Bøger udgivet af Ubiquity Press (Uts Epress)

An account of the establishment of an innovative and culture-shifting approach to leading and managing cultural change in Rwanda, following the devastating Genocide of 1994.This book shows how a feminist approach to education in an innovative Master's program in Gender, Culture and Development at the Kigali Institute of Education fostered a critical approach to the development of an inclusive society and supported the role of women as leaders in Rwanda.The book contains the scholarly reflections of the academics invited to implement and teach the program from 2011, and the accounts and recollections of the first students to undertake the course. This book presents an unparalleled mix of aspiration and achievement, of feminist theory and practice. It does not claim to be complete or final, nor is it a snapshot of a single point in time. It falls into two parts. One part containing scholarly chapters written academics involved in developing and teaching in the innovative Master's program in Gender, Culture and development offered from 2011 at the Kigali Institute of Education in Rwanda. The second part contains statements written by students in the first cohort, most of which have been revised and updated. All the contributions are informed by a set of common experiences, but each writer presents her (or his) own perspective. This is most clearly evident in the short chapters written by the women who brought their diverse scholarly backgrounds together in their passion for the scholarly development of other women and men, in an empowering, feminist, educational experience. This mix of experiences and the diversity of writings make the book a challenging read and an invaluable resource for anyone interested in research-based approaches to social change, the weaving of personal experience into scholarly reflections, and in insights into leaders in working towards gender equality, a policy area which affects social relationships throughout a society, including at the most intimate level.

Between 1860 and 1910, over 60,000 Pacific South sea islanders were lured from their villages: tricked, transported, forced to work in the harsh queensland bush, and then repatriated. In Jean M'Baraï, The trepang fisherman (first published In french in 1919) Georges Baudoux tells their story.Translated by Dr Karin Speedy and published here in English for the first time, this book exposes the rich, complex and brutal world of a south sea islander caught up in the duplicitous trade that came to be known as blackbirding. For the English-speaking world it is an astonishing and confronting account of Australian and Pacific history.

Despite the catch-cry bandied about after the Holocaust, "Never Again", genocides continue to destroy cultures and communities around the globe.In this collection of essays, Australian scholars discuss the crime of genocide, examining regimes and episodes that stretch across time and geography. Included are discussions on Australia's own history of genocide against its Indigenous peoples, mass killing and human rights abuses in Indonesia and North Korea, and new insights into some of the core twentieth century genocides, such as the Holocaust and the Armenian Genocide.Scholars grapple with ongoing questions of memory and justice, governmental responsibility, the role of the medical professions, gendered experiences, artistic representation, and best practice in genocide education. Importantly, genocide prevention and the role of the global community is also explored within this collection.This volume of Genocide Perspectives is dedicated to Professor Colin Tatz AO, an inspirational figure in the field of human rights, and one of the forefathers of genocide studies in Australia.

Art in the Global Present presents a fascinating collection of essays that together reveal how art is currently navigating a globalised world. It addresses social issues such as the impact of migration, the 'war on terror' and the global financial crisis, and questions the transformations produced by new forms of flexible labour and the digital revolution. Through examining the resistance to the politics of globalisation in contemporary art, presenting the construction of an alternative geography of the imagination and reflecting on art's capacity to express the widest possible sense of being, this book explores the worlds that artists make when they make art.A multifaceted perspective on the complexity of these issues is reached through the words of a diverse range of art practitioners and commentators, including acclaimed artists Lucy Orta, Callum Morton, Danae Stratou and the collective Postcommodity, international curators Hou Hanru, Cuauhtémoc Medina, Ranjit Hoskote and Linda Marie Walker and art critics, academics, writers and theorists Jean Burgess, Paul Carter, Barbara Creed, Geert Lovink, Scott McQuire, Nikos Papastergiadis, Gerald Raunig and Jan Verwoert.

History, Power, Text: Cultural Studies and Indigenous Studies is a collection of essays on Indigenous themes published between 1996 and 2013 in the journal known first as UTS Review and now as Cultural Studies Review. This journal opened up a space for new kinds of politics, new styles of writing and new modes of interdisciplinary engagement. History, Power, Text highlights the significance of just one of the exciting interdisciplinary spaces, or meeting points, the journal enabled. 'Indigenous cultural studies' is our name for the intersection of cultural studies and Indigenous studies showcased here.This volume republishes key works by academics and writers Katelyn Barney, Jennifer Biddle, Tony Birch, Wendy Brady, Gillian Cowlishaw, Robyn Ferrell, Bronwyn Fredericks, Heather Goodall, Tess Lea, Erin Manning, Richard Martin, Aileen Moreton-Robinson, Stephen Muecke, Alison Ravenscroft, Deborah Bird Rose, Lisa Slater, Sonia Smallacombe, Rebe Taylor, Penny van Toorn, Eve Vincent, Irene Watson and Virginia Watson-many of whom have taken this opportunity to write reflections on their work-as well as interviews between Christine Nicholls and painter Kathleen Petyarre, and Anne Brewster and author Kim Scott. The book also features new essays by Birch, Moreton-Robinson and Crystal McKinnon, and a roundtable discussion with former and current journal editors Chris Healy, Stephen Muecke and Katrina Schlunke.

The Power of Conferences: Stories of serendipity, innovation and driving social change asks ten notable Australians to reflect on the role that conferences have played in their personal and professional achievements. Through their stories the power of conferences is revealed, providing evidence of a deep and lasting impact on the development and success of Australian luminaries and their communities. This book arose from a long term collaboration with Business Events Sydney.