Bøger udgivet af Valiz

Valiz, Amsterdam Amsterdam Development Corporation Project ManagementBureau AmsterdamThe South Bank of the 1J inlet in Amsterdam has undergone a spectacular transformation in a short period of time. Along Amsterdam's Waterfront is the first publication to provide a survey of the architecture in the former dockland area, where a mixture of housing, business premises and recreational facilities has now been created. Nine architectural routes with photographs and explanatory texts guide you past some 200 projects - old, new, and planned - varying from apartment complexes and office premises to public spaces, bridges, monuments and works of art. Attention is also devoted to a variety of themes such as housing typologies, infrastructure, the harbour, the IJ dikes, and recreation.

Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their collections and exhibitions, this timely publication considers the challenges faced today by cultural workers, Indigenous and non-Indigenous, as they try to engage meaningfully with the histories, presents and futures of Indigenous cultural practices. In this volume, 16 Indigenous voices convene to consider some of the most burning questions surrounding this field. What are the novel and empowering methodologies of the future? What are the possibilities and limitations of a politics of inclusion? To whom does the much talked-of "Indigenous Turn" belong? A first-of-its-kind reader appearing at a critical moment, Sovereign Words includes perspectives across art, film, ethics, history, theory and museology.

Ingredients for a true "world art studies"Aiming to encourage the study of art beyond national constraints and cultural domination, Mix & Stir proposes a voyage similar to that of culinary discovery, to arrive at a true "world art studies." Contributions are structured in seven themes: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History.Contributors include: Thomas J. Berghuis, Elisabeth de Bièvre, John Clark, Thomas DaCosta, Kaufmann, Parisa Damandan, Wilfried van Damme, Sophie Ernst, Angèle Etoundi Essamba, Paul Faber, Claire Farago, Anne Gerritsen, Jacqueline Hoàng Nguyen, Isabel Hoving, Stijn Huijts, Joo Yun Lee, Nancy Jouwe, Remy Jungerman, Sonja van Kerkhoff, Meta Knol, Frans-Willem Korsten, Katja Kwastek, Sybille Lammes, Charl Landvreugd, Gregor Langfeld, Chris Lee, Christa-Maria Lerm Hayes, Virginia MacKenny, Sarat Maharaj, Tirzo Martha, Kyveli Mavrokordopoulou, Larissa Mendoza Straffon, Ni Haifeng, Stéphanie Noach, Anja Novak, John Onians, Rob Perrée, Georges Petitjean, Rosalien van der Poel, Jennifer Pranolo, Lize van Robbroeck, Pippa Skotnes, Henk Slager, Rudi Struik and many more.

Auteur Nathalie Zonnenberg analyseert de problematiek rondom het tentoonstellen van ideekunst via drie case studies, en suggereert een alternatieve omgang met 'onbestaanbare' kunstwerken.Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization. The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.

An intersectional take on design history and the design discourse, with feminist, decolonial, anti-racist, activist, non-Western and indigenous perspectives Critically assessing the complicity of design in creating, perpetuating and reinforcing social, political and environmental problems--both today and in the past--Design Struggles proposes to brush the discipline against the grain, by problematizing Western notions of design, fostering situated, decolonial and queer-feminist modes of disciplinary self-critique. It gathers a diverse array of perspectives, ranging from social and cultural theory, design history and activism to sociology, anthropology, and critical and political studies, looking at design through the intersections of gender, culture, ethnicity and class. Contributors include: Claudia Mareis, Nina Paim, Danah Abdulla, Tanveer Ahmed, Zoy Anastassakis, Brave New Alps, Johannes Bruder, Cheryl Buckley, Sria Chatterjee, Alison J. Clarke, common-interest, Sasha Costanza-Chock, Decolonising Design, Bianca Elzenbaumer, Arturo Escobar, Kjetil Fallan, Griselda Flesler, Paola De Martin, Ramia Mazée, Tania Messell, Luiza Prado de O. Martins, Rebecca Ross, Nan O'Sullivan and Mia Charlene White.

A fresh take on the interdependence of the social and the material in contemporary design thinkingChallenging the way we look at, think of and interact with the social world, Social Matter, Social Design emphasizes the role of materiality. This enlarged field for engagement demands that design incorporates a more nuanced and complex reading of how the social is intertwined with the material, which confronts the often reductive or simplistic notion of 'social design', and offers novel forms of critical and meaningful engagement at a time of mounting social contradictions. The essays are centered around four major themes: the body; earth; the political; and technology. Authors include: Jonas Althaus, Stéphane Barbier Bouvet, Mariangela Beccoi, Ellie Birkhead, Gali Blay, Nadine Botha, Pablo Calderón Salazar, Marianne Drews, Brecht Duijf, Anastasia Eggers, Gabriel Fontana, Saba Golchehr, Alorah Harman, Dick van Hoff, Eric Klarenbeek, Kuang-Yi Ku, Gabriel A Maher, Henrique Nascimento, Elisa Otañez, Ottonie von Roeder, Søren Rosenbak, Angela Rui, Vera Sacchetti, Noud Sleumer, Vivien Tauchmann and Henriette Waal.

