Bøger udgivet af UCL Press

Novel histories of people who experienced physical, social, political, or cultural compulsion in the course of paid work. Broad in scope, Coercion and Wage Labour examines diverse areas of work including textile production, war industries, civil service, and domestic labor, in contexts from the Middle Ages to the present day. This book demonstrates that wages have consistently shaped working people's experiences and failed to protect workers from coercion. Instead, wages emerge as versatile tools to bind, control, and exploit workers. Remuneration mirrors the distribution of power in labor relations, often separating employers physically and emotionally from their employees and disguising coercion. The book makes historical narratives accessible to interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualize the book's key messages and to emphasize the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational "translations" and narrations of labor coercion. Other contributions written by art scholars discuss how coercion in remunerated labor is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.

Novel histories of people who experienced physical, social, political, or cultural compulsion in the course of paid work. Broad in scope, Coercion and Wage Labour examines diverse areas of work including textile production, war industries, civil service, and domestic labor, in contexts from the Middle Ages to the present day. This book demonstrates that wages have consistently shaped working people's experiences and failed to protect workers from coercion. Instead, wages emerge as versatile tools to bind, control, and exploit workers. Remuneration mirrors the distribution of power in labor relations, often separating employers physically and emotionally from their employees and disguising coercion. The book makes historical narratives accessible to interdisciplinary audiences. Most chapters are preceded by illustrations by artists invited to visually conceptualize the book's key messages and to emphasize the presence of the body and landscape in the realm of work. In turn, the chapter texts reflect back on the artworks, creating an intense intermedial dialogue that offers mutually relational "translations" and narrations of labor coercion. Other contributions written by art scholars discuss how coercion in remunerated labor is constructed and reflected in artistic practice. The collection serves as an innovative and creative tool for teaching and raises awareness that narrating history is always contingent on the medium chosen and its inherent constraints and possibilities.

The first book dedicated to media and mediation in domains of public guruship and devotion. Illuminating the mediatization of guruship and the guruization of media, this book bridges the gap between scholarship on gurus and the disciplines of media and visual culture studies. It investigates guru iconographies in and across various time periods and also the distinctive ways in which diverse gurus engage with and inhabit different forms of media: statuary, games, print publications, photographs, portraiture, films, machines, social media, bodies, words, graffiti, dolls, sound, verse, tombs, and more. The book's interdisciplinary chapters advance, both conceptually and ethnographically, our understanding of the function of media in the dramatic production of guruship and reflect on the corporate branding of gurus and on mediated guruship as a series of aesthetic traps for the captivation of devotees and others. They show how different media can further enliven the complex plurality of guruship, for instance in instantiating notions of "absent-present" guruship and demonstrating the mutual mediation of gurus, caste, and Hindutva. Gurus and Media foregrounds contested visions of the guru in the development of devotional publics and pluriform guruship across time and space. Thinking through the guru's many media entanglements in a single place, this book contributes new insights to the study of South Asian religions and to the study of mediation more broadly.

A wide-ranging interrogation of aspects of private law doctrine and its development, ordering, and application. New Directions in Private Law Theory brings together some of the best new work on private law theory, reflecting the breadth of this increasingly important field. The authors adopt a variety of different approaches and contribute to ongoing and important debates about the moral foundations of private law, the individuation of areas of private law, and the connections between private law and everyday moral experience. Questions addressed include: does the diversity identified among claims in unjust enrichment mean that the category is incoherent? Are claims in tort law always about compensating for wrongs? How should we understand the parties' agreement in a contract? The contributions shed new light on these and other topics and the ways in which they intersect and open up new lines of scholarly inquiry. This book will be of interest to researchers working in private law and legal theory, but it will also appeal to those outside of law, most notably researchers with an interest in moral and political philosophy, economics, and history.

An interdisciplinary study of how the physical space of parliament buildings influences politics. As political polarization undermines confidence in the shared values and established constitutional orders of many nations, it is imperative that we explore how parliaments are to stay relevant and accessible to the citizens whom they serve. The rise of modern democracies is thought to have found physical expression in the staged unity of the parliamentary seating plan. However, the built forms alone cannot give sufficient testimony to the exercise of power in political life. Parliament Buildings brings together architecture, history, art history, history of political thought, sociology, behavioral psychology, anthropology, and political science to raise a host of challenging questions. How do parliament buildings give physical form to norms and practices, behaviors, rituals, identities, and imaginaries? How are their spatial forms influenced by the political cultures they accommodate? What kinds of histories, politics, and morphologies do the diverse European parliaments share, and how do their political trajectories intersect? This volume offers an eclectic exploration of the complex nexus between architecture and politics in Europe. Including contributions from architects who have designed or remodeled four parliament buildings in Europe, it provides the first comparative, multi-disciplinary study of parliament buildings across Europe and across history.

