Bøger udgivet af University of Georgia Press

Following emancipation, African Americans continued their quest for an education by constructing schools and colleges for Black students, mainly in the U.S. South, to acquire the tools of literacy, but beyond this, to enroll in courses in the Greek and Latin classics, then the major curriculum at American liberal arts colleges and universities. Classically trained African Americans from the time of the early U.S. republic had made a link between North Africa and the classical world; therefore, from almost the beginning of their quest for a formal education, many African Americans believed that the classics were their rightful legacy. The Classics in Black and White is based extensively on the study of course catalogs of colleges founded for Black people after the Civil War by Black churches, largely White missionary societies and White philanthropic organizations. Kenneth W. Goings and Eugene O'Connor uncover the full extent of the colleges' classics curriculums and showcase the careers of prominent African American classicists, male and female, and their ultimately unsuccessful struggle to protect the liberal arts from being replaced by Black conservatives and White power brokers with vocational instruction such as woodworking for men and domestic science for women. This move to eliminate classics was in large part motivated by the very success of the colleges' classics programs. As Goings and O'Connor's survey of Black colleges' curriculums and texts reveals, the lessons they taught were about more than declensions and conjugations--they imparted the tools of self-formation and self-affirmation.

A seventy-year-old Northwestern journalism professor and two twenty-something Northwestern journalism students emabarked on 14,063-mile road trip in search of America's identity. The result is this book - part oral history, part shoe-leather reporting, part search for America's future, part memoir, and part travel journal.

"The Wet Wound: An Elegy is a collection of lyric essays that discuss grief and overcoming loss. Inspired by the period of grief Norris went through in the wake of her father's death, the collection approaches death from a head-on perspective, arguing that the best way to take care of a wound, both physically and emotionally, is to open it up. It uses a medical lens to discuss grief. The essays approach the narrative through the investigation of body preservation, the history of skin grafts, or a deep dive into physical pain, but they all examine how Norris carries this fundamental loss. The text pushes against the stereotypical notion of "letting go" and "moving on." The Wet Wound: An Elegy unpacks the question of "what happens when, instead of following steps prescribed by those outside of loss, we let ourselves dwell in the grief?""--

"With cue, Siwar Masannat follows up her prize-winning debut with poems that wrestle with intimacy and distance, posing questions about privacy and circulation, gender and family, as well as ecological agency. Through intertextual and lyric experiments, Masannat engages a host of writers and artists, such as artist Akram Zaatari, photographer Hashem El-Madani, poet Joy Harjo, Sufi master Ibn 'Arabi, and the late Etel Adnan, all to offer a suggestive mapping of the slippages between ontology and cosmology"--

"Co-edited by two activists with deep experience in organizing prison books programs (PBPs), Books Behind Bars introduces readers to PBPs and their decentralized organization. PBPs are a grassroots-level and nationwide activist movement challenging the largest prison industry in the world by refusing to let incarcerated people remain isolated and forgotten. Operating on shoestring budgets, will all-volunteer workforces and donated libraries, books to prisoner programs are examples of ordinary people acting to undermine the isolation and judgment of incarceration. Although there are currently fifty-three books to prisoners groups serving in all fifty states, these programs remain relatively unknown. The goal of this book is to bring awareness to this diffuse and long-standing social movement and offer readers a way to get involved. In addition to highlighting voices from PBPs throughout the United States, the volume also includes essays, images, and artwork from independent bookstore owners, formerly and currently incarcerated folks, activists, artists, journalists, volunteers, organizers, and scholars"--

