Bøger udgivet af Vintage Books

Amal Allana's compelling biography of her father is the first carefully researched, full-length account of the life, work and times of Ebrahim Alkazi, one of the giants of twentieth-century theatre and a key promoter of the visual arts movement in India. Evoking the excitement of Alkazi's student years in England, the controversies that surrounded his provocative ideas to transform the theatre movement in Bombay and later in Delhi, as the director of the National School of Drama (NSD), this book charts Alkazi's meteoric rise to the top, with his modernist staging of plays and his aim of putting Hindi theatre on the map. It was at the Sangeet Natak Akademi that Alkazi first confronted resistance to his ideas on the role of tradition in the making of a new ' national' culture. By the 1970s, disillusioned with the curtailing of civil liberties and a dysfunctional bureaucracy, he ultimately resigned from the NSD, developing his own independent institutions for the promotion of the visual arts in India as well as abroad. Staging the cultural history of India between the 1940s and 2000s, and featuring a galaxy of artists and actors as the dramatis personae-- including M.F. Husain, F.N. Souza, Akbar Padamsee, Gieve Patel, Nissim Ezekiel, Alyque Padamsee, Girish Karnad, Manohar Singh, Vijaya Mehta, Kusum Haidar and Gerson da Cunha-- Allana's chronicle is charged with their fierce energy and commitment as contributors to a vibrant new India. The author's personal perspective as Alkazi's daughter brings to the narrative an added dimension of veracity and sensitivity. With objective candour, Allana shares details of her parents' relationship as they examine their marriage on entirely new terms, as a partnership of equals. Holding Time Captive shows a dynamic Alkazi in his quest to bring about an inclusive, international, intercultural and interdisciplinary thinking in artistic expressions that is transformative and liberating. This book offers unique glimpses into an enigmatic personality whose emotionally charged life closely reflected and ran parallel to the growth and evolution of his startlingly fresh ideas and vision for a modern cultural movement in India.

Babur, the visionary founder of Timurid Empire in Hindustan, had a fair share of early struggle following his father's tragic demise in AD 1494. Then on, Babur embarked on an unyielding pursuit of power amid treacherous political landscapes, the narrative unveils his moniker, ' the chessboard king, ' portraying his adept navigation through political intricacies and adversities.From his ascent to rulership in Ferghana amidst familial threats to fleeting victories and losses in Samarkand, the book paints a poignant picture of Babur's journey. It portrays his retreat to tribal lands after relinquishing hopes of reclaiming Ferghana, eventually establishing a mountainous kingdom in Kabul, a pivotal milestone preceding his ambition to expand into Hindustan. Recounting his initial endeavour to penetrate Hindustan in AD 1505, his alliances, and subsequent setbacks after Sultan Husayn Mirza Bayqarah's demise, leaving him as the sole Timurid prince in power, the book opens a window to Babur's failed second attempt to enter Hindustan, encapsulating the initial thirteen to fourteen tumultuous years of his reign, marked by exile, fleeting victories, and delicate alliances.Gripping, anecdotal and deeply researched Babur: The Chessboard King delves into Hindustan's economic landscape during Timurid rule and portrays Babur as a multifaceted ruler, challenging the typical depiction of an infallible conqueror and a good human being. Meticulously sourced from the Persian manuscript of the Baburnama and other primary sources, this book represents a milestone in Babur's biographical genre, essential for comprehending the ambitions of this enigmatic king.

The interplay between democratic ideals and ruthless power play-all these factors impinged on each other and shaped the new republic in its formative decade.

Born into a middle-class, Sarasvat Brahmin family, Dr Sharada Kabir met and got to know Dr Bhimrao Ambedkar as a patient riddled with life-threatening diseases, and eventually married him on 15 April 1948, getting rechristened as Savita Ambedkar. From the day of their wedding to the death of Dr Ambedkar on 6 December 1956, she aided him in some of his greatest achievements-drafting the Constitution of India, framing the Hindu Code Bill, writing some of his most celebrated books, including The Buddha and His Dhamma, and leading millions of Dalits into Buddhism. Following his death, she was hounded into obscurity by some of Dr Ambedkar's followers, who saw her as a threat to their political ambitions. She re-emerged into public life in 1970 and got back to working on the mission to which her husband had devoted his life-the welfare of the Dalit community. Her autobiography, Dr Ambedkaraanchya Sahavaasaat, was first published in Marathi in 1990. This English translation by Nadeem Khan unearths a much valuable and forgotten account, an intimate portrait of one of the greatest figures of the twentieth century. A tenacious fighter, an outstanding scholar and an iconic leader, Dr B.R. Ambedkar was all that and more. Savita Ambedkar brings alive a different side of her husband: a man who wrote romantic letters, dictated what she should wear, whipped up delicious mutton curry, played the violin, and even tried his hand at sculpting. This is a book that humanizes Ambedkar as no other book has done yet.

"Winner of the Sahitya Akademi award 2018"--Jacket.