Bøger udgivet af University Press of Florida

This book tells the stories of nine southern Methodist women, who, inspired by their faith, advocated for progressive reform by fighting for racial equality, challenging white male supremacy, and addressing class oppression.

This collection examines the important work of Black men and women to shape, expand, and preserve a multiracial American democracy from the mid-twentieth century to the present.

A newly discovered manuscript believed to be the first known novella written by a woman in Florida In 2015, an unsigned and undated 98-page manuscript was donated to the University of Florida. This work, titled The Storm, is published here for the first time, transcribed and annotated by Keith Huneycutt. Huneycutt presents evidence attributing its authorship to Ellen Brown Anderson, a writer who came to Florida and lived with family members before the Civil War. This book makes widely available what may be the first novella written by a woman in the state.Likely written between 1854 and 1862, The Storm is set in Key West during the hurricane year of 1846. It is narrated by a young bride who tells the story of her first marriage, her struggle to make sense of a loveless and hopeless domestic situation, and the restrictions placed on women in her society. The story also presents a woman's viewpoint on mid-nineteenth-century Key West, including the island's shipwreck salvage industry and the town's get-rich-quick economy, constituting one of the first fictional treatments of the Keys' wrecking business.Huneycutt's introduction compares the text with other examples of women's literature and works by Florida authors from the period. The appendixes include essays on the writings of Anderson and her sister Corrina Brown Aldrich, who may have also played a role in the tale's creation. Huneycutt argues that The Storm is groundbreaking in many ways and that it deserves serious consideration as part of antebellum American literature.

An indispensable resource for learning about the freshwater wonders of Florida Florida is home to over 1,000 freshwater springs, natural wonders that have drawn people to enjoy and interact with them over the course of millennia. This book provides a clear and comprehensive overview of the geography, history, science, and politics of the springs, informing readers about the deep past and current issues facing these treasures of the Florida landscape. Christopher Meindl explains the unique physical features of Florida's springs, including the "Swiss cheese" structure of the state's aquifers and the complexities of its groundwater hydrology, providing helpful maps, graphs, and photos. Meindl discusses how ancient and modern people have used the springs--as centers of communities, therapeutic spas, roadside attractions, parks, and more. He addresses contemporary threats to the springs in areas such as water flow, water quality, and overcrowding. Finally, he explores recent state policies, the activism of environmentalists, and current and potential restoration projects that seek to prevent springs degradation. Meindl brings to light a struggle for truth among scientists, politicians, and businesspeople about the causes of problems the springs face today. Challenging oversimplified answers and looking at multiple hypotheses, Meindl raises intriguing questions that will inspire readers to join the ongoing discussion about how best to protect and restore Florida's iconic freshwater sanctuaries.

A bilingual edition of poetry that provides a unique window into Cuban émigré life A rare glimpse into the history of the Cuban community in Key West in the early twentieth century, this book makes the poetry of Feliciano Castro available in English for the first time. A Galician Cuban who lived for decades in the southernmost city of the United States, Castro worked as a lector reading to cigar factory employees, a newspaper editor, a printer, and a writer. He published Lágrimas y flores, a collection of his poetry, in 1918. Translated here by Rhi Johnson, Castro's poems provide a window into an overlooked literary culture.Johnson and Joy Castro open this bilingual edition with an introduction detailing the writer's biography, literary context, and cultural milieu. Tears and Flowers highlights questions of national identity, migration, belonging, and courtship in Cuban émigré society, connects Florida to the Spanish-speaking communities of the Caribbean and Spain, and recovers the literary archive of a rich moment in US and Latinx history for a contemporary audience. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Photographs that meditate on thevanishing place of mobile home parks in the landscape of Miami In a collectionof images that are both quiet and telling, Sunset Colonies portrays thevulnerabilities experienced by residents of South Florida's mobile homecommunities amid rapid urban transformation and the threat of economic displacement.Photographer Diego Waisman captures a fractured sense of place in Miami-area neighborhoodsthat once flourished but are now increasingly forgotten. Essays by scholars Amy Galpin, LouisHerns Marcelin, and Alpesh Kantilal Patel give context to the current situationof these trailer parks, which at first promised their occupants stability, affordable housing, and for many, a comfortable retirement. But developmentinitiatives, surging rent prices, and environmental hazards have disrupted thisdream. Waisman's images, collected over seven years, ruminate on worn corrugatedexteriors, cracked ceramic tile, and the looming construction of luxuryapartment buildings nearby. Anhomage to a way of life that is quickly slipping away, Sunset Coloniesraises urgent questions about the invisibility of mobile communities, theirhistories, and their potential futures. Waisman also emphasizes the strengthand resilience of people whose definition of home lies in the balance betweenmemory and encroaching reality. Together, the images and essays in this bookcreate a multilayered meditation on place, community, and dignity.