Although Malcolm Lowry (1909-1957) published only two novels-Ultramarine and Under the Volcano-in his lifetime, numerous other works, most of which have since been edited for publication, were in various stages of composition at his death. La Mordida, the longest and most significant of the manuscripts that have not been previously published, is a draft of a novel based on Lowry's visit to Mexico in 1945-46, which ended in the arrest and deportation of Lowry and his wife following a nightmarish run-in with corrupt immigration authorities. On its most immediate level, the title La Mordida-which means "the little bite," Mexican slang for the small bribe that officials are apt to demand in order to expedite matters-refers to the autobiographical protagonist's legal difficulties. In a larger sense, however, it also represents his inability to escape his past, to repay the fine, or debt, that he owes.The central narrative of La Mordida involves a descent into the abyss of self, culminating in the protagonist's symbolic rebirth at the book's end. Lowry planned to use this basic narrative pattern as the springboard for innumerable questions about such concerns as art, identity, the nature of existence, political issues, and alcoholism. Above all, La Mordida was to have been a metafictional work about an author who sees no point in living events if he cannot write about them and who is not only unable to write but suspects that he is just a character in a novel.A reading of La Mordida in the context of Lowry's aesthetic theories and psychological problems shows why he dreaded the completion of his projects to such an extent that he called success a "horrible disaster" and compared death to "the accepted manuscript of one's life." The reason, La Mordida makes clear, lies partly in the aesthetic theories that led Lowry to attempt a book that he prophetically called "something never dreamed of before, a work of art so beyond conception it could not be written."Patrick A. McCarthy's edition of La Mordida is based on materials held in the Malcolm Lowry Archive at the University of British Columbia. Its publication provides essential evidence for a balanced assessment of Lowry's creative processes and his achievement as a writer.

Mountain Time: A Field Guide to Astonishment is an essay collection that explores the inner and outer natures of remarkable human and nonhuman beings. It is a book about paying attention--with the mind and with the heart. The essays confront the ethical and personal challenges Renata Golden faced in a harsh and isolated environment and examine the power of nature to influence her understanding of the human spirit. The lessons she learned on the borders of Arizona, New Mexico, and Mexico jolted her out of her customary way of seeing the world--which is the transformative power of a thin place, where the borders between the sublime and the profane melt away. The essays call attention to the animals that are often shunned--pack rats, rattlesnakes, ants, prairie dogs, and other desert dwellers that some consider better dead than alive. Many of the animals in these essays are at risk of extinction. The essays honor these animals for the role they play in the wild world and for their unique abilities, such as cooperative societies and complex language skills. By recognizing the animals' value, Golden gives readers reasons to be moved to save them, if it's not too late.

This book examines three consecutive famines in Cambodia during the 1970s, exploring both continuities and discontinuities of all three. Cambodia experienced these consecutive famines against the backdrop of four distinct governments: the Kingdom of Cambodia (1953-1970), the U.S.-supported Khmer Republic (1970-1975), the communist Democratic Kampuchea (1975-1979), and the Vietnamese-controlled People's Republic of Kampuchea (1979-1989). Famine in Cambodia documents how state-induced famine constituted a form of sovereign violence and operated against the backdrop of sweeping historical transformations of Cambodian society. It also highlights how state-induced famines should not be solely framed from the vantage point in which famine occurs but should also focus on the geopolitics of state-induced famines, as states other than Cambodia conditioned the famine in Cambodia. Drawing on an array of theorists, including Michel Foucault, Giorgio Agamben, and Achille Mbembe, James A. Tyner provides a conceptual framework to bring together geopolitics, biopolitics, and necropolitics in an effort to expand our understanding of state-induced famines. Tyner argues that state-induced famine constitutes a form of sovereign violence--a form of power that both takes life and disallows life.

