Bøger udgivet af Tupelo Press, Incorporated

"As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'" - D. A. Powell"Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark. . . ." -Ada Limón"It's Smith's dynamically precise and vivid images, and her uncanny ability to find just the right word or action to crack open our known experience, that make Good Bones an extraordinary book. (She) demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible." -Erin Belieu

Poems that ask an urgent question:  how might a white friend write in protest of intimate Black death without becoming complicit in the commodification of Black trauma? Phantom Number listens for an absent voice. To survive and answer to her best friend and fellow poet April Freely's death, Spring Ulmer rips meaning apart in her poems, then repairs it, only to rip it up again. Words bend, meaning shifts-abstraction a tool Ulmer wields to better get at the question at the heart of Phantom Number: How might a white friend write in protest of intimate Black death at a time when the push is to write Black joy as antidote to the commodification of Black trauma? Ulmer understands her position is suspect yet cannot shirk her love or rage. Ulmer asks the reader to do the work or else. Her abstracted poems vibrate, emotion emerging from a poem made rag. Ulmer's abecedarium long form holds these fragments, inviting lines into an order of alliteration and words into an otherwise coherence, a belonging that has nothing to do with their origin. Phantom Number finds in abstraction a radical wail.

Autumn is the inspiration behind this anthology, but not necessarily the destination. The destination is the discovery of the human condition, the discovery of the ways in which we respond to the natural world. In this extraordinary anthology, forty-seven contemporary poets and one photographer respond to the myriad ways in which what we think and feel about the "autumnal" resonates through our lives and senses: spiritually, physically, and philosophically. Contributing poets were asked "to let their language rub up against any part or parts of the autumnal world that calls to them, whether from the outside in or the inside out." In other words, these autumn poems and photographs need not so much as mention fallen leaves, milkweed, or even "autumn." Autumn is the inspiration, but not necessarily the destination. The destination is as ever, the discovery of the human condition, the discovery of the ways in which we respond to the natural world. The poems included in this anthology have all been written fresh in response to the autumnal prompt, with new work from luminaries such as Elise Paschen, Martha Ronk, G.C. Waldrep, Michael Chitwood, Gillian Cummings, Gibson Fay-LeBlanc, Rick Hilles, Eva Hooker, Luisa A. Igloria, and William Orem. The photographs are by Jeffrey Levine, who, in addition to being executive director of Tupelo Press, is widely recognized for his work behind the camera. These images boast exceptional composition and color, but beyond technique, each photo offers up a penetrating resonance on the theme of autumn and the autumnal.

A collection of poems concerned with how the living and the dead coexist, how to survive trauma, and the power of persistence. The Haunting is a book of feminist-horror visitations, incantations, and possessions embodied in unruly forms that subvert genre and generic definitions of poetry and prose. This is a collection that is concerned with how the living and the dead coexist, how to survive trauma, and the power of persistence. Drawing from a variety of texts including Mary Shelley's Frankenstein, Emily Bronte's Wuthering Heights, twentieth-century horror films, the Velvet Underground, and Ovid, The Haunting explores the anxieties of ancestral and artistic inheritance, rage, transformation, motherhood, maternal ambivalence, and the drive to create.

Poetry. Winner of the 2002 Dorset Prize, and recipient of the Ruth Lilly Fellowship, Ilya Kaminsky is a recent Russian immigrant and rising poetic star. Despite the fact that he is a non-native speaker, Kaminksy's sense of rhythm and lyic surpasses that of most contemporary poets in the English language. This magical, musical book of poems draws readers into its unforgettable heart, and Carolyn Forché wrties simply "I'm in awe of his gifts."

A lyric essay about young love and loss and the aftermath of a former lover's suicide. Landsickness explores the inelegant progress of grief and pursues a relentless search for evidence of the beloved's presence through the physics of splashes, the history of seasickness, and the science of depression. While full of tenderness, the poems employ humor and honesty to observe the ugliness of grief and the failure of elegy to restore the dead. From the funeral to the office of her dead-end job to navigating the streets of New York, the speaker experiences a series of blunders and false starts as she learns to cope with her new life. Still, there is a real sense of progression in the collection's end, even as the speaker continues to ask herself: "Why am I obsessed with the physics of his fall?"

Poems that enlarge our sense of what beauty and awe can be. While operating with startling self-awareness, Green Island does not simply offer poems that interrogate the circumstances of their own making. The work found in this slim volume questions the poetic tropes of beauty and romantic love and their relationships to the lyric. Ultimately working within the confines of a received tradition to expand what is possible within it, Liz Countryman shows us moments of quiet revelation in the quotidian, the comic, and the vestiges of popular culture.

