Bøger udgivet af Wayne State University Press

Mordecai M. Kaplan (1881-1983), founder of Reconstructionism, is the preeminent American Jewish thinker and rabbi of our times. While in the first volume of Communings of the Spirit, editor Mel Scult covers Kaplan's early years as a rabbi, in the second volume we experience through Kaplan the economic problems of the thirties and their shattering impact on the Jewish community.

There are more than 180 exotic species in the Great Lakes. Some, such as green algae, the Asian tapeworm, and the suckermouth minnow, have had little or no impact so far. But a handful of others-sea lamprey, alewife, round goby, quagga mussel, zebra mussel, Eurasian watermilfoil, spiny water flea, and rusty crayfish-have conducted an all-out assault on the Great Lakes and are winning the battle. In Lake Invaders: Invasive Species and the Battle for the Future of the Great Lakes, William Rapai focuses on the impact of these invasives. Chapters delve into the ecological and economic damage that has occurred and is still occurring and explore educational efforts and policies designed to prevent new introductions into the Great Lakes. Rapai begins with a brief biological and geological history of the Great Lakes. He then examines the history of the Great Lakes from a human dimension, with the construction of the Erie Canal and Welland Canal, opening the doors to an ecosystem that had previously been isolated. The seven chapters that follow each feature a different invasive species, with information about its arrival and impact, including a larger story of ballast water, control efforts, and a forward-thinking shift to prevention. Rapai includes the perspectives of the many scientists, activists, politicians, commercial fishermen, educators, and boaters he interviewed in the course of his research. The final chapter focuses on the stories of the largely unnoticed and unrecognized advocates who have committed themselves to slowing, stopping, and reversing the invasion and keeping the lakes resilient enough to absorb the inevitable attacks to come. Rapai makes a strong case for what is at stake with the growing number of invasive species in the lakes. He examines new policies and the tradeoffs that must be weighed, and ends with an inspired call for action. Although this volume tackles complex ecological, economical, and political issues, it does so in a balanced, lively, and very accessible way. Those interested in the history and future of the Great Lakes region, invasive species, environmental policy making, and ecology will enjoy this informative and thought-provoking volume.

Thirty illustrated essays highlighting a variety of best-loved and little-known Detroit artists.

Blackness Is Burning is one of the first books to examine the ways race and psychological rhetoric collided in the public and popular culture of the civil rights era. In analyzing a range of media forms, including Sidney Poitier's popular films, black mother and daughter family melodramas, Bill Cosby's comedy routine and cartoon Fat Albert, pulpy black pimp narratives, and several aspects of post-civil rights black/American culture, TreaAndrea M. Russworm identifies and problematizes the many ways in which psychoanalytic culture has functioned as a governing racial ideology that is built around a flawed understanding of trying to "e;recognize"e; the racial other as human. The main argument of Blackness Is Burning is that humanizing, or trying to represent in narrative and popular culture that #BlackLivesMatter, has long been barely attainable and impossible to sustain cultural agenda. But Blackness Is Burning makes two additional interdisciplinary interventions: the book makes a historical and temporal intervention because Russworm is committed to showing the relationship between civil rights discourses on theories of recognition and how we continue to represent and talk about race today. The book also makes a formal intervention since the chapter-length case studies take seemingly banal popular forms seriously. She argues that the popular forms and disreputable works are integral parts of our shared cultural knowledge. Blackness Is Burning's interdisciplinary reach is what makes it a vital component to nearly any scholar's library, particularly those with an interest in African American popular culture, film and media studies, or psychoanalytic theory.

