Bøger udgivet af University of Wales Press

A critical contextualizing of the early work of modernist painter Ceri Richards. This study assesses Ceri Richards's early art and career, documenting experimental drawings and constructions. The emerging analysis establishes a complex relation between this artist and his European contemporaries--prominently Max Ernst, Joan Miró, Pablo Picasso, Constantin Brâncuși, and Hans Arp--contributing to an art historical study of the emergencies of modernism in Britain during the early twentieth century. The book includes a full account of Richards as a European modernist and of the dislocation of British artists' engagement with, and Richards's processing of, Paris surrealism; accompanying illustrations include previously unseen drawings and reconstructed early states, discussed here for the first time.

How Welsh bands and musicians soared up the music charts in the 1990s. The 1970s and '80s were a bleak time for much of Wales: the closure of steel works and coal mines led to mass unemployment while the country's culture and language were disregarded by politicians and the music industry alike. Some bands even traveled across the Severn Bridge to make sure their records arrived at the London offices sporting an English postmark. The 1990s changed everything. While Wales was already known for Tom Jones, Shirley Bassey, and Male Voices Choirs, bands such as Catatonia, Manic Street Preachers, Stereophonics, and Super Furry Animals exploded into the charts and showed the UK population the breadth of what this small but inherently musical nation could offer. Meanwhile, the Welsh-language television channel S4C gained new prominence and a new Welsh Assembly was on the horizon. Featuring fresh analysis and new interviews, International Velvet charts music in the UK during the decade of the Cool Cymru cultural movement, showing how it inspired the still-vibrant Welsh music scene into the twenty-first century and beyond.

The first book to explore Herman Melville as a Gothic writer. In a famous review of Nathaniel Hawthorne's Mosses from an Old Manse, Herman Melville took the critics to task for missing the darkness as the heart of Hawthorne's writing--a blackness "ten times black," as Melville put it, that fascinated him. Ironically, Melville has been subject to the same treatment by critics who have in large measure steered clear of Melville's darkness. The contributors to Gothic Melville reveal that, if Hawthorne's darkness is ten times black, then Melville's is a hundred times so, as his works repeatedly raise questions about what the truth is or if truth exists at all. This edited collection of scholarly essays makes up for the critical neglect of Melville's Gothicism by arguing that the Gothic is so extensively interwoven into the fabric of his writing that Melville must at last be recognized as among the genre's most important practitioners.

An accessible introduction to the history of Wales's literature. I awoke from a deep sleep I had taken under the shade of a tree in a field at the outskirts of a dark wood, without remembering how I had gotten there, or, indeed, where it was exactly, I had gotten. So begins a most unusual odyssey, in which a writer--who bears a striking similarity to our author, Gary Raymond--allows himself to be led through the many-layered realms of Welsh literature, not by Virgil but by the late Professor Raymond Williams. Taking in the history of Welsh writing from the legacy of the Bardic tradition to contemporary experimental works, Abandon All Hope introduces Welsh literature in a way it has never been presented before: as cutting-edge, experimental, vibrant, exciting, intimate, and with a multitude of voices. This voyage into a uniquely Welsh inferno offers a revolutionary new way to examine and explain literary history.

Essays that blend nature writing with memoir. On a wild and windswept stretch of the Durham coastline, there's treasure to be found: jewels of shining sea glass, swept in by the tide after years at sea. Gathered and displayed in a jar on the windowsill to sparkle in the light, each sea-worn glass pebble represents a moment in time, a breadcrumb trail of unknowable people and places. In Seaglass, Kathryn Tann brings together moments like these from her own life, portraying with powerful observation and moving honesty the journey of a young woman navigating modern adulthood. Each essay is rooted in a physical space, from Manchester to the South Wales coastline and out to the Thousand Islands in Canada's Saint Lawrence River. Traversing wilderness, natural history, travel, and water, Seaglass explores shared experiences, anxieties, connection, body confidence, and contentment.

