Bøger udgivet af University Press of Southern Denmark

Bob Dylan’s songs have been the subject of countless interpretations. In fact, Dylan’s work is one of the fastest-growing research areas within the humanities, and the interest has increased dramatically since Dylan’s receipt of the Nobel Prize in Literature in 2016.There is a distinguished history of scholarly work on Dylan. Textual scholars focus on Dylan’s lyrics, parsing out their verbal artistry and identifying their numerous and farflung sources.Historians and biographers try to clarify the details of Dylan’s life and the chronologies that link him with other notable figures and movements. Social scientists have focused on the cultures inspired by Dylan, the institutions and communities of fandom and appreciation which surround him.NEW APPROACHES TO BOB DYLAN break down the disciplinary silos that have kept these lines of work separate, to think about how lyrics, performances, personal history, and mass movements all coincide and shape one another.NEW APPROACHES TO BOB DYLAN is edited by Anne-Marie Mai and contains 16 essays and an interview with Horace Engdahl, The Swedish Academy. Among the contributors are Stephen Greenblatt, Sean Latham, Nina Goss, Johnathan Hodgers, Michael Gray and Gisle Selnes.

Humanlike robots and digital humans are both fun and useful in many situations. But the more we interact with technology with human traits, the more we believe it to possess real human characteristics like consciousness and personality. As a new breed of artificial beings enters society on a large scale, many of us will start believing they deserve moral consideration and perhaps even rights.In this entertaining and humorously written book, Thomas Telving argues that even though the above scenario is close to inevitable, we should still do all we can to avoid it. Presenting us with thought-provoking future scenarios, state of the art scientific research, and engaging philosophical reflections, he shows us how to avoid some of the scariest pitfalls of human-like technology.“The rapid development in (embodied) artificial intelligence is all but certain to change our lives in the coming years. Using a philosophical framework, Thomas Telving convincingly presents a number of pitfalls following a large increase in human-robot interaction. He joins the important roboethic debate on what future we want to live in, and what it takes for humanity to keep the upper hand in shaping it.”— Tobias Larsen, PhD in Computational Neuroscience from the University of Bristol and senior data scientist at Oviva AG.“Artificial intelligence and advanced robots are increasingly used in science and society, and in many ways they outperform human capabilities. An important question is how our moral and legal stance towards robots will develop when their human likeness increases. In this entertaining new book Thomas Telving takes us through possible scenarios seen in a philosophical perspective. Enlightening, thought-provoking and highly recommended.”— Jacob J. K. Kirkensgaard, PhD, Associate Professor at the Niels Bohr Institute, University of Copenhagen.

Cosplay deals with a community of Danish fans of Japanese popular culture whose fandom makes them distinctly identifiable as productive fans; namely fans who appropriate characters, story worlds and design from manga, anime and video games and who produce cosplay. It is argued that the Danish cosplayers constitute a confident, vibrant community, which sees itself in the midst of actualizing manga and Japanese media worlds against the backdrop of childhood and early youth literacies and intimacies. Cosplay is the first publication in the four-volume series East Asian popular culture in a transnational perspective: A National Museum of Denmark Collection. What happens when anime, manga, video games & photo booths from Japan and South Korean pop music & comics flow into Denmark? This series explores issues pertaining to East Asian popular culture in a Danish context and asks what it can contribute to our understanding of cultural flows in an East/West perspective.

Hallyu deals with Danish fans of Korean popular culture. As consumers of Korean popular culture, not least K-pop (Korean pop music), these fans aspire to integrate into the Korean social fabric through career choice; they produce K-pop realities by performing Korean dance, conforming to Korean aesthetics or beauty ideals, thinking through Korean story-worlds and finding viable alternatives to Danish youth sociality. This constitutes an example of how East Asian popular culture is present in the formation of Danish youth culture in the 2010s. Hallyu is the second publication in the four volume series East Asian popular culture in a transnational perspective: A National Museum of Denmark Collection. What happens when Korean pop music & comics and anime, manga, video games & photo booths from Japan flow into Denmark? This series explores issues pertaining to East Asian popular culture in a Danish context and asks what it can contribute to our understanding of cultural flows in an East/West perspective.

How can literature engage readers and speak to matters of concern, inspire attachments, weave affiliations, or forge collectives? How can literature be useful to readers and in society and what are the dynamics between the actors involved? These are some of the questions that have been explored in the research project Uses of Literature The Social Dimensions of Literature, which took place at the University of Southern Denmark (SDU) from 2016 to 2021 under the guidance of Niels Bohr Professor Rita Felski. This journalistic report highlights the most important insights, discussions, and results that have emerged from the five years of collaborative research at SDU through interviews with more than twenty scholars. The research presented in this publication covers topics such as narrative medicine, new sociologies of literature, literary perspectives on love, gender and recognition, new approaches to teaching, as well as precarity and the social dimensions of literature. The report aims to open up the rich portfolio of research that has been conducted at SDU and make it available to other scholars as well as actors outside of academia, such as teachers, librarians, and readers. Both the report and the research project have been funded by the Danish National Research Foundation.

This volume explores the interaction between law and religion in the Nordic region and Germany in the post-World War II period. It examines how religion has been conceptualized and managed within secular law and pays particular attention to the growing influence of international law on the regulation of majority and minorty religion. The volume investigates different ways of understanding the secularity of law, and it analyzes the relationship between conceptions of secularity within law and theology in the region. Finally, it also discusses renegotiations of theological positions with regard to the law of the land and tendencies towards re-confessionalization of law governing religion.