This book offers the first critical edition of the forty short texts James Joyce called "epiphanies." Presenting the texts with background information and thorough annotations, this edition provides a vivid insight into Joyce's art.

An immersive journey into the stunning beauty, rich biodiversity, and fragile ecosystems of Dry Tortugas National Park, this book combines captivating photographs with insightful narratives to highlight a remote archipelago that has profound ecological significance.

Explaining why the state is more than the "Florida Man" stories and other stereotypes, this book celebrates what makes Florida worth a deeper understanding in a lively trip through the state's natural beauty and fascinating history.

In this cookbook, Ana Quincoces reimagines traditional Cubanrecipes for today's home chefs, helping readers make timeless dishes thatshowcase the distinctive flavors of classic Cuban cuisine while crafting mealsthat are accessible to everyone.

More than any other poet in Chaucer's library, Ovid was concerned with the game of love. Chaucer learned his sexual poetics from Ovid, and his fascination with Ovidian love strategies is prominent in his own writing. This book is the fullest study of Ovid and Chaucer available and the only one to focus on love, desire, and the gender-power struggles that Chaucer explores through Ovid. Michael Calabrese begins by recounting medieval biographical data on Ovid, indicating the breadth of Ovid's influence in the Middle Ages and the depth of Chaucer's knowledge of the Roman poet's life and work. He then examines two of Chaucer's most enduring and important works--Troilus and The Wife of Bath's Prologue and Tale--in light of Ovid's turbulent corpus, maintaining that both poems ask the same Ovidian question: What can language and game do for lovers? Calabrese concludes by examining Chaucer's views of himself as a writer and of the complex relations between writer, text, and audience. "Chaucer, like Ovid, saw himself as vulnerable to the misunderstanding and woe that can befall a maker of fictions," he writes. "Like Ovid, Chaucer explores both the delights and also the dangers of being a 'servant of the servants of love.'. . . Now he must consider the personal, spiritual implications of being a verbal artist and love poet."

Since its early days as a boomtown on the Florida frontier, Tampa has had a lively history rich with commerce, cuisine, and working-class communities. In From Saloons to Steak Houses, Andrew Huse takes readers on a journey into historic bars, theaters, gambling halls, soup kitchens, clubs, and restaurants, telling the story of Tampa's past through these fascinating social spaces--many of which can't be found in official histories.Beginning with the founding of modern Tampa in 1887 and spanning a century, Huse delves into the culture of the city and traces the struggles that have played out in public spaces. He describes temperance advocates who crusaded against saloons and breweries, cigar workers on strike who depended on soup houses for survival, and civil rights activists who staged sit-ins at lunch counters. These stories are set amid themes such as the emergence of Tampa's criminal underworld, the rise of anti-German fear during World War I, and the heady power of prosperity and tourism in the 1950s.Huse draws from local newspaper stories and firsthand accounts to show what authorities and city residents saw and believed about these establishments and the people who frequented them. This unique take on Tampa history reveals a spirited city at work and play, an important cultural hub that continues to both celebrate and come to terms with its many legacies.

Part family memoir, part political commentary, part apologia, Dream State tells the grand and sometimes crazy story of Florida through the eyes of author and journalist Diane Roberts.