Sidestepping both identity politics and facile multiculturalism, this anthology argues for the embrace of social ambiguity through artMulticulturalism and pluralism presuppose a shared culture with shared values and convictions about, for example, openness, democracy and equality. Multiculturalism therefore in fact presumes a monoculture of views and attitudes. Being able to deal with ambiguities, differences and paradoxes is the outcome of a learning process and thus of cultivation. Art has played a pivotal role in this process since the dawn of modernity; the contemporary artist is a bricoleur, shaman and charlatan who prepares peculiar blends and creates indigestible cocktails, who has to play with cultural conventions if she or he is to be called an "artist" anyway. The Aesthetics of Ambiguity gives stage to art and artists that dare to play with the rules of a broader society and adopt ambiguity and paradoxes, and explores their successes and failures.

Collecting writings from artists, theorists and artist residency facilitators, Contemporary Artist Residencies examines the present role of the residency for artists and the international art ecosystem. With a range of discussions on the continuously evolving role of residencies in our political and historical moment, the book also examines residencies' varied attempts at "reclaiming time and space" for artistic practice while serving as nodes for collaboration, research, and critical thinking--not to mention a crucial and sought-after means of promoting artists' career development and the international circulation of their work. The book features contributions by Pascal Gielen, Livia Alexander, Nathalie Anglès, Helmut Batista and Taru Elfving, among others. The latest of Valiz's Antennae series of books designed by Metahaven, Contemporary Artist Residencies helps to fill the surprising gap in books about how and why residencies function in today's art world.

Jakarta Megalopolis focuses on two projects in the title city by artist and architect Stani Michiels and artist Arjan van Helmond. Each grapples with Jakarta's housing culture, the experience of private as opposed to public space and the consequences of city migration, as well as the city's infrastructure, increasing density, and its coherence--or lack thereof--as a whole. As megalopolises in developing countries undergo explosive growth, their cultural, social, political and economic complexities are developing at unprecedented rates. That phenomenon is drawing more and more attention within the world of architecture and art, and Jakarta Megalopolis offers a case study of its complexities, a cutaway view of this chaotic new world.

As one essay here places the rising young Dutch artist Sara van der Heide and her work, she "is a painter of the visual culture, an artist who has seen much more in the form of newspaper photos, television images and films than she has experienced firsthand. With obvious pleasure she creates a world of painting that enables viewers to see in a chaos of different ways. A very promising sketch, an indescribable blend of colors, an unexpected texture after the paint is wiped away." Penumbra offers readers van der Heide's expressive and unabashedly luscious drawings and paintings, including many in egg tempera and other old-school techniques, and examines her comparatively contemporary subjects, from terror to pop culture.

Known for his photographically-based embroidery, Berend Strik is a master weaver of harsh imagery and soft gossamer threads. From pornography, carnival clubs, and cloned sheep to same-sex marriage, newborn babies, and love, Strik sews it all together. In addition to embroidery, he makes use of a variety of media, including photography, stained glass, video, and architectonic installations. Strik's work consists of deviations, deformations, mutations; into a culture of generic sameness, he introduces genuine variations, deviations that resist immediate assimilation. "Body Electric charts what at first glance may seem a bewilderingly multi-faceted work. Conceived in close collaboration with the artist, this book features a uniquely stitched cover: the diver dives...

Artist and photographer Joke Robaard, originally trained in fashion, investigates human configurations (e.g., networks of friends or neighbors). After "directing" individuals into certain positions and patterns in relation to one another, she photographs them, using clothing to illustrate where connections lie and how they constantly shift.

A plea for the social efficacy of the neighborhood and its ecologyThe pressure is on: people move to cities in ever-growing numbers. So we build new neighborhoods, we transform old industrial areas and renew the existing city. Right now, the focus lies on energy-neutral neighborhoods. But in order for these new neighborhoods to really work, residents need to be engaged and the tactics need to be embedded within a larger social policy. Only then do thriving cities arise. Neighbourhoods for the Future revisits the neighborhood as the designated scale and arena to build our urban futures. The neighborhood is small enough to be tangible, yet big enough to make an actual difference. Introducing the concepts of neighborhood arrangements and ecologies, this book provides a new perspective on the relation between participants, resources and rules to spark change and prepare urbanites and policymakers for realizing their own sustainable neighborhoods for the future.