Bøger udgivet af University of Wales Press

This book provides the modern reader with the key to understanding the structure and context of the complex and mysterious narrative Historia Peredur vab Efrawc (Story of Peredur Son of Efrawc), the medieval Welsh version of the grail story.

The often-overlooked history of the German-Jewish refugee children of Gwrych Castle. In 1939, several German Jewish refugee children, traveling on the Kindertransport, found themselves in Abergele, North Wales. Would this be their temporary new home? Gwrych Castle, where a Hachshara was being set up, was a residential "training center" aimed at preparing the Jewish children for life on a kibbutz in Israel, where they hoped to be reunited with their families. In this intriguing debut, Andrew Hesketh explores the lesser-told history of the children who lived in this North Wales castle, bringing together their personal memories and experiences to create a unique picture of their lives. He also explores the history of the building itself, from its origins in the nineteenth century up to its use in the reality television series I'm A Celebrity, Get Me Out Of Here! in 2020.

A lavishly illustrated historical analysis of Britain's nineteenth-century labour movement, built around a collection of the things and images that its members made and used. Suitable for academic and lay readers alike.

This book provides national governments and school-communities with a model way of working to push back against child poverty, showcasing Wales's social democracy as different from the UK conservative neoliberal project that has wreaked havoc in its four different jurisdictions.

Charlotte Dacre's The Passions is a thrilling gothic novel of thwarted love turned to hate, and the destructive power of uncontrolled emotion. It offers a powerful portrait of female treachery, engaging with nineteenth-century religious controversies, and championing Enlightenment rationality over the emotionality of Romanticism.

A hundred modern Spanish, Catalan and Galician sonnets, with lively translations into English sonnets and critical commentaries. A general introduction to the genre is followed by summaries of the historical and literary backgrounds and of the problems facing the translator of sonnets.

A collection of essays that explore how humans understood their relationship with the environment in the Middle Ages. Using written and visual evidence from c.1150-1500 CE--including medical, literary, and scientific works--the essays in this collection address the relationship between the human and the "natural" at a time when new worlds, new texts, and new religious experiences reshaped the individual and collective relationship with the cosmos.

Financial Gothic offers three main critical perspectives: that finance can and should be understood as a gothic phenomenon; that contemporary American finance is a product the slave trade; and that American gothic monsters symbolise both the financial market and enslavement.

This book takes a journey around the world to demonstrate how plants influence people's lives. From mealtimes to belief systems, from addictions to medical support, plants are instrumental in organising what people do, and what it means to be human.

The first study of the pioneer of open-air museums in Britain, putting his work as scholar and curator into the international context of the twentieth century. Extensive synopsis and translations from Welsh makes Peate's work accessible to an entirely new audience.

This volume demonstrates how contemporary American horror by women writers (and those whose output has been identified as women's fiction) is not limited to sparkling vampires, but is in fact a pulsating field bursting with genre-defying works spanning the last three decades.

This is the first collection of articles to analyse and theorise Gothic literature from the Middle East/North Africa region. It brings together nine chapters on diverse Gothic works in the major Middle Eastern languages - Arabic, Hebrew, Persian and Turkish.

This book, the first on Blaxploitation horror films such as Blacula, compares them with both mainstream horror movies and canonical Gothic stories. While conventional horror movies adapt the classic monsters of Gothic fiction, Blaxploitation horror films radically transform them.

When and how did we humans lose our connection with nature and how do we find it again? Matthew Yeomans seeks to answer these questions as he walks more than 300 miles through the ancient and modern forests of Wales, losing himself in their stories (and on the odd unexpected diversion, too). Return to My Trees weaves together history and folklore with tales of industrial progress and decay. On his journey, he visits landmarks that once were home to ancient Druids, early Celtic saints, Norman Lords and the great mining communities that reshaped Wales. He becomes immersed in the woodlands that inspired the countrys great legends. At one point he even stumbles upon a herd of television-watching cows. As Yeomans walks, he reflects on these woods uncertain future, his own relationship with nature and the global problems we need to solve if humans are to truly make peace with the natural world. from tree-planting in ways that are actually beneficial to the environment and local communities to embedding the value of nature into our financial and economic systems. The result is a fascinating and funny adventure that offers insight into the past, present and future of Waless woodlands and shows what the rest of the world can learn from them.

Discover 366 fun and surprising stories about Wales each linked to a specific day of the year. Did you know that the recipe of Tennessees famous Jack Daniels whiskey is rumoured to have originated in Llanelli, or that the worlds first radio play was set in a Welsh coal mine? Why was a showing of the Jurassic Park film in Carmarthen so special, and how is Rupert Bear connected to Snowdonia? Delve in to discover the stories that most history books leave out.

