Bøger udgivet af UNIV OF NEVADA PR

No Charity in the Wilderness is a long journey into the new American West. From the southern border to the isolating two-lane highways in the desert, this collection is a prayer of reconciliation with so much that troubles us--those who live without resources or voices--and their possible future in this ever-changing landscape of desire. Griffin has spent many decades in the high desert trying to find the way forward--when what he knows has been challenged and still there is breath on the horizon. One day an ancient Chinese poet comes to visit: "Snow deepens/ to quiet what I once believed, and Wang Wei stoops from the spine: / this is how you become silence." Even if you doubt the old poet's counsel, like Griffin, you want to journey with him into the wilderness.

In the town of Urepel, Arizona, Xabier Etxea, a young Basque-American sheep rancher, and his wife grapple with the rituals, mores, and spirituality of their heritage and the realities of living in the new American West. Their tenuous balance of the past and the present is disrupted when Xabier's father is unexpectedly killed. In the wake of this tragedy, Xabier learns that not only is the family ranch in jeopardy of foreclosure but his father's death may not have been the accident it first appeared to be. Now, he must find a way to save his family's ranch while unraveling the mysteries leading to his father's death. Along the way, Xabier strives to adhere to his father's memory and words--the invitation to stay true to who he is without losing his arima (soul). In lyrical language that evokes the mythologies that have shaped the Etxeas's worldview, White Dove, Tell Me speaks to the divided self that seeks to honor the family's Basque heritage, while they strive for understanding in a new land.

In eight brilliant essays, Fox explores many of the major playas of the American West, examining locations as diverse as Nellis Air Force Base and Frenchman Flat, where the federal government has tested experimental aircraft and atomic weaponry; the Great Salt Lake Desert, where land-speed records have been broken; and the Black Rock Desert of Northern Nevada, site of the colorful Burning Man arts festival. He analyzes the geological and climatological conditions that created the playas and the historical role that playas played in the exploration and settlement of the West. And he offers lucid and keenly perceptive discussions of the ways that artists have responded to the playas, from the ancient makers of geoglyphs to the work of contemporary artists who have found inspiration in these enigmatic spaces, including earthworks builder Michael Heizer, photographer Richard Misrach, and painter Michael Moore. The ensemble is a compelling combination of natural history, philosophy, and art criticism, a thoughtful meditation on humankind's aversion to and fascination with the void.

"The poems within Eclipse of the Sun offer homage to boxing at its grittiest levels and to fighters who persevere, with hope, blood, and bone, against sense and loss. Few professional boxers earn a living. Few world champion boxers arrive in their forties with any money left from their sport. In Eclipse of the Sun, boxers arrive at poverty rather than riches, at post-career menial jobs or worse, with no pension plan to fall back on. Perhaps the luckiest are "journeymen," "opponents" who take on upcoming fighters-with little hope of winning. These poems pay tribute to the improbable dreams of valiant men in a rough sport"--

"Weave Me a Crooked Basket is an unconventional love story featuring a makeshift coalition of farmers, artists, scientists and community members who turn a small organic farm into a work of art to save it from unscrupulous developers. Facing bankruptcy, Ursula Tunder and her polar-opposite-brother, Bodie, along with their eco-artist adopted-cousin, Nu, enlist a ragtag troupe of land-defenders in a festival of resistance"--

"This is a tale about water, money, politics, and corruption in Nevada, in both the clamor of Las Vegas and the still of the desert. It's also about the struggle of men and women to find in this inhospitable world, and in one another, the means to make a life"--

"This book introduces the reader to the 182 most common plants of Lake Mead National Recreation Area, the sixth most visited park in the U.S., with 7.5 million visitors each year. It provides pictures and descriptions of each plant, and educates the reader about basic botany, plant life forms, and the different roles of native and non-native plants and their interactions with animals. This book will substantially enhance the desert experience for visitors"--

"Frontier Fake News: Nevada's Sagebrush Humorists and Hoaxsters explores some of the earliest perpetrators of Fake News. Legendary Nevada writers like Mark Twain, Dan De Quille, Sam Davis, and others were renowned for their clever and mischievous hoaxes, satires, puns, and other witticisms designed to entertain their readers while often making a political statement"--

"Bright lights in the desert: the Latter-day Saints of Las Vegas explains how Latter-day Saints have shaped the metropolitan city which never sleeps by improving neighborhoods, inspiring educational institutions, bringing integrity to the marketplace, providing wholesome entertainment, cultural refinement, family stability, as well as community service"--

"The Reckoning of Jeanne d'Antietam is a book of history poems that circle the U.S. Civil War. The Reckoning of Jeanne d'Antietam is unlike any poetry collection that readers have encountered before. Moore makes incursions into the histories and beliefs which his poems circle primarily through architectures of sound, but also via ancillary histories, histories stacked upon histories, densely and visibly scrawled"--

"A lusty environmental picaresque, McKenzie Rising satirizes our shortfalls while celebrating our resilience and the triumph of community. As an instrument of social critique, satire operates on the premise that human folly is correctable. McKenzie Rising is intended as a spirited corrective to some of the amendable follies we lug with us as we careen on into the (post)-Trump, (post)-Corona years"--