Bøger udgivet af University of North Texas Press

John Gregory Bourke kept a monumental set of diaries as aide-de-camp to Brigadier General George Crook. Volume 1 begins during the 1872 Apache campaigns and dealings with Cochise. Bourke's ethnographic notes on the Apaches continues with further observations on the Hopis in 1874. The next year he turned his pen on the Sioux and Cheyenne during the 1875 Black Hills Expedition, writing some of his most jingoistic comments in favor of Manifest Destiny. This volume culminates with the momentous events of the Great Sioux War and vivid descriptions of the Powder River fight and the Battle of the Rosebud. Charles M. Robinson III extensively annotates the volume and includes a biographical appendix on the Indians, civilians, and military personnel named. "This is an enormous contribution to our understanding of the American West."--Robert Wooster, author of The Military and United States Indian Policy, 1865-1903 "Bourke's writings are keenly insightful, filled with color, and replete with a Who's Who of the American West and Old Army."--Paul L. Hedren, author of Fort Laramie and the Great Sioux War

Ferdinand Lindheimer was already renowned as the father of Texas botany when, in late 1852, he became the founding editor of the Neu-Braunfelser Zeitung, a German-language weekly newspaper for the German settler community on the Central Texas frontier. His first year of publication was a pivotal time for the settlers and the American Indians whose territories they occupied. Based on an analysis of the paper's first year--and drawing on methods from documentary and narrative history, ethnohistory, and literary analysis--Daniel J. Gelo and Christopher J. Wickham deliver a new chronicle of the frontier in 1853. Lindheimer reports in detail on the area's Indian peoples. Some Lipan Apaches are killed when the army does not learn of their peaceful intentions; restitution is made at Fredericksburg. The Penateka band of Comanches honors the peace agreement they signed with the Germans six years earlier, but their days in the region are numbered.

In The Business of Sustainability in Fashion, Iva Jestratijevic has written a book that should be on the reading list of every fashion student, educator, and consumer of fashion. It is unique in its focus on critical and creative thinking surrounding corporate and consumer sustainability while succinctly illustrating how interdependent the challenges of being sustainable are. As the world becomes more aware of the urgency of climate change, landfill overuse, and protecting precious resources, this book can be used as a primer for understanding the problems and exploring solutions. Those who are interested in "doing something" will benefit from reading this book, which takes a complex issue and breaks it down into understandable pieces. For educators this is especially important because it provides both the insights and the roadmap needed to guide students through the complexity of being sustainable. Using examples from fashion businesses, this book also covers the key theories underlying the concept of sustainability and their application in fashion sourcing, manufacturing, marketing, and retailing.

During World War II the United States mobilized its industrial assets to become the great "Arsenal of Democracy" through the cooperation of the government and private firms. The Dallas Story examines a specific aviation factory, operated by the North American Aviation (NAA) company in Dallas, Texas. Terrance Furgerson explores the construction and opening of the factory, its operation, its relations with the local community, and the closure of the facility at the end of the war. Prior to the opening of the factory in 1941, the city of Dallas had practically no existing industrial base. Despite this deficiency, the residents quickly learned the craft of manufacturing airplanes, and by the time of the Pearl Harbor attack the NAA factory was mass-producing the AT-6 trainer aircraft. The entry of the United States into the war brought about an enlargement of the NAA factory, and the facility began production of the B-24 Liberator bomber and the famed P-51 Mustang fighter. By the end of the war the Texas division of NAA had manufactured nearly 19,000 airplanes, making it one of the most prolific U.S. factories.