An introduction to the fascinating world of Joyce's manuscripts This book shows how the creative process of modernist writer James Joyce can be reconstructed from his manuscripts. Daniel Ferrer offers a practical demonstration of the theory of genetic criticism, the study of the manuscript and textual development of a literary text. Using a concrete approach focused on the materiality of Joyce's writing process, Ferrer demonstrates how to recover the process of invention and its internal dynamics.Using specific, detailed examples, Ferrer analyzes the part played by chance in Joyce's creative process, the spatial dimension of writing, the genesis of the "Sirens" episode, and the transition from Ulysses to Finnegans Wake. The book includes a study of Joyce's mysterious Finnegans Wake notebooks, examining their strange form of intertextuality in light of Joyce's earlier forms of note-taking. Moving beyond the single author perspective, Ferrer contrasts Joyce's notes alluding to Virginia Woolf's criticism of Ulysses with Woolf's own notes on the novel's first episodes.Throughout this book, Ferrer describes the logic of the creative process as seen in the record left by Joyce in notebooks, drafts, typescripts, proofs, correspondence, early printed versions, and other available documents. Each change detected reveals a movement from one state to another, a new direction, challenging readers to understand the reasons for each movement and to appreciate the wealth of information to be found in Joyce's manuscripts. A volume in the Florida James Joyce Series, edited by Sam Slote

Varied approaches to an overlooked timeperiod in the history and archaeology of the Mediterranean Thisbook presents multidisciplinary perspectives on Greece, Corsica, Malta, andSicily from the fourth to the thirteenth centuries, an often-overlooked time inthe history of the central Mediterranean. The research approaches and areas ofspecialization collected here range from material culture to landscapesettlement patterns, from epigraphy to architecture and architecturaldecoration, and from funerary archaeology to urban fabric and cityscapes. Topicscovered in these chapters include late Roman villas; the formation of Byzantineand Islamic settlements in western Sicily; reuse of protohistoric sites inlate antiquity and the middle ages in eastern Sicily; early Christianlandscapes and settlements in Corsica; the transition from late antiquitythrough Byzantine rule to Muslim conquest in Malta; trade network trajectoriesof the Aegean islands and Crete; and crosscultural interactions in medievalGreece. Together, these essays show the potential of post-Ancient andpost-Classical archaeology, highlighting missing links between the Roman worldand medieval Byzantium and broadening the horizons of new generations ofarchaeologists.Contributors: Carla Aleo Nero Effie F. Athanassopoulos Giuseppe Bazan AmeliaR. Brown Gabriele Castiglia Angelo Castrorao Barba David Cardona SantinoAlessandro Cugno Michael J. Decker Franco Dell'Aquila Scott Gallimore MattKing Rosa Lanteri Pasquale Marino Roberto Miccichè Philippe Pergola FilippoPisciotta Natalia Poulou Grant Schrama Claudia Speciale Davide Tanasi

The first synthesis of the archaeologicalheritage of Baltimore Below Baltimore provides the first detailed overview of the rich archaeologicalheritage of the people and city of Baltimore. Drawing on a combined fivedecades of experience in the Chesapeake region and compiling 70 years of publishedand unpublished records, Adam Fracchia and Patricia Samford explore the layersof the city's material record from the late seventeenth century to the recent past. Fracchiaand Samford focus on major themes and movements such as Baltimore's growth intoa mercantile port city, the city's diverse immigrant populations and thehistory of their foodways, and the ways industries--including railroads, glass factories, sugar refineries, and breweries--structured the city's landscape. Using insightsfrom artifacts and the built environment, they detail individual lives andexperiences within different historical periods and show how the city haschanged over time. Synthesizinga large amount of information that has never before been gathered in one place, Below Baltimore demonstrates howurban archaeology can approach cities as larger collective artifacts of thepast, where excavations can uncover patterns of inequality in urbanization andindustrialization that connect to social and economic processes still at worktoday.

