Bøger udgivet af W. W. Norton & Company

Back home on the farm, Gorgeous the goat suffers from postnatal depression. Doli, Jeanine's beloved draft horse, leads her stallion astray, and their foal's horoscope is cast. And Lily, Jeanine's dog, engages in a battle of wits with an overweight squirrel, while Mrs. P., Jeanine's no-nonsense, ever-so-slightly eccentric mother, keeps everyone in order--up to a point. As Jeanine struggles to keep her farm, her mother, and her radio series together, she shows us that when your feet are stuck in the mud you can still look up at the stars.

The first edition of The Sources of Invention, published in 1958, has been described as "a classic in science policy which has had a very considerable influence on both economists and scientists in Europe and in the United States." The authors set out to study the causes and consequences of industrial innovation--one, if not the main, spring of economic progress. They examined the important inventions of the nineteenth and twentieth centuries in order to discover just how far recent inventions have emerged from conditions different from those of the past. The evidence collected threw light on many questions, such as the influence of large research institutions and the concept of teamwork, the arguments for monopoly in industry, and the possibility of predicting inventions.The second edition is a considerable enlargement of the first. To the original group of fifty-one case histories--which included Automatic Transmissions, Fluorescent Lighting, the Helicopter, Kodachrome, Polyethylene, Synthetic Detergents, the Transistor, and Xerography--have now been added ten other recent important cases, each of which has its own fascinating peculiarity: Air Cushion Vehicles; Chlordane, Aldrin, and Dieldrin; Electronic Digital Computers; Float Glass; the Moulton Bicycle; Oxygen Steelmaking; Photo-Typesetting; the Cure for Rhesus Haemolytic Disease; Semi-Synthetic Penicillins; and the Wankel Engine. A new chapter evaluates the relevant literature of the last ten years.

This book, whose influence and renown have steadily grown since its first publication, is a psychoanalytic and cultural study of shame and guilt. In Part I, Dr. Gerhart Piers, a psychoanalyst, gives concise definitions of these two previously inadequately define terms, and clearly distinguishes between them. He discusses the experiences that can cause guilt or shame in an individual; why some persons develop into guilt-ridden individuals, and others become shame-driven; and the special and sharply different therapeutic considerations that must be given to the person afflicted with guilt or shame. In Part II, Dr. Milton Singer, an anthropologist, applies Dr. Piers' analysis of guilt and shame within the individual to his own study of cultures.

You don't have to be on the Rotation Diet to enjoy this book; but each entry lists calories and nutritional information so that the recipes can easily be keyed to any stage of the diet or to maintenance. In addition to main dishes and ideas for entertaining, there are many tips on cooking for one person, eating out, and meals to take to work. And the dishes are easy to prepare.The Katahns love food, and they love to cook. They will show you how to prepare delicious meals that combine low salt and low fat with lots of fruits, vegetables, and complex carbohydrates. The recipes in this book meet all guidelines set forth by the American Cancer Society for reducing the dietary risk of disease.

This lively and engaging guide to brief therapy distills the practical essence of various approaches into a task-oriented applied model. The primer emphasizes commonalities while outlining differences among various strategic/structural, cognitive-behavioral and psychodynamic approaches. The substantial literature justifying and explaining brief therapy practice is succinctly summarized, with attention to institutional and perceptual obstacles to brief therapy. At the heart of this book is a detailed procedural outline, with an emphasis on the first session (since many patients come for only one therapy session anyway). In addition to discussing brief group and family therapy, the author addresses practical issues not commonly found in the brief therapy literature, such as charting, the use of testing, multiculturalism, and reconciling medical model demands (e.g., use of medication, formal diagnosis) with brief practice.

Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).

In 1982, in Grundy, Virginia, a young miner named Roger Coleman was sentenced to death for the murder of his sister-in-law. Ten years later, Coleman's case had become an international cause celebre as a result of the extraordinary efforts of Kitty Behan, a brilliant and dedicated young lawyer who devoted two years of her life to gathering evidence of Coleman's innocence. Despite the mounting demands of the public, the media, and world religious leaders that Coleman's conviction be reexamined, the courts refused to consider new evidence because of a lawyer's mistake: years earlier, an appointed lawyer had filed a document one day late. The governor of Virginia offered Coleman only one chance for a reprieve--the opportunity to take a lie-detector test on the morning of his scheduled execution. May God Have Mercy explores the legal and moral complexities of this dramatic case with devastating impact.

