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"The product of a hardscrabble childhood, J. Mayo "Ink" Williams parlayed an Ivy League education into unlikely twin careers as a foundational producer of Black music and pioneering Black player in the early NFL. Clifford R. Murphy tells the story of an ambitious, upwardly mobile life affected, but never daunted, by white society's racism or the Black community's class tensions. Williams caroused with Paul Robeson, recorded the likes of Ma Rainey and Blind Lemon Jefferson, and lined up against Chicago Bears player-coach George Halas. Though resented by the artists he exploited, Williams combined a rock-solid instinct for what would sell with an ear for music that put him at the forefront of finding, recording, and blending blues and jazz. Murphy charts Williams's wide-ranging accomplishments while providing portraits of the cutthroat recording industry and the possibilities, however constrained, of Black life in the 1920s and 1930s. Vivid and engaging, Ink brings to light the extraordinary journey of a Black businessman and athlete"--

Shifting demographics. Downstate versus Chicago. Billionaires and bribery. Even veteran observers need a roadmap to track Illinois’ ever-changing political landscape. Melissa Mouritsen, Kent D. Redfield, and James D. Nowlan provide an up-to-date primer on Prairie State politics, government, and policies. Features include: Discussions of recent events like the 2015-2017 budget disaster, the response to COVID-19, and the fall of longtime House Speaker Michael Madigan; New chapters on corruption, social policies, and the political rules of the game; Perspectives on the nuts-and-bolts of campaign funding, the ways political actors acquire power or influence, and many other topics; Close examinations of complex issues like the state’s increased polarization and its ongoing fiscal recovery. Fully revised and expanded, Illinois Politics blends detailed information with expert analysis to offer an essential resource for citizens, students, and public servants alike.

"From the 1870s to the 1960s, circuses crisscrossed the nation providing entertainment. A unique workforce of human and animal laborers from around the world put on the show. They also formed the backbone of a tented entertainment industry that raised new questions about what constituted work and who counted as a worker. Andrea Ringer examines the industry-wide circus world--the collection of shows that traveled by rail, wagon, steamboat, and car--and the traditional and nontraditional laborers who created it. Performers and their onstage labor played an integral part in the popularity of the circus. But behind the scenes, other laborers performed the endless menial tasks that kept the show on the road. Circus operators regulated employee behavior both inside and outside the tent even as the employees themselves blurred the line between leisure and labor until, in all parts of the show, the workers could not escape their work. Illuminating and vivid, Circus World delves into the gender, class, and even species concerns within an extinct way of life"--

The riveting and heart-wrenching story of country music diva Patsy Cline, from her against-all-odds rise from poverty and a strange, lonely childhood shrouded in secrecy, to her tragic and untimely death at the age of thirty when, ironically, she had finally achieved the triumph she had sought all her life.

The Delmore Brothers—Alton and Rabon Delmore—molded blues and country-gospel into an influential, guitar-driven harmony sound with classic songs such as “Brown’s Ferry Blues” and “Blues Stay Away from Me.” Older brother Alton also left behind this fascinating, long-unpublished autobiography, which brings to life the early Grand Ole Opry and the struggles of pioneering country musicians. Edited by historian Charles K. Wolfe, The Delmore Brothers: Truth is Stranger Than Publicity lives up to its title.

My Husband, Jimmie Rodgers was the first book-length biography ever published about a country musician, and fittingly so. No single performer left as profound an impression on early country music. Songs that Rodgers popularized--"T for Texas," "Daddy and Home," "In the Jailhouse Now," "Miss the Mississippi"--are still a regular part of country performers' repertoires. Despite a recording career that lasted only six years (1927-1933) and ended with Rodgers's untimely death from tuberculosis, in many ways Jimmie Rodgers is still very much with us.

An expert fiddler and a magnetic showman, Bob Wills (1905–1975) popularized a style of Southwestern dance music known as western swing, a rhythmic hybrid of fiddle music, blues, and big band swing. In 1938, when Wills was thirty-three and nearing the height of his fame, journalist Ruth Sheldon chronicled Wills’s rags-to riches rise. She produced a biography that captures the ebullient personality of Wills and reflects the bandleader’s vision of himself. Hubbin’ It provides a window into the daily life of a working musician during the Depression and a rich source of historical detail on one of America’s great musical innovators.