The Apu Trilogy is the fifth book written by influential film critic Robin Wood and republished for a contemporary audience. Focusing on the famed trilogy from Indian director Satyajit Ray, Wood persuasively demonstrates his ability at detailed textual analysis, providing an impressively sustained reading that elucidates the complex view of life in the trilogy. Wood was one of our most insightful and committed film critics, championing films that explore the human condition. His analysis of The Apu Trilogy reveals and illuminates the films' profoundly humanistic qualities with clarity and rigor, plumbing the psychological and emotional resonances that arise from Ray's delicate balance of performance, camerawork, and visual design. Wood was the first English-language critic to write substantively about Ray's films, which made the original publication of his monograph on The Apu Trilogy unprecedented as well as impressive. Of late there has been a renewed interest in North America in the work of Satyajit Ray, yet no other critic has come close to equaling the scope and depth of his analysis. In his introduction, originally published in 1971, Wood says reactions to Ray's work were met with indifference. In response, he offers possible reasons why this occurred, including social and cultural differences and the films' slow pacing, which contemporary critics tended to associate with classical cinema. Wood notes Ray's admiration for Western film culture, including the Hollywood cinema and European directors, particularly Jean Renoir and his realist films. Assigning a chapter to each Pather Panchali (1955), Aparajito, (1957), and The World of Apu, (1959), Wood goes on to explore each film more thoroughly. One of the aspects of this book that is particularly rewarding is Wood's analytical approach to the trilogy as a whole, as well as detailed attention given to each of the three films. The book, with a new preface by Richard Lippe and foreword by Barry Keith Grant, functions as a master class on what constitutes an in-depth reading of a work and the use of critical tools that are relevant to such a task. Robin Wood's The Apu Trilogy offers an excellent account of evaluative criticism that will appeal to film scholars and students alike.

Although Anne (Chana) Kleiman-who died in 2011 at the age of 101-was the first American-born Jewish woman to publish poems in Hebrew, and Annabelle (Chana) Farmelant-who is still living and occasionally publishing-wrote a substantial body of Hebrew verse from the 1940s to the 1960s, their work is virtually unknown today, even to those familiar with Hebrew literature in America. In Women's Hebrew Poetry on American Shores: Poems by Anne Kleiman and Annabelle Farmelant, editor Shachar Pinsker recovers the singular voices of these women, introducing their captivating and wide--ranging poetry and placing it in its historical, literary, and cultural contexts.Women's Hebrew Poetry on American Shores presents a bilingual edition of Kleiman and Farmelant's work in a large range of themes, moods, and styles, translated into English for the first time by Adriana X. Jacobs and Yosefa Raz. It includes Kleiman's poems that were collected and published in a 1947 U.S. volume and a selection from two of Farmelant's poetry books, published in Jerusalem in 1960 and 1961. The translators have furnished the poems with copious notes, illuminating linguistic and cultural sources of the poetry and making it more accessible to contemporary readers. Pinsker introduces the volume with a background on the poets' lives and work and a look at the state of Hebrew literature in the first half of the twentieth century. The volume also includes an unpublished essay by Anne Kleiman, addressing Hebrew poet Anda Pinkerfeld and her poetic work, which sheds an important light on the dialogue between women's Hebrew poetry written in American and in Palestine during the same period.Readers and scholars of Jewish, American, and Hebrew literature and cultural history, as well as those interested in poetry, gender, and women's studies will enjoy this unique bilingual edition.

Presents a collection of short stories written by some of Michigan's most well-known fiction writers. This collection of twenty-two short stories serves as a celebration not only of the tenth anniversary of the Made in Michigan Writers Series in 2016 but also of the rich history of writing and storytelling in the region.

Since 1887, Detroit's Eastern Market, the largest open-air market of its kind in the United States, has been home to an amazing community of farmers, merchants, and food lovers. Specialty shops, bakeries, spice companies, meat and poultry markets, restaurants, jazz cafes, old-time saloons, produce firms, gourmet shops, and cold-storage warehouses cover Eastern Market's three square miles. Its many streets and vendors reflect the varied cultures and ethnicities that have shaped the city of Detroit. In this third edition of Detroit's Eastern Market, authors Lois Johnson and Margaret Thomas recount the history of the market with additional stories and personal accounts of families who have worked and shopped there for as many as four generations. The authors have updated store information and added new restaurants and businesses to their original listings, reflecting the changes and additions that have taken place in Eastern Market since the previous edition in 2005. Richly illustrated with all new photos, Detroit's Eastern Market features more than a hundred pages of delightful recipes (including 17 new ones) from market retailers, farmers, chefs, and customers.

