Bøger udgivet af Ultimo Press

When you can fake anything, how do you know what's real? Harlow Close has made a career as an influencer uncovering the secrets of Winnipeg, dubbed 'North America's strangest city'. The region is renowned for its sub-zero temperatures, dropping to minus 40 degrees - sometimes for months at a time. Yet, it's not just the frigid winters and geographic seclusion that render Winnipeg peculiar. As Harlow struggles to uncover what happened to her father, she's forced to question everyone and everything around her - including herself. PRAISE FOR COLD TRUTH: 'With Dark Mode, Ashley Kalagian Blunt announced her arrival on the thriller scene with a bang. In this follow-up, we would expect nothing less than a smart, twisty plot, set in an unforgettable place and populated by deeply human characters - but Cold Truth does even more than that. In bringing us into the depths of Canadian winter, Ashley takes us right into what makes us who we are. Blood ties and shady online dealings come to the fore in this enthralling novel. I adored this book - compelling crime fiction at its absolute best.'  - Hayley Scrivenor, internationally bestselling author of Dirt Town and Girl Falling'Cold Truth is bone-chilling in every way: a missing father, a complicated relationship between sisters and a taut mystery in an icy Canadian winter. With twists that had me gasping, the story rocketed towards a gripping finale. I could not put it down! Another explosive thriller from the master of the cliff-hanger.' - Petronella McGovern, The Liars and The Last Trace

There's nothing quite so beautiful as Paris in the spring; and when you add in the chance to learn the French way of food, in a relaxed and friendly atmosphere, who can resist? Not Gabi Picabea or Kate Evans who have come from Australia to Sylvie Morel's Paris Cooking School. For each of the women, that extraordinary April in Paris will bring unexpected twists and transformations that will change the course of their lives.

Winner of the Ned Kelly Award for Best Crime Fiction, from the author of instant crime classic The Woman in the LibraryIt's an author's job to create a new world in the pages of a book. But when lines start to blur and reality begins to fade, getting lost in a story can be dangerous-especially if you can't find your way back... Madeleine d'Leon doesn't know where Edward came from. He is simply a character in her next book. But as she writes, he becomes all she can think about. His charm, his dark hair, his pen scratching out his latest literary novel... Edward McGinnity can't get Madeleine out of his mind-softly smiling, infectiously enthusiastic, and perfectly damaged. She will be the ideal heroine for his next book. But who is the author and who is the creation? And as the lines start to blur, who is affected when a killer finally takes flesh?After She Wrote Him is a piece of meta-fiction with a wildly inventive twist on the murder mystery genre that takes readers on a journey filled with passion, obsession, and the emptiness left behind when the real world starts to fall away. Perfect for fans of the Thursday Murder Club novels from Richard Osman, or Benjamin Stevenson's Everyone In My Family Has Killed Someone. PRAISE FOR AFTER SHE WROTE HIM: 'A twisted masterpiece.' - Library Journal 'It's truly unusual, unique, and every thriller lover should make the time to read this.' - Suspense Magazine 'Brisk and refreshing. Gentill sustains her tantalizing premise with crisp prose and accelerating suspense. ' - Kirkus Reviews 'A pure delight...cleverly conceived and brilliantly executed.' - Dean Koontz 'a brilliant blend of mystery, gut-wrenching psychological suspense and literary storytelling. The novel stands as a shining (and refreshing) example of meta-fiction at its best--witty and wry, stylish and a joy to read.' - Jeffery Deaver 'This is an elegant exploration of the creative process, as well as a strong defense of the crime-fiction genre, as Gentill illustrates the crossing of lines between imagination and reality. Rich with insights that can add pleasure to the reading of crime fiction.' - Booklist 'A delightful, cerebral novel featuring a crime writer who grows dangerously enamored with her main character. As the interplay between creator and created reaches Russian-nesting-doll complexity, it forces us to question the nature of fiction itself.' - Gregg HurwitzAfter She Wrote Him was previously published as Crossing The Lines.

