Bøger udgivet af University of Wisconsin Press

This volume explores historical, political, social, diplomatic, and economic aspects of the Yugoslav idea--"Yugoslavism"--between the creation of the nation in 1918 and its dissolution in the early 1990s. The key theme that emerges is that Yugoslavism was a fluid concept, understood differently at different times by various leaders, social groups, and the member states that comprised Yugoslavia. There never was a single definition of who and what was (or was not) "Yugoslav," and this contributed to the ultimate failure of the Yugoslav idea and the Yugoslav state. These essays, by scholars from the former Yugoslavia and from the West, look at the interplay of the states and peoples of Yugoslavia and at the roles played by intellectuals, leaders, and institutions, both secular and religious.

"At two in the morning of April 15, 1977, twenty armed men in civilian clothes arrested Jacobo Timerman, editor and publisher of a leading Buenos Aires newspaper. Thus began thirty months of imprisonment, torture, and anti-Semitic abuse. . . . Unlike 15,000 other Argentines, 'the disappeared, ' Timerman was eventually released into exile. His testimony [is] gripping in its human stories, not only of brutality but of courage and love; important because it reminds us how, in our world, the most terrible fantasies may become fact."--New York Times, Books of the Century "It ranks with Hannah Arendt's Eichmann in Jerusalem in its examination of the totalitarian mind, the role of anti-Semitism, the silence."--Eliot Fremont-Smith, Village Voice "It is impossible to read this proud and piercing account of [Timerman's] suffering and his battles without wanting to be counted as one of Timerman's friends."--Michael Walzer, New York Review of Books "Timerman was a living reminder that real prophets are irritants and not messengers of reassurance. He told it like it is, whether in Argentina, Israel, Europe, or the United States."--Arthur Miller

"A History of Fascism is an invaluable sourcebook, offering a rare combination of detailed information and thoughtful analysis. It is a masterpiece of comparative history, for the comparisons enhance our understanding of each part of the whole. The term 'fascist, ' used so freely these days as a pejorative epithet that has nearly lost its meaning, is precisely defined, carefully applied and skillfully explained. The analysis effectively restores the dimension of evil."--Susan Zuccotti, The Nation "A magisterial, wholly accessible, engaging study. . . . Payne defines fascism as a form of ultranationalism espousing a myth of national rebirth and marked by extreme elitism, mobilization of the masses, exaltation of hierarchy and subordination, oppression of women and an embrace of violence and war as virtues."--Publishers Weekly

"The people" can mean many things: it can be a political unit (demos), a cultural entity (ethnos), and a social multitude (pléthos). Modern historian Ove Korsgaard focuses on the crucial struggles over who has (or has not) belonged to the people in the past 175 years and looks at its implications for state- and nation-building in Denmark and other Nordic countries.

Set in Madison, Wisconsin, and New Haven, Connecticut, in the early days of the AIDS epidemic, Mourning Light is a semi-autobiographical love story. Our narrator, Reb (so named by his mother because of her love of the Daphne du Maurier novel Rebecca), is hounded by guilt over the death of his lover, Anthony, which took place on the same day Reb first met the handsome yet enigmatic Eric. Once Reb becomes convinced that Anthony has sent him a cryptic message from beyond the grave, he becomes obsessed with figuring out what it could mean. Told in a series of flashbacks and remembrances, the novel concludes with a whirlwind of revelations that both complicate and resolve Reb's view of his world and his lover.

Understanding and Teaching Native American History is a timely and urgently needed remedy to a long-standing gap in history instruction. While the past three decades have seen burgeoning scholarship in Indigenous studies, comparatively little of that has trickled into classrooms. This volume is designed to help teachers effectively integrate Indigenous history and culture into their lessons, providing richly researched content and resources across the chronological and geographical landscape of what is now known as North America. Despite the availability of new scholarship, many teachers struggle with contextualizing Indigenous history and experience. Native peoples frequently find themselves relegated to historical descriptions, merely a foil to the European settlers who are the protagonists in the dominant North American narrative. This book offers a way forward, an alternative framing of the story that highlights the ongoing integral role of Native peoples via broad coverage in a variety of topics including the historical, political, and cultural. With its scope and clarity of vision, suggestions for navigating sensitive topics, and a multitude of innovative approaches authored by contributors from multidisciplinary backgrounds, Understanding and Teaching Native American History will also find use in methods and other graduate courses. Nearly a decade in the conception and making, this is a groundbreaking source for both beginning and veteran instructors.

How do culture workers construct public arts and culture projects that are effective and transformative? How do we create public humanities projects of the community, for the community, and with the community? How can culture work make a concrete difference in the quality of life for communities, and lead to the creation of a more just world? Why do the public humanities matter? Culture Work explores these questions through real-world examples of cultural and public humanities projects. The innovative case studies analyzed in the book demonstrate the vast numbers of creative possibilities in culture work today-in all their complexities, challenges, and potentialities. Thematically arranged chapters embody the interconnected aspects of culture work, from amplifying local voices to galvanizing community from within, from preservation of cultural knowledge to its creative repurposing for a desired future. These inventive projects provide concrete examples and accessible theory grounded in practice, encourage readers to embark on their own public culture work, and create new forward-looking inspiration for community leaders and scholars in the field.