This book applies heritage studies to the present and the future of Europe. Cultural and natural heritage are central to ideas of what Europe and "the European project'" are. Heritage studies were prevalent in the emergence of nation-states in the eighteenth and nineteenth centuries, where they were used to justify differences over which border conflicts were fought. Later, the idea of a "common European heritage" provided a rationale for the development of the European Union. Now, the emergence of "new" populist nationalisms shows how the imagined past continues to play a role in cultural and social governance, while a series of interlinked social and ecological crises are changing the ways that heritage operates, with new discourses and ontologies emerging to reconfigure heritage for the circumstances of the present and the uncertainties of the future.

The first book dedicated to media and mediation in domains of public guruship and devotion. Illuminating the mediatization of guruship and the guruization of media, this book bridges the gap between scholarship on gurus and the disciplines of media and visual culture studies. It investigates guru iconographies in and across various time periods and also the distinctive ways in which diverse gurus engage with and inhabit different forms of media: statuary, games, print publications, photographs, portraiture, films, machines, social media, bodies, words, graffiti, dolls, sound, verse, tombs, and more. The book's interdisciplinary chapters advance, both conceptually and ethnographically, our understanding of the function of media in the dramatic production of guruship and reflect on the corporate branding of gurus and on mediated guruship as a series of aesthetic traps for the captivation of devotees and others. They show how different media can further enliven the complex plurality of guruship, for instance in instantiating notions of "absent-present" guruship and demonstrating the mutual mediation of gurus, caste, and Hindutva. Gurus and Media foregrounds contested visions of the guru in the development of devotional publics and pluriform guruship across time and space. Thinking through the guru's many media entanglements in a single place, this book contributes new insights to the study of South Asian religions and to the study of mediation more broadly.

An interdisciplinary study of how the physical space of parliament buildings influences politics. As political polarization undermines confidence in the shared values and established constitutional orders of many nations, it is imperative that we explore how parliaments are to stay relevant and accessible to the citizens whom they serve. The rise of modern democracies is thought to have found physical expression in the staged unity of the parliamentary seating plan. However, the built forms alone cannot give sufficient testimony to the exercise of power in political life. Parliament Buildings brings together architecture, history, art history, history of political thought, sociology, behavioral psychology, anthropology, and political science to raise a host of challenging questions. How do parliament buildings give physical form to norms and practices, behaviors, rituals, identities, and imaginaries? How are their spatial forms influenced by the political cultures they accommodate? What kinds of histories, politics, and morphologies do the diverse European parliaments share, and how do their political trajectories intersect? This volume offers an eclectic exploration of the complex nexus between architecture and politics in Europe. Including contributions from architects who have designed or remodeled four parliament buildings in Europe, it provides the first comparative, multi-disciplinary study of parliament buildings across Europe and across history.

A wide-ranging interrogation of aspects of private law doctrine and its development, ordering, and application. New Directions in Private Law Theory brings together some of the best new work on private law theory, reflecting the breadth of this increasingly important field. The authors adopt a variety of different approaches and contribute to ongoing and important debates about the moral foundations of private law, the individuation of areas of private law, and the connections between private law and everyday moral experience. Questions addressed include: does the diversity identified among claims in unjust enrichment mean that the category is incoherent? Are claims in tort law always about compensating for wrongs? How should we understand the parties' agreement in a contract? The contributions shed new light on these and other topics and the ways in which they intersect and open up new lines of scholarly inquiry. This book will be of interest to researchers working in private law and legal theory, but it will also appeal to those outside of law, most notably researchers with an interest in moral and political philosophy, economics, and history.

This book applies heritage studies to the present and the future of Europe. Cultural and natural heritage are central to ideas of what Europe and "the European project'" are. Heritage studies were prevalent in the emergence of nation-states in the eighteenth and nineteenth centuries, where they were used to justify differences over which border conflicts were fought. Later, the idea of a "common European heritage" provided a rationale for the development of the European Union. Now, the emergence of "new" populist nationalisms shows how the imagined past continues to play a role in cultural and social governance, while a series of interlinked social and ecological crises are changing the ways that heritage operates, with new discourses and ontologies emerging to reconfigure heritage for the circumstances of the present and the uncertainties of the future.

Elements, Government and Licensing brings together new theoretical and empirical developments in phonology.

Elements, Government and Licensing brings together new theoretical and empirical developments in phonology.

