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'Heroic Disobedience: The Forced Marriage Plot and the British Novel, 1747-1880' shows the ways in which eighteenth- and nineteenth-century novels used what the author terms the forced marriage plot - a plot arc in which a greedy father tries to force his daughter into a marriage she does not want but that would be financially expedient to himself - to explore capitalism's detrimental impacts on women's right to autonomy. As capitalist economic practices replaced mercantilism, a woman's value was seen primarily in the economic sense. That is, men came to recognize that women - especially young, marriageable women - could be used as objects of exchange between men. Recognizing this phenomenon, the novelists considered in 'Heroic Disobedience' - Samuel Richardson, Charlotte Lennox, Mary Robinson, Charlotte Smith, Jane Austen, Charles Dickens, Elizabeth Stone, and Anthony Trollope - depict the very specific ways in which women were raised to become willing pawns in this system. Religious discourse, conduct guides, marriage and property laws, wages, lack of meaningful education, and inheritance practices combined to leave women with no other options besides dependence on their patriarchs. Importantly, authors who use the forced marriage plot go beyond exposing women's subjugation by creating - and celebrating - heroically disobedient heroines who believe, above all else, that they have the right to determine their own futures: futures in which they are autonomous agents, not subjected objects.

Pitirim A. Sorokin is a controversial figure in the history of sociology, of which he remains one of the masters. Those who read Sorokin today must, however, frame the historical reality experienced by the scholar (his Russian and American experiences) because the evolution of his thought had several phases that correspond to his personal, family, and professional lives (he founded and directed the Department of Sociology at Harvard University for many years). This Russian-American sociologist argued that socio-cultural phenomena must be studied following their dynamism (in space and time) since the constituent elements (personality, society, and culture) are constantly changing and cannot be studied separately. Reviving his thought is not a form of celebration but a moment to reflect on how some sociology classics still have their relevance and how, all too often, they are forgotten. This is why this book takes up his main conceptualizations by anchoring them to contemporary society, whose transformations are often difficult to read, and above all to highlight how the role of sociology as a science has, in part, lost sight of its ontological foundation as a service to humanity or public service. The theoretical paths taken by Sorokin range from Social and Cultural Dynamics to Social Mobility and to many other topics, such as man and society in calamities or love and altruism - one of Sorokin's latest topics. All these topics can revive the idea of a sociology that holds together the micro, meso, and macro dimensions and allows us to predict changes in society.

Personalism seeks to understand the person in its richness, complexity, and unity, and, to achieve this goal, it has developed a rich and solid anthropology as well as an ethic of the person that is having repercussions in the philosophical and sociopolitical sphere. But what is the value of this philosophy? Does it offer a mere description of the reality of a phenomenological type, or does it penetrate to the bottom of what exists, offering its intelligible essence? Does it offer an ultimate explanation of the person, or is her vision subordinated to a deeper and more decisive one that would correspond to metaphysics?To answer these questions, the author, an international expert in personalist philosophy, first defines the various meanings in which the term metaphysics can be understood and, secondly, does a comparison between personalism, in particular, integral Personalism, and the metaphysics of being. The analysis concludes that personalism can be considered a first sectoral philosophy, that is, a philosophy that does not need other philosophical referents to establish itself as a philosophy thanks to its direct access to experience, where the person is found.This conclusion is based on the epistemology of integral experience and imposes a review of the traditional role of metaphysics and its connection with anthropology in general and Personalism in particular.

This book examines intelligence as it applies to various facets of human life. It explores the evolutionary origin of intelligence and the genetics and neurobiology of intelligence. Every human being is intelligent, but some are more intelligent than others. We know this both by observing different people's behavior and position in life and by their different intelligence quotient (IQ) scores. Most of the business of life can be conducted on a basis of habit, with little need for exceptional intelligence, which is irrelevant for many day-to-day pursuits. However, people of higher intelligence do much better in life than those of lower intelligence in so many ways. They attain higher social class, better physical and mental health, are less likely to be criminals, and many other things. IQ tests measure different cognitive abilities, but there is a factor common to them all that psychometricians call Spearman's g, or simply g. What this means is that in tasks that tax the brain, however different they may be from one another, if a person is good at one mental task, he or she is likely to be good at others, although not necessarily to the same degree.