When her mother passed along a cookbook made and assembled by her grandmother, Erica Abrams Locklear thought she knew what to expect. But rather than finding a homemade cookbook full of apple stack cake, leather britches, pickled watermelon, or other "traditional" mountain recipes, Locklear discovered recipes for devil's food cake with coconut icing, grape catsup, and fig pickles. Some recipes even relied on food products like Bisquick, Swans Down flour, and Calumet baking powder. Where, Locklear wondered, did her Appalachian food script come from? And what implicit judgments had she made about her grandmother based on the foods she imagined she would have been interested in cooking? Appalachia on the Table argues, in part, that since the conception of Appalachia as a distinctly different region from the rest of the South and the United States, the foods associated with the region and its people have often been used to socially categorize and stigmatize mountain people. Rather than investigate the actual foods consumed in Appalachia, Locklear instead focuses on the representations of foods consumed, implied moral judgments about those foods, and how those judgments shape reader perceptions of those depicted. The question at the core of Locklear's analysis asks, How did the dominant culinary narrative of the region come into existence and what consequences has that narrative had for people in the mountains?

In this richly suggestive overview, a noted historian illuminates the variety and vitality of southern religion by examining three major Protestant denominational families in the region: Baptists, "Christians" (for example, the Churches of Christ), and the "of God" groups (Pentecostals, among others). Ranging in coverage from the colonial period to the present, with special emphasis on the nineteenth century, Samuel S. Hill traces the growth and diversification of each of these groups as they have sloughed off old patterns, conventions, and constraints in their never-ending searches for systems of belief and modes of expression that better embody their convictions and fit their socioeconomic situations. Throughout One Name but Several Faces, Hill turns again and again to the interrelated themes of freedom, creativity, and discontinuity that emerge from the major transitions of southern religious history: the toppling of the old Europe-influenced religious establishment and the emergence of Baptists and Methodists; the informal, unofficial "establishment" of folk religious formations; the rapid growth of separate and independent black churches and denominations; and the beginning of the Holiness and Pentecostal movements. Within this context of religious trends and events, Hill also points to other factors that have affected both the formation and the ongoing capacity for transformation of southern religious groups. Such factors include war, sectionalism, urbanization, industrialization, and new currents of thought. Internal forces are also constantly at work in the religious South, says Hill. He points to a medley of sacred and secular concerns, manifested as "freedoms," that have driven religious history from the bottom up and fueled the seemingly constant splinterings and regroupings of some denominations. Some of these ideals stem from democratic principles and the theological heritage of the Reformation; others are in response to major economic and social changes. Among them are the freedoms from church and theological systems; from constraining conventions of polite society; from domination by higher social classes or by traditions perceived as inviolate; and from restraints on holistic human expression, in spirit, body, and emotions. The story of southern religion, says Hill, is one of courage, imagination, and persistence. Not only does One Name but Several Faces bring into sharper focus some of the political, social, and economic contours of the religious South, it also affirms the value of some challenging new trends in historiography that allow for southern religious complexity and division without deadening or downplaying its dynamism.

The Percys, one the most distinguished families in the South, are notable not only for their prominence in the political and economic development of the Mississippi Delta but also for their literary creativity. In The Literary Percys, noted historian Bertram Wyatt-Brown examines the role of gender and family history in the writings of this exceptional lineage. Few families in American can claim so many gifted writers as the Percys. The best-known among them are novelist Walker Percy, who died in 1990, and his cousin and guardian, William Alexander Percy, poet and author of the classic memoir Lanterns on the Levee. In researching the family's history, however, Wyatt-Brown discovered that Walker and Will were not the first in the family to take up the pen. In the nineteenth century, four Percy-related women--Eleanor Percy Ware Lee, Catherine Ann Ware Warfield, Sarah Anne Ellis Dorsey, and Kate Ferguson--published a total of eighteen works, chiefly novels, but also books of poetry and a biography. Wyatt-Brown examines these achievements in the context of contemporary Delta society and in light of these writers' lives within a family of powerful planters and lawyers. Through these four women he also draws connections between the Percys' literary inclinations and the family's tendency toward melancholy--a disorder with which Walker Percy was burdened throughout his life. In the twentieth century, Wyatt-Brown observes, the male authors--Will and Walker Percy--reflected on the ravages of modern life using a wider range of forms, from philosophical essay to memoir to science fiction. Curiously, in composing Lancelot (1977) Walker Percy chose the gothic form that his collateral ancestors had sometimes adopted, and fashioned a plot and villainous hero bearing uncanny resemblances to those of a bestseller by Catherine Warfield, published more than one hundred years earlier. Finally, Wyatt-Brown explores Walker Percy's use of a purely male genre--namely, the mock-heroic--and how it reflected his personal and familial concerns. The Literary Percys uncovers an impressive family history and offers fascinating details about southern literary life.