Three women. One daring plan. A wedding heist to remember. Lulu has always been taught that money is the ticket to a good life. So, when Shanghai's most eligible bachelor surprises her with a proposal, the only acceptable answer is yes, even if the voice inside her head is saying no. His family's fortune would solve all her parents' financial woes, but Lulu isn't in love or ready for marriage.   The only people she can confide in are her two best friends: career-minded Rina, who is tired of being passed over for promotion as her biological clock ticks away; and Jane, a sharp-tongued, luxury-chasing housewife desperate to divorce her husband and trade up. Each of them desires something different: freedom, time, beauty. None of them can get it without money.   It's not long before they realise that Lulu's wedding is their golden opportunity. With Shanghai's elite clamouring to attend, the cash gifts guests will bring will be more than enough to change the women's lives. To steal the money on the big day, all they'll need is a trustworthy crew and a brilliant plan. But as the plot grows increasingly complicated and relationships are caught in the crossfire, the women are forced to realise that having it all might come at a steep price...  Set against a high-society Shanghai wedding, a heartfelt and funny novel about a reluctant bride, her two best friends, and the cunning plan that could change their fortunes forever.

A brand new novel from the author of The Woman in the Library and After She Wrote Him, this is a gripping mystery thriller about uncovering hidden motives and a web of conspiracy, while also examining the cut-throat nature of the publishing industry.

âEUR¿A stand out amongst contemporary Australian literary fiction for its stylistic and structural ambition, God Forgets About the Poor is the novel Polites has been climbing to. It is moving, poetic, powerful - at once a folktale and a modern day lament. Christos Tsiolkas meets Gabriel Garcia Marquez.âEUR(TM) - Maxine Beneba Clarke, bestselling and award winning author of Foreign Soil and The Hate Race âEUR¿In God Forgets About the Poor, Polites has produced a masterpiece.âEUR(TM) - ArtsHub âEUR¿a triumphant reclamation, written in prose clean as polished stonesâEUR(TM) - The Saturday Paper âEUR¿God Forgets About the Poor feels like a culmination; itâEUR(TM)s the authorâEUR(TM)s most striking work yet.âEUR(TM) - The Guardian âEUR¿an important literary achievementâEUR(TM) - The Conversation âEUR¿God Forgets About the Poor is a reminder that everyone has a story worth telling and hearing, but not everyone gets the chance to share it. This is one told well.âEUR(TM) - Books + PublishingI will tell you why you should draft my story. Because migrant stories are broken. Some parts in a village where we washed our clothing with soot. Some parts in big cities working in factories. How we starved for food in Greece and starved for Greece in Australia. You donâEUR(TM)t know the first thing about me. A son can never see his mother as a woman. You will only see me in relation to you. I have had a thousand lives before you were even a thought. Hospitalised as a child for an entire year. Living as an adult without family in Athens when the colonels took control. Start when I was born. Describe the village and how beautiful it was. On the side of a mountain but in the middle of a forest. If we walked to a certain point on the edge, we could look over the valley and see rain clouds coming. Sometimes we would see a cat on a roof, we read that as a warning of a storm. When we looked down, we saw the dirt, which was just as rich as the sky. My island, your island, our island. Sometimes I think God forgot about us because we were poor. A stunning new novel from the author of Down the Hume and The Pillars, God Forgets About the Poor is a love story to a migrant mother, whose story is as important as any ever told. PRAISE FOR GOD FORGETS ABOUT THE POOR: âEUR¿Polites brings to light his motherâEUR(TM)s story, a migrant woman who has lived a number of lives, surely a common story in the Greek community, and while the title suggests god may forget about the poor, Polites wants to make sure the world does not.âEUR(TM) - Neos Kosmos âEUR¿It is an exquisite mode for the diaspora story, a genre that is increasingly losing its meaningfulness in a time of its commodification. In God Forgets About the Poor, the old country is dead, yet it continues to live vividly in migrants' memories even as they evolve amongst future generations.âEUR(TM) - ABC Arts - The Bookshelf âEUR¿Peter Polites is also sensitive to the ways in which migrant stories can be reduced, stereotyped and consumed in mainstream publishing, and is at pains to give voice to the complexity and richness of his subject's experience.âEUR(TM) - The Sydney Morning Herald âEUR¿a nuanced portrait in which a motherâEUR"in her full and challenging complexityâEUR"is truly honoured.âEUR(TM) - Meanjin