Literature does have an aspect that drags the readers, habitually burying them in its pages and blindly attaching them to itself. Blind devotion stems from the factors that are effective in determining the readers' faith. Theories of literature, similarly, might bring about the generation of blind adherence and dogmatic approaches. This book explores the existence of dogma in literature and some cult texts and writers and how dogmas in literature are conveyed to various audiences as a mission by some literary readers, experts, and academics.Generally, dogma is a word related mostly to religion. In this frame, Mathew Arnold's 'Dogma in Religion and Literature' is of great importance as far as religion is concerned. However, there are dogmas in every field, literature being no exception. Virginia Woolf, for instance, wrote stupendous works that turned out to be well-known, and in 1928, she delivered a lecture at Cambridge University, where women were once not allowed, that formed the basis for the celebrated 'A Room of One's Own' (1929). Roland Barthes' 1967 'La mort de l'auteur' ('The Death of the Author') essay might be another text that some of its literary readers have developed a dogmatic commitment to.In addition to revealing how dogma finds its place in literature, this book also discusses how literary writers and readers often unwittingly embrace 'literary missionary.' Focusing on the dogmatic elements of literature and the dogmatized literary theory and criticism through cult works of various authors, the book offers a striking and interesting contribution to literary theory and criticism and literature readings.

Culture is a 'cumulative custom of beliefs, values, rituals, and sanctions practiced by a group of people, province or country'. It is a more sensitive dimension of internationalization of any business and making it perform in a culturally diverse environment. Sometimes, nations/states lose their normative significance in a cross-cultural setting (e.g., India, South America). It is because they undermine their earlier philosophies of norms, values, and beliefs or neglect the cultural significance of other nations. In the current business and workplace dynamics, cultural components introduced significant changes in the core assumptions of business practices and skill expectations. This paradigm shift has forced business executives and managers to know how cultural differences affect inter- and intra-organizational functioning. It has made gaining cross-cultural compatibility a serious concern for business and academic communities worldwide. Therefore, this book facilitates business leaders, expatriate managers, business executives, academicians and scholars to explore different cross-cultural business perspectives and practices.

This manual focuses on teaching Italian as a foreign language in the academic field, taking into consideration the various subjects and disciplines that can be found in a university course in Italian Studies. Various chapters are included within that range, for example, from Italian phonetics and dialectology to art as a means to deepen elements of the Italian language, to morphology with word formations, and to translation as well as subtitling. The range also covers technology as a tool for telecollaboration, academic writing, and learning Italian through geography or the language of vulgarity. Besides, the manual takes into consideration the use of the Italian press for learning, together with the use of comics and cartoons to teach the Italian language. The contribution aims to be a point of reference both for teachers and students who are focusing on linguistics, philology, didactics, and pedagogy. It lays emphasis on the teaching methodology, the instruments of teaching, and the available resources. It also seeks to deal with the various teaching problems and reflects on the disciplines as well as alternative proposals for teaching.

This book will focus on analyzing the different aspects of Japan's representation in the novels of Haruki Murakami and David Mitchell. It is proven that Murakami creates and recreates Japan without implementing any orientalist features or exotic imagery. In the works of both authors, the intent to depict a new world of Japan stripped of traditional stereotypical traits becomes clear. The difference between Murakami and Mitchell's representation of Japan lies in the difference between Japan as seen by the Japanese and Japan as seen by modern Westerners, but both are 'correct' images of Japan. It is a recreation of the global image of Japan.In that sense, the texts of Murakami and Mitchell are complementary representations of Japan through East-West cultural dialogue. Studying the representations of Japan and Japanese national character helps to understand the role of Murakami and Mitchell in the formation of a new image of Japan, the de-stereotyping of anachronistic ideas about Japanese national exclusivity, enriching by doing so the world literature with new visions of the country and its culture.The purpose of the comparative analysis of English and Japanese literary works performed in this work is to reveal both deep analogies and differences in the representation of the image of Japan, actualizing the national specificity of the texts. This research advances the understanding of how both general and specific components of literary representations of Japan and Japaneseness are manifested in the East-West cultural dialogue.