Examining a century of dance criticism in the United States and its influence on aesthetics and inclusionDance criticism has long been integral to dance as an art form, serving as documentation and validation of dance performances, yet few studies have taken a close look at the impact of key critics and approaches to criticism over time. The first book to examine dance criticism in the United States across 100 years, from the late 1920s to the early twenty-first century, Shaping Dance Canons argues that critics in the popular press have influenced how dance has been defined and valued, as well as which artists and dance forms have been taken most seriously. Kate Mattingly likens the effect of dance writing to that of a flashlight, illuminating certain aesthetics at the expense of others. Mattingly shows how criticism can preserve and reproduce criteria for what qualifies as high art through generations of writers and in dance history courses, textbooks, and curricular design. She examines the gatekeeping role of prominent critics such as John Martin and Yvonne Rainer while highlighting the often-overlooked perspectives of writers from minoritized backgrounds and dance traditions. The book also includes an analysis of digital platforms and current dance projects--On the Boards TV, thINKingDANCE, Black Dance Stories, and amara tabor-smith's House/Full of BlackWomen--that challenge systemic exclusions. In doing so, the book calls for ongoing dialogue and action to make dance criticism more equitable and inclusive.

Highlighting Bethune's global activism and her connections throughout the African diaspora This book examines the Pan-Africanism of Mary McLeod Bethune through her work, which internationalized the scope of Black women's organizations to create solidarity among Africans throughout the diaspora. Broadening the familiar view of Bethune as an advocate for racial and gender equality within the United States, Ashley Preston argues that Bethune consistently sought to unify African descendants around the world with her writings, through travel, and as an advisor.Preston shows how Bethune's early involvement with Black women's organizations created personal connections across Cuba, Haiti, India, and Africa and shaped her global vision. Bethune founded and led the National Council of Negro Women, which strengthened coalitions with women across the diaspora to address issues in their local communities. Bethune served as director of the Division of Negro Affairs for the Franklin D. Roosevelt administration and later as associate consultant for the United Nations alongside W.E.B. DuBois and Walter White, using her influence to address diversity in the military, decolonization, suffrage, and imperialism. Mary McLeod Bethune the Pan-Africanist provides a fuller, more accurate understanding of Bethune's work, illustrating the perspective and activism behind Bethune's much-quoted words: "For I am my mother's daughter, and the drums of Africa still beat in my heart." Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

"An invaluable addition to the library of all who in any way are involved in court services or courthouse design and construction. It will be a definitive reference on current and future bridging between judicial administration and space management of court facilities."-- Leonard S. Parker, chairman, The Leonard Parker Associates, Architects, Inc., Minneapolis"A book that every court administrator in the country should read and study. Dr. Wong has pulled together the adage that 'form follows function' in a work that will affect the design of every courthouse."-- J. William Lockhart, courts administrator, Sixth Judicial Circuit, State of FloridaThis important work integrates, for the first time, information from the fields of judicial administration and architecture, offering professionals in both areas significant benefits in the planning, programming, and design of courthouses that are responsive to the changing needs of the U.S. judicial system. The culmination of the lifework of F. Michael Wong, one of the nation's preeminent authorities on judicial facility projects, the book provides invaluable information for the collaboration of judges and judicial staff with architects, engineers, and planners.The author examines the slow changes in the judicial system and in the design of courthouses in the United States prior to the 1970s and the rapid changes in the areas of courthouse security, technologies, and environmental systems over the past three decades. He suggests more efficient and cost-effective strategies that call for collaborative efforts between the judiciary and the legislative and executive branches of government in the implementation of projects. In addition, he integrates aspects of judicial administration such as case processing, jury records, and personnel and budget management with space management philosophies and concepts.Judicial Administration and Space Management will serve as an indispensable resource and reference for all architectural and law libraries, for architectural and planning offices, and for administrative offices of the judicial system at federal, state, and local levels.Contributors: William G. Bohn, Ernest L. Friesen, Robert C. Harrall, Harry O. Lawson, Benjamin S. Mackoff, Larry P. Polansky, Ernest H. Short, Robert W. Tobin, Phillip B. Winberry, and F. Michael WongF. Michael Wong, president and CEO of Space Management Consultants, Inc., and president of the F. Michael Wong Foundation, is a Fellow of the American Institute of Architects (FAIA). He has programmed, planned, and designed judicial facility projects throughout the United States, including the Minnesota Judicial Building, the Alabama Judicial Building, and the Pinellas County Criminal Courts Complex. He was instrumental in publication of The American Courthouse and Space Management and the Courts--Design Handbook and was the principal consultant for the 1991 revision of the U.S. Courts Design Guide. In May 2000, he received the AIA Collaborative Achievement Honors Award and, in June, the AIA California Council's Research and Technology Honors Award.

