Bøger udgivet af Wayne State University Press

A collection of essays that are at the forefront of developing an entirely new field of transnational study, which seeks to integrate scholarship from the areas of the history of the Second World War and the Holocaust, the history of Poland and the Soviet Union, and the study of refugees and displaced persons.

No Haven for the Oppressed was the most thorough and comprehensive analysis to be written to date on the United States policy toward Jewish refugees during World War II.

A representation of the principle styles and themes that emerges from Harry Bertoia's printmaking and structure work.

By examining the lives and social dynamics of Jewish university students, Pickus shows how German Jews rearranged their self-images and redefined what it meant to be Jewish.

A broad analysis of the phenomenon of American migration to Israel.

Perfect for coffee tables, lakefront cabins, and boat lovers' bookshelves, Queen of the Lakes tells the story of each of the ships that has been honoured with the title "Queen of the Great Lakes".

Steamboats and Sailors of the Great Lakes traces the evolution of the Great Lakes shipping industry over the last three centuries.

A collection of essays that are at the forefront of developing an entirely new field of transnational study, which seeks to integrate scholarship from the areas of the history of the Second World War and the Holocaust, the history of Poland and the Soviet Union, and the study of refugees and displaced persons.

Tells the story of Detroit's significant and oft-forgotten Native American community.

Provides a better understanding of women's experiences in the early twentieth century, and an appreciation of the unruly and boundary-breaking women who have followed. Comic Venus brings readers to understand comediennes and their impact on silent-era cinema, as well as their lasting influence on later generations of funny women.

The heist has been a persistent and popular mainstay of the crime film. The Best Laid Plans asks the question: why has the heist film proved so appealing to audiences over many years and in diverse cultural contexts? The twelve essays in this volume, explore the significance of the heist film in different national cinemas, as well as its aesthetic principles and ideological issues.

Offers a glimpse into the past through more than two hundred historic postcards of Detroit from the early 1900s to the 1950s, compiled and presented in colour by Dan Austin of HistoricDetroit.org. From familiar sights to long-lost landmarks, this book pairs vintage views with rich stories from the Motor City's yesteryear.

Analysis of the mermaid in Japanese and English fairy tales through the framework of pleasure.

Illustrates how Hollywood films negotiate shifting historical contexts of internationalisation through complex narratives about transnational exchange-a topic that has thus far been neglected in scholarship on classical Hollywood.

Jewish Souls, Bureaucratic Minds examines the phenomenon of Jewish bureaucracy in the Russian empire-its institutions, personnel, and policies-from 1850 to 1917. In particular, it focuses on the institution of expert Jews, mid-level Jewish bureaucrats who served the Russian state both in the Pale of Settlement and in the central offices of the Ministry of Internal Affairs in St. Petersburg. The main contribution of expert Jews was in the sphere of policymaking and implementation. Unlike the traditional intercession of shtadlanim (Jewish lobbyists) in the high courts of power, expert Jews employed highly routinized bureaucratic procedures, including daily communications with both provincial and central bureaucracies. Vassili Schedrin illustrates how, at the local level, expert Jews advised the state, negotiated power, influenced decisionmaking, and shaped Russian state policy toward the Jews. Schedrin sheds light on the complex interactions between the Russian state, modern Jewish elites, and Jewish communities. Based on extensive new archival data from the former Soviet archives, this book opens a window into the secluded world of Russian bureaucracy where Jews shared policymaking and administrative tasks with their Russian colleagues. The new sources show these Russian Jewish bureaucrats to be full and competent participants in official Russian politics. This book builds upon the work of the original Russian Jewish historians and recent historiographical developments, and seeks to expose and analyze the broader motivations behind official Jewish policy, which were based on the political vision and policymaking contributions of Russian Jewish bureaucrats. Scholars and advanced students of Russian and Jewish history will find Jewish Souls, Bureaucratic Minds to be an important tool in their research.