Ten country-based case studies explore how responses to the COVID-19 pandemic shaped, and were shaped by, family life. Research with families reveals how they coped with lockdown laws, dealt with worry and got to grips with online work. The book gives an international perspective on a global phenomenon that transformed everyday life for millions.

A heterodox compendium of "beasts of waste," playfully re-imagining the medieval treatise on various kinds of animals. Wastiary: A Bestiary of Waste is a creative exercise that occupies letters, numbers, and symbols of Western academic language to compose a list of thirty-five short entries on the uncomfortable but pressing topic of waste in the contemporary world. The collection is richly illustrated with artwork, photography, collage, and mixed media and conveys the message that various forms of waste and pollution have achieved a beast-like or untamable quality, at times pungently transferring to considerations of "the human," or humans treated as waste.

A heterodox compendium of "beasts of waste," playfully re-imagining the medieval treatise on various kinds of animals. Wastiary: A Bestiary of Waste is a creative exercise that occupies letters, numbers, and symbols of Western academic language to compose a list of thirty-five short entries on the uncomfortable but pressing topic of waste in the contemporary world. The collection is richly illustrated with artwork, photography, collage, and mixed media and conveys the message that various forms of waste and pollution have achieved a beast-like or untamable quality, at times pungently transferring to considerations of "the human," or humans treated as waste.

A study of life-writing as a vital part of the history of archaeology and a growing field of scholarship within the discipline. Travels and adventures of the "great archaeologists" have generated centuries worth of bestselling books that, in turn, have shaped the public perception of archaeology. The lives of archaeologists are entangled with histories of museums and collections, developments in science and scholarship, and narratives of nationalism and colonialism into the present. In recent years, life-writing has played an important role in the surge of new research in the history of archaeology, including ground-breaking studies of discipline formation, institutionalization, and social and intellectual networks. Sources such as diaries, wills, film, and the growing body of digital records are powerful tools for highlighting the contributions of hitherto marginalized archaeological lives including many pioneering women, hired laborers, and other "hidden hands." This book brings together critical perspectives on life-writing in the history of archaeology from leading figures in the field. These include studies of archive formation and use, the concept of "dig-writing" as a distinctive genre of archaeological creativity, and reviews of new sources for already well-known lives. Several chapters reflect on the experience of life-writing, review the historiography of the field, and assess the intellectual value and significance of life-writing as a genre. Together, they work to problematize underlying assumptions about this genre, foregrounding methodology, social theory, ethics, and other practice-focused frameworks in conscious tension with previous practices.

A study of life-writing as a vital part of the history of archaeology and a growing field of scholarship within the discipline. Travels and adventures of the "great archaeologists" have generated centuries worth of bestselling books that, in turn, have shaped the public perception of archaeology. The lives of archaeologists are entangled with histories of museums and collections, developments in science and scholarship, and narratives of nationalism and colonialism into the present. In recent years, life-writing has played an important role in the surge of new research in the history of archaeology, including ground-breaking studies of discipline formation, institutionalization, and social and intellectual networks. Sources such as diaries, wills, film, and the growing body of digital records are powerful tools for highlighting the contributions of hitherto marginalized archaeological lives including many pioneering women, hired laborers, and other "hidden hands." This book brings together critical perspectives on life-writing in the history of archaeology from leading figures in the field. These include studies of archive formation and use, the concept of "dig-writing" as a distinctive genre of archaeological creativity, and reviews of new sources for already well-known lives. Several chapters reflect on the experience of life-writing, review the historiography of the field, and assess the intellectual value and significance of life-writing as a genre. Together, they work to problematize underlying assumptions about this genre, foregrounding methodology, social theory, ethics, and other practice-focused frameworks in conscious tension with previous practices.

Prosperity in the Twenty-First Century sets a new agenda for defining and delivering prosperity in face of the twenty-first century's dynamic global challenges.

A detailed study of one of the oldest largely intact churches in England. The Chapel of St Peter-on-the-Wall, built on the ruins of a Roman fort, dates from the mid-seventh century and is one of the oldest largely intact churches in England. It stands in splendid isolation on the shoreline at the mouth of the Blackwater Estuary in Essex, where the land meets and interpenetrates with the sea and the sky. This book brings together contributors from across the arts, humanities, and social sciences to uncover the premodern contexts and modern resonances of this medieval building and its landscape setting. In analyzing the significance of the chapel and surrounding landscape over more than a thousand years, this collection additionally contributes to wider debates about the relationship between space and place, and particularly the interfaces between both medieval and modern cultures and also heritage and the natural environment.