Edmund Jones (1702-93) was a Welsh Independent minister, Calvinist, visionary, prophet, topographer, and religious historian. Like many Protestant Reformers and Puritan divines before him, Jones was fascinated by the occult. Throughout his life he amassed what he believed to be convincing evidence for the existence of good and evil apparitions (including ghosts, demons, fairies, witches, angels, and giants) and of the 'invisible world'.The Appearance of Evil: Apparitions of Spirits in Wales contains the testimonies of many witnesses to supernatural encounters in seventeenth- and eighteenth-century Wales, from abductions by fairies, and appearances of ghosts, devils and witches, to poltergeist activity. The stories here evoke a spiritually dark landscape in which the malevolent dead and damned wander, and present a fascinating insight into how the eighteenth-century visualized the spirit world.This new edition presents Jones's narratives in an up-dated and accessible form. John Harvey has collated Jones's second book of apparitions, published in 1780, along with the text of an earlier but now lost volume on the same subject, and material from Jones's 1779 study of the parish of Aberystwyth. Together they represent the most comprehensive compilation of Jones's relations of apparitions ever before published.

This volume provides a comprehensive account of the oeuvre of Matthew Gregory Lewis (1775-1818), from his juvenilia through to his romances and shorter tales, dramas, translations, adaptations, ballads, poetry and editorial endeavours, and into his posthumously published writings on slavery. Across an extended introduction and six chapters, the argument offers fresh considerations of Lewis's well-known Gothic works whilst also providing coverage of his more obscure published and unpublished texts. Based on extensive archival research undertaken in Britain, North America and the Caribbean, the book restores to critical focus a number of Lewis's works that have not previously been given scholarly attention. While drawing, where relevant, upon the biographical studies of earlier critics, the study remains first and foremost a literary history, and the first closely to situate this most prolific, versatile and influential of late eighteenth- and early nineteenth-century British writers in relation to Gothic and Romantic literary culture more broadly.

Yn anaml iawn y daw ffynonellau newydd ar gyfer y Gymru ganoloesol gynnar i'r amlwg. Ond dyma a geir yn llawysgrif Yale, Llyfrgell Beinecke, Osborn fb229 - llawysgrif modern cynnar sy'n drysorfa o destunau hagiograffaidd. Ei thrysor mwyaf yw ei fersiwn unigryw o Fuchedd Cybi, a all gynnwys elfennau mor gynnar â'r ddegfed neu'r unfed ganrif ar ddeg, gan gyflwyno tystiolaeth gwbl newydd am Gybi a'i gwlt canoloesol. Nid am ei chopi o Fuchedd Cybi yn unig y mae'r gyfrol hon yn arwyddocaol. Fe ddengys yn ogystal sut yr aethpwyd ati i addasu gweithiau megis Buchedd Beuno a Buchedd Collen yn yr Oesoedd Canol diweddar a'r cyfnod modern cynnar; tystia i weithgarwch rhwydweithiau Catholig ac unigolion megis Edward Morgan o Lys Bedydd, offeiriad Catholig a greodd y cyfieithiad unigryw o Fuchedd Gwenfrewy yn y llawysgrif hon, ac a ddienyddiwyd maes o law. Diogelwyd y testunau hyn oll gan ysgrifydd amryddawn y llyfr, Robert Davies o Wysanau, Sir y Fflint, a chawn gyflwyniad i'w fywyd, ei weithgarwch a'i ddiddordebau eang.

Golwg newydd ar y berthynas rhwng celf a llên yng Nghymru yn ystod Oes Fictoria, sy'n amlygu gweledigaeth dreiddgar a gwreiddiol y ffotograffyd John Thomas.

The history and cultures of Wales via stops along the A470. To see the whole of Wales, from cosmopolitan Cardiff in the south to the historic Victorian resorts of the north, there's one road that will take you all the way: the A470. This route, which traverses the country from end to end, winds its way through post-industrial valleys, agricultural landscapes, and stunning mountains, offers a chance to see Wales for what it is in the twenty-first century, in all its diversity. In the company of Gwendoline, his trusty but ancient scooter, travel writer Marc P. Jones follows the long unwinding road of the A470 on a quest to discover what makes his homeland tick. Taking in the splendor, beauty, and rich history of the communities he visits, Jones explores what unites and divides the different regions and wonders how they can learn to understand each other better. One question, above all others, remains to be answered: will Gwendoline make it to the end of the road in one piece?