Translated originally from Hebrew, Transnational Identities: Women, Art, and Migration in Contemporary Israel offers a critical discussion of women immigrants in Israel through an analysis of works by artists who immigrated to the country beginning in the 1990s. Though numerous aspects of the issue of women migrants have received intense academic scrutiny, no scholarly books to date have addressed the gender facets of the experiences of contemporary women immigrants in Israel. The book follows an up-to-date theoretical model, adopting critical tools from a wide range of fields and weaving them together through an in-depth qualitative study that includes the use of open interviews, critical theories, and analysis of artworks, offering a unique and compelling perspective from which to discuss this complex subject of citizenship and cultural belonging in an ethno-national state. It therefore stands to make a significant contribution to research into women's lives, citizenship studies, global migration, Jewish and national identity and women's art in contemporary Israel. The book is divided into sections, each of which aims a spotlight on women artists belonging to a distinct groups of immigrants-the former Soviet Union, Ethiopia, and the Philippines-and shows how their artwork reflects various conflicts regarding citizenship and identity-related processes, dynamics of inclusion-exclusion, and power relations that characterize their experiences. Transnational Identities promotes a more nuanced, complex understanding of diversity among women from various groups and even within a specific ethnic group, as well as considering the "e;common differences"e; between women from diversified life experiences. To lay the groundwork for an analysis of the themes that recur in their artworks, Tal Dekel briefly discusses the notions of global migration and transnationalism and then examines gender and several other identity-related categories, notably religion, race, and class. These categories underline the complex nexus of overlapping and sometimes contradictory affiliations and identities that characterize migrating subjects in an age of globalization. Transnational Identities integrates theories from various disciplines, including art history, citizenship studies and critical political theory, gender studies, cultural studies, and migration studies in an interdisciplinary manner that those teaching and studying in these fields will find relevant to their continued research.

A fresh and engaging international tribute to Bernard Malamud, a major American Jewish novelist in the postwar era of the twentieth century.

Charles Perrault published Histoires ou Contes du temps passe ("e;Stories or Tales of the Past"e;) in France in 1697 during what scholars call the first "e;vogue"e; of tales produced by learned French writers. The genre that we now know so well was new and an uncommon kind of literature in the epic world of Louis XIV's court. This inaugural collection of French fairy tales features characters like Sleeping Beauty, Cinderella, and Puss in Boots that over the course of the eighteenth century became icons of social history in France and abroad. Translating the original Histoires ou Contes means grappling not only with the strangeness of seventeenth-century French but also with the ubiquity and familiarity of plots and heroines in their famous English personae. From its very first translation in 1729, Histoires ou Contes has depended heavily on its English translations for the genesis of character names and enduring recognition. This dependability makes new, innovative translation challenging. For example, can Perrault's invented name "e;Cendrillon"e; be retranslated into anything other than "e;Cinderella"e;? And what would happen to our understanding of the tale if it were? Is it possible to sidestep the Anglophone tradition and view the seventeenth-century French anew? Why not leave Cinderella alone, as she is deeply ingrained in cultural lore and beloved the way she is? Such questions inspired the translations of these tales in Mother Goose Refigured, which aim to generate new critical interest in heroines and heroes that seem frozen in time. The book offers introductory essays on the history of interpretation and translation, before retranslating each of the Histoires ou Contes with the aim to prove that if Perrault's is a classical frame of reference, these tales nonetheless exhibit strikingly modern strategies. Designed for scholars, their classrooms, and other adult readers of fairy tales, Mother Goose Refigured promises to inspire new academic interpretations of the Mother Goose tales, particularly among readers who do not have access to the original French and have relied for their critical inquiries on traditional renderings of the tales.

The essays in this volume are drawn from the tenth anniversary conference of the Center for the Study of Citizenship at Wayne State University. They address four dimensions of citizenship: the differentiation of citizenship in theory and practice, the proper horizon of citizenship, the character of civic bonds, and the resolution of conflicting civic and personal obligations.

French filmmaker Christophe Honore challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe Honore: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cineastes to explore Honore's three most recognized films, Dans Paris (2006), Les Chansons d'amour (2007), and La Belle personne (2008)-"e;the trilogy."e; Gerstner and Nahmias analyze Honore's filmmaking as the work of a queer auteur whose cinematic engagement with questions of family, death, and sexual desire represent new ground for queer theory. Considering each of the trilogy films in turn, the authors take a close look at Honors cinematic technique and how it engages with France's contemporary cultural landscape. With careful attention to the complexity of Honors work, they consider critically contested issues such as the filmmaker's cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author. Christophe Honor A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume.