"One of the most innovative composers of his generation, Mikel Rouse is known for operas like Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse's high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists' hardscrabble life while illuminating the unromantic truth that a project's reception may depend on a talented cast and crew but can depend on reliable air conditioning. Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck"--

"Iconoclastic and irreverent, Stan Isaacs was part of a generation that bucked the sports establishment with a skepticism for authority, an appreciation for absurdity, and a gift for placing athletes and events within the context of their tumultuous times. Isaacs draws on his trademark wink-and-a-grin approach to tell the story of the long-ago Brooklyn that formed him and a career that placed him amidst the major sporting events of his era. Mixing reminiscences with column excerpts, Isaacs recalls antics like stealing a Brooklyn Dodgers pennant after the team moved to Los Angeles and his many writings on Paul Revere's horse. But Isaacs also reveals the crusading and humanist instincts that gave Black athletes like Muhammad Ali a rare forum to express their views and celebrated the oddball, unsung Mets over the straitlaced Yankees. Insightful and hilarious, Out of Left Field is the long-awaited memoir of the influential sportswriter and his adventures in the era of Jim Brown, Arthur Ashe, and the Amazin' Mets"--

"Changes at the global, federal, state, and municipal level are pushing forward the reparations movement for people of African descent. The distinguished editors of this volume have gathered works that chronicle the historical movement for reparations both in the United States and around the world. Sharing a focus on reparations as an issue of justice, the contributors provide a historical primer of the movement; introduce the philosophical, political, economic, legal and ethical issues surrounding reparations; explain why government, corporations, universities, and other institutions must take steps to rehabilitate, compensate, and commemorate African Americans; call for the restoration of Black people's human and civil rights and material and psychological well-being; lay out specific ideas about how reparations can and should be paid; and advance cutting-edge interpretations of the complex long-lasting effects that enslavement, police and vigilante actions, economic discrimination, and other behaviors have had on people of African descent. Groundbreaking and innovative, Reparations and Reparatory Justice offers a multifaceted resource to anyone wishing to explore a defining moral issue of our time"--

Founded by brothers Charles and Herbert Hatch in 1879, Hatch Show Print is one of the oldest working letterpress poster and design shops in America. Throughout its long history, the shop has produced vibrant posters that served as a leading advertising medium for southern entertainment. Today, Hatch Show Print creates posters the same way they were made 140 years ago. More than a century after the shop’s beginnings, its staff continues to create new and vibrant posters, perpetuating and celebrating an American style of graphic design that holds great appeal for twenty-first century audiences. Richly Illustrated with more than 300 photographs of historic posters printed throughout the shop’s history, this book examines Hatch Show Print’s relationship to and interaction with Nashville’s music industry. Readers will enjoy the book’s generous selection of images of history posters, carved wood and linoleum blocks, and rare photographs.

"Sponsored by the Chicago Tribune, the 1945 Chicagoland Prize Homes competition solicited designs by mostly unknown architects. The goal: to provide beautiful yet practical houses for returning WWII veterans and middle-class residents of the city and suburbs. In-depth and extensively illustrated, Chicagoland Dream Houses revisits this overlooked chapter in Chicago and architectural history. Organizers conceived the competition to help remedy the postwar housing crisis and it received front-page news coverage and an exhibit at the Art Institute of Chicago. It also had the rare distinction of taking designs from paper to reality, an accomplishment that brought out two hundred thousand people to tour finished homes. Yet the contest ultimately failed in its aim to inspire new home construction that would solve Chicago's housing shortage. Siobhan Moroney situates the competition in its time both socially and architecturally, analyzing floor plans and other materials to reveal how the designs reflected the expectations of middle-class families and the social norms that dictated their everyday lives and aspirations"--

"In 1990, a suburban Chicago race for the Republican Party nomination for state representative between Penny Pullen and Rosemary Mulligan unexpectedly became a national proxy battle over abortion in the United States. But the hard-fought primary also illustrated the overlooked importance of down-ballot contests in America's culture wars. Patrick Wohl offers the dramatic account of a rollercoaster campaign that, after attracting political celebrities and a media circus, came down to thirty-one votes, a coin toss to determine the winner, and a recount fight that set a precedent for how to count dimpled chads. As the story unfolds, Wohl provides a rare nuts-and-bolts look at an election for state office from its first days through the Illinois Supreme Court decision that decided the winner--and set the stage for a decisive 1992 rematch. A compelling political page-turner, Down Ballot takes readers behind the scenes of a legendary Illinois election"--

"The 1924 murder of fourteen-year-old Bobby Franks by Nathan Leopold and Richard Loeb shocked the nation. One hundred years later, the killing and its aftermath still reverberate through popular culture and the history of American crime. Hal Higdon's true crime classic offers an unprecedented examination of the case. Beginning with a new author Preface, Higdon details Leopold and Loeb's journey from privilege and promise to the planning and execution of their monstrous vision of the perfect crime. Drawing on secret testimony, Higdon follows the police investigation through the pair's confessions of guilt and re-creates the sensational hearing where Clarence Darrow, the nation's most famous attorney, saved the pair from the death penalty. Published in observance of the case's centennial, Leopold and Loeb tells the dramatic story of a notorious crime and its long afterlife in the American imagination"--

