Bøger udgivet af UNIV GALLERIES ILLINOIS

The first survey of videos by multimedia artist and musician Terry Adkins (1953-2014), this catalog features 12 videos created between 1998 and 2013, with installation views, stills and interviews.

Featuring photographs and films made between 2006 and 2015, Nine Trips around the Sun offers a survey of what Carrie Schneider (born 1979) describes as "documents of something performed for the camera," and demonstrates the range of lens-based processes she has employed. Included is Schneider's entrancing recent series Reading Women, for which the artist photographed and filmed 100 individual female artists, curators, writers and musicians in their homes and studios as they each read a book of their choosing by a woman author. The project resulted in 100 intimate portraits and a four-hour film. Published in conjunction with Schneider's first comprehensive survey exhibition, this volume--the artist's first monograph--includes essays by Julie Rodrigues Widholm and Joanna Szupinska-Myers, and an interview with the artist conducted by exhibition curator Kendra Paitz.

In photographs characterized by subtle geometries and penetrating natural light, Los Angeles-based artist Melanie Schiff (born 1977) achieves dramatic effects with everyday objects, found landscapes and interiors. This is the first survey of Schiff's photographs including work from 2002-2012.

"TASK" documents a burgeoning phenomenon begun in 2002 by artist Oliver Herring. Herring developed TASK as a self-generating, improvisational gathering in which a community engages in a collaborative art-making event. Using cardboard, tape, aluminum foil, pipe cleaners, markers and other materials, participants follow a simple set of rules: write a task for someone to perform, then randomly select a task to perform yourself (e.g. "Use cardboard mailing tubes to make a symphony;" "Form a conga line;" "Create a crime scene" ). The cycle continues, task building upon task, as people share new ways to develop ideas and solve problems. This volume includes a detailed history of TASK by Herring; extensive photo-documentation of TASK parties and events in the U.S., Canada, England, France and Japan; statements by participants; instructions on how to organize a TASK party; and essays by curators/ organizers Ian Berry, Kendra Paitz and Kristen Hileman.

This publication explores the relationships between works by 21 contemporary women artists and the women writers they acknowledge and reference, from Mary Wollstonecraft to Octavia Butler. Includes works by Anne Collier, Moyra Davey, Coco Fusco, Xaviera Simmons and Carrie Mae Weems, among many others.

Chicago-based photographer Jason Lazarus (born 1975) is known for using both traditionally developed photography as well as found and solicited images and texts in collaborative installations. Among the projects examined is Too Hard to Keep, an ongoing archive through which Lazarus preserves photographs too emotionally charged to keep yet too meaningful to destroy.

Siebren Versteeg creates computer-driven video installations that situate the viewer in paradoxical realms where the real and the virtual seem to interconnect. At once humorous and unsettling, his works feed real-time online data culled from CNN, the AP, and Internet diaries into video animations with digitally produced sound. This full-color monograph, which comes with a DVD, is the first devoted to Versteeg's work.

In this volume, contemporary visual artists investigate sadness through painting, sculpture, photography, and video. Sad Songs features a diverse collection of works unified by their melancholic tone and characterized by isolation, nostalgia and emotional desperation. From Katy Grannan's haunting photographic portraits in which the subjects are locked in some mysterious exchange with the unseen artist, to Keith Edmier's sculptural meditations on lost adolescence, the artists here continue a long tradition of romanticizing the somber. Also included are Justine Kurland, Jack Pierson, Robert Blanchon, René Ricard, Whitney Bedford, Robert Blanchon and Benjamin Butler amongst many others.

In the typology of fairy tales, women are routinely reduced to caricatures of innocence or evil, either impossibly saintly and self-sacrificing or malevolent in ways that only the male sex would project. That said, fairy tales also provide a wealth of inspiration for art, and the work in Pixerina Witcherina transforms these polarities into whimsically abstracted visual yarns (the title is taken from an invented language used by Virginia Woolf to share secrets with her niece, and refers to this polarization of women's roles as either pixies or witches.). These women embrace the power of myth while deconstructing it, re-imagining its pungency for our times. Pixerina Witcherina features work by Meghan Boody, Amy Cutler, Margi Geerlinks, Claudia Hart, Julie Heffeman, Julia Latané, Tracey Moffatt, Maria Porges, Amy Sillman, Elena Sisto, Karen Arm and Katharina Fritsch.

Four women artists create works addressing ecological issues, the unsettling interface between biology and technology, and humanist cultural concerns.

To say that UFOs have captured the popular imagination of contemporary America would be an understatement -- while appearances of blinking ellipsoids, whirling orbs, and have been reported throughout history, nowhere has the idea of contact with extraterrestrials taken hold so much as in the postwar United States. The UFO Show presents these phenomena in an unexpected way -- as inspiration and subject matter for contemporary visual art. Creating two- and three-dimensional work relating directly or symbolically to discs, saucers, and other images common to the subject of UFOs, 12 artists -- including Mariko Mori, Ionel Talpazan, Keith Haring, Panamarenko, Oliver Wasow, Claire Jervert, and Paul Laffoley -- confront, each in their own way, a historically ingrained and commercially reinforced locus of millennial obsession. Also included here are several provocative essays on the subject.