Hava Shapiro is among the nearly forgotten Jewish women writers who sought acceptance in Jewish literary circles of the last century. Born in Slavuta (modern-day Ukraine) in 1878, she published works of fiction, memoir, literary criticism, and journalism, including a volume of short fiction and a scholarly monograph on the Czech leader Masaryk. Her handwritten diary-the first known diary to be kept by a woman in Hebrew-evokes not only the momentous events of her day but also the experiences of women like herself who failed to follow the dictates of Jewish tradition and aspired to roles beyond those of wife and mother. In "To Tread New Ground": Selected Writings of Hava Shapiro, editors and translators Carole B. Balin and Wendy I. Zierler present an English anthology of Shapiro's late-nineteenth- and early-twentieth-century Hebrew writings. The selection culls from her short fiction, feminist literary criticism, reportage and literary essays, as well as her diary and hundreds of letters. Shapiro chronicled, publicly and privately, such cataclysmic events as the Russian Revolution and both World Wars in addition to critical episodes in the Jewish past, including pogroms, mass migration, ruptures in traditional Jewish life, and the development of Zionism. A list of Shapiro's intimates, whom she describes in both her diary and published reminiscences, reads like a "who's who" of the Russian Haskalah, including Y. L. Peretz, Reuven Brainin, David Frischmann, Nahum Sokolov, Micha Yosef Berdischevsky, and Hayim Nahman Bialik. To further contextualize Shapiro's writings, Balin and Zierler include a thorough introduction and translations of critical essays about Shapiro. Balin and Zierler's Hebrew edition of Shapiro's writing, Behikansi atah, which was published in Israel in 2008, brought the first broad attention and readership to Shapiro's remarkable biography and writings. The translations in "To Tread New Ground," which include previously uncollected materials, will be welcomed by English-speaking readers interested in Hebrew literature, East European Jewish history, and gender studies.

The first edited collection to systematically survey the variety and complexity of transnational experiences and encounters within American Jewish history.

John Bartlow Martin, a freelance writer who had spent long weeks in northern Wisconsin and Michigan, was struck with the idea of a book on Michigan's Upper Peninsula when he was there on his wedding trip. Returning each summer to the area, Martin discovered the region's diverse history, full of colorful and interesting personalities and events. The territory has been wilderness, a haunt of the Chippewas and the Hurons, copper country, iron country, lumber country, and lastly, a vacation land.Filled with stories of adventure and daring, Call It North Country recounts the lives of miners, hunters, trappers, and lumberjacks- the hardy breeds who first populated the harsh land of the Upper Peninsula.

A comprehensive study of Jewish magic in late antiquity and the early Islamic period-the phenomenon, the sources, and method for its research, and the history of scholarly investigation into its nature and origin.

An intimate history of the Holocaust that casts new light on our understanding of victimhood and survival.

While the ideologies of Territorialism and Zionism originated at the same time, the Territorialists foresaw a dire fate for Eastern European Jews, arguing that they could not wait for the Zionist Organization to establish a Jewish state in Palestine. This pessimistic worldview led Territorialists to favor a solution for the Jewish state "e;here and now"e;-and not only in the Land of Israel. In Zionism without Zion: The Jewish Territorial Organization and Its Conflict with the Zionist Organization, author Gur Alroey examines this group's unique perspective, its struggle with the Zionist movement, its Zionist rivals' response, and its diplomatic efforts to obtain a territory for the Jewish people in the first decades of the twentieth century. Alroey begins by examining the British government's Uganda Plan and the ensuing crisis it caused in the Zionist movement and Jewish society. He details the founding of the Jewish Territorial Organization (ITO) in 1903 and explains the varied reactions that the Territorialist ideology received from Zionists and settlers in Palestine. Alroey also details the diplomatic efforts of Territorialists during their desperate search for a suitable territory, which ultimately never bore fruit. Finally, he attempts to understand the reasons for the ITO's dissolution after the Balfour Declaration, explores the revival of Territorialism with the New Territorialists in the 1930s and 1940s, and describes the similarities and differences between the movement then and its earlier version. Zionism without Zion sheds new light on the solutions Territorialism proposed to alleviate the hardship of Eastern European Jews at the start of the twentieth century and offers fresh insights into the challenges faced by Zionism in the same era. The thorough discussion of this under-studied ideology will be of considerable interested to scholars of Eastern European history, Jewish history, and Israel studies.

