Bøger udgivet af University of New Mexico Press

The transnational modernist Mina Loy (1882-1966) embodied the avant-garde in many literary and artistic media. This book positions her as a theorist of the avant-garde and of what it means to be an artist.

Iconography is undergoing a revival in twenty-first-century American Catholicism. William Hart McNichols, who paints in his studio in New Mexico, is one of the most popular iconographers of this renaissance, and this book comprises a selection of his icons and sacred images. The book presents images of holy women and holy men as well as images of Mary and Jesus.

Around the world, indigenous peoples are returning to traditional foods and cooking methods to reestablish healthy lifeways. Food Sovereignty the Navajo Way is the first book to focus on the dietary practices of the Navajos from the earliest known times into the present and relate them to the Navajo Nation's participation in the Food Sovereignty movement.

This exploration of Iberian, Latin American, and US-Hispanic representations of Christ focuses on outliers in art, literature, and theology: Spanish painter Salvador Dali, Mexican muralist Jose Clemente Orozco, Argentine writer Jorge Borges, Spanish existentialist Miguel de Unamuno, Brazilian theologian Leonardo Boff, and Mexican philosopher Jose Vasconcelos.

Equal under the Sky is the first historical study of Georgia O'Keeffe's complex involvement with, and influence on, US feminism from the 1910s to the 1970s.

Following the Spanish conquest of Mexico in the early 1500s, Franciscan, Dominican, and Augustinian friars fanned out across the central and southern areas of the country, founding hundreds of mission churches and monasteries to evangelize the Native population. This book documents more than 120 of these remarkable sixteenth-century sites in duotone black-and-white photographs.

In a new approach to environmental photography, Dana Fritz explores the world's largest enclosed landscapes: Arizona's Biosphere 2, Cornwall's Eden Project, and Nebraska's Lied Jungle and Desert Dome at the Henry Doorly Zoo. Together, these architectural and engineering marvels stand as working symbols of our complex relationship with the environment.

Tells the remarkable story of a group of nuns who travelled halfway around the globe in the seventeenth century to establish the first female Franciscan convent in the Far East. Drawing from a manuscript from one of the nuns, other archival sources, and rare books, this study offers a fascinating view of travel, evangelization, and empire.

The work of Argentine photographer Leandro Katz is presented here in dialogue with the nineteenth-century artist Frederick Catherwood, whose images of Maya ruins have fascinated viewers for more than a century. Katz's photos, most of which are previously unpublished, are presented alongside an essay by Jesse Lerner.

Focusing on central Mexico and the Andes, the contributors to this volume deepen scholarly knowledge of colonial history and literature, emphasizing the different ways people became and lived their lives as ""indios"". This book presents new archival research and interpretive thinking, offering new material and a new approach to the subject.

Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films. This book highlights the voices and stories of some of these directors from Brazil, Chile, Argentina, and Mexico.

Offers a fresh and nostalgic look at the streamliners of the Santa Fe railroad from the late thirties to the early seventies. Historic photographs, promotional posters, and art capture the charm of travelling by rail throughout the Southwest on classics such as the Super Chief, the Chief, El Capitan, and the San Francisco Chief.

Presents imaginative and distinctive approaches to the practice of history through a series of essays on colonial Latin America. Sidestepping more conventional approaches that divide content by subject, source, or historiographical ""turn"", the editors of this volume take readers beyond these divisions and deep into the process of historical interpretation.

This cookbook is a New Mexico classic. It features an assortment of recipes from the kitchens of New Mexico homes and restaurants, many of which have been featured in the pages of New Mexico Magazine. Inside you will learn how to prepare chile and how to build an horno as well as find recipes for traditional favorites including tortillas, guacamole, posole, biscochitos, sopaipillas, and sangria.

Looks at ecological and human processes across time that either reinforce or destroy the notion of ""Eden"". Focusing on poetic intersections of nature and culture in relation to ecological and social imbalance, the work consists of large-scale photographic images that tend toward immersive installation, as is characteristic of much of Meridel Rubenstein's art.

Identities of power and place, as expressed in paintings from the periods before and after the Spanish conquest of Mesoamerica, are the subject of this book of case studies from Central Mexico, Oaxaca, and the Maya area. These sophisticated, skillfully rendered images occur with architecture, in manuscripts, on large pieces of cloth, and on ceramics.

Examines Native American women's autobiographical discourses and argues that the complexity of these life stories resists generic classifications. The ""sovereign stories"" and ""blood memories"" not only reveal the multiple layers of history and identity shared by each author but demonstrate how their narratives are grounded in ancestral memory and land.

Robert Duncan's nine lectures on Charles Olson, delivered intermittently from 1961 to 1983, explore the modernist literary background and influences of Olson's influential 1950 essay ""Projective Verse"". These transcribed talks pay tribute to Olson and expand our knowledge of Duncan's vision of modernist writing.

The correspondence of Robert Duncan and Charles Olson is one of the foundational literary exchanges of twentieth-century American poetry. The 130 letters collected in this volume begin in 1947 and continue to Olson's death in January 1970. More than a literary correspondence, An Open Map gives insight into an essential period of poetic advancement in cultural history.

San Marcos, one of the largest late prehistoric Pueblo settlements along the Rio Grande, was a significant social, political, and economic hub both before Spanish colonization and through the Pueblo Revolt of 1680. This volume provides the definitive record of a decade of archaeological investigations at San Marcos, ancestral home to Kewa and Cochiti descendants.

Provides new perspectives into a subject that historians have largely overlooked. The contributors use fresh archival research from Spain, Portugal, Brazil, Bolivia, Mexico, and the Philippines to examine the lives of slaves and farmworkers as well as self-serving magistrates, bishops, and traders in contraband. The authors show that corruption was a powerful discourse in the Atlantic world.

Provides the first full account of Native American experiences from the 1930s to 1945 and the first to offer the Indians' perspective. Included are the voices and recollections of Indian men who resisted the draft, of those who fought in Europe and the Pacific, and of Indian women on the homefront.

With technical mastery and remarkable empathy, Canaday introduces readers to the people involved in the creation and testing of the first atomic bomb, from initial theoretical conversations to the secretive work at Los Alamos. Critical Assembly also includes brief biographies, notes, and a bibliography for further exploration about this critical event in world history.

Most books about Western ghost towns and historical artifacts abound in sentiment. They comfort us with the illusion that we can recover what has been lost. What They Left Behind reminds us that time carries us onward despite our wishes to remain in the past.

Georgia O'Keeffe mistrusted words. She claimed color as her language. Nevertheless, in the course of her long life, the great American painter wrote thousands of letters. Jennifer Sinor's Letters Like the Day honors O'Keeffe, her modernist landscapes, and, crucially, the value of letter writing. In the painter's correspondence, we find an intimacy with words that is all her own.

Vividly rendered with strong characters and a dose of magical realism, this innovative glimpse of one Indian family trying to maintain tribal culture in the midst of rapid transformation resonates with issues native peoples currently face.

Analyses US-Venezuelan relations during the 1950s and 1960s as a case study for the broader political dynamics of the hemisphere and beyond during the critical period of the global Cold War. The author addresses the perception that US foreign policy toward Latin America was an overwhelming failure.

The poems in Family Resemblances unfold in a series of overlapping narratives in which characters struggle with injury and healing, violence and fear, courage and forgiveness. Throughout this beautiful volume, the multiple meanings of family are questioned through careful attention to the often conflicting notions of connection, inheritance, absence, and escape.