An elite team of reporters brought the Great War home each week to ten million readers of the Saturday Evening Post. As America's largest circulation magazine, the Post hired the nation's best-known and best-paid writers to cover World War I. The Weekly War provides a history of the unique record Post storytellers created of World War I, the distinct imprint the Post made on the field of war reporting, and the ways in which Americans witnessed their first world war. The Weekly War includes representative articles from across the span of the conflict, and Chris Dubbs and Carolyn Edy complement these works with essays about the history and significance of the magazine, the war, and the writers. By the start of the Great War, the Saturday Evening Post had become the most successful and influential magazine in the United States, a source of entertainment, instruction, and news, as well as a shared experience. World War I served as a four-year experiment in how to report a modern war. The news-gathering strategies and news-controlling practices developed in this war were largely duplicated in World War II and later wars. Over the course of some thousand articles by some of the most prolific writers of the era, the Saturday Evening Post played an important role in the evolution of war reporting during World War I.

Firearms of the Texas Rangers, which includes more than 180 photographs, tells the history of the Texas Rangers primarily through the use of their firearms. Author Doug Dukes narrates famous episodes in Ranger history, including those of Jack Hays and the Paterson, the Walker Colt, the McCulloch Colt Revolver (smuggled through the Union blockade during the Civil War), and the Frontier Battalion and their use of the Colt Peacemaker and Winchester and Sharps carbines. Readers will delight in learning of Frank Hamer's marksmanship with his Colt Single Action Army and his Remington, along with Captain J. W. McCormick and his two .45 Colt pistols. "[Firearms of the Texas Rangers] will undoubtedly appeal to serious Ranger historians, arms students and casual readers. With a battalion full of fascinating original source information and interviews, Dukes offers riveting reading about the ever-changing guns, ammunition and tactics of this highly respected force. As a former lawman, Dukes knows firsthand the work."--True West

"When New Mexico became part of the United States, the territory contained 295 land grants, the largest of these being the Maxwell Land Grant. The size and boundaries of the grant were disputed, with some believing that much of the land was public domain. Settlers on this land were fought not only by the land grant owners but also by a group of corrupt politicians and lawyers-known as the Santa Fe Ring (most notably Thomas Catron and Stephen Elkins)-who tried to use the situation for personal profit and land acquisition. The fight escalated in late 1875 with the assassination of Reverend F. J. Tolby, an outspoken critic of the Santa Fe Ring. In a confession one of the assassins stated that men connected to the ring had paid to have Tolby killed. Outrage, civil unrest, and more murders followed. The town of Cimarron alone was the scene of a lynching, a barroom gunfight in the St. James Hotel involving legendary gunman Clay Allison, and a nighttime murder of a prisoner. For a time the troubles in New Mexico were ignored by the federal government. But in 1878 the murder of John Tunstall set off a wave of violence known as the Lincoln County War. Following that, a letter came to light that appeared to show that the governor of the territory, Samuel B. Axtell, planned a mass execution of critics of the Santa Fe Ring, who he considered to be agitators in the Colfax County troubles. Finally, officials in Washington took notice and sent Frank W. Angel with orders to investigate the violence, murders, and corruption that plagued the territory. Following his investigation, Angel concluded, "It is seldom that history states more corruption, fraud, mismanagement, plots and murders, than New Mexico, has been the theatre under the administration of Governor Axtell." The actions taken as a result of Angel's investigation wouldn't end the violence in New Mexico, but they did lead to the end of the Colfax County War."--

The first systematic inquiry into the Texas Rangers did not begin until 1935 with Walter Prescott Webb's publication The Texas Rangers. Since then numerous works have appeared on the Rangers, but no volume has been published before that covers the various historians of the Rangers and their approaches to the topic. Editors Bruce A. Glasrud and Harold J. Weiss Jr. gather essays that profile individual historians of the Texas Rangers, explore themes and issues in Ranger history, and comprise archival research, biographies, and autobiographies. Several approaches in Texas historiography have influenced the writings on the Texas Rangers and serve to organize the chapters in the volume. Traditionalists (Chuck Parsons, Stephen L. Moore, and Bob Alexander) stress the revered happenings in the nineteenth century that brought about the Lone Star state and its empire-building Ranger force. To these historical writers the Texas Rangers were part of a golden age. Revisionists (Robert M. Utley, Louis R. Sadler, and Charles H. Harris) pull back from this adulation, emphasize the importance of overlooked ethnic and racial groups, and point out misbehavior on the part of Rangers. They also want to separate fact from fiction. Some Ranger historians (Frederick Wilkins and Mike Cox) straddle both traditional and revisionist approaches in their works. The final group, Cultural Constructionalists (Gary Clayton Anderson, Américo Paredes, and Monica Muñoz Martinez), continue the work of Revisionists and focus on an interconnected past that includes theoretical approaches and the study of memory and regional identities.