Song of the Sun God is about the wisdom, mistakes and sacrifices of our past that enable us to live more freely in the future. Nala and Rajan, a young couple, begin their married life in 1946, on the eve of Ceylon‿s independence from Britain. Arranged in marriage, they learn to love each other and protect their growing family, against the backdrop of increasing ethnic tension. As the country descends into a bloody civil war, Nala and Rajan must decide which path is best for their family; and live with the consequences of their mistakes. Over time, Nala and Rajan teach their family why some parts of their history and heritage are worth holding onto; and why some parts and people have to be left behind. Song of the Sun God spans three continents and three generations of a family that remains dedicated to its homeland, whilst learning to embrace its new home. Funny, warm and tender, we see Nala and Rajan‿s family navigate war, migration, old loyalties and new beginnings, relying on the philosophy of their religion, their ancestors and each other.

"At once unsettling and totally captivating." ‿ Natasha ShollBetween You and Me is a riveting portrayal of female friendship, and the frayed boundary between loyalty and desire. Mari and Elisabeth have been at the centre of each other‿s lives for years. Close friends since university, they‿re now drifting through their mid-twenties, working casual jobs and living in run-down share houses. When they meet Jack, a charming academic historian twenty years their senior, they‿re attracted to the sophisticated, intellectual world in which he seems to move. As the summer gathers heat, Jack is drawn into their lives, and an unconventional relationship ‿ halfway between friendship and love triangle ‿ develops. But soon things grow more complicated, and as secrets and betrayals detonate, the fallout sets the course for the rest of their lives. In Mari and Elisabeth, Joanna Horton has created two unforgettable women, whose choices on the cusp of adulthood will resonate with anyone who has ever had to navigate where friendship, intimacy and love intersect when trying to make a life of one‿s own.

"Diana Reid will be called the new Sally Rooney ‿ you‿re certain of it by the end of page one. By the end of this real, raw and startling novel, you know Reid is the talent to whom every smart young novelist who follows her will be compared ‿ or hope to be." ‿ Meg Mason, author of Sorrow and Bliss'Likened to an Australian Sally Rooney, Reid has the [same] talent and acerbic wit ..' ‿ iWeekend'Makes us care as the lies and half-truths pile up... Reid writes with a measured grace.'‿ The Times‿Diana Reid‿s Seeing Other People is stacked with enthralling heart-in-your-mouth moments as it ripples with betrayals, shame, love and longing.‿ ‿ LoveReadingCharlie‿s skin was stinging. Not with heat or sweat, but with that intense, body-defining self-consciousness‿that sense of being watched. She lowered her eyes from Eleanor‿s loving gaze. Her throat taut with tears, she swallowed. ‿You‿re a good sister, Eleanor.‿‿Don‿t say that.‿ After two years of lockdowns, there‿s change in the air. Eleanor has just broken up with her boyfriend, Charlie‿s career as an actress is starting up again. They‿re finally ready to pursue their dreams‿relationships, career, family‿if only they can work out what it is they really want. When principles and desires clash, Eleanor and Charlie are forced to ask: where is the line between self-love and selfishness? In all their confusion, mistakes will be made and lies will be told as they reckon with the limits of their own self-awareness. Seeing Other People is the darkly funny story of two very different sisters, and the summer that stretches their relationship almost to breaking point.