Previously unpublished versions of plays by one of the most popular and prolific dramatists of the Victorian age. Almost fifty years before Bram Stoker penned Dracula, Dion Boucicault staged The Vampire, a three-act play that thrilled London audiences and Queen Victoria. The production boasted innovations of stagecraft and dramatic composition, to say nothing of the mesmerizing performance of Boucicault as the titular creature. After The Vampire closed, Boucicault moved to the United States and revised his play, staging a two-act version renamed The Phantom in 1856. The Vampire has languished in relative obscurity, with no published edition nor critical commentary, since the mid-nineteenth century. Boucicault's original handwritten script provides the basis for this first full edition of his innovative tour de force. Similarly, a manuscript of The Phantom, updated by Boucicault for an 1873 production, offers audiences a new version of this influential play. The Vampire and The Phantom can now take their proper place in the lineage of vampire literature that began with John William Polidori and continues to this day.

Earthy Matters is a lively collection of theoretically informed chapters that introduce the reader to the notion that matter is a creative agent, and that it plays a key role in the formation of our material and social worlds. The focus of the book is sediments, soils, clay and earth - materials that surround us and have shaped people's interactions with the environment since even before the first farmers settled in the Near East tilling the earth, building houses from mud and plaster, and making vessels and figurines from clay. This collection questions orthodox understandings that these substances are inert and an infinite resource for humanity, rather to foreground earthy substances in their relationships with humans, and to show how these materials have co-created our social and material worlds. It is a novel and timely reminder for the reader that our lives have always been embedded within the matter of the E(e)arth.

Spectral Spain examines the Gothic haunting motif in post-Franco Spanish literature. With a theoretical framework in memory and trauma studies, and a particular emphasis on the inclusion of women's voices, this book is the first to provide an in-depth study of spectrality and haunting in the Gothic literature of contemporary Spain. Through close readings of eleven main texts, the author examines haunting as the perfect motif for Spanish authors to portray the tension between modernity and the imposition of a monocultural, nationalised tradition throughout the twentieth century - noting not just the trauma of the civil war and resulting dictatorship of Franco, but also the continuing and widespread disenchantment during and after the Transition. Through its references to the contemporary debate surrounding historical memory, Spectral Spain demonstrates the relevance of the Gothic in Spanish literature, and the continued ghostly returns of the past in the socio-political anxieties of the present.

In 1880, Griffith Evans, an army veterinary surgeon in India, made the seminal discovery that blood parasites - then universally considered benign - were pathogenic. Spurned by peers and colleagues, his conclusions from experiments with diseased horses were acknowledged by Koch and Pasteur, but it took many years before his achievement received general recognition.  The son of a farmer near Tywyn, Meirionnydd, Evans was commissioned as a veterinary officer in the Royal Artillery. He was first posted to Canada where, in his spare time, he qualified in medicine. An irrepressible adventurer, he visited North America during the Civil War, meeting Abraham Lincoln and touring the Union front line.  Evans's talent for engagement with people and cultures characterised his life in Canada and in India. During a long and productive retirement in north Wales, he immersed himself in local and national affairs. At his centenary in 1935, Evans received the accolades of his profession, community and family, dying peacefully in his hundredth year. Since that time, his name has faded into obscurity.

A journey through the natural landscapes of Wales. In Tir--the Welsh word for "land"--writer and ecologist Carwyn Graves takes us on a tour of seven key characteristics of the Welsh landscape. He explores such elements as the ffridd, or mountain pasture, and the rhos, or wild moorland, and examines the many ways humans interact with and understand the natural landscape around them. Further, he considers how this understanding can be used to combat climate change and improve wildlife populations and biodiversity. By diving deep into the history and ecology of each of these landscapes, we discover that Wales, in all its beautiful variety, is just as much a human cultural creation as a natural phenomenon: its raw materials evolved alongside the humans that have lived here since the ice receded.