In 1965 social scientist Charles S. Liebman published a study that boldly declared the vitality of American Jewish Orthodoxy and went on to guide scholarly investigations of the group for the next four decades. As American Orthodoxy continues to grow in geographical, institutional, and political strength, author Adam S. Ferziger argues in Beyond Sectarianism: The Realignment of American Orthodox Judaism that one of Liebman's principal definitions needs to be updated. While Liebman proposed that the "e;committed Orthodox"e; -observant rather than nominally affiliated-could be divided into two main streams: "e;church,"e; or Modern Orthodoxy, and "e;sectarian,"e; or Haredi Orthodoxy, Ferziger traces a narrowing of the gap between them and ultimately a realignment of American Orthodox Judaism. Ferziger shows that significant elements within Haredi Orthodoxy have abandoned certain strict and seemingly uncontested norms. He begins by offering fresh insight into the division between the American sectarian Orthodox and Modern Orthodox streams that developed in the early twentieth century and highlights New York's Congregation Kehilath Jeshurun as a pioneering Modern Orthodox synagogue. Ferziger also considers the nuances of American Orthodoxy as reflected in Soviet Jewish activism during the 1960s and early 1970s and educational trips to Poland taken by American Orthodox young adults studying in Israel, and explores the responses of prominent rabbinical authorities to Orthodox feminism and its call for expanded public religious roles for women. Considerable discussion is dedicated to the emergence of outreach to nonobservant Jews as a central priority for Haredi Orthodoxy and how this focus outside its core population reflects fundamental changes. In this context, Ferziger presents evidence for the growing influence of Chabad Hasidism - what he terms the "e;Chabadization of American Orthodoxy."e; Recent studies, including the 2013 Pew Survey of U.S. Jewry, demonstrate that an active and strongly connected American Orthodox Jewish population is poised to grow in the coming decades. Jewish studies scholars and readers interested in history, sociology, and religion will appreciate Ferziger's reappraisal of this important group.

Bankruptcy law is a major part of the American legal landscape. More than a million individuals and thousands of businesses sought relief in the United States' ninety-three bankruptcy courts in 2014, more than twenty-seven thousand of them in the Eastern District of Michigan. In Adversity and Justice, Kevin Ball takes a closer look at the history and evolution of this court.

The Cinderella story is retold continuously in literature, illustration, music, theatre, ballet, opera, film, and other media, and folklorists have recognised hundreds of distinct forms of Cinderella plots. Cinderella Across Cultures analyses the Cinderella tale as a fascinating, multilayered, and ever-changing story constantly reinvented in different media and traditions.

Near the turn of the twentieth century, "e;Pine King"e; Justus S. Stearns was Michigan's largest producer of manufactured lumber and the owner of a prosperous coal mining operation headquartered in Stearns, Kentucky, a town he founded. Over the course of his career, Stearns would own at least thirty manufacturing businesses-making everything from finished lumber to kitchen utensils, game boards, and motors-as well as hotels, a railroad, and a power company. He was also an active member of the Republican Party who served one term as Michigan's secretary of state and a philanthropist who gave a great deal of his wealth to causes in both Michigan and Kentucky. In Justus S. Stearns: Michigan Pine King and Kentucky Coal Baron, 1845-1933, author Michael W. Nagle details Stearns's astounding range of accomplishments and explores the influence of both paternalism and Social Darwinism in his business practices. Nagle begins by addressing key events in the first few decades of Stearns's life and his initial foray into the lumber industry. Subsequent chapters explore Stearns's political career, his timber operations in Wisconsin, and his coal, lumber, and railroad operations in Kentucky and Tennessee. Nagle also details the ancillary businesses that Stearns founded or purchased in the early twentieth century, even as his Stearns Salt & Lumber Company served as the anchor of his Michigan holdings, while Stearns Coal & Lumber did the same for his operations in Kentucky. The final chapter offers an overview and analysis of Stearns's lifetime of accomplishments, including his impact on the town of Ludington, Michigan, where he maintained a residence for over fifty years. Nagle makes extensive use of primary source material from several historical archives as well as contemporary newspaper accounts, court documents, company records, and other primary sources. American history scholars, as well as general readers interested in Michigan's lumbering era and Kentucky's mining history, will enjoy this biography of an exceptionally influential businessman.

Airing on ABC from 1957 to 1962, Maverick appeared at a key moment in television Western history and provided a distinct alternative to the genre's usual moralistic lawmen in its hero, Bret Maverick. A non-violent gambler and part-time con man, Maverick's principles revolved around pleasure and not power, and he added humor, satire, and irony to the usually grim-faced Western. In this study of Maverick, author Dennis Broe details how the popular series mocked, altered, and undermined the characteristics of other popular Westerns, like Gunsmoke and Bonanza. Broe highlights the contributions made by its creators, its producer, Roy Huggins, and its lead actor, James Garner, to a format that was described as "e;the American fairy tale."e; Broe describes how Garner and Huggins struck blows against a feudal studio system that was on its last legs in cinema but was being applied even more rigidly in television. He considers Maverick as a place where multiple counter-cultural discourses converged-including Baudelaire's Flaneur, Guy DeBord's Situationists, and Jack Kerouc's Beats-in a form that was acceptable to American households. Finally, Broe shows how the series' validation of Maverick's outside-the-law status punctured the Cold War rhetoric promoted by the "e;adult"e; Western. Broe also highlights the series' female con women or flaneuses, who were every bit the equal of their male counterparts and added additional layers to the traditional schoolteacher/showgirl Western dichotomy. Broe demonstrates the progressive nature of Maverick as it worked to counter the traditional studio mode of production, served as a locus of counter-cultural trends, and would ultimately become the lone outpost of anti-Cold War and anti-establishment sentiments within the Western genre. Maverick fans and scholars of American television history will enjoy this close look at the classic series.

