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The first book to unite all the aspects of the hippie collision with modernism into a single study.
"Published in conjunction with the exhibition of the same name, Multiple Realities: Experimental Art in the Eastern Bloc, 1960s-1980s offers a sweeping survey of experimental art made in six Central Eastern European nations during the 1960s to 1980s. Drawing on visual art, performance, music, and material culture, the exhibition brings together works by nearly 100 artists from East Germany, Poland, Czechoslovakia, Hungary, Romania, and Yugoslavia, shedding light on ways that artists refused, circumvented, eluded, and subverted official systems, in the process creating works often riddled with wit, humor, or irony--
Published on the occasion of an exhibition of the same name held at Walker Art Center, Minneapolis, April 15-September 3, 2023; San Francisco Museum of Modern Art, October 21, 2023-January 28, 2024; MoMA PS1, New York, March 28-September 2, 2024; Art Gallery of Ontario, Toronto, October 12, 2024-January 19, 2025.
"Catalogue surveying new shifts in contemporary American artist Paul Chan's practice from 2010 through 2021. Published in conjunction with the exhibition Paul Chan: Breathers, the catalogue includes new essays by Paul Chan, Pavel Pys, and Vic Brooks"--
"Published on the occasion of the exhibition Jason Moran, organized by the Walker Art Center, Minneapolis, and curated by Adrienne Edwards with Danielle A. Jackson."
"Published on the occasion of the exhibition Siah Armajani: Follow This Line, organized by the Walker Art Center, Minneapolis, and the Metropolitan Museum of Art, New York, and curated by Clare Davies, Assistant Curator, The Metropolitan Museum of Art, with Victoria Sung, Assistant Curator, Walker Art Center."
"Published on the occasion of the exhibition 9 Artists, curated by Bartholomew Ryan and organized by the Walker Art Center, Minneapolis."--Colophon.
Catalog to accompany an exhibition at the Walker Art Center, Minneapolis, March 17-July 29, 2018.
Edited by Andrew Blauvelt. Text by John Archer, David Brooks, Robert Bruegmann, Beatriz Colomina, Malcolm Gladwell.
Addressing contemporary international art beyond glib expressions of globalism, Brave New Worlds assesses the current state of political consciousness and its multivalent artistic manifestations in an era characterized by the unraveling of a unified world order. Guided by the questions "How do we know?," "How do we experience?" and "How do we dream about the world?," 24 artists from Southeastern Europe to South America, from the Middle East to East Asia and from North Africa to North America propose their own answers in paintings, drawings, sculptures, installations and videos. The catalogue includes several brief "correspondent" essays, inspired by newspaper reports and penned by an international cast of young art historians, critics and curators, including Max Andrews and Mariana Canepa Luna (Spain), Cecilia Brunson (Chile), Hu Fang (China), Tone Hansen (Norway), Mihnea Mircan (Romania) and José Roca (Colombia). Recent texts by philosopher Kwame Anthony Appiah, celebrated author and activist Arundhati Roy and award-winning foreign correspondent Janine di Giovanni provide additional perspectives on global affairs of the past decade. In addition, Brave New Worlds features an artist insert by Lia Perjovschi of Romania, entitled "Subjective Art History from Modernism to Today," and entries on each individual artist.
The Walker Art Center recently opened its expanded space, which includes a new theater, a new restaurant, and more galleries, but is best known for being Herzog & de Meuron's first public building in the United States. The project drew national coverage from media including "The New York Times. Expanding the Center" caters to and piques public interest in the building with a generous selection of images, including sketches, renderings, and photographs of the construction process and the completed work. Herzog & de Meuron's shimmering but grounded design mirrors the textures and shades of the Center's original space, and an institutional philosophy based in innovation and risk-taking, the exploration of alternative approaches to learning, the experimental use of technologies to communicate information, and the design of spaces to enhance a variety of museum experiences. The book is organized around the decisions and actions of the architects, builders, Center staff, and the audience
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early twentieth century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations and digital arts that range in date from classic early Modernist to cutting edge contemporary.
The definitive publication on the most influential choreographer of our time.
"Walker Art Center, Minneapolis, March 23-September 22, 2013, Haus der Kunst, Munich, January 24-May 4, 2014, Fundacion/Coleccion Jumex, Mexico City, October 9, 2014-February 2, 2015, Museo Amparo, Puebla, Mexico, October 11, 2014-February 2, 2015."
The first major survey to chronicle the emergence and migration of Pop art from an international perspective.
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