On April 19, 1995, terrorism struck the heartland of America: A cataclysmic explosion destroyed the Oklahoma City federal building, took the lives of 168 people, and injured more than 500 others. It was not the work of a secret foreign cabal or a maniacal suicide bomber. Instead, death drove a rented truck, and behind the wheel was a young white American male with the barest of knowledge at his fingertips--a driver's license to rent a van and a recipe for mixing farm fertilizer and fuel oil to make a bomb. Timothy McVeigh--son of the working class, an army hero, the kid next door--was about to become the worst mass-murderer in American history. Richard Serrano, a Los Angeles Times reporter, arrived in Oklahoma City with the fire engines still racing to the blast site, and he has never left the story. On the basis of hundreds of interviews, including an in-depth exclusive with McVeigh himself, Serrano takes us along on that wild ride crisscrossing America, as the bomb components are collected and a seemingly normal young man hardens his resolve to save the country he loves at the expense of the government he hates.

In February 1793 France declared war on Britain, and for the next twenty-two years the Revolutionary and Napoleonic Wars raged. This was to be the longest, cruelest war ever fought at sea, comparable in scale only to the Second World War. New naval tactics were brought to bear, along with such unheard-of weapons as rockets, torpedoes, and submarines. The war on land saw the rise of the greatest soldier the world had ever known-Napoleon Bonaparte-whose vast ambition was thwarted by a genius he never met in person or in battle: Admiral Horatio Nelson.Noel Mostert's narrative ranges from the Mediterranean to the West Indies, Egypt to Scandinavia, showing how land versus sea was the key to the outcome of these wars. He provides details of ship construction, tactics, and life on board. Above all he shows us the extraordinary characters that were the raw material of Patrick O'Brian's and C. S. Forester's magnificent novels.

Third in the series of Key books, this volume offers newly drawn plans and color photographs of a wide range of buildings by out-standing architects arranged by plan: centralized and radial plans; linear structures; terraced houses; stacked plans; orthogonal and eccentric courtyards; special cityscape responses; and infills, additions, and extensions.

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime-forgery, extortion, serial murder-Ripley still finds his appetite unquenched and longs to get back in the game.In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime-and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced-particularly memorable for its dark, absurd humor-and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance.

A classic of Chesapeake Bay literature, Tom Horton's An Island Out of Time chronicles the three years Horton and his family spent on Smith Island, a marshy archipelago in the middle of Maryland's famous estuary. The result is an intimate portrait of a deeply traditional community that lived much as their ancestors did three hundred years before, attuned to the habits of blue crab, oyster, and waterfowl. In a new afterword for this edition, Horton brings the story of Smith Island, and its people, up to the present.

Raised by her father, Janet is shocked when she learns that she has inherited a house from her mother, long thought dead. The key in hand, Janet travels north to an old stone cottage at the sea's edge.Tom hides away in an old stone cottage at the sea's edge, waiting. He was raised by his mother, traveling from one place to another, his only stability the stories she told him-stories of shape-shifters, danger, impossible love....When Janet arrives, she is surprised to find Tom and to find herself mysteriously drawn to him.In Erica Wagner's "haunting debut novel" (San Diego Union-Tribune), lives and stories become so interwoven that, in the end, all distinctions are lost. Reading group guide included.

It is harsh exercise to put into cold print and to bare all the faults of such subjective things as letters written 'in great haste' in the middle of a busy active life, and it requires the kindness and tolerance of the reader. Nuances in the handwriting, or insertion of omitted words and afterthoughts, or positioning of postscripts, are all lost in printing; while irregularities in spelling, punctuation, abbreviations and repetitious phrases are exaggerated. The few of Yeat's letters to Maud Gonne that have survived were scattered through old bundles of correspondence. The only two kept particularly safe were together in an envelope, one marked 'last letter from W. B. Y.' which was written on 16 June 1938 from Steyning, Sussex, and the other a letter concerning the death of William Sharp which he had asked her to keep safely and which she must have put in a separate place, and so it survived. The letters he received from her before her marriage of 10 and 24 February 1903, had been very crumpled as if carried around in his pocket and reread many times, then smoothed out to be put away with the others.

The authors have delved into archival research, diaries, and memoirs, and conducted numerous interviews to recreate through brilliantly detailed vignettes the story of Berlin and its resilient inhabitants: the soldiers and ordinary citizens pounded by Allied bombing but maintaining their gallows humor; the endless procession of refugees; the 5,000 Jews who foiled the Nazi's rabid attempt to "purify" the capital; people like Dietrich Bonhoeffer who gave their lives in heroic anti-Nazi resistance while film stars and the well-connected lived in precarious luxury; the Third Reich's leaders jockeying for power in Hitler's underground bunker even as a ragged army of children, invalids, and old men confronted Soviet tanks in the rubble above; and of course, Hitler himself, trapped beneath a city he hated, waiting for the miracle promised him in horoscope readings. Not since Is Paris Burning? has a book so vividly evoked the daily struggle for survival and dignity in the nightmarish center of total war.