The Great Lakes Basin is the largest surface freshwater system on Earth. The more than 30,000 islands dotted throughout the basin provide some of the best ways to enjoy the Great Lakes. While the vast majority of these islands can only be reached by private boat or plane, a surprising number of islands-each with its own character and often harboring more than a bit of intrigue in its history-can be reached by merely taking a ferry ride, or crossing a bridge, offering everyone the chance to experience a variety of island adventures. Great Lakes Island Escapes: Ferries and Bridges to Adventure explores in depth over 30 of the Great Lakes Basin islands accessible by bridge or ferry and introduces more than 50 additional islands. Thirty-eight chapters include helpful information about getting to each featured island, what to expect when you get there, the island's history, and what natural and historical sites and cultural attractions are available to visitors. Each chapter lists special island events, where to get more island information, and how readers can help support the island. Author Maureen Dunphy made numerous trips to a total of 135 islands that are accessible by ferry or bridge in the Great Lakes Basin. On each trip, Dunphy was accompanied by a different friend or relative who provided her another adventurer's perspective through which to view the island experience. Great Lakes Island Escapes covers islands on both sides of the international border between the United States and Canada and features islands in both the lakes and the waterways that connect them. Anyone interested in island travel or learning more about the Great Lakes will delight in this comprehensive collection.

A groundbreaking scholarly anthology devoted to examining canonical and lesser-known films of the blaxploitation movement to demonstrate the richness, depth, and complexity of this intriguing period in motion picture history.

Siamanto was one of the 250 Armenian intellectuals and leaders executed by the Turkish government at the onset of the century's first genocide. This collection of poetry depicts the atrocities committed by the Ottoman Turkish government against its Armenian population during the early-1900s.

Literature has always played a central role in creating and disseminating culturally specific notions of citizenship, nationhood, and belonging. In Reconfiguring Citizenship and National Identity in the North American Literary Imagination, author Kathy-Ann Tan investigates metaphors, configurations, parameters, and articulations of U.S. and Canadian citizenship that are enacted, renegotiated, and revised in modern literary texts, particularly during periods of emergence and crisis. Tan brings together for the first time a selection of canonical and lesser-known U.S. and Canadian writings for critical consideration. She begins by exploring literary depiction of "e;willful"e; or "e;wayward"e; citizens and those with precarious bodies that are viewed as threatening, undesirable, unacceptable-including refugees and asylum seekers, undocumented migrants, deportees, and stateless people. She also considers the rights to citizenship and political membership claimed by queer bodies and an examination of "e;new"e; and alternative forms of citizenship, such as denizenship, urban citizenship, diasporic citizenship, and Indigenous citizenship. With case studies based on works by a diverse collection of authors-including Nathaniel Hawthorne, Djuna Barnes, Etel Adnan, Sarah Schulman, Walt Whitman, Gail Scott, and Philip Roth-Tan uncovers alternative forms of collectivity, community, and nation across a broad range of perspectives. In line with recent cross-disciplinary explorations in the field, Reconfiguring Citizenship and National Identity in the North American Literary Imagination shows citizenship as less of a fixed or static legal entity and more as a set of symbolic and cultural practices. Scholars of literary studies, cultural studies, and citizenship studies will be grateful for Tan's illuminating study.

