Bøger udgivet af University of Regina Press

"Torn from his family at the age of six, Solomon Ratt was placed into the residential school system-- far from the love and comfort of home and family. In âk-îp-isi-kiskisiâyn / The Way I Remember, Ratt reflects on these memories and life-long challenges through his telling ofâ cimisowina-- autobiographical stories-- and also traditional tales.Presented in Cree th-dialect Standard Roman Orthography, syllabics, and English, Ratt's reminiscences of residential school escapades almost always end with a close call and a smile. Even when the memories are dark, his particularly Cree sense of humour shines, resulting in an important and unique memoir that emphasizes and celebrates Solomon Ratt's perseverance and life after residential school." --

One of the few biographies of an Inuk man from the 19th Century--separated from his family, community, and language--finding his place in history. Augustine Tataneuck was an Inuk man born near the beginning of the 19th century on the northwestern coast of Hudson Bay. Between 1812 and 1834, his family sent him to Churchill, Manitoba, to live and work among strangers, where he could escape the harsh Arctic climate and earn a living in the burgeoning fur trade. He was perhaps the first Inuk man employed by the Hudson's Bay Company as a labourer, and he also worked as an interpreter on John Franklin's two overland expeditions in search of the northwest passage. Tataneuck's life was shaped by the inescapable, harsh environments he lived within, and he was an important, but not widely recognized, player in the struggle for the possession of northwest North America waged by Britain, Russia, and the United States. He left no diaries or letters. Using the Hudson's Bay Company's journals and historical archives, historian Renee Fossett has pieced together a compelling biography of Augustine and the historical times he lived through: climate disasters, lethal disease episodes, and political upheavals on an international scale. While The Life and Times of Augustine Tataneuck is a captivating portrait of an Inuk man who lived an extraordinary life, it also is an arresting, unique glimpse into the North as it was in the 19th century and into the lives of trappers, translators, and labourers who are seldom written about and often absent in the historical record.

In all these poems I'm partly somewhere else.With you, without you, walking toward you or away, but you are there, your small face watching from the shadow of a doorwayor a set of stairs, from behind a curtain or a table.Sometimes I see you at the piano.You stop playing, turn to me, and in that pause, tell me something necessary. Poet Karen Enns takes the reader on a lyrical journey, wrapped in the vicissitudes of seasons and weather--while observing human and other-than-human lives. Enns invites us to peer and is concerned always with the locations and dislocations perspective implies and creates.

This catalogue includes introductory essays by the curators, along with photographs of the exhibition pieces and artist statements from 21 participating artists.

An award-winning poet attempts to map the brain's neural connections, raising fundamental questions about identity and interiority. This intricate, yearning work from award-winning poet Alison Calder asks us to think about the way we perceive and the ways in which we seek to know ourselves and others. In Synaptic,each section explores key themes in science, neurology, and perception. The first, Connectomics, riffs on scientific language to work with and against that language's intentions. Attempting to map the brain's neural connections, it raises fundamental questions about interiority and the self. The lyric considerations in these poems are juxtaposed against the scientific-like footnotes which, in turn, invoke questions undermining authority and power. The second section, Other Disasters, explores ways of seeing or and being seen, from considerations of folklore to modern art to daily life. The speakers in these poems are searching for knowledge. Everyone is looking for a miracle.

A satiric and searing collection of poetry obsessed with television, oceans, Jewish history, and time.Nature isn't dying it's simply revising its target audience In Shifting Baseline Syndrome, Aaron Kreuter asks the hard questions: will the Anthropocene have a laugh track? Is it okay to marry your eighteenth cousin? How different would the world look from outside the life-frame of the human? What is it like to have an acid trip in a portapotty? Is it the end . . . of Earth? Of capitalism? Of television? Throughout Kreuter's sophomore collection, the TV remote is never far. Shifting Baseline Syndrome is both searching and searing, veering between satire and sincerity, history and prophecy, and human and non-human worlds. As these clash ecstatically with loathingand with the end loomingKreuter demonstrates why we'll keep doing what we've always done: hoping, for once, that the series finale will be good.