The details of the Jewish Holocaust have become part of our history through the testimony of those who survived the death camps. The details of Lenin's and Stalin's reigns of terror are far less known because they took place behind a wall of secrecy, and survivors have been reluctant to speak about them for fear of retribution. This is an encompassing volume presenting an intense display, as complete as can be, of testimonies, gathered between 2001 and 2005 of actors implicated in different aspects of Russian life roughly through the period 1917-1956. They were people who had lived under the Soviet regime in times of peace and in times of war, from the Red Terror through the Great Terror. One must bear in mind the political and economic conditions in which those lives developed: the one-Party rule placed above both the government and the citizens, the abashment of the division of powers, the suppression of private property and private economic initiative, the political police, and the GULAG. Russian Nights offers a wide and detailed perspective of what we call "the Russian Century" Lenin's takeover, the all-powerful Party, the GULAG, and the Second World War.

Numerous books have been written on the art of directing from the classical to contemporary times. Many of these works have concentrated on different facets of the discipline of directing such as the definition, history, and development of directing, as well as the qualities, functions, and types of directors. However, areas of directing that have not received much scholarly attention include works that serve as manuals for budding directors and studies that reflect the theory and practice of directing in Africa, especially from Nigerian theatre practitioners. While studies on directing, such as Wainstein's 'Stage Directing: A Director's Itinerary' (2012), Dean and Carra's 'Fundamentals of Play Directing' (2009), and Johnson's 'Visions Towards a Mission: The Art of Interpretative Directing' (2003), provide general insights on the art of directing plays, Emasealu's 'The Theatre of Ola Rotimi: Production and Performance Dynamics' (2010) and Uwatt's 'Playwriting and Directing in Nigeria: Interviews with Ola Rotimi' (2004), document the directorial practice of the Nigerian director, Ola Rotimi. Aside from documenting the directing techniques of key Western directors, this book's advantage over existing works is that it documents the directorial styles of Ola Rotimi and other West African directors, as well as the directorial techniques of directors from South, North, and East Africa. It also traces the evolution of the theatre stage, examines the directorial implications of the arena, proscenium, thrust, traverse and African traditional theatre stage orientations, and engages the notions of blocking, movement, directorial concept and directorial approach.In particular, this book aspires to contribute to the discourse on play directing with perspectives from African theatre. It also fills gaps in previous studies by delving into the notions of theatre and directing, the director's history, qualities, and tools. It examines types of directors, functions of the director, directing principles, and key Western and African theories of performance. It also evaluates the history of the theatre stage, the characteristics, benefits and drawbacks, and directorial implications of the arena stage, proscenium stage, thrust stage, traverse stage, African traditional theatre stage, the use of blocking, movement, and the meaning of directorial concept and directorial approach.

'Star Wars' is a global phenomenon that in 2022 celebrated its 45th year of transmedia storytelling, and it has never been more successful than it is today. More 'Star Wars' works than ever are currently available or in simultaneous development, including live-action and animated series, novels, comics, and merchandise, as well as the feature films for which the franchise is best known. 'Star Wars' fandom is worldwide, time-tested, and growing; academic interest in the franchise, both inside and outside of the classroom, is high. This accessible and multidisciplinary anthology covers topics across the full history of the franchise. With a range of essays by authors whose disciplines run from culture and religious studies to film, feminism, and philology, 'Star Wars: Essays Exploring a Galaxy Far, Far Away' speaks to academics in the field, students in the classroom, and anyone looking to broaden their understanding and deepen their appreciation for 'Star Wars'.

"The Wizard of Mecosta" offers an extended analysis of the fiction of Russell Amos Kirk (1918-1994), a central figure in modern American conservatism who is often referred to as "the father" of the same. Born and raised in Michigan, Kirk was also a prolific writer of fiction, who published almost two dozen short stories and three novels over the course of his long career. At the heart of everything Kirk wrote was what he referred to as the "moral imagination," a phrase he borrowed from Edmund Burke and often used to describe the instructive and enlightening purposes of great literature. Despite his prominent reputation as a public man of letters and the respect of fellow authors including Ray Bradbury and Stephen King, Kirk's fiction was never very popular, and has fallen into almost complete obscurity in the present. "The Wizard of Mecosta" is the first full-length study ever published about Kirk's fiction, and the only work of any length to consider the entirety of his output, including all of the stories and novels he wrote. By emphasizing how Kirk's fiction illuminates certain aspects of his social and political theory, "The Wizard of Mecosta" distinguishes itself from the half-dozen or more studies of the author's life and work that have been published since his death in 1994. It should appeal to anyone with an interest in American conservatism, as well as fans and scholars of the sort of Gothic horror in which Kirk, unexpectedly, excelled. Through his stories of avenging ghosts and timeless journeys through the afterlife, he reminds us of the existence of "permanent things," the core values and beliefs of Western society, which he strove all his life to preserve. It is high time that his fiction found a more appreciative, and larger, audience.