"When America entered World War II in 1941, it was first left to the Army Air Forces to take the fight to Germany. In January 1942 the US Eighth Air Force was created and ordered to England, even though it was without men, equipment, or airplanes. This is the story of Brigadier General Ira C. Eaker's two years with VIII Bomber Command and later as commander of the Eighth, as he worked to grow it into a force capable of striking German targets from above twenty thousand feet. Initially promised one hundred airplanes and the men to fly them, he soon discovered "his" bombers were often diverted to the North Africa and Pacific theaters. Along the way Eaker faced other critical issues, including atrocious weather, heavy casualties, and the absence of escort fighters. Meanwhile, the head of the Army Air Forces, General "Hap" Arnold, clashed with and criticized Eaker for not flying more missions with more airplanes. Ultimately, as the air war unfolded, the war of words behind the scenes continued until the generals reached a point of irreconcilable differences and Arnold relieved Eaker of command. In spite of this, the "Mighty Eighth Air Force" continued to pummel the Germans. Not once, not even in the two absolute worst air battles of the war-the Schweinfurt missions of 1943, each of which cost one of every four bombers and six hundred-plus men for each mission-did the Eighth ever turn back before reaching their target. Not until after the first two years was there a fighter that could escort the heavy bombers, the B-17s and B-24s, even partway into Germany, much less to targets near the Vienna border, and return. The story of the first two years of the "Mighty Eighth Air Force" in many senses presents an even stronger case for heroism, dedication, and simple self-sacrifice than that depicting events in the final seventeen months"--

Our Stories: Black Families in Early Dallas enlarges upon two publications by the late Dr. Mamie McKnight's organization, Black Dallas Remembered--First African American Families of Dallas (1987) and African American Families and Settlements of Dallas (1990). Our Stories is the history of Black citizens of Dallas going about their lives in freedom, as described by the late Eva Partee McMillan: "The ex-slaves purchased land, built homes, raised their children, erected their educational and religious facilities, educated their children, and profited from their labor." Our Stories brings together memoirs from many of Dallas's earliest Black families, as handed down over the generations to their twentieth-century descendants. The period covered begins in the 1850s and goes through the 1930s. Included are detailed descriptions of more than thirty early Dallas communities formed by free African Americans, along with the histories of fifty-seven early Black families, and brief biographies of many of the early leaders of these Black communities. The stories reveal hardships endured and struggles overcome, but the storytellers focus on the triumphs over adversity and the successes achieved against the odds. The histories include the founding of churches, schools, newspapers, hospitals, grocery stores, businesses, and other institutions established to nourish and enrich the lives of the earliest Black families in Dallas.