"The ultrawealthy largely own and guide the newspaper system in the United States. Through entities like hedge funds and private equity firms, this investor class continues to dismantle the one institution meant to give voice to average citizens in a democracy. Margot Susca reveals the little-known history of how private investment took over the newspaper industry. Drawing on a political economy of media, Susca's analysis uses in-depth interviews and documentary evidence to examine issues surrounding ownership and power. Susca also traces the scorched-earth policies of layoffs, debt, cash-outs, and wholesale newspaper closings left behind by private investors and the effects of the devastation on the future of news and information. Throughout, Susca reveals an industry rocked less by external forces like lost ad revenue and more by ownership and management obsessed with profit and beholden to private fund interests that feel no responsibility toward journalism or the public it is meant to serve"--

"Known in his lifetime for a tireless dedication to humanitarian causes, Lowell L. Bennion was also one of the most important theologians and ethicists to emerge in the Church of Jesus Christ of Latter-day Saints in the twentieth century. George B. Handley's intellectual biography delves into Bennion's thought and extraordinary intellectual life. Rejecting the idea that individual LDS practice might be at odds with lived experience, Bennion insisted the gospel favored the growth of individuals acting and living in the present. He also focused on the need for ongoing secular learning alongside religious practice and advocated for an idea of social morality that encouraged Latter-day Saints to seek out meaningful transformations of character and put their ethical commitments into practice. Handley examines Bennion's work against the background of a changing institution that once welcomed his common-sense articulation of LDS ideas and values but became discomfited by how his thought cast doubt on the Church's beliefs about race and other issues"--

"Pleasure-loving, sarcastic, stubborn, determined, erotic, deeply sad--Jane Kenyon's complexity and contradictions found expression in luminous poems that continue to attract a passionate following. Dana Greene draws on a wealth of personal correspondence and other newly available materials to delve into the origins, achievement, and legacy of Kenyon's poetry and separate the artist's life story from that of her husband, the award-winning poet Donald Hall. Impacted by relatives' depression during her isolated childhood, Kenyon found poetry at college, where writers like Robert Bly encouraged her development. Her graduate school marriage to the middle-aged Hall and subsequent move to New Hampshire had an enormous impact on her life, moods, and creativity. Immersed in poetry, Kenyon wrote about women's lives, nature, death, mystical experiences, and melancholy--becoming, in her own words, an "advocate of the inner life." Her breakthrough in the 1980s brought acclaim as "a born poet" and appearances in the New Yorker and elsewhere. Yet her ongoing success and artistic growth exacerbated strains in her marriage and failed to stave off depressive episodes that sometimes left her non-functional. Refusing to live out the stereotype of the mad woman poet, Kenyon sought treatment and confronted her illness in her work and in public while redoubling her personal dedication to finding pleasure in every fleeting moment. Prestigious fellowships, high-profile events, residencies, and media interviews had propelled her career to new heights when leukemia cut her life short and left her husband the loving but flawed curator of her memory and legacy. Revelatory and insightful, Jane Kenyon offers the first full-length biography of the elusive poet and the unquiet life that shaped her art"--

In Los Angeles, from the early 1960s through the late 1980s, young musicians and singers formed tight-knit musical communities anchored by nightclubs such as the Ash Grove, the Troubadour, and the Palomino. These musicians injected elements of folk, bluegrass, and country to enliven and reinvigorate the sounds of pop and rock. The music flowing from these scenes exerted a lasting influence that would stretch the boundaries and alter the course of both rock and country music. This book, a companion to a major multi-year exhibition at the Country Music Hall of Fame and Museum, traces a musical evolution beginning with California folk and bluegrass groups, which led to the country-rock sounds of the Byrds, CSN&Y, Linda Ronstadt, Emmylou Harris, the Eagles, and many more. In the 1980s, a new wave of L.A. roots-rock ushered in Dwight Yoakam, Los Lobos, and Lone Justice. Richly illustrated with photographs of key musicians on the scene along with treasured items loaned to the museum for the exhibition, the book takes readers on a dazzling journey to a time and place when the beat and grit of rock met the harmonies and the twang of country to produce sounds that reverberate to this day.

"The construction trades once provided unionized craftsmen a route to the middle class and a sense of pride and dignity often denied other blue-collar workers. Today, union members still earn wages and benefits that compare favorably to those of college graduates. But as union strength has declined over the last fifty years, a growing non-union sector offers lower compensation and more hazardous conditions, undermining the earlier tradition of upward mobility. Revitalization of the industry depends on unions shedding past racial and gender discriminatory practices, embracing organizing, diversity, and the new immigrant workforce, and preparing for technological changes. Mark Erlich blends long-view history with his personal experience inside the building trades to explain one of our economy's least understood sectors. Erlich's multifaceted account includes the dynamics of the industry, the backdrop of union policies, and powerful stories of everyday life inside the trades. He offers a much-needed overview of construction's past and present while exploring roads to the future"--