The story "Thief" begins: "When my mother removed her shirt in front of third-period honors English, I was in the classroom next door taking a test." Her reason --her students were reading The Awakening and she had stopped taking her medication. The battle against self-destruction, the struggle to transform loss into meaning, and the difficulty of connecting with others, especially those closest to our hearts, are part of what make up these beautifully crafted and, in turns, incisively humorous and deeply wrenching stories. In the title story, a man who transports organs for transplants breaks in a trainee and ruminates on his sometimes futile life-and-death existence. In "Dog Lover," a son has a quiet but smoldering battle of wills with his blind Vietnam-vet father over the fate of their dying dog. In "Sadness of the Body," an adolescent boy spends a deliriously hot summer with his alcoholic uncle and the uncle's young girlfriend, and observes the sometimes surreal schism between the body and the mind. Brown plumbs the hearts and minds of characters trying to make sense of their lives. He is a new and exquisitely talented voice in American fiction.

In the title story, a young man waiting in the Hotel Eden discovers-as others have-that Eden is not a permanent domicile. In "Zanduce at Second," a baseball player turned killer-by-accident undergoes a surprising transformation. We root for escaped felon Ray ("A Note on the Type") as he carves his name on a culvert wall. We drive the sweltering summer streets of Phoenix as a nineteen-year-old narrator goes through an unsettling sexual awakening ("Oxygen"). In these and other stories, whether his characters are getting sabotaged by nightcaps or encountering nudists on a rafting trip, Carlson takes us to new places in a new way.

Here are men and women in the middle--of life, of relationships. There is a difference between what they set out for and what they get. A single mother keeps house on an aircraft carrier. A new father finds himself seduced by a motorcycle. A lonely professor is forced to face a few truths. Braced by honesty and lifted by affection for the world, these stories are a stunning showcase for a writer tackling universal themes in new ways. Get ready: when Plan A breaks down, Ron Carlson is here.

Richard Zimler's The Angelic Darkness is an unforgettable, tender, and magical portrait of San Francisco in the mid-80s as well as its lost souls, struggling to find love and intimacy in a city whose buoyancy has been eclipsed by the shadows of gloom. Offering them a way out of these shadows is a storyteller whose mysterious tales skirt the boundary between good and evil.

Whether it is a husband trying to bring his marriage back together or Bigfoot finally coming forward, Carlson's characters speak with radical honesty that is disarming. They are the men and women all around us who open the refrigerator at two in the morning and see the faces of missing children on the milk carton. The world is a large dose sometimes, and they wonder whether they can measure up to its danger and its magic.

'What is it to love another person?' This is to raise one of the deepest, and most puzzling, questions we can put to ourselves. Love is a central theme in the autobiography we each write as we try to understand our lives; but we may feel that we become only more confused the more we reflect upon it. Love is closely connected with our vision of happiness; yet there is no one we are more likely to hurt, or be hurt by, than the person we love. If love is something we all want, why is it so hard to find and harder to keep? Love is one of humanity's most persistent and most esteemed ideals, but it is hard to say exactly what this ideal is and how-if at all-it relates to real life.

For over a hundred years the artistic reputation of Frédéric Chopin has suffered not only from the sentimental and romantic legends which surround his name but also from the distortions and misinterpretations of his works by performers. In this book, Alan Walker and ten leading composers, performers, and scholars offer detailed analyses of the works and present an honest historical portrait of their composer. The result is a comprehensive book giving a fresh view of Chopin as man and artist.

Two experienced addiction treatment professionals present a practice-oriented approach to understanding and overcoming addiction to cocaine, with the addition of a treatment protocol for working with clients addicted to methamphetamines. Citing the latest research, Washton and Zweben explain how to approach clients about their drug use, when and how to involve family members, and how to prevent relapse. Specific strategies are brought to life with case examples.The book includes an overview of cocaine and methamphetamine use in America; an explanation of the effects of stimulant drugs on the brain, body, and behavior; the process by which addiction develops; signs of stimulant abuse and dependence; treatment options; establishing abstinence and stages of recovery; the distinct benefits of individual, group, and family psychotherapy; and twelve-step programs. Appendices include patient handouts and worksheets, a resource list for patients and family members, and a resource list for treatment professionals.

Thomas Eakins painted two worlds in nineteenth-century America: one sure of its values-statesmen, scientists, and philosophers-and one that offered an uncertain vision of the changing times. From the shadow of his mother's depression to his fraught identity as a married man with homosexual inclinations, to his failure to sell his work in his day, Eakins was a man marked equally by passion and melancholy.In this enlightening examination of Eakins's defining artistic moments and key relationships-with wife Susan MacDowell, with subject and friend Walt Whitman, and with several leading scientists of his time-William S. McFeely sheds light on the motivations and desires of a founder of American realism.