This anthology collects the ten winners of the 2022 Best American Newspaper Narrative Writing Contest at UNT's Mayborn Literary Nonfiction Conference. First place winner: Jason Fagone, "The Jessica Simulation: Love and Loss in the Age of A.I.," about one man's attempt to still communicate with his dead fiancée (San Francisco Chronicle). Second place: Jenna Russell, Penelope Overton, and David Abel, "The Lobster Trap" (The Boston Globe and Portland Press Herald). Third place: Jada Yuan, "Discovering Dr. Wu" (The Washington Post).Runners-up include Lane DeGregory, "Who Wants to Be a Cop? (Tampa Bay Times); Christopher Goffard, "The Trials of Frank Carson" (Los Angeles Times); Evan Allen, "Under the Wheel" (The Boston Globe); Mark Johnson, "A Wisconsin Mom Gave Birth in a COVID-19 Coma before Slipping to the Brink of Death" (Milwaukee Journal Sentinel); Annie Gowen, "A Dance, Not a War" (The Washington Post); Peter Jamison, "They'd Battled Addiction Together. Then Lockdowns became a 'Recipe for Death'" (The Washington Post); and Douglas Perry, "The Obsession" (The Oregonian / Oregon Live). GAYLE REAVES was a projects reporter and assistant city editor for The Dallas Morning News, where she was part of the team that won the 1994 Pulitzer Prize in International Reporting. In 1990, along with two colleagues, she received the George Polk Award.

"In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876-1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protâegâe, Dora Poteet Barclay (1903-1961), a Waco native, exhibited such musical potential that she was hired by SMU the day after her graduation. Taking over the organ program upon Cassidy's retirement, Barclay broadened the pedagogical horizons for her students. The great French composer Marcel Duprâe, with whom she briefly studied, extolled Barclay's talents: "She is my best American student!" Many of her own students achieved great professional heights as performers and church musicians. With the hiring of Robert Theodore Anderson (1934-2009), SMU solidified its reputation as a school able to provide excellence not only in performance training but also in scholarship. A Chicago native who studied in New York and in Germany, Anderson represented a new, modern outlook to teaching and performance. He was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. Through his example and guidance, organists were taught to think critically, whether about music or any other subject, and to attain excellence in the craft of organ performance. During the 1980s Anderson consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center, an organ that would influence concert hall instruments in subsequent decades. These three pedagogues played important roles in the development of the musical curriculum as well as the building of important organs on the SMU campus and around the city, each in their own ways nurturing the practice of sacred music in North Texas"--

"Archive Activism is a memoir of activism rooted in a new way to converse with history by rescuing it. Archive activists discover documents and other important materials often classified, "gone missing," or sealed that somehow escaped the fireplace or shredder. It is an approach to LGBTQ advocacy and policy activism based on citizen archivery and original archival research to effect social change. Research=Activism is the formula growing out of Charles Francis's personal story as a gay Texan born and raised during the 1950s and 1960s in Dallas. The rescues range in time and place from Francis's first encounter with a raucous, near-violent religious demonstration in Fort Worth to attics loaded with forgotten historic treasures of LGBTQ pioneers. Archive Activism tells how Francis helped Governor George W. Bush achieve his dream of becoming president in 2000 by reaching out to gay and lesbian supporters, the first time a Republican candidate for president formally met with gay and lesbian Americans. This inspired Francis to engage with deleted LGBTQ history by forming a historical society with an edge, a new Mattachine Society of Washington, DC. For the first time, Archive Activism reveals how LGBTQ secrets were held for decades at the LBJ Presidential Library in the papers of President Johnson's personal secretary, sealed until her death at age 105. Mattachine's signature discovery is a federal attorney's classified assault blandly filed under "Suitability" at the National Archives: "What it boils down to is that most men look upon homosexuality as something uniquely nasty." Archive Activism is not only a memoir but also an essential roadmap for activists from any group armed only with their library cards"--

