Bøger udgivet af University of Illinois Press

Written by an award-winning composer whose music has been performed in the US, Europe, and the Far East, this title combines the whimsical and the treacherous into a chronicle that takes in various things from the KGB to Macy's store windows, Alcatraz to the Beach Boys, Hollywood thrillers to the United Nations, Joseph Stalin to Shirley Temple.

William R. Catton, Jr., is professor of sociology at Washington State University and author of From Animistic to Naturalistic Sociology and more than seventy-five articles in such journals as American Sociologist, Social Science Quarterly, Journal of Forestry, and BioScience. ¿

The founder of the American Nazi party and its leader until he was murdered in 1967, George Lincoln Rockwell was a significant extremist strategists and ideologists of the postwar period. This biography is an assessment of the American Nazi party and a study of the roots of neo-nazism, neo-fascism, and White Power extremism in postwar America.

"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.

A nuanced exploration of one of the largest and least understood indigenous peoples

The premier study of an incomparable American director

Shannon's major precept, that all communication is essentially digital, is commonplace among the digitalia that many wonder why Shannon needed to state such an obvious axiom.

The only comprehensive history of figure skating in over forty years

Presenting a portrait of Nietzsche the man, this book offers a study of the poetic, psychological, religious, and mystical aspects of his thought. Its introduction examines the circumstances that brought the author and Nietzsche together and the ideological conflicts that drove them apart.

Opening on a scene of tawdry sensationalism, this novel shifts decisively to a world of black middle-class respectability, defined by intellectual values, professional ambition, and an acute consciousness of class and racial identity.

Renders the furious ebb and flow of the two-day battle, capturing both the evolving strategies of each side and the horrendous experience of the fight. This book draws from hundreds of diaries, letters, memoirs, interviews, official reports, and regimental histories.

This book explores not only the meaning of dance in African American life but also the ways in which music, song, and dance are interrelated in African American culture. Beyond that it has been, finally, one of the most important means of cultural survival.

Discrimination by Design is a fascinating account of the complex social processes and power struggles involved in building and controlling space. Leslie Kanes Weisman offers a new framework for understanding the spatial dimensions of gender and race as well as class. She traces the social and architectural histories of the skyscraper, maternity hospital, department store, shopping mall, nuclear family dream house, and public housing high rise. Her vivid prose is based on exhaustive research and documents how each setting, along with public parks and streets, embodies and transmits the privileges and penalties of social caste. In presenting feminist themes from a spatial perspective, Weisman raises many new and important questions. When do women feel unsafe in cities, and why? Why do so many homeless people prefer to sleep on the streets rather than in city-run shelters? Why does the current housing crisis pose a greater threat to women than to men? How would dwellings, communities, and public buildings look if they were designed to foster relationships of equality and environmental wholeness? And how can we begin to imagine such a radically different landscape? In exploring the answers, the author introduces us to the people, policies, architectural innovations, and ideologies working today to shape a future in which all people matter. Richly illustrated with photographs and drawings, Discrimination by Design is an invaluable and pioneering contribution to our understanding of the issues of our time--health care for the elderly and people with AIDS, homelessness, racial justice, changing conditions of work and family life, affordable housing, militarism, energy conservation, and thepreservation of the environment. This thoroughly readable book provides practical guidance to policymakers, architects, planners, and housing activists. It should be read by all who are interested in understanding how the built environment shapes the experiences of their daily

A history of the Circe myth.

Marx made creative use of dialectical method to analyze the origins, operation, and direction of capitalism. This book offers an analysis of Marx's use of the dialectical method. It not only sheds new light on what Marx really meant in his varied theoretical pronouncements, but also makes it possible for the reader to put the dialectic to work.

Feminist digital humanities offers opportunities for exploring, exposing, and revaluing marginalized forms of knowledge and enacting new processes for creating meaning. Lisa Marie Rhody and Susan Schreibman present essays that explore digital humanities practice as rich terrain for feminist creativity and critique. The editors divide the works into three categories. In the first section, contributors offer readings that demonstrate how feminist thought can be put into operation through digital practice or via analytical approaches, methodologies, and interpretations. A second section structured around infrastructure considers how technologies of knowledge creation, publication, access, and sharing can be formed or reformed through feminist values. The final section focuses on pedagogies and proposes feminist strategies for preparing students to become critical and confident readers with and against technologies. Aimed at readers in and out of the classroom, Feminist Digital Humanities reveals the many ways scholars have pushed beyond critique to practice digital humanities in new ways. Contributors: Daniela Agostinho, Monika Barget, Jenny Bergenmar, Susan Brown, Tanya E Clement, Katrine Dirckinck-Holmfeld, Jaime Lee Kirtz, Cecilia Lindhé, Laura Mandell, Lisa Marie Rhody, Mark Sample, Susan Schreibman, Andie Silva, Nikki L. Stevens, Ravynn K. Stringfield, Dhanashree Thorat, Nanna Bonde Thylstrup, Kristin Veel, Astrid von Rosen, and Jacqueline Wernimont

"In the nineteenth century, opera emerged as a Cantonese regional culture and soon followed the Chinese diaspora to San Francisco. Nancy Yunhwa Rao brings to light the ways Chinese theaters became woven into the financial, political, social, and family life of diaspora communities in California and beyond. Chinese opera theater found brick-and-mortar homes with San Francisco theaters like the Hing Chuen Yuen and the Donn Qui Yuen. But troupes had already taken Chinese theater to railroad workers, mining towns, and cities with established diaspora communities. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Inside Chinese Theater is an expert and eloquent journey into the early decades of Chinese opera in America"--