"An exceptional piece of scholarship. Rossano clearly points out that military organizations in general, and a naval air force in particular, are built from the ground up and not the other way around. While we celebrate the exploits of the pilots, Rossano reminds us that there were myriad mechanics, constructors, paymasters, and even some ship drivers who played a vital role in naval aviation during WWI."--Craig C. Felker, U.S. Naval Academy "A fine book that will stand for many years as the definitive study of U.S. naval aviation in Europe. Well-researched and written, the book ranges widely, from the high-level planning in Washington for a naval air war to moving thousands of men and hundreds of aircraft across the ocean to the routine but dangerous training, patrol, and bombing flights that constituted the navy's air mission in World War I."--William F. Trimble, author of Attack from the Sea Stalking the U-Boatis the first and only comprehensive study of U.S. naval aviation operations in Europe during WWI. The navy's experiences in this conflict laid the foundations for the later emergence of aviation as a crucial--sometimes dominant--element of fleet operations, yet those origins have been previously poorly understood and documented.Begun as antisubmarine operations, naval aviation posed enormous logistical, administrative, personnel, and operational problems. How the USN developed this capability--on foreign soil in the midst of desperate conflict--makes a fascinating tale sure to appeal to all military and naval historians.

This volume highlights the vital role women played within the diverse societies of the Mississippian world, which spanned the present-day United States South to the Midwest before the seventeenth century.

Looking at writers, directors, and thinkers who are linked to the Maghreb, Mireille Rosello argues that new types of encounters between the French and the Algerians have the potential to counteract the negative force of history. She maintains that these "performative" encounters are moments of fragile and precarious exchange that could shift the tragic paradigm of violence and mistrust among Arabs, Berbers, and Europeans or among Christians, Muslims, and Jews. A performative encounter between historical adversaries creates new subject-positions, a new language, and a new protocol of cohabitation, she contends. Performance encounters inaugurate a new historical script. At such times subjects can redefine each other, and they can speak not in French or Arabic but in a language similar to Khatibi's poetical and interstitial "bilanguage" that reexamines the terms and practices of their interaction. Attentive to the interconnections among language, gender, literature, and cultural politics, Rosello looks at a rich variety of contemporary stories generated by historians (Benjamin Stora, Mohamed Harbi, Charles-Robert Ageron), philosophers (Jacques Derrida), filmmakers (Yamina Benguigui, Mehdi Lallaoui), and emerging and internationally famous writers (Fouad Laroui, Mehdi Charef, Abdelkebir Khatibi). She devotes special consideration to an innovative analysis of the work of one of the most important contemporary French-language writers, Assia Djebar.

Puerto Rican writers from the island and mainland have long used a variety of comic genres and forms to affirm an autonomous national identity and resist cultural hegemony and assimilation. The use of self-reflexive humor has allowed these writers to produce "eccentric texts" that reflect not only on their own textuality but also on their role as an intervention in the literary discourse on national identity. Reyes analyzes the works of Nemesio Canales, Luis Rafael Sánchez, Ana Lydia Vega, and Pedro Pietri to argue that their works resituate the parameters of national identity by blurring the lines between the subject and object of humor, the inside and outside of the text, and the here and there of the diasporic Puerto Rican nation.Framing his discussion in the context of Latin American, Latino, and Caribbean traditions, Reyes argues that humor and the eccentric text reimagine Puerto Rican national identity from the perspective of incongruity. He demonstrates how, through self-reflexive humor, these writers expose the many incongruities in Puerto Rican national identity yet also explore the relationship between author and reader. While demonstrating the genre's own instabilities, Reyes argues, humor in Puerto Rican literature negotiates incongruity and allows for a national identity to emerge from multiple centers of articulation.