The Dick Van Dyke Show (CBS 1961-66) was a uniquely self-reflexive sitcom that drew on vaudevillian tropes at a time when vaudeville-based comedy variety was disappearing from television. At the same time, it reflected the liberal politics of the Kennedy era and gave equal time to home and work as it ushered in a new image of the sitcom family. In The Dick Van Dyke Show, author Joanne Morreale analyzes the series' innovative form and content that altered the terrain of the television sitcom. Morreale begins by finding the roots of The Dick Van Dyke Show in the vaudeville-based comedy variety show and the "e;showbiz"e; sitcom, even as it brought notable updates to the form. She also considers how the series reflects the social context of Kennedy's New Frontier and its impact on the television industry, as The Dick Van Dyke Show responded to criticisms of television as mass entertainment. She goes on to examine the series as an early example of quality television that also pointed to the complex narrative of today, examining the show's progressive representations of race, ethnicity, and gender that influenced the content of later sitcoms. Morreale concludes by considering The Dick Van Dyke Show's afterlife, suggesting that the various reappearances of the characters and the show itself demonstrates television's "e;transseriality."e; Fans of The Dick Van Dyke Show and readers interested in American television and cultural history will appreciate this insightful reading of the series.

Although the iconic television series Father Knows Best (CBS 1954-55; NBC 1955-58; CBS 1958-60) has enjoyed a long history in rerun syndication and an enduring fan base, it is often remembered as cultural shorthand for 1950s-era conformism and authoritarianism. In this study of Father Knows Best, author Mary R. Desjardins examines the program, its popularity, and its critical position within historical, industrial, and generic contexts to challenge oversimplified assumptions about the show's use of comedy and melodrama in exploring the place of family in mid-twentieth-century American society. Desjardins begins by looking at Father Knows Best within media and production contexts, including its origin on radio, its place in the history of Screen Gems telefilm production, and its roots in the backgrounds and creative philosophies of co-producer Eugene Rodney and star-producer Robert Young. She goes on to examine the social contexts for the creation and reception of the series, especially in the era's emphasis on family togetherness, shared parenting by both father and mother, and generational stages of the life cycle. Against this background, Desjardins also discusses several Father Knows Best episodes in-depth to consider their treatment of conflicts over appropriate gender roles for women. She concludes by exploring how the series' cast participated in reevaluations of the Anderson family's meaning in relation to "e;real families"e; of the fifties, through television specials, talk show appearances, magazine and book interviews, and documentaries. Blending melodrama and comedy, naturalistic acting, and stylized cinematic visuals, Father Knows Best dramatized ideological tensions in the most typical situations facing the American family. Scholars of mid-century American popular culture and film history as well as fans of the show will appreciate Desjardin's measured analysis.

Examines how psychological and physical suffering, as portrayed on screen and experienced in personal lives, has affected the images, performances, and fortunes of stars from the 1940s to present.

The meaning of citizenship and the way that it is expressed by an individual varies with age, develops over time, and is often learned by interacting with members of other generations. In Generations, Richard Marback presents contributions that explore this temporal dimension of membership in political communities through a variety of rich disciplinary perspectives.

The story of one of America's first families of photography, documenting the history of the Goodridge studio for three-quarters of a century. It weaves photographic and regional history with the narrative of a family whose lives paralleled the social and political happenings of the country.

Vladimir Jabotinsky's famous autobiography, published in English for the first time.

The Jews of Hungary is the first comprehensive history in any language of the unique Jewish community that has lived in the Carpathian Basin for eighteen centuries, from Roman times to the present. Noted historian and anthropologist Raphael Patai, himself a native of Hungary, tells in this pioneering study the fascinating story of the struggles, achievements, and setbacks that marked the flow of history for the Hungarian Jews. He traces their seminal role in Hungarian politics, finance, industry, science, medicine, arts, andliterature, and their surprisingly rich contributions to Jewish scholarship and religious leadership both inside Hungary and in the Western world. In the early centuries of their history Hungarian Jews left no written works, so Patai had to piece together a picture of their life up to the sixteenth century based on documents and reports written by non-Jewish Hungarians and visitors from abroad. Once Hungarian Jewish literary activity began, the sources covering the life and work of the Jews rapidly increased in richness. Patai made full use of the wealth of information contained in the monumental eighteen-volume series of the Hungarian Jewish Archives and the other abundant primary sources available in Latin, German, Hebrew, Hungarian, Yiddish, and Turkish, the languages in vogue in various periods among the Jews of Hungary. In his presentation of the modern period he also examined theliterary reflection of Hungarian Jewish life in the works of Jewish and non-Jewish Hungarian novelists, poets, dramatists, andjournalists. Patai's main focus within the overall history of the Hungarian Jews is their culture and their psychology. Convinced that what is most characteristic of a people is the culture which endows its existence with specific coloration, he devotes special attention to the manifestations of Hungarian Jewish talent in the various cultural fields, most significantly literature, the arts, and scholarship. Based on the available statistical data Patai shows that from the nineteenth century, in all fields ofHungarian culture, Jews played leading roles not duplicated in any other country. Patai also shows that in the Hungarian Jewish culture a specific set of psychological motivations had a highly significant function. The Hungarian national character trait of emphatic patriotism was present in an even more fervent form in the Hungarian Jewish mind. Despite their centuries-old struggle against anti-Semitism, and especially from the nineteenth century on, Hungarian Jews remained convinced that they were one hundred percent Hungarians, differing in nothing but denominational variation from the Catholic and Protestant Hungarians. This mindset kept them apart and isolated from the Jewries of the Western world until overtaken by the tragedy of the Holocaust in the closing months of World War II.