"My Darling Boys is the story of a New Mexico farm family whose three sons were sent to fight in World War II. All flew combat aircraft in the Army Air Forces. In 1973 one of the boys, Oscar Allison, a B-24 top turret gunner and flight engineer, wrote a memoir of his World War II experiences. On a mission to Regensburg, Germany, his bomber, ravaged by German fighters, was shot down. He was captured and spent fifteen months in German stalag prisons. His memoir, the core of this unique book, details his training, combat, and prisoner-of-war experience in a truthful, introspective, and compelling manner. Fred H. Allison, the author and Oscar's nephew, gained access to family letters that supplement Oscar's story and bring to light the experiences of Oscar's brothers. Harold Allison, the author's father, was sidelined from combat as a bomber copilot due to a health condition. The letters also tell of the brother who did not come home, Wiley Grizzle Jr., a P-51 fighter pilot. Wiley's last mission brought his squadron of Mustangs into a pitched battle with German fighters bound for the front to attack American troops. The letters also introduce the boys' family, who fought the battle of the home front on their farm in New Mexico. Allison reveals the burden home folks bore for their boys in combat and then the emotional trauma from the dreaded War Department letters announcing "missing in action" or "killed in action." Allison conducted extensive research in the official records and in secondary sources to give context to the memoir and letters. My Darling Boys brings a new and important aspect to personal accounts of World War II combat, giving the reader a unique blend of first-person military action tied to the home front family"--

Foundations of the Information and Knowledge Professions covers topics deemed essential for students at the graduate and undergraduate level who are seeking to join the profession. The authors cover key developments from the Library of Alexandria through contemporary libraries and digital technological platforms.The advent of the Internet and the Web removed traditional geographical boundaries and allowed individuals access to information created in different languages, different cultures, and different political views. The digital transformation of business and commerce brought about fundamental societal changes and revolutionized how people access, use, manipulate, and interact with information. The move to the knowledge economy presented opportunities but also created challenges that information and knowledge professionals must be equipped to handle. The authors also discuss issues related to privacy, security, and intellectual property, as well as social issues, including diversity, equity, and inclusion, codes of ethics, and codes of conduct.

"Joe Olexa enlisted in the US Army in December 1940, figuring that if he was going to be in a war, he might as well start training. Assigned to the 1st Infantry Division, nicknamed "The Big Red One," he served in Company L of its 26th Infantry Regiment for the next four years. Along the way he trained with the division in maneuvers in the United States; shipped to England in 1942; landed at Oran, Algeria, in the Operation Torch landings of November 1942; and fought in Tunisia, Sicily, Normandy, Belgium, and Germany. Olexa was one of the first group of enlistees that brought the division up to full strength in the buildup prior to Pearl Harbor, and was a sergeant by the time he went overseas. He served as a squad leader, platoon sergeant, and acting platoon leader, outlasting nearly all the men in his company. His memoir features accounts of unusual adventures in Tunisia when his battalion was detached from the rest of the division, and presents a detailed and intense account of his platoon's experiences at El Guettar. Later, Olexa became a "Sea Scout," going ashore on Sicily the night before the invasion to provide signals to guide landing craft onto the beach at Gela. After landing on Omaha Beach on D-Day, Olexa was selected by his battalion commander to hunt snipers and lead patrols in addition to his usual duties, and he fought in Normandy until wounded in late June. He rejoined his company in mid-September 1944 and was heavily involved in the capture of Aachen in October. His memoir, originally composed in the late 1970s and expertly edited and annotated by James Smither, offers remarkable insights into the experiences of an ordinary soldier who found himself in truly extraordinary situations"--

"Grammy Award-winning pianist, bandleader, and composer Cedar Walton (1934-2013) is a major figure in jazz, associated with a variety of styles from bebop to funk and famous for composing several standards. Born and raised in Dallas, Walton studied music in Denver, where he jammed with musicians such as Charlie Parker and John Coltrane. In 1955, Walton moved to New York, immediately gaining recognition from notable musicians and nightclub proprietors. When Walton returned to the U.S. after serving abroad in the Army, he joined Benny Golson and Art Farmer's Jazztet. Later, he became both pianist and arranger for Art Blakey's Jazz Messengers. Next, he worked as part of Prestige Records's house rhythm section, recording with numerous greats and releasing his own albums. One hallmark of Walton's impact is his numerous long-term collaborations with giants such as trombonist Curtis Fuller and drummer Billy Higgins. By the end of his career, Walton's discography, as both band member and bandleader, included many dozens of vaunted recordings with some of the most notable jazz musicians of the 1960s through the first decade of the twenty-first century. Ben Markley conducted more than seventy-five interviews with friends and family members, musicians who played with or were otherwise influenced by Walton, and industry figures such as club owners. Musicians interviewed include such stars as Jimmy Heath, Benny Golson, and Ron Carter. Walton's wife Martha shared her extensive archives of photos, ephemera such as fliers and tour itineraries, and letters"--