Beautifully-crafted prose from one of Michigan's most original voices.

Premiering in 1993 on FOX Network, The X-Files followed the investigations of two FBI special agents, Fox Mulder and Dr. Dana Scully as they pursued the supernatural, the bizarre, and the alien, as well as the government conspiracies at work to conceal the truth of their existence. For nine seasons, Chris Carter's series broke new ground in complex narrative television by integrating science fiction and horror with the forensic investigation of the detective genre. Shaped by the conspiracy films of the 1970s, the series had the ability to comment on the contemporary political climate one week and poke fun at its own self-seriousness the next. Responding to its cinematic visual style, haunting score, complex and nuanced writing, witty dialog, and the exceptional acting of David Duchovny and Gillian Anderson, who elevated the show with their chemistry, fans embraced The X-Files, making it one of the most beloved cult television series to this day. The aim of this book is to provide the reader with several points of entry into the television series, with social, cultural, and political analyses framed by the examination of the show's many overlapping genres. Divided into chapters highlighting the episodic standalones known as the "e;monster-of-the-week"e; (MOTW) and the serial mythology or "e;mytharc,"e; the first section of the book explores the ways the MOTWs represented social differences in stories of fantastic, supernatural beings both strange and estranged. Through comparative analyses and detailed discussions of individual episodes, it becomes clear that the MOTWs were less concerned with the alien than with alienation, using the figure of the "e;monster"e; to focus on a range of ethnic, racial, and social outsiders. The latter half of the book turns to the serialized mythology, examining both the arc of the alien conspiracy as well as the fan-driven relationship between Mulder and Scully. While the romance subplot was powered in part by the show's fans, the alien-government conspiracy mythology was Carter's unique vision. This volume argues that The X-Files was a milestone because it employed the generic tropes of science fiction to call our attention to contemporary global politics and the history behind them. Specifically, Theresa Geller maps the ways the series used the mytharc not to predict the future, but to unbury the violence and injustice of our own past. With its return to television as an "e;event series"e; in 2016, this volume offers a timely assessment of the show's cultural relevance and social significance. Fans of the show, as well as readers interested in cultural studies, genre criticism, race and ethnicity, fan studies, social commentary, and gender studies will appreciate this insightful examination of the series.

In Red Alert: Marxist Approaches to Science Fiction Cinema, editors Ewa Mazierska and Alfredo Suppia argue that Marxist philosophy, science fiction, and film share important connections concerning imaginings of the future. Contributors look at themes across a wide variety of films, including many international co-productions to explore individualism versus collectivism, technological obstacles to travel through time and space, the accumulation of capital and colonization, struggles of oppressed groups, the dangers of false ideologies, and the extension of the concept of labor due to technological advances.Red Alert considers a wide swath of contemporary international films, from the rarely studied to mainstream science fiction blockbusters like The Matrix. Contributors explore early Czechoslovak science fiction, the Polish-Estonian co-productions of director Marek Piestrak, and science fiction elements in 1970s American blaxploitation films. The collection includes analyses of recent films like Transfer (Damir Lukacevic), Avalon (Mamoru Oshii), Gamer (Mark Neveldine and Brian Taylor), and District 9 and Elysium (Neill Blomkamp), along with more obscure films like Alex Rivera's materialist science fiction works and the Latin American zombie films of Pablo Parés, Hernán Sáez, and Alejandro Brugués. Contributors show that the ambivalence and inner contradictions highlighted by the films illustrate both the richness of Marx's legacy and the heterogeneity and complexity of the science fiction genre.This collection challenges the perception that science fiction cinema is a Western or specifically American genre, showing that a broader, transnational approach is necessary to fully understand its scope. Scholars and students of film, science fiction, and Marxist culture will enjoy Red Alert.