This is the long-awaited second volume of Godfrey and Wooten's definitive survey of aquatic and wetland plants of the southeastern United States. It focuses on native and naturalized dicotyledons of the region and provides well-written, concise descriptions and keys for the identification of 1,084 species. A glossary of terms, list of references, separate indexes of common and scientific names, and nearly 400 well-executed drawings complete the volume. The first comprehensive survey of the aquatic and wetland plants of the Southeast, the Godfrey and Wooten volumes will prove invaluable to botanists, ecologists, college students, government agencies involved in land-use management, and nonspecialists interested in the plant life and ecology of the region.

In September 1857, Léon Chautard, Charles Bivors, and Hippolyte Paon arrived in Salem, Massachusetts. These refugees from the French Revolution of 1848 were "homeless, penniless, friendless, strangers in a strange land, among a people of strange speech," as one of their advocates, the abolitionist William Lloyd Garrison, later put it. The only thing they had was a story to tell--an affecting, yet thrilling story of revolutionary upheaval, forced exile, and hairbreadth escapes over three continents. Following the June Days uprising in Paris, the three French socialists had been transported first to Algeria, then to Cayenne. After years of hard labor, they had escaped the penal colony and made their way to the United States via British Guiana. These experiences brought them into close contact with the colonial frontiers and slave societies of the Americas. In Salem, Chautard soon published an account of their trials under the title Escapes from Cayenne (1857). His pamphlet, which has long sunk into oblivion, deserves rediscovery. Escapes from Cayenne sheds light on the ideological connections between the European "spirit of 1848" and U.S. radical abolitionism and reveals the scope of cosmopolitan solidarities available to fugitives of different national and racial origins in the mid-nineteenth-century Atlantic world. Written in English by a Frenchman, and reminiscent of literary traditions such as the slave narrative and the picaresque novel, it is a tale of adventure as well as a passionate cri de coeurfor universal justice.

Heartsick and Astonished features twenty-seven divorce cases from mid-nineteenth century America. More than dry legal documents, these cases provide a captivating window into marital life--and strife--in the border South during the tumultuous years before, during, and after the Civil War. Allison Dorothy Fredette has brought these primary documents to light, revealing the inner thoughts, legal hardships, and day-to-day struggles of these average citizens. In Wheeling, West Virginia, the seat of Ohio County, courtrooms bore witness to men and women from various ethnic, racial, and class backgrounds who shared shockingly intimate details of their lives and relationships. Some tried desperately to defend their masculinity or femininity; others hoped to restore their reputations to the legal system and to their community. In an era of uncertainty--when the country was torn in two, when the Wheeling community became the capital of a new state, and when activists across the country began to push for women's rights in the household and family--the divorce cases of ordinary couples reveal changing attitudes toward marriage, gender, and legal separation in a booming border city perched on the edge of the South.