In its intimate joining of self and machine, video gaming works to extend the body into a fluid, dynamic, unstable, and discontinuous entity. While digital gaming and culture has become a popular field of academic study, there has been a lack of sustained philosophical analysis of this direct gaming experience. In Parables of the Posthuman: Digital Realities, Gaming, and the Player Experience, author Jonathan Boulter addresses this gap by analyzing video games and the player experience philosophically. Finding points of departure in phenomenology and psychoanalysis, Boulter argues that we need to think seriously about what it means to enter into a relationship with the game machine and to assume (or to have conferred upon you) a machinic, posthuman identity. Parables of the Posthuman approaches the experience of gaming by asking: What does it mean for the player to enter the machinic "e;world"e; of the game? What forms of subjectivity does the game offer to the player? What happens to consciousness itself when one plays? To this end, Boulter analyzes the experience of particular role-playing video games, including Fallout 3, Half-Life 2, Bioshock, Crysis 2, and Metal Gear Solid 4. These games both thematize the idea of the posthuman-the games are "e;about"e; subjects whose physical and intellectual capacities are extended through machine or other prosthetic means-and also enact an experience of the posthuman for the player, who becomes more than what he was as he plays the game. Boulter concludes by exploring how the game acts as a parable of what the human, or posthuman, may look like in times to come. Academics with an interest in the intersection of philosophy, psychoanalysis, and popular culture forms and video gamers with an interest in thinking about the implications of gaming will enjoy this volume.

A transnational and interdisciplinary look at the trials of Jews accused of collaborating with the Nazis.

This little red book brings together many of the longtime Detroit mayor's most unforgettable lines in a format meant to recall the famous little red book of quotations from Chairman Mao Tse-Tung. This edition features quotations that did not make it into the original book and a chronology outlining Coleman Young's life and career.

This work approaches Frances Harper as a feminist and as a writer. The author, Melba Boyd, reflects upon the impact of Harper's legacy on another artist/activist - herself.

After the Holocaust's near complete destruction of European Yiddish cultural centers, the Yiddish language was largely viewed as a remnant of the past, tragically eradicated in its prime. In Survivors and Exiles: Yiddish Culture after the Holocaust, Jan Schwarz reveals that, on the contrary, Yiddish culture in the two and a half decades after the Holocaust was in dynamic flux. Yiddish writers and cultural organizations maintained a staggering level of activity in fostering publications and performances, collecting archival and historical materials, and launching young literary talents. Schwarz traces the transition from the Old World to the New through the works of seven major Yiddish writers-including well-known figures (Isaac Bashevis Singer, Avrom Sutzkever, Yankev Glatshteyn, and Chaim Grade) and some who are less well known (Leib Rochman, Aaron Zeitlin, and Chava Rosenfarb). The first section, Ground Zero, presents writings forged by the crucible of ghettos and concentration camps in Vilna, Lodz, and Minsk-Mazowiecki. Subsequent sections, Transnational Ashkenaz and Yiddish Letters in New York, examine Yiddish culture behind the Iron Curtain, in Israel and the Americas. Two appendixes list Yiddish publications in the book series Dos poylishe yidntum (published in Buenos Aires, 1946-66) and offer transliterations of Yiddish quotes. Survivors and Exiles charts a transnational post-Holocaust network in which the conflicting trends of fragmentation and globalization provided a context for Yiddish literature and artworks of great originality. Schwarz includes a wealth of examples and illustrations from the works under discussion, as well as photographs of creators, making this volume not only a critical commentary on Yiddish culture but also an anthology of sorts. Readers interested in Yiddish studies, Holocaust studies, and modern Jewish studies will find Survivors and Exiles a compelling contribution to these fields.