At times explosive, at times restrained, the question of independence has been a fundamental force shaping contemporary Spain. However, the discipline of Spanish (Peninsular) studies has been slow to consider the reality of internal anticolonial and self-determination movements in Spain as part of their purview. To redress this, the present study engages postcolonial theory to shed light on the question of Spain's ongoing internal national conflict, arguing that modern manifestations of such conflict are linked to internal demands for national sovereignty, independence and self-determination forged against the backdrop of Spain's post-imperial crisis after 1898.  The collection ranges across topics such as late nineteenth-century penitentiary discourses, the biopolitics of Francoist agrarian reform, dispossession and mass tourism in Mallorca, the judiciary aftermath of the Catalan referendum on independence of 2017, and post-ETA memory politics. Collectively, they illuminate the conflict zones of contemporary Spanish culture, where questions related to (contested) internal colonialities and independence are enmeshed with the processes of political emancipation and state repression.

Wales is often considered to be one of the most anti-Conservative parts of Britain, with the party unable to connect with voters. The Conservative Party in Wales, 1945-1997 offers a more nuanced perspective as the first book-length study of Wales's second political party in the decades after the Second World War. From the places where Conservatism was often successful, the book questions why it failed to find any purchase in other parts of Wales, discussing how the party communicated its policies, who its candidates were, and how the party deliberately crafted specific policies 'for the nation' - from introducing the first Minister for Welsh Affairs to making Welsh a compulsory subject in schools. Adopting an holistic approach to the party, the book scrutinises activists and prominent Tories at the grassroots, asking what they reveal about understudied aspects of Welsh history, particularly the lives of the Anglicised and socially conservative middle class.

Queer theory, queer literary criticism and queer cultural criticism often focus on western, white, cis men. This book provides the first in-depth analysis of contemporary queer and Gothic texts that focus on the subjectivity, characterisation and representation of queer girls and women. The New Queer Gothic applies interdisciplinary theory to offer a new mode and method of reading literary and film fiction. From monstrous femininity in tales of girlhood, to paranoid negativity and transformation in young womanhood, through to postcolonial doubles, hybrid assimilation, corporeal possession, and final girls at the end of everything - this book takes as its canon works from the past fifteen years concerning queer and questioning girls and women in Gothic settings and narratives, to elucidate upon questions of queer feminist ethics, biopower and global identity politics.

This book offers a fresh reading of Latin American modernism through the lenses of gender and space. By analysing the contributions of eight contemporaneous women - four writers and four plastic artists - it reveals how they constructed and conceived of their identities as cultural practitioners through distinctly spatial tactics. Organised around four spatial themes (domestic architecture, the natural world, travel and the public sphere), this multidisciplinary, comparative monograph sheds new light on the works of well-known figures such as Mexican painter Frida Kahlo and Chilean poet Gabriela Mistral, while recuperating artists that remain virtually unknown, such as Bolivian sculptor Marina Núñez del Prado. Through discussion of their work within a transnational context, this study positions these Latin American women practitioners within a broader narrative of modernism from which they have often remained absent.

An exploration of Wales's deep connections to music through one specific style: the hymn. Even as many in the modern world draw away from organized religion, the great hymns of our time persist: we turn to them at weddings and funerals, at rugby matches, and in pubs. Bringing together twelve of Wales's best-loved hymns from the eighteenth to the twentieth century, Poems from the Soul reveals the heart and soul of a people's poetry. These are the poems of ordinary folk--blacksmiths, farmers, and preachers--and they played a vital role in the creation of the Welsh people. Ranging from the visionary intensity of Ann Griffiths to the striking biblical imagery of Wales's unofficial national anthem "Guide Me, O Thou Great Redeemer," in every hymn a single, singular voice sings out, loud and strong with fear, hope, ecstasy, or anxiety. With original illustrations by Ruth Jên Evans throughout, this collection offers insights into the making of a modern nation and demonstrates the transformative power of voices raised in song.

Paradise in Hell studies the role played by alcohol, morphine, cocaine, cannabis and amphetamines in the Spanish Civil War. The book analyses the moral discourses that were produced around these substances, the policies implemented by civil and military authorities, the consumption by combatants and civilians, and the role they played in the war effort. From these four perspectives, Paradises in Hell explores the everyday experiences of soldiers and civilians, the physical, psychological and emotional effects of war, the rituals of camaraderie, and the impact that the absence of these substances had on the morale of soldiers and civilians. The book also gives special attention to the role these substances played in the development of respectable, tough and cocky masculinities, in the construction of a sense of national community and everyday nationalism, and in the dehumanisation of the enemy in a way that legitimised violence.