In a military operation that ran from autumn 2013 to summer 2014, a multinational naval force managed to remove approx. 1,300 tons of chemical weapons and substances from civil war-torn Syria.The operation was led by Danish naval officer Torben Mikkelsen. This book is based on the diary he wrote during the six months he was in command of the Danish-Norwegian-British force.The book provides a frank and honest insight into the work of a naval officer in the 21st century and the challenges inherent in conducting a multinational operation at a time of increasing tensions between the world’s great powers.The book is illustrated with more than 100 maps and photographs, the majority of which have not been published before.

Citizen Categories in the Danish Welfare State approaches the question of the political legitimacy of the welfare state from a new perspective. It argues that legitimation of the welfare state is inextricably linked to particular ideas about the nature of its citizens, encompassed in so-called ‘citizen categories’. Offering the first major study of citizen categories, their origins and alterations over time and their role in shaping welfare policies and institutions, the volume helps us bridge the gap between our understanding of the historical development of the welfare state and the present political situation.

Danish literature from 1000 to 1900 is an account of Danish literature from the earliest period to the modern breakthrough of the late 19th century. Together with Danish literature in the 20th and the early 21st century this volume forms a complete history of Danish-language literature. At a time when information about individual authors and their works is only a quick click away and constantly updated, it can be an advantage to gather together this myriad of information and place it in coherent order – particularly for readers unable to read Danish. That is the basis for these two volumes on Danish literature. They provide a framework within which the richness of information about authors and their works can be appreciated as forming a rich, connected and connecting narrative.Danish Literature from 1000 to 1900 is an inclusive and networked literary history that does not turn literary texts into mute museum pieces. The volume includes an analysis of the world famous Danish History of Saxo Grammaticus of the middle ages as well as a presentation of the renaissance masterpiece, Memoirs, by Leonora Christina Ulfeldt. The writings of the leading enlightenment author, Ludvig Holberg, are also introduced and the romanticist novelist Thomasine Gyllembourg, the fairytale author Hans Christian Andersen and the philosopher Søren Kierkegaard are key figures of the historic exposition. The volume is concluded by an introduction to the authors of the modern breakthrough. Central international contributions to literary studies and extensive discussion on periodization is included in Danish Literature from 1000 to 1900 so that readers may relate this periodization to the periodization of other national literatures. The volume also includes chronological overviews and notes on literary studies’ discussion of historiography and influential recent research and approaches to Danish literature.

Shame and guilt are quintessential human emotions. They are reflective emotions and also what we might call social feelings; they affect individuals as well as collective cultures. Shame and guilt are similar in that they both reveal a failure of the self in regard to common norms. However, shame concerns the self and a person’s self-identity, whereas guilt is linked to specific actions towards others.SHAME ON YOU explores shame and guilt in a Western and Scandinavian context focusing on a wide range of authors: from 19th century writers such as Carlo Collodi and Henrik Ibsen through modernist writers such as Frans Kafka, Virginia Woolf, Djuna Barnes and Marguerite Duras to contemporary writers such as Elizabeth Gilbert, Charlotte Roche and Yahya Hassan.The individual chapters focus on the cultural alteration of shame and guilt – an alteration that is indicated for example by pointing out the contrast between the repression of sexuality that has historically been prevalent and the demand for enjoyment today. This development also implies a change in the position of the subject. Hence, the focus on shame reveals a change in the subject’s relation to him- or herself. The book has a mainly literary perspective, but the first three chapters open with theoretical and historical assessments of shame and guilt.Gorm Larsen: Ph.D., Associate Professor at the Department of Communication, Aalborg University, Copenhagen; head of the research group Communication Dynamics. René Rasmussen: Ph.D. and psychoanalyst, Associate Professor Emeritus in Danish literature at the Department of Nordic Studies and Linguistics, University of Copenhagen.

On 16 April 1620, Raghunatha Nayak of Tanjore invited Danes to settle down and establish trade in Tharangampadi – known also as Tranquebar. Over the next 225 years, several hundred Danes made Tranquebar their home, and over a thousand found their resting place here. During this period, printing was established by German missionaries, a Protestant mission was founded, science and arts flourished, an astronomical observatory was set up and an exploration of the Nicobar Islands took place. The town had to be rescued several times from impending wars. This book shows glimpses of this exciting period from the remains left by the Danes. Arranged as a walking tour of the town, we pass by places where significant people lived and noteworthy events took place.P. S. Ramanujam, Professor Emeritus in Optics at the Technical University of Denmark, was born in Tamilnadu, India, and has lived in Denmark for more than 40 years. Besides a significant number of scientific articles in peer-reviewed journals, he has also written several articles on Tranquebar and is coauthor of Videnskab, oplysning og historie i Dansk Ostindien (2020), a book on the Norwegian astronomer, scientist, historian, philosopher, and reformer in Tranquebar Henning Munch Engelhart.

The medieval idea of crusading was formative for Western identity and used for centuries - it actually outlived the Middle Ages and has significant polemical potential even today. Crusading was a multi-layered phenomenon that could be mobilised against a great variety of enemies, in many diverse geographical areas around Latin Western Europe. From Norway to Sicily, from the Western Isles till the Eastern Baltic, the idea of crusading was adopted and adapted to local circumstances. It led to major economic and social re-organization of societies but also to a new acceptance of using warfare and violence for supporting and defending good. Crusading was promoted everywhere and through all media, including the new printing press from the second half of the 15th century. The present book explores the varieties of crusading in their historical context, and also its use as a metaphor throughout the Middle Ages and afterwards.