';We began to dig ourselvesdeeper than we dreamedwhen we began to seemetal as other than medicine,our bodies, more than mineral.'From an emerging environmental voice comes an evocative, multilayered poetry collection about extraction, destruction, and the erasure of Indigenous people.At Rabbit Lake in Northern Saskatchewan lies the second largest uranium mine in the western world. For decades, uranium ore and its poisonous by-productpitchblende, a highly radioactive rockwere removed, transported, and scattered across the land, forever altering the lives of plants, animals, and people who live there.Elise Marcella Godfrey's Pitchblende is a powerful, political collection that challenges us to urgently rethink our responsibilities to the land, water, and air that sustains all species, and our responsibilities to one another. Inspired by and adapted from testimonies given at the public hearings about the Rabbit Lake mine, which prioritized the voices of industrial interests, Godfrey gathers voices from the found texts, and adds others, in defence of the natural world. Interconnected, Godfreys poems are a choral and visual, literal representation of how industry, capitalism, and colonialism seek to erase affected peoples and their voices.

Chhkps: A Naskapi Legend shares the story of Chhkps, a heroic figure in First Nations storytelling, who performs feats of strength and skill in spite of his diminutive size.The book shares this traditional legend as originally recorded in the Naskapi community in northern Quebec in 1967 when it was narrated by John Peastitute, a Naskapi Elder and accomplished storyteller. Transcribed in the Naskapi language and syllabic orthography, the book offers a literary resource for the Naskapi language community, and the English translation enables those unfamiliar with the language, or the story, to discover this important legend.The book also contains extensive analysis of stories about Chhkps, notes about the provenance of the recordings, a biography of the storyteller, and a history of the Naskapi people. Lavish illustrations from Elizabeth Jancewiczan artist raised in the Naskapi communityprovide a sensitive and accurate graphical account of the legend, which has also been approved by Naskapi speakers themselves.

Drawing on the expertise of Indigenous scholars and researchers, including voices from the front lines in Manitoba, Saskatchewan, and Alberta, this book examines child welfare practices in kinship care, FASD, homelessness, aging out of the system, and transitions for rural youth leaving care. Issues in the volume include renewing and decolonizing child welfare work, anti-oppressive practices, the historical legacy of the Sixties Scoop, and the needs of marginalized and vulnerable children.

From the efforts of its first librarian who ensured immigrants could access books in their own languages, to the present day as an active community hub, the library has been responsible for many groundbreaking Canadian firsts. The Regina Public Library implemented the country's first fully automated library system, established the first writer-in-residence program, pioneered English as a Second Language classes, hosted Indigenous storytelling circles, and was instrumental in developing a single, one-card system for all of Saskatchewan. With contributions from community members, Biblio Files covers the library's entire history and demonstrates why it is such a beloved and necessary institution.

In The Surprising Lives of Small-Town Doctors, physicians put down their stethoscopes and pick up their pens to share some of the most frightening and pivotal moments of their careers. From making igloo house calls to bandaging animal bites to performing surgeries they may have only read about in textbooks, these young doctors speak of the many rewards of practising medicine in small communities. They also detail the fears, failures, and challenges of providing health care in the farthest reaches of our country--where the need for doctors is the greatest. Collectively, these stories capture the spirit, innovation, and resilience of these rural doctors and the communities they serve.

The goal of community-based research is to develop a deeper understanding of communities and to discover new opportunities for improving quality of life. The nine case studies in this diverse collection provide real life examples of community-based research in Aboriginal, urban, and rural communities. Journeys in Community-Based Research shows how taking into account socio-economic, geographic, and cultural contexts can lead to public policy that better serves the most vulnerable in our society.

In 1965, Tom Wolfe famously asked of Marshall McLuhan: "e;Suppose he is the oracle of the modern times--what if he is right?"e; Fifty years later, McLuhan's biographer Douglas Coupland, McLuhan's sons, and sixteen scholars explore the many ways in which McLuhan's predictions have come true.

