the materiality of staging into focus, thereby challenging the paradigm of dance and performance as ephemeral arts. At the same time, digital media have given rise to new forms of materiality, documentation, and archiving. But what is »materiality« in dance and performance? What role do materials play as part of the cultural memory of an ephemeral art? The contributors explore concepts of materiality in dance and performance, the use of materials in artistic practices, and the role of social media in changing perceptions of dance and performance. This volume demonstrates how the focus on materiality shapes contemporary dance and performance art and challenges established concepts in performance and dance research.

Culture is constructed, negotiated, managed, and shared by various ideological, political, and moral reasonings which manifest themselves tangibly and intangibly in public monuments, architecture, memorial sites, theaters, museums, orchestras, and heritage associations. The contributions to this volume explore the intersection of cultural heritage and nationality in societies that are characterized by national, multi-national, and post-national concepts. They question the roles that cultural heritage plays in its various contexts, and the ways in which ideology functions to produce it.

In post-migrant societies belonging, identity and transnationality go far beyond inclusion and exclusion. Intersecting elements behind circulating conflicts and political narratives shape »the good, bad and challenging migrant«. Fatma Haron scrutinizes the impact of social remittances on the transnational identification process between new Tyrol and new Turkey. The empirical data is gathered through ethnographic fieldwork and semi structured narrative interviews analyzing the social, political, and cultural influence on identification process between Turkey and Tyrol.

Club culture has become an ever-growing interdisciplinary research field in the social sciences. The contributors to this volume offer state of the art perspectives on night studies in France and Germany and the techno scene from a comparative and interdisciplinary perspective. They explore three main areas: scenes and communities; nightlife governance and self-governance during and after the pandemic; and gender, diversity, and safer spaces.

In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.

In Kenya, technology entrepreneurs and makers have to invest their work and emotions in order to re-script their peripheral positionalities within technocapitalism and make Kenya a place for technology development. Based on ethnographic research in makerspaces and co-working spaces in Nairobi, Alev Coban argues that postcolonial technology entrepreneurship is neoliberal, and inherently political work. Technology developers, narratives, prototypes, and digital fabrication tools unite to achieve ambiguous Kenyan futures of technocapitalist market integration and decolonial emancipation in order to foster national well-being and disentangle Kenya from exploitative global structures.

For at least two decades, major cities in Turkey have been subjected to endless waves of urban development that has left scores of building demolitions in its wake. The construction waste produced is immense but its removal or abatement is completely ignored by the state. Who will deal with all this waste? Enter the reclaimers (çkmacs), an informal network of building salvagers, who have stepped in to create a new form of assemblage that fills this gap. Erdogan Onur Ceritoglu makes an in-depth ethnographic study of the under-the-radar livelihood of the reclaimers long-term. He also focuses on incremental architecture through the reuse of second-hand building elements.

Populism is a growing threat to human rights. They are appropriated, distorted, turned into empty words or even their opposite. The contributors to this volume examine these practices using the example of freedom of religion or belief, a human right that has become a particular target of right-wing populists and extremists worldwide. The contributions not only show the rhetorical patterns of appropriation and distortion, but also demonstrate for various countries which social dynamics favor the appropriation in each case and propose how to strengthen human rights and the culture of debate in democratic societies.With a foreword by Nazila Ghanea.