Vincent Sheean, a groundbreaking American foreign correspondent and author, is known for reporting from Europe, North Africa, and Asia, writing news reports, articles, and books. A few books and articles have described Vincent Sheean's life, and briefly discussed his major nonfiction books. However, no book-length study or article has closely examined his nonfiction books. 'Seeking to Understand the World: Literary Journalism of Vincent Sheean', textually analyzes his five nonfiction, journalistic books to examine them for characteristics of literary journalism. Spanning nearly the entirety of his journalistic career, these books include 'Personal History' (1935), 'Not Peace but a Sword' (1939), 'Between the Thunder and the Sun' (1943), 'Lead, Kindly Light' (1949), and 'Nehru: The Years of Power' (1960). Set in different world areas, the books illuminate events as disparate as the Riffian war, the Spanish Civil War, the infamous Munich pact, the Nazi bombing of London, and the assassination of Mahatma Gandhi. Sheean's books provide an in-depth, personal look at these and related events. This book includes analysis of Sheean's works, finding that they have several prominent characteristics of literary journalism: stories and scenes, cohesive structure, lifelike characters, vivid description, well-crafted sentences, immersive reporting, among others.

The purpose of the book is to assess the process of urban verticalization in different contexts through time, to provide insight into the relationships between highrise design and the way inhabitants negotiate them in their everyday lives, to assess how planners, politicians, and designers negotiate residential highrises in the strategies they develop for building the city and to introduce urban narratives and cartographies. Verticalization, although not new, currently takes place in a very different context than post-1945. Today, highrise residential buildings are more than architectural solutions: they are commodities in a global market where capital flows are fixed by developers and municipalities. Our exploration of residential verticalization is anchored in case studies, revealing different types of local-global negotiations in the design of the city, and has been framed by three interrelated dynamics: first, the complex relationships within the financialization of real estate markets, revealing differences in the types of local-global negotiations in the construction of the neo-liberal city; secondly, the most developed, anchors residential verticalization in the processes of socio-spatial differentiation within cities (mostly identified as gentrification associated to processes of urban renewal and densification; the third, related to readings and interpretations of the urban landscape and social, spatial practices and its iconographic and cartographic representations. This book is of interest to academics, students, planners, architects, and urban studies professionals. It shows that the chosen research object is an increasingly relevant angle of analysis of the contemporary city. It also provides a better knowledge of the processes of residential verticalization, their impact on the privatization of the urban space, and on urban segregation or fragmentation.

This new volume repositions narrative medicine and trauma studies in a global context with a particular focus on ethics. Trauma is a rapidly growing field of especially literary and cultural studies, and the ways in which trauma has asserted its relevance across disciplines, which intersect with narrative medicine, and how it has come to widen the scope of narrative research and medical practice constitute the principal concerns of this volume. This collection brings together contributions from established and emerging scholars coming from a wide range of academic fields within the faculty of humanities that include literary and media studies, psychology, philosophy, history, anthropology as well as medical education and health care studies. This crossing of disciplines is also represented by the collaboration between the two editors. Most of the authors in the volume use narrative medicine to refer to the methodology pioneered by Rita Charon and her colleagues at Columbia University, but in some chapters, the authors use it to refer to other methodologies and pedagogies utilizing that descriptor.Trauma is today understood both in the restricted sense in which it is used in the mental health field and in its more widespread, popular usage in literature. This collection aspires to prolong, deepen, and advance the field of narrative medicine in two important aspects: by bringing together both the cultural and the clinical side of trauma and by opening the investigation to a truly global horizon.