Bøger udgivet af TWIN PALMS PUBL

"In the interstices between film and photography, ad stereotypes and clichés of a Californian paradise, Jack Pierson (born 1960) produces pictures that are deliberately sensual and sentimental. Through a subtle hybridization of genres they raise the central question of autobiographical sincerity as the work's theme and site. By arresting intimate moments, they compose a familiar, private world, happy and nostalgic. By disclosing (or pretending to disclose) something of the artist, they acquire a natural quality that turns them into secret confessions. We are simultaneously in the artist's studio and in the middle of his life, and, I'd be tempted to add, in the idealizing and loving grace of his gaze." --Henry-Claude Cousseau

In the spring of 2020, Aaron Stern and Lucy Helton began exchanging images via a thermal fax machine in an attempt to navigate isolation by engaging in virtual conversation. As the pandemic continued throughout 2020 and into 2021 - two strange years marked by global disruption - they began inviting other artists to submit work to the fax machine. OK, NO RESPONSE presents 140 of the resulting facsimiles drawn from the work of twenty contributing artists.

Bob Boltz's nighttime photographs of car crashes have a richness similar to that of 1930s black-and-white crime films. I like to think he may have been an admirer of movies like Scarface, with Paul Muni, and The Public Enemy, starring James Cagney. Each car is lit with a nightmarish, chiaroscuro quality. His framing matches the technique of horror and suspense films in which shadows provide gloomy details of the surroundings. The photographs remind me of genres where light and dark represent good and evil. This book is a hymn to unsolved mysteries discovered in the dead of night. -Diane Keaton

John Langmore began cowboying in 1975 at the age of twelve, after his father photographed the seminal book, "The Cowboy." John spent twelve summers cowboying across the West before pursuing a professional career. In 2012, after thirty years away from his time in the saddle, John began a six-year project photographing fourteen of the nation's largest and most famous ranches. Of all those who have photographed the cowboy, John is one of the few who came to it first as a cowboy and only later as a photographer. John's photographs and writings reflect this deep connection to the cowboy world and offer an unrivaled chance to witness a way of life that many dream of but few experience.

"John Schabel's (born 1957) series of photographs depicting anonymous airline passengers effectively captures the curious blend of impersonal efficiency and poignant humanity that pervades the experience of contemporary commercial air travel. Like products on an assembly line, the planes carrying Schabel's subjects churn down the runway; and with the same regularity the individual passengers emerge, identically framed, from his camera and onto the gallery wall. Interestingly, it is precisely this mechanized process that lays bare the active, but often overlooked, emotional and intellectual relationship between human beings and flight." --Laura M. Andre

Northern New Mexico is a complex weave of pride and history. In this region of ancient traditions and striking environmental and ethnic diversity, Norman Mauskopf has spent the last decade photographing the Hispanic people and their culture. The photographs that emerged depict the intersection of religion, injustice, community, and transcendence. Included is a poem, commissioned for the book, by the celebrated New Mexican poet, Jimmy Santiago Baca.

In 1977 Frank Moore took a freighter from Montreal to Santander, Spain. He traveled through Spain, France, and Morocco, finally settling in Paris, where he obtained a residency in the Cite des Arts. Upon his return to New York, Moore began a decade-long involvement with modern dance, theater, film, and video that paralleled his development as a painter. The increasing devastation of the AIDS crisis through the eighties profoundly and irrevocably transformed his life and work. His work was included in the 1995 Whitney Biennial and is included in the collections of the Whitney Museum, the Museum of Modern Art, and the Albright Knox Art Gallery.

In my seventieth year I have become the lucid dreamer, who has awakened in his sleep of life and knows that he is dreaming. I am a phantom in a phantom landscape. I assume nothing, and find the familiar to be a curiosity. The inherited bedrock of definitions which described reality for me is now porous and insubstantial. Has it been sand all along and I failed to notice? As my consciousness spirals to its predestined disappearance age has forced me to pay attention. Now I begin to see the silhouette of the mystery. I think about thinking and am beyond the comfort of conformity. I must ask questions that I never though to ask before. The most profound questions seem to be transparent in their ordinariness and deceptive in their significance. A child would understand. I know that this modest enquiry must fail. But what else am I to do? Duane Michalls.

In 1988 Twelvetrees Press published the first book of Matt Mahurin's haunted, singular, and puzzling images. After working for several years in digital imagery, and writing and directing a feature film, Mahurin returned to the simplicity of the camera and darkroom. The photographs reflect the mood and vision of his first monograph and include work from America, France, Nicaragua, Ireland, and Mexico.Mahurin's vision straddles two worlds -- daytime glimpses out of the corner of the mind's eye, and night visions we might spy with our eyes closed. Ordinary moments captured in mid-gesture are infused with an unexpected ritualism. The photograph becomes a frozen prayer to the perpetual rhythm of everyday life.

In 1994, artist Alexis Rockman ventured to the dense jungles of Guyana, the site for this fantastic dreamscape of biological life. Rockman's world of nature -- described by the artist as "zoos in outer space" -- is tempered by a penchant for the bizarre and the grotesque, but always based upon intimate observation of the environs. Monumental insects -- ants, mites, bees, and beetles -- vie on Rockman's vibrant canvasses with anteaters, exotic birds, piranhas, and iguanas.

Mexico City presents a post-apocalyptic paradigm, rivaled only, perhaps, by Los Angeles -- it is a metropolis ravaged by immense poverty, crime, and the ill-effects of over-population. As a street photographer working in the tradition of committed documentary image-making, Ortiz Monasterio reveals Mexico City's fragmentation.