Ecocriticism and Appalachian studies continue to grow and thrive in academia, as they expand on their foundational works to move in new and exciting directions. When researching these areas separately, there is a wealth of information. However, when researching Appalachian ecocriticism specifically, the lack of consolidated scholarship is apparent. With Appalachian Ecocriticism and the Paradox of Place, editors Jessica Cory and Laura Wright have created the only book-length scholarly collection of Appalachian ecocriticism. Appalachian Ecocriticism and the Paradox of Place is a collection of scholarly essays that engage environmental and ecocritical theories and Appalachian literature and film. These essays, many from well-established Appalachian studies and southern studies scholars and ecocritics, engage with a variety of ecocritical methodologies, including ecofeminism, ecospiritualism, queer ecocriticism, and materialist ecocriticism, to name a few. Adding Appalachian voices to the larger ecocritical discourse is vital not only for the sake of increased diversity but also to allow those unfamiliar with the region and its works to better understand the Appalachian region in a critical and authentic way. Including Appalachia in the larger ecocritical community allows for the study of how the region, its issues, and its texts intersect with a variety of communities, thus allowing boundless possibilities for learning and analysis.

The John Lovejoy Murray collection of letters contains insights into the experiences of an African American soldier and his regiment during the Civil War. John Lovejoy Murray, a private in Company E, 102nd USCT, died of disease in a Charleston hospital on April 12, 1865. Through John Murray's letters, readers can experience the war through the eyes of a literate northern Black soldier. His is the story of the soldiers who did not receive accolades for their heroic actions in battle, the ones who spent more time on picket and fatigue duty than on the front lines, the ones who died from disease more than they did of battle-related wounds. Murray's letters are significant because they are ordinary in some respects yet extraordinary in others. Some of the activities and sentiments portrayed in the letters are hardly distinguishable from those described in letters written by White soldiers. In other ways, the letters represent a perspective distinctly from a Black soldier in the Union army. Although many of his experiences may have been typical, John Lovejoy Murray himself, a literate, freeborn, northern Black man, was atypical among Union Black soldiers.

Designed specially for undergraduate course use, this new textbook is both an introduction to the study of American slavery and a reader of core texts on the subject. No other volume that combines both primary and secondary readings covers such a span of time--from the early seventeenth century to the Civil War. The book begins with a substantial introduction to the entire volume that gives an overview of slavery in North America. Each of the twelve chapters that follow has an introduction that discusses the leading secondary books and articles on the topic in question, followed by an essay and three primary documents. Questions for further study and discussion are included in the chapter introduction, while further readings are suggested in the chapter bibliography. Topics covered include slave culture, the slave-based economy, slavery and the law, slave resistance, pro-slavery ideology, abolition, and emancipation. The essays, by such eminent historians as Drew Gilpin Faust, Don E. Fehrenbacher, Eric Foner, John Hope Franklin, and Sylvia R. Frey, have been selected for their teaching value and ability to provoke discussion. Drawing on black and white, male and female experiences, the primary documents come from a wide variety of sources: diaries, letters, laws, debates, oral testimonies, travelers' accounts, inventories, journals, autobiographies, petitions, and novels.

Until recently, the American South has often been treated in isolation by historians and literary critics. In these essays five scholars of southern history and literature evaluate elements of contemporary--and future--southern experience, including place, community, culture, class, gender, and racial roles. Fred Hobson observes in his introductory essay that the U.S. South must be seen in relation to a larger world--the Caribbean and Central and South America, as well as European countries with a similar grounding in hardship and defeat. Moreover, the South can no longer be viewed in black-and-white terms--especially if the subject is race. Joel Williamson's essay challenges fellow historians to broaden their purview by getting acquainted with Gone with the Wind, Elvis Presley, and other phenomena of southern culture(s). Linda Wagner-Martin discusses the innovative ways in which contemporary southern writers such as Charles Frazier take on traditional southern concerns and shows us how "place becomes space" for Alice Walker, Barbara Kingsolver, Cormac McCarthy, and other southern-born writers whose works are often set outside the geographical South. Thadious Davis looks at the "youngsters" of southern poetry, fiction, and drama, revealing how their work reflects a racially and ethnically mixed, digitized, and otherwise reconfigured South. In the writings of Shay Youngblood, Randall Kenan, Donna Tartt, Mona Lisa Salloy, and others, one can see the collapsing of distinctions between the literary and the popular, and a greater comfort with social fluidity and mobility. The concluding essay by Edward Ayers, set in 2076, offers a witty glimpse of things-perhaps-to-come. Through a series of short dispatches from a sixteen-year-old narrator of Scottish-Ghanian-Honduran-Korean-Cherokee descent, Ayers transports us to the Consolidated South that counts Incarceration Incorporated among its largest employers. As these writings signal new depths and directions in southern historical and literary studies, they compose a witty and erudite album of snapshots, revealing a region on the verge of big changes.