- This is the first book to be published on this subject since 2006. The Welsh food scene has developed significantly in this time due to both internal and external factors, making this an important and unique exploration of the subject. - Features an exclusively illustrated cover and 10 x b&w internal line illustrations by Elise Tel and a 16-page, four-colour plates section- Carwyn Graves deftly combines history and travel/interviews with current producers, and writes with an accessible and engaging writing style that means readers with all levels of understanding about Welsh food will find something interesting in this book- This book will appeal to readers of titles such as GRAPE, OLIVE, PIG by Matt Goulding (HarperCollins, 2016), IRELAND'S GREEN LARDER by Margaret Hickey (Unbound, 2018) and A TASTE OF SCOTLAND by Sue Lawrence (Birlinn, 2019) and EATING TO EXTINCTION by Dan Saladino (2021). - Some well-known brands feature, such as Halen Mn salt and Gower Salt Marsh Lamb, the first new food to be awarded a UK Geographical Indication Status after the end of the transition period with the EU.a - Caerphilly cheese (featured in the book) recently had a viral social media moment, when a video of First Minister Mark Drakeford professing his love for it went viral in July 2020 - https://www.facebook.com/BBCPolitics/videos/330724394759728/.

This is the first study of the early formative years of one of Wales's most important cultural organisations - Sianel Pedwar Cymru (S4C). The volume chronicles the decisions and activities of the channel during its trial period between 1981-5. Through a detailed study of minutes, correspondence and interviews with individuals who were key to the channel's development during its early years, it chronicles the many challenges, successes and failures which faced the S4C Authority and its staff as they aimed to create a Welsh-language television service that would meet the desires and needs of the audience in Wales. S4C is no ordinary channel, and no other period in its history portrays this more effectively than the trial period given to it at the beginning of the 1980s.

The story of Frank Lloyd Wrights life is no less astounding than his greatest architectural works. He enmeshed himself eagerly in myth and hearsay, and revelled in the extravagance of his creative persona. Throughout his long career, Wright strongly resisted the suggestion that his accomplishments owed anything to earthly influences. As much as he wanted his achievements to be recognised, he wanted them to be unaccountable but they are not. This book reveals for the first time how his unbreakable self-belief and startling creative defiance both originated in the liberal religious and philosophical attitudes woven into his personality during his childhood deliberately so by his mother and by his many aunts and uncles, to honour the fierce Welsh radicalism of their ancestors.

Since 2007, Afro-Puerto Rican women have been revising the foundational myths of the island and the diaspora to create a new vision of family as a national allegory that includes powerful Black protagonists. Novelists Mayra Santos-Febres and Dahlma Llanos-Figueroa tell the diaspora's history, beginning with trans-Atlantic slavery. Santos-Febres's allegories use sadomasochism and healing in the novels Fe en disfraz and La amante de Gardel. Short story writers Arroyo Pizarro's las Negras and Yvonne Denis-Rosario's Capa prieto chronicle the struggle to create and preserve an empowering history of slavery and Black people on the island and in the diaspora. Llanos-Figueroa's Daughters of the Stone envisages a sugar plantation in which Afrodescendants are free and respected. They remake the 'great Puerto Rican family' to give greater agency to Afro-Puerto Ricans and include the diaspora in a 'fractal family'. While liberating, these novels also depict the traumas wrought by both the maintenance and the dissolution of patriarchal, heteronormative, colonial and racist structures.

Isaiah Berlin, a prominent public intellectual of the second half of the twentieth century, is examined in historical context for the first time as a thinker deeply influenced by, and deeply reactive against, the British Idealists.

In the decades since the Second World War, the teenage witch has emerged as a major American cultural trope. Appearing in films, novels, comics and on television, adolescent witches have long reflected shifting societal attitudes towards the teenage demographic. At the same time, teen witches have also served as a means through which adolescent femininity can be conceptualised, interrogated and reimagined. Drawing on a wide theoretical framework - including the works of Deleuze and Foucault as well as recent new materialist philosophies - this book explores how the adolescent witch has evolved over the course of more than seventy years. Moving from the birth of the bobby soxer in the 1940s through to twenty-first-century teenage engagements with fourth-wave feminism, the author discusses a range of themes including embodiment, agency, identity, violence and sexuality.

The term 'Gothic' has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. Concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. Considering a plethora of Gothic representatives in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), this study investigates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions.

Within the Euro-American literary tradition, Gothic stories of childhood and adolescence have often served as a tool for cultural propaganda, advancing colonialist, white supremacist and patriarchal ideologies. This book turns our attention to modern and contemporary Gothic texts by hemispheric American writers who have refigured uncanny youth in ways that invert these cultural scripts. In the hands of authors ranging from Octavio Paz and Maryse Conde to N. Scott Momaday and Carmen Maria Machado, Gothic conventions become a means of critiquing pathological structures of power in the space of the Americas. As fictional children and adolescents defy persisting colonial and neo-imperialist architectures, navigate rigged systems of socioeconomic power, and attempt to frustrate patterns of gendered, anti-queer violence, the uncanny and the nightmarish in their lives call on readers to reckon with and resist these intersecting forms of injustice.

This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic's collection of unsavoury tropes to morbid anatomy's collection of diseased organs, the author argues that the Gothic's prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.