Originally published by Carl Hanser Verlag under the title Tiere im Nationalsozialismus, copyright Ã2020 Carl Hanser Verlag GmbH & Co. KG, Mèunchen.

French Film History, 1895-1946 addresses the creative and often unexpected trajectory of French cinema, which continues to be one of the most provocative and engaging cinemas in the world. Tracing French film and its developments from the earliest days, when France dominated world cinema, up through the Occupation and Liberation, Neupert outlines major players and films that made it so influential.

Standing over two graves, Rigoberto González studies the names "Ramon" and "María" under the family name "González." "She was María Carrillo, not María González," he thinks. His grandmother is missing. So begins González's memoir, a journey to recover a more complete picture of his grandmother, who raised him following his mother's death. González travels to his abuela's birthplace, Michoacán, Mexico, and along the way recovers his memories of a past he had tried to leave behind. A complex woman who was forced to take on maternal roles and suffered years of abuse, his grandmother simultaneously resisted traditional gender roles; she was kind yet unaffectionate, and she kept many secrets in a crowded household with little personal space. Sifting through family histories and anecdotes, González pieces together the puzzling life story of a woman who was present in her grandson's life yet absent during his emotional journey as a young man discovering his sexuality and planning his escape from a toxic and abusive environment. From fragments of memory and story, González ultimately creates a portrait of an unconventional yet memorable grandmother, a hard-working Indigenous Mexican woman who remained an enigma while she was alive. A grandmother, he shows, is more than what her descendants remember; she is also all that has been forgotten or never known. Through this candid exploration of his own family, González explores how we learn to remember and honor those we've lost.

James Bradley Wells combines creative practice and intimate knowledge of contemporary poetry and classical antiquity in this thought-provoking new translation of two early works by ancient Rome's most well-known and most esteemed poet, Vergil's Eclogues and Georgics. With its emphasis on the musicality of English, Wells's translations honor the original spirit of Latin poetry as both a written and performance-based art form. The accompanying introductory essays situate Vergil's poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated. These annotated essays, a pronunciation guide, and a glossary, alongside Wells's bold vision for what translation choices can reveal, guide readers as they explore this ancient and famously difficult poetry.

One Breath from Drowning tracks the foundering relationship between Ryan Jensen, a lapsed Mormon from Utah and heretofore closeted aspiring actor, and Sam Carter, a cocky party- and surf-loving Australian realtor whose family connections and wealth have buffered him from the most severe consequences of his impulsive nature and poor decision-making. Their genuine yet tumultuous love is strained by their tendencies for self-deception and avoidance, their secrets and their baggage, and the ways their past choices haunt their present. The two men find moments of joy and humor together in Sydney, but arrests, infidelities, and addictions force them to finally face the issues holding them back. Though it initially presents as a love story, One Breath from Drowning is a tale of spiritual bildungsroman told in parallel. Ryan and Sam's conflict and love ultimately push each of them to evolve, their transformation not the result of reckless acts of escape but the product of the fitful and difficult work of grappling with their complex realities.

On the night of January 5, in certain areas of southern Tuscany, a costumed, singing troupe of characters visits residents' homes, expecting to be fed and feted. This is the Befanata, a mumming tradition centered in Tuscany, whose main character--the Befana--is a kindly old woman or grandmotherly witch who delivers toys, candies, and gifts. The Befana Is Returning is a deeply researched, deftly insightful presentation of this living tradition that adds a large missing piece to the array of contemporary ethnographic scholarship on mumming.

Film Finances was founded in London in 1950 to insure against the risk that a film would exceed its original budget or not be completed on time. It developed the "completion guarantee"--the financial instrument that provides the essential security for investors to support independent filmmaking. Making Hollywood Happen tells the company's story through seven decades of postwar cinema history and chronicles the growth of the international independent film industry.

Featuring twenty-one new and fifty-seven selected poems from her earlier volumes--The Apollonia Poems, The Water Books, Reactor, The Door Open to the Fire, and Level Green--The Sound Boat reveals Vollmer's devotion to examining place and space to uncover poetry that touches emotions related to wandering physical and emotional realms: some familial and deeply personal, some unknowable.

Dorothy "Dot" Greenbaum and Rafaela "Ralfie" Santopietro have been together for thirty years, but as they age, their stable lives begin to show cracks. Rife with Hoffman's characteristic wit, Dot & Ralfie takes a hard, sometimes painful look at LGBTQ+ elder care and the unique struggles that come with aging outside of heteronormative structures. Can they get through it all and stay together?