Bøger udgivet af University of Illinois Press

"The founding and development of the Church of Jesus Christ of Latter-day Saints run parallel to the rise of the modern tax system and administrative state. Samuel D. Brunson looks at the relationships between the Church and various federal, state, local, and international tax regimes. The church and its members engage with the state as taxpayers and as members of a faith exempt from taxes. As Brunson shows, LDS members and the Church have at various times enacted, enforced, and collected taxes while also challenging taxes in the courts and politics. Brunson delves into the ways LDS members used their status as taxpayers to affirm themselves as citizens and how outsiders have attacked the Church's tax-exempt status to delegitimize it. Throughout, Brunson uses the daily interactions between the Latter-day Saints and taxation to explain important and inevitable holes in the wall between church and state. Enlightening and informed, Between the Temple and the Tax Collector provides general readers and experts alike with a new perspective on a fundamental issue"--

"Every four years, the Winter Olympics become a focal point for activism and resistance. But in the modern era, mere bids to host the Games have sparked fierce opposition from groups motivated by local or global concerns. Russell Field edits a collection that charts the evolution of protest around the Winter Games and illuminates the issues at the heart of anti-Olympic activism. The essays collectively explore the shifting dynamics and power relations between the civic coalitions that pursue the Winter Olympics and the social movements that oppose their efforts. The contributors look at specific Games impacted by dissent and probe the issues that swirled around failed and withdrawn bids. In addition, contributions on the contemporary Olympics describe current or future bids while delving into the campaigns demanding host nations pay attention to economic, social, humanitarian, and environmental concerns. A first-of-its-kind collection, Winters of Discontent profiles the wide range of activists and social movements that have organized against the Winter Olympics"--

"Histories of phonographic technologies and industries have long overlooked the East and Southeast Asian contributions to the sonic dimension of global modernity. Fumitaka Yamauchi and Ying-fen Wang address this one-side perspective with a collection of essays that show the nations of the Pacific Rim as vibrant contributors to and participants in human audible history. A roster of experts on countries from Japan to Malaysia explores the complicated relationship between the gramophone industry and music genres in East and Southeast Asia. Extending the boundaries of their research across multiple disciplines, the contributors connect the gramophone industry to theories surrounding phonography and modernity. Their focus on phonography combines an interest in discs with an interest in the sounds contributing to the recent sonic-auditory turn in sound studies. Ambitious and expansive, Phonographic Modernity examines the bloc of East and Southeast Asia within the larger global history of sound recording"--

New business models have splintered journalists' once-monolithic professional culture. Where the organization once had little sway in the newsroom, in today's journalism ecosystem, owners and management influence newsgathering more than ever. Using rich interviews and participant observation, Patrick Ferrucci examines institutions with funding mechanisms that range from traditional mogul ownership and online-only nonprofits to staff-owned cooperatives and hedge fund control. The variations in market models have frayed the tenets of professionalization, with unique work cultures emerging from each organization's focus on its mission and the implantation of its own processes and ethical guidelines. As a result, the field of American journalism no longer shares uniform newsgathering practices and a common identity, a break with the past that affects what information we consume today and what the press will become tomorrow. An inside look at a fracturing profession, The Organization of Journalism illuminates the institution's expanding impact on newsgathering and the people who practice it.

"In 1904, Edmund J. James inherited the leadership of an educational institution in search of an identity. His sixteen-year tenure transformed the University of Illinois from an industrial college to a major state university that fulfilled his vision of a center for scientific investigation. Winton U. Solberg and J. David Hoeveler provide an authoritative account of a pivotal time in the university's evolution. A gifted intellectual and dedicated academic reformer, James began his tenure facing budget battles and antagonists on the Board of Trustees. But he successfully pushed for a state tax to provide a fund for university needs while cultivating alumni willing to fund the university's expansion. James' growing popularity gained the support of voters while increased support from the board aided his successful campaigns to address the problems faced by women students, expand graduate programs, create a university press, reshape the library and faculty, and unify the colleges of liberal arts and sciences. James also imposed his belief in scientific thinking on all areas of study and followed one of his scholarly passions into forming a top school for classical learning. Throughout, the authors explore the political milieu and the personalities around James to draw a vivid portrait of his life and times. The authoritative conclusion to a four-part history, Edmund J. James and the Making of the Modern University of Illinois, 1904-1920 tells the story of one man's mission to create a university worthy of the state of Illinois"--

"The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history"--

"The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history"--

"As Ice Age glaciers left behind erratics, so the external forces of history tumbled the Irish into America. Existing both out of time and out of space, a diverse range of these Roman-Catholic immigrants saw their new country in a much different way than did the Protestants who settled and claimed it. These erratics chose backward looking tradition and independence over assimilation and embraced a quintessentially Irish form of subversiveness that arose from their culture, faith, and working-class outlook. David M. Emmons draws on decades of research and thought to plumb the mismatch of values between Protestant Americans hostile to Roman Catholicism and the Catholic Irish strangers among them. Joining ethnicity and faith to social class, Emmons explores the unique form of dissidence that arose when Catholic Irish workers and their sympathizers rejected the beliefs and symbols of American capitalism. A vibrant and original tour de force, History's Erratics explores the ancestral roots of Irish nonconformity and defiance in America"--