In poems celebrating survival and renewal, Ernest Hilbert summons the ageless conflict between human affection and the passing of time, recognizing that all we love must eventually disappear. Tender poems of fatherhood weigh against unsettling explorations of natural dangers and intimations of bodily harm. From porn sets to seedy gun ranges and heavy metal tribute nights in crumbling theaters, Hilbert's eye roves over the desolation and beauty of contemporary America, all the while feeling the irresistible pull of water-what Melville called "the ungraspable phantom of life." His poems return again and again to rivers, lakes, and the sea, there to find "a universe that loves the dark," one that "bears you up as if you had no weight.""Ernest Hilbert's Storm Swimmer is a gleaming cornucopia of dreams, nightmares, tenderness, and grace. In Hilbert we encounter the poet as allegorical realist: a seer who has 'known beauty almost impossible / To believe, nearly always lost amid / All the usual distractions.' This is a rare book both willing and able to capture the wide and relentless range of the human condition, in its varying lights and shadows, and in settings spanning the mundane, the tawdry, and the sublime. Storm Swimmer is a book of great feeling and of great technical skill. Everything in it is sacrificed for poetry, which is why everything in this beautiful book lives."-Rowan Ricardo Phillips, author of Heaven and judge"In Storm Swimmer, fatherhood is neither one-dimensional nor short-sighted; instead, fatherhood is a nexus, rigged with grace and curiosity-an enduring gift for a son and for readers. Toggling between the natural world and the relentless spectacle of contemporary life, acutely aware of the passage of time, Ernest Hilbert's poems are marvelously built, resonant."-Eduardo C. Corral, author of Guillotine: Poems"Ernest Hilbert has always written from the ragged edge between tradition and the present moment, and now he goes for a deeper immersion, a swimmer in life, aware of its most desperate and beautiful currents. The sea has taught him to ride out the detritus of existence, to see it but not be consumed by it, and his forms give spine to his vision. Storm Swimmer is his strongest book so far, urgent and real."-David Mason, author of Pacific Light

"Despite all that has been written about Vietnam, the story of the 1-A-O conscientious objector, who agreed to put on a uniform and serve in the field without weapons rather than accept alternative service outside the military, has received scarce attention. This joint memoir by two 1-A-O combat medics, James C. Kearney and William H. Clamurro, represents a unique approach to the subject. It is a blend of their personal narratives-with select Vietnam poems by Clamurro-to illustrate noncombatant objection as a unique and relatively unknown form of Vietnam War protest. Both men initially met during training and then served as frontline medics in separate units "outside the wire" in Vietnam. Clamurro was assigned to a tank company in Tay Ninh province next to the Cambodian border, before reassignment to an aid station with the 1st Air Cavalry. Kearney served first as a medic with an artillery battery in the 1st Infantry Division, then as a convoy medic during the Cambodian invasion with the 25th Infantry Division, and finally as a Medevac medic with the 1st Air Cavalry. In this capacity Kearney was seriously wounded during a "hot hoist" in February 1971 and ended up being treated by his friend Clamurro back at base. Because of their status as "a new breed of conscientious objector"-i.e., more political than religious in their convictions-the authors' experience of the Vietnam War differed fundamentally from that of their fellow draftees and contrasted even with the great majority of their fellow 1-A-O medics, whose conscientious objector status was largely or entirely faith-based"--