Addresses a range of issues surrounding the search for scientific truths in the study of international conflict and international political economy. Unlike empirical studies in other disciplines, says Seung-Whan Choi, many political studies seem more competent at presenting theoretical conjecture and hypotheses than they are at performing rigorous empirical analyses.

Whether used on its own or in conjunction with Cultural Theory and Popular Culture: An Introduction, this reader is a theoretical, analytical, and historical introduction to the study of popular culture within cultural studies. The readings cover the culture and civilization tradition, culturalism, structuralism and poststructuralism, Marxism, feminism, and postmodernism, as well as current debates in the study of popular culture. New to this edition: Four new readings by Stuart Hall, Ernesto Laclau and Chantal Mouffe, Judith Butler, and Savoj ZizekFully revised general and section introductions that contextualize and link the readings with key issues in Cultural Theory and Popular Culture: An IntroductionFully updated bibliography Ideal for courses in: cultural studiesmedia studiescommunication studiessociology of culturepopular culturevisual studiescultural criticism

At once upholding and refuting the South's conservative image, The Countercultural South explores the politically divergent cultures of resistance created by poor white and working-class black southern men. With humor and insight, Jack Temple Kirby traces these racially and politically opposed cultures back to the antebellum encounter between the anti-capitalistic South and the capitalist individualism identified with the North. In a wide-ranging discussion encompassing the blues, sharecropping, and contemporary black intellectuals, Kirby shows how the needful practice of black labor bargaining in the South resulted in a progressive black tradition of verbal negotiation. The conservative separatism and retro-resistance of rural whites, Kirby argues, is embedded in an inherited and adversarial frontier ethos valuing self-sufficiency and access to wilderness. With the southern landscape imaginatively as well as factually linked to social class, crime--particularly forest arson--becomes the most important form of southern white countercultural expression. Kirby continues his look at white resistance in a review of "redneck" discourse, examining the public reputation of southern whites through a range of cultural phenomena, from literature to country music to the computer network known as BUBBA-L. Original, personal, and artfully written, The Countercultural South offers fresh reflections on southern exceptionalism in American political life and culture.

The influence of sedimentary geology on the strategy, combat, and tactics of the American Civil War is a subject that has been neglected by military historians. Sedimentary geology influenced everything from the nature of the landscape (flat vs. rolling terrain) to the effectiveness of the weapons (a single grain of sand can render a rifle musket as useless as a club). Sand, Science, and the Civil War investigates the role of sedimentary geology on the campaigns and battles of the Civil War on multiple scales, with a special emphasis on the fighting along the coastlines. At the start of the Civil War the massive brick citadels guarding key coastal harbors and shipyards were thought to be invincible to artillery attack. The Union bombardment of Savannah's key defensive fortification, Fort Pulaski, demonstrated the vulnerability of this type of fortress to the new rifled artillery available to the Union; Fort Pulaski surrendered within a day. When the Union later tried to capture the temporary sand fortifications of Battery Wagner (protecting Charleston) and Fort Fisher (protecting Wilmington) they employed similar tactics but with disastrous results. The value of sand in defensive positions vastly minimized the Federal advantage in artillery, making these coastal strongpoints especially costly to capture. Through this geologically centered historic lens, Scott Hippensteel explores the way sediments and sedimentary rocks influenced the fighting in all theaters of war and how geologic resources were exploited by both sides during the five years of conflict.