"Through poetry, letters, essays, and interviews, The Life Sentences of Rik McWhinney relates the harrowing experiences of a man who spent nearly thirty-five years in the Canadian prison system. Rik McWhinney spent thirty-four years and four months in Canada's federal penitentiaries--sixteen of those in solitary confinement. His incarceration began in the 1970s, as a system-wide war was raging over the implementation of penal reforms. Though he was physically confrontational during the early years of his imprisonment, resulting in his segregation and medical torture, McWhinney eventually turned to writing to combat the conditions of his confinement. The Life Sentences of Rik McWhinney collects his poetry, essays, grievance forms, letters, and interviews to provide readers with insight into the everyday life of incarcerated individuals, amplifying the lives and voices of a demographic that society would rather ignore. McWhinney relays the horrors of solitary confinement and provides a vivid account of the violence and psychological turmoil that he endured while incarcerated. Ultimately, McWhinney's words are an indictment of the prison system, a system that institutionalizes individuals, subjecting them to an environment that manufactures post-traumatic stress rather than fulfilling its mission of rehabilitation and reform. Praise for The Life Sentences of Rik McWhinney "This study is timely. An emerging academic demand in criminology and penology is the need to take into account the prisoner (criminalized) as an essential actor in the study of criminal justice and incarceration. This book addresses that demand." --Robert Gaucher, editor of Writing as Resistance Richard "Rik" McWhinney spent his childhood in Toronto and began a life of incarceration at the provincially run Cobourg Reform School at the age of nine. He was an avid reader and animal lover. He passed away peacefully in Regina, Saskatchewan, on January 19, 2019, at the age of sixty-seven Jason Demers is an assistant professor in the Department of English at the University of Regina. He resides in Regina, Saskatchewan."--

Speaking Cree in the Home, Belinda Daniels and Andrea Custer provide an introductory text to help families immerse themselves, their children, and their homes in nēhiyawēwin--the Cree language. Despite the colonial attacks on Cree culture, language, and peoples, Custer and Daniels remind readers that the traditional ways of knowing and transferring knowledge to younger generations have not been lost and can be revived in the home, around the table, every day. Speaking Cree in the Home is an approachable, hands-on manual that helps to re-forge connections between identity, language, family, and community--by centering Indigenous knowledge and providing Cree learners and speakers with a practical guide to begin their own journey of reclaiming and revitalizing Cree in the home. Readers are guided through methods for language learning, the basics of reading Cree and Standard Roman Orthography, pronunciation of vowels, engaging language-learning games, and examples of high-frequency words and phrases that can easily be incorporated into daily routines and taught to children young and old.

Exploring what it means to be alive in this increasingly contradictory, unjust, and frightening era in human history, award-winning poet Michael Trussler grapples with the beauty and violence of the present in his new collection, The History Forest. Trussler's vivid, sensory, surreal writing explores the myriad ways that wonder can exist alongside suffering. He ruminates on nuclear war, school shootings, and ecological destruction, alongside his own experiences with mental health, aging, and loss.

Walking Together is the seventh title in the Voices of the Prairies series. Developed by the Prairie Child Welfare Consortium, this edited collection brings together accomplished Indigenous and non-Indigenous scholars from the prairie provinces to forward critical research about a range of contemporary child welfare issues currently impacting Indigenous children in Canada. Centering Indigenous knowledge and working to decolonize child welfare, contributors address the over-representation of Indigenous children in the child welfare system, the un-met recommendations of the TRC, the connections between colonialism and fetal alcohol spectrum disorders, the impact of Bill C-92, and more. Contributors include: Jason Albert, Dorothy Badry, Cindy Blackstock, Elder Mae Louise Campbell, Peter Choate, Linda Dano-Chartrand, Michael Doyle, Koren Lightning Earle, Arlene Eaton Erickson, Yahya El-Lahib, Hadley Friedland, Don Fuchs, Del Graff, Jennifer Hedges, Bernadette Iahtail, Jennifer King, Brittany Mathews, Eveline Milliken, Kelly Provost--Ekkinnasoyii (Sparks in a Fire), Christina Tortorelli, Gabrielle Lindstrom Tsapinaki, Susannah Walker, and Robyn Williams