Contains the only full published English translation of the medieval Welsh bardic grammars and offers insight into the development of Welsh bardic and scholarly practices over two centuries. The medieval Welsh bardic grammars were composed and transmitted during a period of intense social and political change in Wales. These documents began their life as essentially vernacular artes poetriae. However, from the early fourteenth century to the end of the sixteenth, they were recopied and revised over and over by bards, bureaucrats, antiquarians, humanists, and the readers and reciters of poetry. Grammar and Poetry in Late Medieval and Early Modern Wales: The Transmission and Reception of the Welsh Bardic Grammars weaves a close textual analysis of these revisions into a broader consideration of the historical contexts that gave rise to each subsequent version. It grants English-speaking scholars who wish to work comparatively with Welsh material access to these texts for the first time. Based on extensive archival research, this book contains transcriptions and translations of a great deal of material that has not previously appeared in any publication.

A timely look at the state of the National Health Service in the UK, from its creation in 1948 to today. General practice in the United Kingdom has reached a crisis point. The COVID-19 pandemic has strained an already crumbling primary care service, leaving both patients and National Health Service (NHS) staff struggling. Seventy-five years after the creation of the NHS, Dr. Ellen Welch lifts the curtain on general practice. She looks back on the profession before the NHS, Aneurin Bevan's role in the creation of the service, how the job has changed in the intervening years--particularly since the pandemic--and what the future of the profession might look like. The book features personal accounts from general practitioners, including Dr. Aman Amir and Dr. Neena Jha, alongside key insights from health writer Ellie Philpotts and commentator Roy Lilley. Together, those on the frontline try to answer the question: how did we get here? And what can be done to make things better for us all in the future?

This book describes the thought and work of an Anglican parson which were an early influence, leading towards a distinct Welsh Methodism and to present-day Evangelicalism, and the renewed confidence in the Welsh language effecting its survival in speech and literature.

Between 1450 and 1720, Wales was a place of opportunity as well as a society in transition. This book is an exciting new study of how one elite family navigated political, social, and cultural change while maintaining their Welsh identity.

No in- or out-of-print book has the same goals, content, wide range, and scholarly approach as the present study. Whether intentionally or unintentionally, previously published books have neglected ancient Graeco-Roman texts that either cause horror or may be said to belong to the horror genre. This may partly be the result of the low esteem in which any text that did not fit neatly into one of the major and traditional literary genres was held by most scholars - particularly apparent with regard to texts that dealt with the supernatural or the occult, which were often relegated to specialists in ancient religions, rituals or beliefs. This book reviews the concepts of horror (literary, psychological, and biophysical), examines the current definitions for 'horror fiction', evaluates the current interest in the darker side of the classical world, and suggests new ways of thinking about horror as a genre.

Synthesizes Welsh history of science during the long eighteenth century. '" World of New Ideas" 1650The Isles--centers on the contribution made in Wales particularly but also includes England, Scotland, and Ireland. By presenting a synthesis of published material and original research in three sections (Theory, Practice, and Results), its chapters examine how Welsh contributions fit into the history of science developed from the quasi-magical worlds of alchemy and early chemistry, through the advent of Cartesian and Newtonian science, to the world of technological innovation and industrial development.

This study advances three interrelated claims for international human rights standards (IHRS). First, that post-colonial African societies are bureaucratic modern states and capitalist societies to which IHRS are suitable for application, pursuant to the Modified Modernisation Theory. The sweeping vicissitudes that have taken place in post-colonial Africa since colonial eras necessitate a paradigm shift: we must change our assumptions about the structural and socio-politico-economic systems of post-colonial Africa and their impact on individual and group rights. Second, that extant pleadings for cultural relativism in post-colonial Africa are fixated on reified assumptions about the minimal role of the individual. Today, however, every state relies on its individual subjects for its institutional and socio-politico-economic development, just as every individual relies on the state for a more secure, fulfilling and dignified human existence. Finally, the book advances legal and moral justifications for the universality of human rights standards, notwithstanding global cultural heterogeneity.

In 1841, the Royal Institution of South Wales founded the first museum in Wales. Specialist authors describe its formation as a learned society, and its survival into the twenty-first century. Lavishly illustrated throughout, the book reveals the varied and comprehensive collections within Swansea museum.