A collection of poems that blesses the reader with a spirit of hope, solace, and inspiration in their own seasons of adversity. The Beautiful Immunity asks how we create good in an imperfect world of fallible souls. Spare and formally daring, these poems were refined through the catastrophes of wildfires, recession, and a major public health crisis through the hope of a beautiful immunity--an everlasting salve for the lost. This slender volume reads as the culmination of more than a decade's worth of labor, documenting large-scale social, cultural, and political upheavals, as well as the moment when the word "anthropause" floated indelibly into the world's vocabulary.

A book that bends time and fragments narrative. On the surface, Small Altars appears to narrate the story of two brothers, offering a singular portrayal of grief, loss, and the quiet violence inherent in adolescence. Gardiner considers the powerlessness of his narrator as he comes of age against a backdrop of comic books, piano lessons, and family secrets. At the same time, Small Altars explores--through form, style, and technique--precisely how memory works. By eschewing the impulse to rely strictly on chronology as a structural device, Gardiner instead creates a provocative fragmentation of time, meaning, and narrative. He interrogates our use of story to lend unity and cohesion to what are essentially discontinuous experiences, to find meaning in loss, grief, and their indelible aftermath.

An examination of obsession, gender, love, and loss in contemporary rural America. Country Songs for Alice is a story of queer love and heartbreak, infused with the imagery and aesthetics of country music. In this collection, a non-binary, queer narrator passes through the crucible of love, romance, and heartbreak against the backdrop of rural AmericaCountry Songs for Alice not only tells the story of a relationship and its dissolution but reclaims country western imagery and aesthetics for a queer audience.

"In her third collection, Amy Beeder offers worlds past and contemporary in diction nearly Elizabethan, in poems as witty and sly as any from that virtuosic literary era" - Dana Levin

Continuing the work begun in 2014's Poverty Creek Journal, the lyric essays in Thomas Gardner's Sundays focus on moments in our ordinary lives when something within us breaks and we are cast out to wander and sing, "feeling [our] way toward something [in the invisible] that will press back."

Pablo Neruda's epic poem Canto General is a prodigious work that scrolls out like the chronicle of a journey through the Americas, as the poet strives to provide a unifying vision of reality. Neruda's most audacious and ambitious achievement, Canto General locates and reveals communal sources of strength in the place of our origin, land of our ancestors. The poet depicts history as a vast, continuous struggle against oppression. Constructed in fifteen parts, and made up of more than fifteen thousand lines, Canto General unfolds in successive epochs, celebrating the flora and fauna and geology of Neruda's homeland and recounting episodes in the lives of explorers and conquistadors, emperors and dictators, revolutionaries and everyday laborers.--

Broadening the scope of his award-winning debut to consider the wider Indo-Caribbean community in migration across the Americas and Europe, Rajiv Mohabir uses his queer and mixed-caste identities as grace notes to charm alienation into silence. Mohabir’s inheritance of myths, folk tales, and multilingual translations make a palimpsest of histories that bleed into one another. A descendant of indentureship survivors, the poet-narrator creates an allegorical chronicle of dislocations and relocations, linking India, Guyana, Trinidad, New York, Orlando, Toronto, and Honolulu, combining the amplitude of mythology with direct witness and sensual reckoning, all the while seeking joy in testimony.Praise for Rajiv Mohabir’s previous book: “In his excellent debut, Mohabir exposes desire and inner turmoil through the measured incantations of a queer, Indian-American voice that refuses the burdens of a homophobic and racist world. He eloquently describes how the brown body survives, clinging vigilantly to longing, lust, and love: ‘I mean to say / I am still — this trembling breath of a comma, this coincidental object of your want.’ . . . Mohabir illuminates his own wounds, and as the reader watches him dresses and stitches those wounds, ‘A queer flutter knocks about your ribs.’” — Publishers Weekly

Literary Nonfiction. Poetry. Editors Ilya Kaminsky and Katherine Towler have gathered conversations with nineteen of America's leading poets, reflecting upon their diverse experiences with spirituality and the craft of writing. Bringing together poets who are Christian, Buddhist, Jewish, Muslim, Pagan, Native American, Wiccan, agnostic, and otherwise, this book offers frank and thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forche, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, and others, all wrestling with difficult questions of human existence and the sources of art.