Walking Together is the seventh title in the Voices of the Prairies series. Developed by the Prairie Child Welfare Consortium, this edited collection brings together accomplished Indigenous and non-Indigenous scholars from the prairie provinces to forward critical research about a range of contemporary child welfare issues currently impacting Indigenous children in Canada. Centering Indigenous knowledge and working to decolonize child welfare, contributors address the over-representation of Indigenous children in the child welfare system, the un-met recommendations of the TRC, the connections between colonialism and fetal alcohol spectrum disorders, the impact of Bill C-92, and more. Contributors include: Jason Albert, Dorothy Badry, Cindy Blackstock, Elder Mae Louise Campbell, Peter Choate, Linda Dano-Chartrand, Michael Doyle, Koren Lightning Earle, Arlene Eaton Erickson, Yahya El-Lahib, Hadley Friedland, Don Fuchs, Del Graff, Jennifer Hedges, Bernadette Iahtail, Jennifer King, Brittany Mathews, Eveline Milliken, Kelly Provost--Ekkinnasoyii (Sparks in a Fire), Christina Tortorelli, Gabrielle Lindstrom Tsapinaki, Susannah Walker, and Robyn Williams

The harrowing story of one Indigenous child's experience in Canada's residential schools Named the fourth most important "Book of the Year" by the National Post and voted "One Book/One Province" in Saskatchewan, The Education of Augie Merasty launched on the front page of The Globe and Mail to become a national bestseller. Publishers Weekly called the book "historically significant," and The Toronto Star recommended it as a must read for "any Canadian interested in truth and reconciliation." Writing in The Globe and Mail, educator J.D.M. Stewart noted that it "is well suited to a teenage audience because of its brevity and frankness." This new edition includes a Learning Guide that deepens our understanding of the residential school experience, making it ideal for classroom and book club use. It also features a new postscript by David Carpenter, describing how the publication of his memoir changed Augie Merasty's life.

Challenging Sex Discrimination in the Indian Act. A follow-up to her successful Claiming Anishinaabe, Lynn Gehls latest book, Gehl v Canada, is the documentation of the her 34-year fight to change Canadas Indian Act policies regarding unknown and unstated paternity, a harmful, colonial legacy that has adversely affected generations of Indigenous women. It is also the celebration of Gehls tenacious, brave advocacy for Indigenous women and children in the face of colonial oppression. The paternity policy of the Indian Act required individuals claiming Status to demonstrate the lineage of both parents. Harmful to Indigenous mothers

"Black Writers? African, Bluesy, Classical, Disrespectful, Erudite, Fiery, Groovy, Haunting, Inspiring, Jazzy, Knowing, Liberating, Militant, Nervy, Optimistic, Pugnacious, Quixotic, Rambunctious, Seductive, Truculent, Urgent, Vivacious, Wicked, X-ray sharp, Yearning, Zesty. And so, they matter!" --George Elliott ClarkeAn anthology of African-Canadian writing, Black Writers Matter offers a cross-section of established writers and newcomers to the literary world who tackle contemporary and pressing issues with beautiful, sometimes raw, prose. As editor Whitney French says in her introduction, Black Writers Matter "injects new meaning into the word diversity [and] harbours a sacredness and an everydayness that offers Black people dignity. " An "invitation to read, share, and tell stories of Black narratives that are close to the bone," this collection feels particular to the Black Canadian experience.

"Black Writers? African, Bluesy, Classical, Disrespectful, Erudite, Fiery, Groovy, Haunting, Inspiring, Jazzy, Knowing, Liberating, Militant, Nervy, Optimistic, Pugnacious, Quixotic, Rambunctious, Seductive, Truculent, Urgent, Vivacious, Wicked, X-ray sharp, Yearning, Zesty. And so, they matter!" --George Elliott ClarkeAn anthology of African-Canadian writing, Black Writers Matter offers a cross-section of established writers and newcomers to the literary world who tackle contemporary and pressing issues with beautiful, sometimes raw, prose. As editor Whitney French says in her introduction, Black Writers Matter "injects new meaning into the word diversity [and] harbours a sacredness and an everydayness that offers Black people dignity. " An "invitation to read, share, and tell stories of Black narratives that are close to the bone," this collection feels particular to the Black Canadian experience.