Traversing decades and continents - from Iran to India, Sri Lanka to the Czech Republic, Adelaide to the Torres Strait - The God of No Good is a beautifully lyrical and funny intergenerational memoir about six women and how their lives intertwine. Filled with wit and wisdom, it is a story that only Sita Walker could tell, but it will resonate with readers everywhere. It's Wild Swans meets Nora Ephron. This is not a book about divorce. It's not a book about God, either. You might think it is a book about goodness and what it means to be a good person, but it isn't. Like everything else, this is about love. Sita Walker was raised by five strong matriarchs who taught her to believe in God and to be good. Her grandmother, mother and three aunts believed in their unshakeable Baha'i faith, in the power of prayer, in sacrifice, in magic, in the healing of turmeric and tea, and the wisdom of dreams. But as hard as she tries to be good, Sita always suspects that deep down, she isn't very good at all. At thirty-five, she hasn't prayed in years, her dream of true love has died, and along with it, her faith - not that she's telling her mother, or her aunts. Now, the only way she can fulfill her destiny is to seek out the wisdom of the ones who came before, and truly understand the women who raised her. But will they understand her? Either way, the matriarchy will never be the same again.

Feeling alienated from wider society, Sara, Abida and Naeem gravitate towards their university's Muslim Students' Association. Within its austere confines, Sara watches Naeem... How do you balance desire, ambition and expectations? Over time, the pair commence a furtive relationship outside of the gaze of their families and peers. But Naeem is especially burdened by the widening gap between his public facade and their clandestine forays. As the MSA elections approach, Abida seeks to win the presidency at all costs, threatening her longstanding friendship with Sara and risking her reputation. What will the repercussions be for all three if Sara and Naeem transgressions are exposed?

LoveReading Book of the Month April 2023'A Hitchcockian chiller with a powerful sense of rampant terror' ‿ Maxim Jakubowski, Crime Time'Drawn from real life cases, this brilliantly twisty thriller exposes the grimmest recesses of the dark web through a disturbing story of murder, misogyny and sickening surveillance.' ‿ LoveReading'Riveting, tense and supremely chilling, this is an eye-opening must-read for crime fiction fans everywhere.' ‿ Anna Downes, author of The Safe PlaceOnce you‿re online, there‿s nowhere to hide. A riveting psychological thriller drawn from true events, Dark Mode delves into the terrifying reality of the dark web, and the price we pay for surrendering our privacy one click at a time. Is it paranoia ‿ or is someone watching? For years, Reagan Carsen has kept her life offline. No socials. No internet presence. No photos. Safe. Until the day she stumbles on a shocking murder in a Sydney laneway. The victim looks just like her. Coincidence? As more murders shake the city and she‿s increasingly drawn out from hiding, Reagan is forced to confront her greatest fear. She‿s been found.

Two women. Two cultures. And a friendship that freed them both. ‿We don‿t choose where we‿re born. Geography ends up being everything.‿ Shaimaa Khalil and Shelley Davidow met twenty years ago in the Middle East when Shaimaa was Shelley‿s student at the University of Qatar. Strangers in a strange land where the silencing and oppression of women is deeply entrenched, they immediately formed a deep and abiding bond. Shelley saw Shaimaa as her ‿Rosetta Stone‿, helping her decode a culture and world so foreign it appeared to be from another planet. Shaimaa saw Shelley and her apartment as her ‿Tardis‿, a space where she could glimpse a world she dreamed of inhabiting. Born a decade apart on opposite ends of the African continent ‿ Shaimaa, an Arab Muslim from Egypt and Shelley an Ashkenazi Jew from South Africa ‿ tell the story of a friendship that has defied historical, geographic and temporal boundaries, mapping the vast emotional and geographic territories they have travelled as women pushing against patriarchal confines over the past two decades. In an exchange of words and memories, Shaimaa and Shelley recall what shaped them, what broke them, and how they made themselves whole again through their interwoven stories.