"A beloved member of the country music community, David "Stringbean" Akeman found nationwide fame as a cast member of Hee Haw. The 1973 murder of Stringbean and his wife forever changed Nashville's sense of itself. Millions of others mourned not only the slain couple but the passing of the way of life that country music had long represented. Taylor Hagood merges the story of Stringbean's life with an account of murder and courtroom drama. Mentored by Uncle Dave Macon and Bill Monroe, Stringbean was a bridge to country's early days. His instrumental savvy and old-time singing style drew upon a deep love for traditional country music that, along with his humor and humanity, won him the reverence of younger artists and made his violent death all the more shocking. Hagood delves into the unexpected questions and uneasy resolutions raised by the atmosphere of retribution surrounding the murder trial and recounts the redemption story that followed decades later"--

"The John Hancock Center. Marina City. Sandburg Village. The Sears Tower. The Inland Steel Building. From skyline-defining icons to wonders of the world, the second period of the Chicago skyscraper transformed the way Chicagoans lived and worked. The Second Chicago School dominates many histories of the era. Yet these accounts often overlook essential Chicago sites, important areas away from downtown, the teams of people involved in the conception and construction of skyscrapers, and the financial, social, racial, and political factors that influenced the buildings that came to be. Thomas Leslie's comprehensive look at the modern era of Chicago skyscrapers rewrites the narrative to view the skyscraper idea, and the buildings themselves, within the broad expanse of city history. As construction emerged from the depths of the Great Depression, structural, mechanical, and cladding innovations evolved while continuing to influence designs. An earlier generation of architects would have been impressed-but not shocked-by expansive glass elevations and more efficient concrete columns, girders, and slabs. The truly radical changes concerned the motivations that drove construction of many new skyscrapers. While profit remained key in the Loop, developers elsewhere worked with a Daley political regime that saw tall buildings as tools for a wholesale recasting of the city's appearance, demography, and economy. Focusing on both the wider cityscape and specific buildings, Leslie reveals skyscrapers to be the physical results of negotiations between motivating and mechanical causes. Illustrated with more than 140 photographs, Chicago Skyscrapers, 1934-1986 tells the fascinating stories of the people, ideas, negotiations, decision-making, compromises, and strategies that changed the history of architecture and one of its showcase cities"--

The Ozarks of the mid-1800s was a land of divisions. The uplands and its people inhabited a geographic and cultural borderland straddling Midwest and west, North and South, frontier and civilization, and secessionist and Unionist. As civil war raged across the region, neighbor turned against neighbor, unleashing a generation of animus and violence that lasted long after 1865. The second volume of Brooks Blevins's history begins with the region's distinctive relationship to slavery. Largely unsuitable for plantation farming, the Ozarks used enslaved persons on a smaller scale or, in some places, not at all. Blevins moves on to the devastating Civil War years where the dehumanizing, personal nature of Ozark conflict was made uglier by the predations of marching armies and criminal gangs. Blending personal stories with a wide narrative scope, he examines how civilians and soldiers alike experienced the war, from brutal partisan warfare to ill-advised refugee policies to women's struggles to safeguard farms and stay alive in an atmosphere of constant danger. The war stunted the region's growth, delaying the development of Ozarks society and the processes of physical, economic, and social reconstruction. More and more, striving uplanders dedicated to modernization fought an image of the Ozarks as a land of mountaineers and hillbillies hostile to the idea of progress. Yet the dawn of the twentieth century saw the uplands emerge as an increasingly uniform culture forged, for better and worse, in the tumult of a conflicted era.

"As a member of Poster Children, Rose Marshack took part in entwined revolutions. Marshack and other women seized a much-elevated profile in music during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)-Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman's life in the trenches and online"--

In this collection of Rumi poetry, Rumi gives answers to spiritual questions that have been asked for centuries. So many readers and scholars represent Rumi as a mystical poet who can help us understand this world, help us worship God, become better humans, attain human happiness. They confuse Rumi's emphasis on Love with earthly love, and they miss his emphasis on annihilation of self. This is the reason for the title of this book: Unknown Rumi. It is a collection of 100 of Rumi's rubais (four-line poems), with commentary on each rubai by Nevit Ergin, reflecting various stages of Rumi's spiritual journey from human perception to Absence, Advaita, Nothingness. Ergin has translated all 2,217 rubais from Rumi. They are spread throughout the second half of Rumi's Divan-i Kebir. The earliest known manuscript copy of the Persian original, which was completed between 1367 CE and 1368 CE, is housed at the site of Rumi's tomb in Konya, Turkey. Photographs were taken of each page of that manuscript and reproduced for this volume, thus making it truly unique. In addition to the original Persian, each rubai is presented in its English and Turkish translations, A book for spiritual aspirants and lovers of Rumi alike.